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Traditional Longquan Celadon Firing Technique
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《China Today》 2025年第9期F0003-F0003,共1页
LONGQUAN,a historic city in east China’s Zhejiang Province,is renowned for its exquisite celadon ware,featuring fine texture and pure,jade-like glaze.The region has a potterymaking tradition that spans over 1,600 yea... LONGQUAN,a historic city in east China’s Zhejiang Province,is renowned for its exquisite celadon ware,featuring fine texture and pure,jade-like glaze.The region has a potterymaking tradition that spans over 1,600 years.Its celadon firing technique originated during the Three Kingdoms Period(220-280)and reached its peak in the Southern Song Dynasty(1127-1279).Since the Song Dynasty(960-1368),Longquan was among the main suppliers of porcelain for the imperial court.From the 12th to the 15th centuries. 展开更多
关键词 Zhejiang province Southern Song dynasty celadon warefeaturing firing technique pottery making Three Kingdoms period celadon firing technique potterymaking tradition
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Chemical Composition of Ancient Celadon Material(1127-1279 A.D.) from Zhejiang,China and Its Implication
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作者 PENG Zicheng LEUNG Po Lau +2 位作者 YU Peter CHENG Peikai LI Mai 《Acta Geologica Sinica(English Edition)》 SCIE CAS CSCD 2006年第5期759-762,共4页
The microprobe EDXRF equipment was used for analysis of the major and trace elements in glaze layer-transitive layer-body layer of the celadon from the Altar Yao (Kiln) and Laohudong Yao in the Southern Song Dynasty... The microprobe EDXRF equipment was used for analysis of the major and trace elements in glaze layer-transitive layer-body layer of the celadon from the Altar Yao (Kiln) and Laohudong Yao in the Southern Song Dynasty (1127-1279 A.D.), Zhejiang, China. The K values of the discriminant factor for the celadon wares are larger than 8, which means the celadon of the Altar Yao and Laohudong Yao are different from that of the Longquan Yao. The former two belong to the Guan Yao system (the Chinese imperial kilns), but the latter to the Min Yao system (the Chinese popular kilns). The principle component analysis shows their relationship between the Altar and Laohudong wares with provenance postulation. The thickness of the transitive layer in the Altar and Laohudong wares is obviously different, which reveals the microstructure characteristics of the celadon even though both kinds of wares belong to the imperial kiln system. 展开更多
关键词 Microprobe EDXRF analysis ancient celadon chemical composition PROVENANCE
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LONGQUAN Celadon
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作者 Lang Zhiqian 《China's Foreign Trade》 1996年第2期47-47,共1页
Longquan celadon comesfrom Longquan County,Zhejiang Province.It is atraditional ceramic,and notedfor its smooth and crystal-clearglaze.
