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Traditional Longquan Celadon Firing Technique
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《China Today》 2025年第9期F0003-F0003,共1页
LONGQUAN,a historic city in east China’s Zhejiang Province,is renowned for its exquisite celadon ware,featuring fine texture and pure,jade-like glaze.The region has a potterymaking tradition that spans over 1,600 yea... LONGQUAN,a historic city in east China’s Zhejiang Province,is renowned for its exquisite celadon ware,featuring fine texture and pure,jade-like glaze.The region has a potterymaking tradition that spans over 1,600 years.Its celadon firing technique originated during the Three Kingdoms Period(220-280)and reached its peak in the Southern Song Dynasty(1127-1279).Since the Song Dynasty(960-1368),Longquan was among the main suppliers of porcelain for the imperial court.From the 12th to the 15th centuries. 展开更多
关键词 Zhejiang province Southern Song dynasty celadon warefeaturing firing technique pottery making Three Kingdoms period celadon firing technique potterymaking tradition
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Chemical Composition of Ancient Celadon Material(1127-1279 A.D.) from Zhejiang,China and Its Implication
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作者 PENG Zicheng LEUNG Po Lau +2 位作者 YU Peter CHENG Peikai LI Mai 《Acta Geologica Sinica(English Edition)》 SCIE CAS CSCD 2006年第5期759-762,共4页
The microprobe EDXRF equipment was used for analysis of the major and trace elements in glaze layer-transitive layer-body layer of the celadon from the Altar Yao (Kiln) and Laohudong Yao in the Southern Song Dynasty... The microprobe EDXRF equipment was used for analysis of the major and trace elements in glaze layer-transitive layer-body layer of the celadon from the Altar Yao (Kiln) and Laohudong Yao in the Southern Song Dynasty (1127-1279 A.D.), Zhejiang, China. The K values of the discriminant factor for the celadon wares are larger than 8, which means the celadon of the Altar Yao and Laohudong Yao are different from that of the Longquan Yao. The former two belong to the Guan Yao system (the Chinese imperial kilns), but the latter to the Min Yao system (the Chinese popular kilns). The principle component analysis shows their relationship between the Altar and Laohudong wares with provenance postulation. The thickness of the transitive layer in the Altar and Laohudong wares is obviously different, which reveals the microstructure characteristics of the celadon even though both kinds of wares belong to the imperial kiln system. 展开更多
关键词 Microprobe EDXRF analysis ancient celadon chemical composition PROVENANCE
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LONGQUAN Celadon
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作者 Lang Zhiqian 《China's Foreign Trade》 1996年第2期47-47,共1页
Longquan celadon comesfrom Longquan County,Zhejiang Province.It is atraditional ceramic,and notedfor its smooth and crystal-clearglaze.
关键词 LONGQUAN Celadon
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Celadon of Yue Kiln
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作者 Zhang Lihong 《China & The World Cultural Exchange》 2012年第11期34-36,共3页
正Celadon of Yue Kiln comes from the famous ancient Chinese Yue kiln in Southern China. The earliest porcelain was successfully made in this very kiln in the Eastern Han Dynasty, so it is also honored as the "mot... 正Celadon of Yue Kiln comes from the famous ancient Chinese Yue kiln in Southern China. The earliest porcelain was successfully made in this very kiln in the Eastern Han Dynasty, so it is also honored as the "mother porcelain". The kiln stopped producing at the end of the Northern Song Dynasty and the early 展开更多
关键词 Celadon of Yue Kiln
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The inheritance dilemma of Longquan celadon industry in the Internet age:a study on innovation motivation and professional identity
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作者 Mingkai Wang 《Advances in Humanities Research》 2025年第9期13-18,共6页
This study examines the inheritance dilemma of Longquan celadon in the Internet era,integrating sociological andanthropological perspectives.From a sociological lens,this study utilize Bourdieu’s cultural capital the... This study examines the inheritance dilemma of Longquan celadon in the Internet era,integrating sociological andanthropological perspectives.From a sociological lens,this study utilize Bourdieu’s cultural capital theory(1986)to analyze howceladon’s craftsmanship,rituals,and market value form a symbolic resource that shapes inheritors’occupational identity andsocial status.The digital disruption of the market has fragmented this cultural capital’s reproduction,leading to intergenerationalconflicts in occupational values.This study also employs Geertz’s concept of local knowledge(1983)and thick description tounpack how celadon craftsmanship,as a locally embedded knowledge system,is negotiated by several local artisans.Theintergenerational gap in digital adoption,including the older inheritors limited use of short videos versus younger artisans’digitalentrepreneurship,reveals a struggle over cultural authenticity and innovation,reflecting the dynamic reconstruction of localknowledge in the digital age.This research advanced both sociology and anthropological by showing how digitalization reshapesthe social field of traditional craftsmanship and the cultural meaning of intangible heritage,highlighting the interplay betweenglobal technologies and local cultural practices. 展开更多
