1 Three hundred years ago,merchants from Shanxi Province exported tea to foreign countries on the Eurasian continent,and in turn they brought back the secrets of glassware manufacturing.Luo Qinqin,a 40‑year‑old native...1 Three hundred years ago,merchants from Shanxi Province exported tea to foreign countries on the Eurasian continent,and in turn they brought back the secrets of glassware manufacturing.Luo Qinqin,a 40‑year‑old native of Qixian county in Shanxi,is a skilled glass worker in Shanxi.She is one of the few female artisans who have mastered the craft of glass pulling.展开更多
Inside the China Pavilion at Expo 2025 Osaka,Kansai,Japan,a cultural feast steeped in Liaoning’s history and brimming with its innovative spirit is unfolding.Under the banner“Poetic landscapes,Boundless vitality”,L...Inside the China Pavilion at Expo 2025 Osaka,Kansai,Japan,a cultural feast steeped in Liaoning’s history and brimming with its innovative spirit is unfolding.Under the banner“Poetic landscapes,Boundless vitality”,Liaoning Week employs intangible heritage showcases,live performances and exhibitions to reveal the province’s distinctive cultural charm.展开更多
The spirit of craftsmanship applies to every trade. In the context of opportunities arising from the new industrial revolution and China＇s transition towards high-end manufacturing, Premier Li Keqiang put forward the...The spirit of craftsmanship applies to every trade. In the context of opportunities arising from the new industrial revolution and China＇s transition towards high-end manufacturing, Premier Li Keqiang put forward the concept of the spirit of craftsmanship. This paper reckons that the spirit of craftsmanship can be defined from six dimensions including dedication, standard, precision, innovation, perfection and human care. In fact, the spirit of craftsmanship abounds in China, as illustrated by the examples of Tongrentang and Haier. In comparing the three manufacturing powers of Germany, Japan and the United States, this paper reveals the differences in the connotations of the spirit of craftsmanship across these countries. According to specific national conditions and development stage, China must achieve structural re-engineering of corporate organizations at the level of firms, products, divisions and modules. In a nutshell, the spirit of craftsmanship is a core component of corporate and industrial civilization and it holds an important historic position in industrial and social civilization.展开更多
In the early morning,the constant jingling and crackling echoed through the deep valley of Aima Township,Namling County,Xigaze City,where a group of apprentices at the Tsedong Gold-Copper Buddha Statue Center for Anci...In the early morning,the constant jingling and crackling echoed through the deep valley of Aima Township,Namling County,Xigaze City,where a group of apprentices at the Tsedong Gold-Copper Buddha Statue Center for Ancient Craftsmanship and Technique were diligently creating their handcrafted works.展开更多
Skilled talents are the main support for the strategic development of science and technology in China.The quality of talents is an important guarantee for the transformation and upgrading of national industries.By ana...Skilled talents are the main support for the strategic development of science and technology in China.The quality of talents is an important guarantee for the transformation and upgrading of national industries.By analyzing and studying Huang Yanpei’s thought on vocational education,this paper focuses on the cultivation of students’craftsmanship in vocational schools.First,we analyze the results of previous research and then elaborate on the connotations of Huang Yanpei’s education thought and craftsmanship spirit.Lastly,we propose five suggestions for the cultivation of craftsmanship.Our research work carries certain reference value to the study of craftsmanship cultivation in Huang Yanpei’s education thought.展开更多
This paper attempts to identify the loss of quality of craftsmanship intensive products. It shows that errors in production process and degradation in the jewellery pro duct quality in the (complex) transition from...This paper attempts to identify the loss of quality of craftsmanship intensive products. It shows that errors in production process and degradation in the jewellery pro duct quality in the (complex) transition from hand crafted silver model making to mass production are largely due to the ignorance of the importance of design——craftsmanship in production process. In fact, the design can be employed to solve the problems of the quality degradation or even as a tool to prevent error in the stages of product design, development and production. In testing this hypo thesis, production processes (from designing, model making, casting, polishing, buffing to texturing) are all examined in order to identify the root causes of product quality degradation in mass production. After the analysis, the concept of “integrated craftsmanship” is proposed to assist integration of traditional goldsmith′s and je wellery designers′ techniques in jewellery designing and making, and to change the attitudes to quality control in mass production systems. Finally, the model of “integra ted design craftsmanship” as a comprehensive design conceptual and quality organizational tool is formulated for managing and improving product quality.展开更多