关键词 LONGQUAN celadon
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Celadon of Yue Kiln
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作者 Zhang Lihong 《China & The World Cultural Exchange》 2012年第11期34-36,共3页
正Celadon of Yue Kiln comes from the famous ancient Chinese Yue kiln in Southern China. The earliest porcelain was successfully made in this very kiln in the Eastern Han Dynasty, so it is also honored as the "mot... 正Celadon of Yue Kiln comes from the famous ancient Chinese Yue kiln in Southern China. The earliest porcelain was successfully made in this very kiln in the Eastern Han Dynasty, so it is also honored as the "mother porcelain". The kiln stopped producing at the end of the Northern Song Dynasty and the early 展开更多
关键词 celadon of Yue Kiln
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The inheritance dilemma of Longquan celadon industry in the Internet age:a study on innovation motivation and professional identity
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作者 Mingkai Wang 《Advances in Humanities Research》 2025年第9期13-18,共6页
This study examines the inheritance dilemma of Longquan celadon in the Internet era,integrating sociological andanthropological perspectives.From a sociological lens,this study utilize Bourdieu’s cultural capital the... This study examines the inheritance dilemma of Longquan celadon in the Internet era,integrating sociological andanthropological perspectives.From a sociological lens,this study utilize Bourdieu’s cultural capital theory(1986)to analyze howceladon’s craftsmanship,rituals,and market value form a symbolic resource that shapes inheritors’occupational identity andsocial status.The digital disruption of the market has fragmented this cultural capital’s reproduction,leading to intergenerationalconflicts in occupational values.This study also employs Geertz’s concept of local knowledge(1983)and thick description tounpack how celadon craftsmanship,as a locally embedded knowledge system,is negotiated by several local artisans.Theintergenerational gap in digital adoption,including the older inheritors limited use of short videos versus younger artisans’digitalentrepreneurship,reveals a struggle over cultural authenticity and innovation,reflecting the dynamic reconstruction of localknowledge in the digital age.This research advanced both sociology and anthropological by showing how digitalization reshapesthe social field of traditional craftsmanship and the cultural meaning of intangible heritage,highlighting the interplay betweenglobal technologies and local cultural practices. 展开更多
关键词 Longquan celadon intangible cultural heritage inheritance predicament INTERNET INNOVATION professional identity
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Property and provenance study of fancy celadon samples excavated from the Noble Burials of the Yue State at Hongshan, China 被引量:8
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作者 WU Juan WU JunMing +4 位作者 LI QiJiang ZHANG MaoLin LI JiaZhi LU XiaoKe DENG ZeQun 《Science China(Technological Sciences)》 SCIE EI CAS 2010年第2期369-374,共6页
The Noble Burials of the Yue State at Hongshan in Wuxi City with many fancy burial objects were excavated by Archaeology Institute of Jiangsu Province and Xishan District Committee for Administration of Cultural Relic... The Noble Burials of the Yue State at Hongshan in Wuxi City with many fancy burial objects were excavated by Archaeology Institute of Jiangsu Province and Xishan District Committee for Administration of Cultural Relics of China.It was appraised as one of the ten major archaeological excavations in 2004.Some precious ceramic samples excavated from this site are very