关键词 Longquan celadon intangible cultural heritage inheritance predicament INTERNET INNOVATION professional identity
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Property and provenance study of fancy celadon samples excavated from the Noble Burials of the Yue State at Hongshan, China 被引量:8
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作者 WU Juan WU JunMing +4 位作者 LI QiJiang ZHANG MaoLin LI JiaZhi LU XiaoKe DENG ZeQun 《Science China(Technological Sciences)》 SCIE EI CAS 2010年第2期369-374,共6页
The Noble Burials of the Yue State at Hongshan in Wuxi City with many fancy burial objects were excavated by Archaeology Institute of Jiangsu Province and Xishan District Committee for Administration of Cultural Relic... The Noble Burials of the Yue State at Hongshan in Wuxi City with many fancy burial objects were excavated by Archaeology Institute of Jiangsu Province and Xishan District Committee for Administration of Cultural Relics of China.It was appraised as one of the ten major archaeological excavations in 2004.Some precious ceramic samples excavated from this site are very important for studying the development history of Chinese ceramics,especially for studying the origin of porcelain.With the cooperation of Archaeology Institute of Nanjing Museum,the ceramic samples excavated from the Noble Burials of the Yue State at Hongshan were collected and systematically analyzed.Compared with the celadon samples produced in Yue-kiln site during later Eastern Han Dynasty(25–220 A.D.),some important topics such as the provenance and properties of the ceramic samples excavated from the Noble Burials of the Yue State at Hongshan were deeply studied. 展开更多
关键词 Noble Burials of the Yue State at Hongshan multivariate statistical analysis method origin of porcelain CELADON
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Clustering analysis of ancient celadon based on SOM neural network 被引量:1
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作者 ZHOU ShaoHua FU Lue LIANG BaoLiu 《Science China(Technological Sciences)》 SCIE EI CAS 2008年第7期999-1007,共9页
In the study, chemical compositions of 48 fragments of ancient ceramics excavated in 4 archaeological kiln sites which were located in 3 cities (Hangzhou, Cixi and Longquan in Zhejiang Province, China) have been exami... In the study, chemical compositions of 48 fragments of ancient ceramics excavated in 4 archaeological kiln sites which were located in 3 cities (Hangzhou, Cixi and Longquan in Zhejiang Province, China) have been examined by energy-dispersive X-ray fluorescence (EDXRF) technique. Then the method of SOM was introduced into the clustering analysis based on the major and minor element compositions of the bodies, the results manifested that 48 samples could be perfectly distributed into 3 locations, Hangzhou, Cixi and Longquan. Because the major and minor element compositions of two Royal Kilns were similar to each other, the classification accuracy over them was merely 76.92%. In view of this, the authors have made a SOM clustering analysis again based on the trace element compositions of the bodies, the classification accuracy rose to 84.61%. These results indicated that discrepancies in the trace element compositions of the bodies of the ancient ceramics excavated in two Royal Kiln sites were more distinct than those in the major and minor element compositions, which was in accordance with the fact. We argued that SOM could be employed in the clustering analysis of ancient ceramics. 展开更多
关键词 energy-dispersive X-ray fluorescence (EDXRF) SOM ANCIENT CELADON clustering analysis
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Study on the chemical composition features of Longquan celadon excavated from the Chuzhou site of Huai'an City in Jiangsu Province by EDXRF
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作者 李丽 冯松林 +4 位作者 冯向前 徐清 闫灵通 马波 霍华 《Chinese Physics C》 SCIE CAS CSCD 2011年第7期689-694,共6页