Craftsmanship of Civilizations - Exhibition of Intangible Cultural Heritage in Asia gathered together intangible cultural heritage of handicrafts from Asian countries. Its rich visual forms and artistic language showc...Craftsmanship of Civilizations - Exhibition of Intangible Cultural Heritage in Asia gathered together intangible cultural heritage of handicrafts from Asian countries. Its rich visual forms and artistic language showcased the unique features of Asian cultures, promoted dialogue, exchange and mutual learning of Asian civilizations and spread the value of pursuing a shared future for Asia.展开更多
Focused on the cultivation of the craftsmanship spirit in the teaching process of the basic courses, the thesis analysis how to integrate the connotation of the craftsmanship spirit into the teaching of practical writ...Focused on the cultivation of the craftsmanship spirit in the teaching process of the basic courses, the thesis analysis how to integrate the connotation of the craftsmanship spirit into the teaching of practical writing. By the use of comparative analysis, case studies, transposition evaluation and other methods, it illustrates the vital importance of the craftsmanship spirit in students' practical writing, their future study, work and life, and also demonstrates how to foster their ingenuity.展开更多
In this essay the idea is put forward that rethinking doing is the task that human sciences will need to undertake in the twenty-first century because the dichotomy do/think is one of the most deceptive and dangerous ...In this essay the idea is put forward that rethinking doing is the task that human sciences will need to undertake in the twenty-first century because the dichotomy do/think is one of the most deceptive and dangerous that the Western furor dividendi has ever formulated. Likewise, this is the time to re-do thinking： Both activities, divided from each other, are today quantitatively efficient, but incapable of making sense of themselves, of their own proceeding and of the world where they operate. Similarly incapable are the people who perform them and suffer cruelly from this defeat. It would take a rehabilitated subject, restored to an active role as interpreter and creator of culture, to remedy these shortcomings, reintegrating the spheres in a tensile equilibrium rich in novelty and significance. To this end, in an interdisciplinary perspective, insights by Dumont, Simmel, and Damasio are discussed and connected to Sennett＇s crucial intuition of the need for a new craftsmanship. This becomes the model of a foundational cultural act, in which a complex vision of culture joins a subjectivity that is at the same time a dynamic balance between rational and emotional components and a process where body and soul are inextricably entwined.展开更多
文摘1 Three hundred years ago,merchants from Shanxi Province exported tea to foreign countries on the Eurasian continent,and in turn they brought back the secrets of glassware manufacturing.Luo Qinqin,a 40‑year‑old native of Qixian county in Shanxi,is a skilled glass worker in Shanxi.She is one of the few female artisans who have mastered the craft of glass pulling.
文摘Inside the China Pavilion at Expo 2025 Osaka,Kansai,Japan,a cultural feast steeped in Liaoning’s history and brimming with its innovative spirit is unfolding.Under the banner“Poetic landscapes,Boundless vitality”,Liaoning Week employs intangible heritage showcases,live performances and exhibitions to reveal the province’s distinctive cultural charm.
文摘The spirit of craftsmanship applies to every trade. In the context of opportunities arising from the new industrial revolution and China＇s transition towards high-end manufacturing, Premier Li Keqiang put forward the concept of the spirit of craftsmanship. This paper reckons that the spirit of craftsmanship can be defined from six dimensions including dedication, standard, precision, innovation, perfection and human care. In fact, the spirit of craftsmanship abounds in China, as illustrated by the examples of Tongrentang and Haier. In comparing the three manufacturing powers of Germany, Japan and the United States, this paper reveals the differences in the connotations of the spirit of craftsmanship across these countries. According to specific national conditions and development stage, China must achieve structural re-engineering of corporate organizations at the level of firms, products, divisions and modules. In a nutshell, the spirit of craftsmanship is a core component of corporate and industrial civilization and it holds an important historic position in industrial and social civilization.