important for studying the development history of Chinese ceramics,especially for studying the origin of porcelain.With the cooperation of Archaeology Institute of Nanjing Museum,the ceramic samples excavated from the Noble Burials of the Yue State at Hongshan were collected and systematically analyzed.Compared with the celadon samples produced in Yue-kiln site during later Eastern Han Dynasty(25–220 A.D.),some important topics such as the provenance and properties of the ceramic samples excavated from the Noble Burials of the Yue State at Hongshan were deeply studied. 展开更多
关键词 Noble Burials of the Yue State at Hongshan multivariate statistical analysis method origin of porcelain celadon
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Clustering analysis of ancient celadon based on SOM neural network 被引量:1
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作者 ZHOU ShaoHua FU Lue LIANG BaoLiu 《Science China(Technological Sciences)》 SCIE EI CAS 2008年第7期999-1007,共9页
In the study, chemical compositions of 48 fragments of ancient ceramics excavated in 4 archaeological kiln sites which were located in 3 cities (Hangzhou, Cixi and Longquan in Zhejiang Province, China) have been exami... In the study, chemical compositions of 48 fragments of ancient ceramics excavated in 4 archaeological kiln sites which were located in 3 cities (Hangzhou, Cixi and Longquan in Zhejiang Province, China) have been examined by energy-dispersive X-ray fluorescence (EDXRF) technique. Then the method of SOM was introduced into the clustering analysis based on the major and minor element compositions of the bodies, the results manifested that 48 samples could be perfectly distributed into 3 locations, Hangzhou, Cixi and Longquan. Because the major and minor element compositions of two Royal Kilns were similar to each other, the classification accuracy over them was merely 76.92%. In view of this, the authors have made a SOM clustering analysis again based on the trace element compositions of the bodies, the classification accuracy rose to 84.61%. These results indicated that discrepancies in the trace element compositions of the bodies of the ancient ceramics excavated in two Royal Kiln sites were more distinct than those in the major and minor element compositions, which was in accordance with the fact. We argued that SOM could be employed in the clustering analysis of ancient ceramics. 展开更多
关键词 energy-dispersive X-ray fluorescence (EDXRF) SOM ANCIENT celadon clustering analysis
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江苏扬州邗江区尚书路唐墓M18发掘简报
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作者 闫璘(绘图/照相/执笔) 张青海(绘图) +4 位作者 陈秀英(绘图) 韩成龙 刘刚 张富泉 池军 《考古与文物》 北大核心 2026年第1期34-48,F0003,F0002,共17页
2018年,扬州市文物考古研究所对扬州市邗江区尚书路建设工程用地进行了考古发掘,共清理汉至明清时期墓葬60座。其中M18为一座初唐时期的砖室墓,虽经盗扰,仍出土随葬品83件(组),其中有青瓷器62件,包括瓷俑、模型明器、生活用品等。这批... 2018年,扬州市文物考古研究所对扬州市邗江区尚书路建设工程用地进行了考古发掘,共清理汉至明清时期墓葬60座。其中M18为一座初唐时期的砖室墓,虽经盗扰,仍出土随葬品83件(组),其中有青瓷器62件,包括瓷俑、模型明器、生活用品等。这批瓷器制作精良,种类丰富,造型生动,填补了扬州地区初唐墓葬中未发现青瓷俑的空白,为研究初唐时期扬州地区的丧葬习俗、社会生活、经济文化交流等增添了重要的实物资料。 展开更多
关键词 江苏扬州市 初唐 砖室墓 青瓷器 青瓷俑
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Study on the chemical composition features of Longquan celadon excavated from the Chuzhou site of Huai'an City in Jiangsu Province by EDXRF
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作者 李丽 冯松林 +4 位作者 冯向前 徐清 闫灵通 马波 霍华 《Chinese Physics C》 SCIE CAS CSCD 2011年第7期689-694,共6页