A mass of Longquan celadon shards were excavated from the Chuzhou site of Huai'an City in Jiangsu Province, China. These celadon shards were fired during the period of the Late Yuan Dynasty to the Tianshun era of the... A mass of Longquan celadon shards were excavated from the Chuzhou site of Huai'an City in Jiangsu Province, China. These celadon shards were fired during the period of the Late Yuan Dynasty to the Tianshun era of the Ming Dynasty, as identified by archaeologists at Nanjing Museum. In order to research the chemical composition features of this ancient celadon porcelain, energy dispersive X-ray fluorescence (EDXRF) for non-destructive analysis was used to determine the chemical composition of the porcelain body and glaze in these shards. The results indicate that Ti and Fe in the body of Longquan celadon are characteristic elements which can distinguish porcelain produced during the Late Yuan Dynasty from those produced in the Ming Dynasties. The results of the principal component analysis (PCA) show that different body and glaze raw materials were used for the production of porcelain in different periods and the raw materials of the body and glaze are also different for various vessel shapes. The chemical compositions in the porcelain body of civilian ware are slightly different. The imperial and civilian Longquan celadon porcelains produced during the Hongwu era to the Tianshun era of the Ming Dynasty are distinguishable by the MnO, Fe2O3, Rb2O and SrO content in their porcelain glaze. 展开更多
关键词 Longquan celadon EDXRF PCA
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Celadon Figurines Play Instruments
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《Women of China》 1995年第8期55-55,共1页
This group of figurines, each 0.15m tall, were unearthed from a Tang Dynasty tomb in Changsha in 1977. Music was very developed in the Tang Dynasty. Colorful musical instruments and dances were popular both among the ... This group of figurines, each 0.15m tall, were unearthed from a Tang Dynasty tomb in Changsha in 1977. Music was very developed in the Tang Dynasty. Colorful musical instruments and dances were popular both among the people and in the palace. These vivid-looking figurines wear pleated skirts with small sleeves and open chest, a style influenced by the non-Han nationalities living in the north and west of China. Some of the musical instruments were brought from the Western Regions. The figurines are playing the xiao (a vertical bamboo flute), the konghou 展开更多
关键词 Celadon Figurines Play Instruments
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Shadow Celadon Statue of Guanyin
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作者 XU RUIPING 《Women of China》 1998年第8期44-44,共1页
In Buddhist legend, the Bodhisattva Guanyin is infinitely merciful, always helping the needy and succoring the distressed. Guanyin can also freely change into many incarnations. Starting from the 2nd century A.D., Gua... In Buddhist legend, the Bodhisattva Guanyin is infinitely merciful, always helping the needy and succoring the distressed. Guanyin can also freely change into many incarnations. Starting from the 2nd century A.D., Guanyin began to appear as a woman, becoming one of the most important images in Chinese Buddhism. This statue of Guanyin was excavated in 1955 from the ruins of Dadu (the capital of the Yuan Dynasty) at Dingfu Street, Xicheng District of today’s Beijing. It stands 67 cm high. Smiling slightly with her half-lidded eyes, Guanyinlooks dignified and refined, with a some- 展开更多
关键词 Shadow Celadon Statue of Guanyin
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Celadon Jar with Brown Dancing Figure
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作者 XIONG CHUANGXIN 《Women of China》 1995年第11期44-44,共1页
This celadon jar, 16.5 cm high, was produced by the Changsha Kiln during the Tang Dynasty. The Changsha Kiln, located on the bank of the Xiangjiang River, 60 kilometers north of Changsha, was the earliest producer of ... This celadon jar, 16.5 cm high, was produced by the Changsha Kiln during the Tang Dynasty. The Changsha Kiln, located on the bank of the Xiangjiang River, 60 kilometers north of Changsha, was the earliest producer of underglaze decoration. The development of underglaze enamel was a turning point in the history of China’s ancient porcelain. It was a change from a monochromatic glaze to a polychromtic glaze, creating a porcelain blazing 展开更多
关键词 Celadon Jar with Brown Dancing Figure
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Celadon Jar with Figurines from the Yue Kiln
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作者 Courtesy of the Zhejiang Provincial Museum GAO CHAOYUN 《Women of China》 1997年第5期44-44,共1页
Celadon ware from the Yue kiln in Zhejiang Province is the typical style of southern porce lain. Starting production in the late East Han Dynasty (25-220 A. D.), the porcelain industry fully developed during the Weste... Celadon ware from the Yue kiln in Zhejiang Province is the typical style of southern porce lain. Starting production in the late East Han Dynasty (25-220 A. D.), the porcelain industry fully developed during the Western Jin. Celadon became outstanding with its improved art form and production techniques. It had both 展开更多
关键词 Celadon Jar with Figurines from the Yue Kiln
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