文摘In the early morning,the constant jingling and crackling echoed through the deep valley of Aima Township,Namling County,Xigaze City,where a group of apprentices at the Tsedong Gold-Copper Buddha Statue Center for Ancient Craftsmanship and Technique were diligently creating their handcrafted works.
基金The Project of China Vocational Education Association(Project Number:ZJS2022YB024)The Project of Innovation and Development Center of Ideological and Political Work(Beijing Polytechnic),Ministry of Education(Project Number:2022X305-SXZC).
文摘Skilled talents are the main support for the strategic development of science and technology in China.The quality of talents is an important guarantee for the transformation and upgrading of national industries.By analyzing and studying Huang Yanpei’s thought on vocational education,this paper focuses on the cultivation of students’craftsmanship in vocational schools.First,we analyze the results of previous research and then elaborate on the connotations of Huang Yanpei’s education thought and craftsmanship spirit.Lastly,we propose five suggestions for the cultivation of craftsmanship.Our research work carries certain reference value to the study of craftsmanship cultivation in Huang Yanpei’s education thought.
文摘This paper attempts to identify the loss of quality of craftsmanship intensive products. It shows that errors in production process and degradation in the jewellery pro duct quality in the (complex) transition from hand crafted silver model making to mass production are largely due to the ignorance of the importance of design——craftsmanship in production process. In fact, the design can be employed to solve the problems of the quality degradation or even as a tool to prevent error in the stages of product design, development and production. In testing this hypo thesis, production processes (from designing, model making, casting, polishing, buffing to texturing) are all examined in order to identify the root causes of product quality degradation in mass production. After the analysis, the concept of “integrated craftsmanship” is proposed to assist integration of traditional goldsmith′s and je wellery designers′ techniques in jewellery designing and making, and to change the attitudes to quality control in mass production systems. Finally, the model of “integra ted design craftsmanship” as a comprehensive design conceptual and quality organizational tool is formulated for managing and improving product quality.
文摘Craftsmanship of Civilizations - Exhibition of Intangible Cultural Heritage in Asia gathered together intangible cultural heritage of handicrafts from Asian countries. Its rich visual forms and artistic language showcased the unique features of Asian cultures, promoted dialogue, exchange and mutual learning of Asian civilizations and spread the value of pursuing a shared future for Asia.
文摘Focused on the cultivation of the craftsmanship spirit in the teaching process of the basic courses, the thesis analysis how to integrate the connotation of the craftsmanship spirit into the teaching of practical writing. By the use of comparative analysis, case studies, transposition evaluation and other methods, it illustrates the vital importance of the craftsmanship spirit in students' practical writing, their future study, work and life, and also demonstrates how to foster their ingenuity.
文摘In this essay the idea is put forward that rethinking doing is the task that human sciences will need to undertake in the twenty-first century because the dichotomy do/think is one of the most deceptive and dangerous that the Western furor dividendi has ever formulated. Likewise, this is the time to re-do thinking： Both activities, divided from each other, are today quantitatively efficient, but incapable of making sense of themselves, of their own proceeding and of the world where they operate. Similarly incapable are the people who perform them and suffer cruelly from this defeat. It would take a rehabilitated subject, restored to an active role as interpreter and creator of culture, to remedy these shortcomings, reintegrating the spheres in a tensile equilibrium rich in novelty and significance. To this end, in an interdisciplinary perspective, insights by Dumont, Simmel, and Damasio are discussed and connected to Sennett＇s crucial intuition of the need for a new craftsmanship. This becomes the model of a foundational cultural act, in which a complex vision of culture joins a subjectivity that is at the same time a dynamic balance between rational and emotional components and a process where body and soul are inextricably entwined.