A mass of Longquan celadon shards were excavated from the Chuzhou site of Huai'an City in Jiangsu Province, China. These celadon shards were fired during the period of the Late Yuan Dynasty to the Tianshun era of the... A mass of Longquan celadon shards were excavated from the Chuzhou site of Huai'an City in Jiangsu Province, China. These celadon shards were fired during the period of the Late Yuan Dynasty to the Tianshun era of the Ming Dynasty, as identified by archaeologists at Nanjing Museum. In order to research the chemical composition features of this ancient celadon porcelain, energy dispersive X-ray fluorescence (EDXRF) for non-destructive analysis was used to determine the chemical composition of the porcelain body and glaze in these shards. The results indicate that Ti and Fe in the body of Longquan celadon are characteristic elements which can distinguish porcelain produced during the Late Yuan Dynasty from those produced in the Ming Dynasties. The results of the principal component analysis (PCA) show that different body and glaze raw materials were used for the production of porcelain in different periods and the raw materials of the body and glaze are also different for various vessel shapes. The chemical compositions in the porcelain body of civilian ware are slightly different. The imperial and civilian Longquan celadon porcelains produced during the Hongwu era to the Tianshun era of the Ming Dynasty are distinguishable by the MnO, Fe2O3, Rb2O and SrO content in their porcelain glaze. 展开更多
关键词 Longquan celadon EDXRF PCA
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人工智能视域下龙泉青瓷文化品牌发展的现实困境与实践路径——基于《哪吒之魔童闹海》出圈的思考
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作者 章元红 《丽水学院学报》 2026年第1期79-87,共9页
随着数字技术的发展,人工智能技术在文化传承与创新领域展现出强大赋能效应,为龙泉青瓷文化品牌的现代转化提供了强有力的技术支撑。在人工智能视域下,龙泉青瓷文化品牌的发展面临技术困境、产业困境、传播困境等挑战。电影《哪吒之魔... 随着数字技术的发展,人工智能技术在文化传承与创新领域展现出强大赋能效应,为龙泉青瓷文化品牌的现代转化提供了强有力的技术支撑。在人工智能视域下,龙泉青瓷文化品牌的发展面临技术困境、产业困境、传播困境等挑战。电影《哪吒之魔童闹海》的人工智能应用路径,为有效应对这些挑战提供了有益借鉴。该影片通过叙事重构、符号创新、产业延伸等手段,实现了传统文化IP的创新性重构。龙泉青瓷文化品牌发展也可以从这三个维度出发,借助人工智能技术将龙泉青瓷的传统技艺与现代审美相融合,推动龙泉青瓷文化创造性转化、创新性发展,使其焕发出新的生机与活力。 展开更多
关键词 人工智能 龙泉青瓷 《哪吒之魔童闹海》 传统文化
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宋代汝窑青瓷色彩语言的现代转译研究
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作者 卢晓燕 《鞋类工艺与设计》 2026年第1期66-68,共3页
本文聚焦宋代汝窑青瓷色彩语言,深入探讨其历史发展脉络、艺术特点及文化内涵,系统分析其在现代设计中的应用现状与趋势,并提出色彩提取、材质工艺创新及设计理念融合等转译策略。旨在为传统色彩文化在现代设计中的传承与创新提供理论... 本文聚焦宋代汝窑青瓷色彩语言,深入探讨其历史发展脉络、艺术特点及文化内涵,系统分析其在现代设计中的应用现状与趋势,并提出色彩提取、材质工艺创新及设计理念融合等转译策略。旨在为传统色彩文化在现代设计中的传承与创新提供理论支持与实践路径,推动中国传统文化在全球设计领域中的影响力提升。 展开更多
关键词 宋代汝窑青瓷 色彩语言 现代转译 设计应用
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Celadon Figurines Play Instruments
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《Women of China》 1995年第8期55-55,共1页
This group of figurines, each 0.15m tall, were unearthed from a Tang Dynasty tomb in Changsha in 1977. Music was very developed in the Tang Dynasty. Colorful musical instruments and dances were popular both among the ... This group of figurines, each 0.15m tall, were unearthed from a Tang Dynasty tomb in Changsha in 1977. Music was very developed in the Tang Dynasty. Colorful musical instruments and dances were popular both among the people and in the palace. These vivid-looking figurines wear pleated skirts with small sleeves and open chest, a style influenced by the non-Han nationalities living in the north and west of China. Some of the musical instruments were brought from the Western Regions. The figurines are playing the xiao (a vertical bamboo flute), the konghou 展开更多
关键词 celadon Figurines Play Instruments
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Shadow Celadon Statue of Guanyin
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作者 XU RUIPING 《Women of China》 1998年第8期44-44,共1页
In Buddhist legend, the Bodhisattva Guanyin is infinitely merciful, always helping the needy and succoring the distressed. Guanyin can also freely change into many incarnations. Starting from the 2nd century A.D., Gua... In Buddhist legend, the Bodhisattva Guanyin is infinitely merciful, always helping the needy and succoring the distressed. Guanyin can also freely change into many incarnations. Starting from the 2nd century A.D., Guanyin began to appear as a woman, becoming one of the most important images in Chinese Buddhism. This statue of Guanyin was excavated in 1955 from the ruins of Dadu (the capital of the Yuan Dynasty) at Dingfu Street, Xicheng District of today’s Beijing. It stands 67 cm high. Smiling slightly with her half-lidded eyes, Guanyinlooks dignified and refined, with a some- 展开更多
关键词 Shadow celadon Statue of Guanyin
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Celadon Jar with Brown Dancing Figure
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作者 XIONG CHUANGXIN 《Women of China》 1995年第11期44-44,共1页
This celadon jar, 16.5 cm high, was produced by the Changsha Kiln during the Tang Dynasty. The Changsha Kiln, located on the bank of the Xiangjiang River, 60 kilometers north of Changsha, was the earliest producer of ... This celadon jar, 16.5 cm high, was produced by the Changsha Kiln during the Tang Dynasty. The Changsha Kiln, located on the bank of the Xiangjiang River, 60 kilometers north of Changsha, was the earliest producer of underglaze decoration. The development of underglaze enamel was a turning point in the history of China’s ancient porcelain. It was a change from a monochromatic glaze to a polychromtic glaze, creating a porcelain blazing 展开更多
关键词 celadon Jar with Brown Dancing Figure
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Celadon Jar with Figurines from the Yue Kiln
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作者 Courtesy of the Zhejiang Provincial Museum GAO CHAOYUN 《Women of China》 1997年第5期44-44,共1页
Celadon ware from the Yue kiln in Zhejiang Province is the typical style of southern porce lain. Starting production in the late East Han Dynasty (25-220 A. D.), the porcelain industry fully developed during the Weste... Celadon ware from the Yue kiln in Zhejiang Province is the typical style of southern porce lain. Starting production in the late East Han Dynasty (25-220 A. D.), the porcelain industry fully developed during the Western Jin. Celadon became outstanding with its improved art form and production techniques. It had both 展开更多
关键词 celadon Jar with Figurines from the Yue Kiln
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视觉语言模型引导的青瓷跨模态知识图谱构建 被引量:1
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作者 肖刚 方静雯 +3 位作者 张豪 刘莹 周晓峰 徐俊 《中国图象图形学报》 北大核心 2025年第5期1318-1333,共16页
目的青瓷是中华民族文化瑰宝中的璀璨明珠,也是中外交流的文化使者。在文化数智化背景下,构建青瓷跨模态知识图谱是推动青瓷文化保护传承的关键技术之一。在此过程中,实现不同模态间相同实体的匹配至关重要,涉及到对齐等价实体的不同模... 目的青瓷是中华民族文化瑰宝中的璀璨明珠,也是中外交流的文化使者。在文化数智化背景下,构建青瓷跨模态知识图谱是推动青瓷文化保护传承的关键技术之一。在此过程中,实现不同模态间相同实体的匹配至关重要,涉及到对齐等价实体的不同模态特征。为最大程度地提升青瓷图像与文本间的匹配度,提出了一种基于视觉语言预训练(vision-language pretraining,VLP)模型的图像多特征映射的跨模态实体对齐方法。方法首先从青瓷图像中提取轮廓、纹理和色彩方面的局部特征。接着引入带门控的多元融合器来动态地融合多个图像特征。进一步通过多层全连接网络,学习将融合特征映射到一个合适的中间表示空间,以引导文本编码器生成与图像特征更加匹配的文本特征。最后借助InfoNCE(information noise contrastive estimation)损失函数对模型进行训练和优化。结果在自建的ChinaWare数据集上,将本文方法与基准方法CN-CLIP(contrastive vision-language pretraining in Chinese)、CoOp(context optimization)、CoCoOp(conditional context optimization)和Pic2Word(mapping pictures to words)进行实验对比。在跨模态对齐任务中,本文方法在MR(mean recall)指标上相较于上述方法,在最佳情况下分别提升了3.2%和5.6%。结论本文提出的跨模态实体对齐方法可以在不改变VLP模型参数的前提下,充分挖掘图像特征有效的中间表示来完成文本特征的重构,提高了青瓷细节特征的跨模态识别准确度。最终利用所提方法成功构建了一个包含8949个节点和18211条关系的青瓷跨模态知识图谱。 展开更多
关键词 视觉语言模型 跨模态 实体对齐 知识图谱(KG) 青瓷
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基于生成式人工智能的耀州青瓷传统牡丹纹饰构建与再塑研究 被引量:1
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作者 钦松 刘宝骏 +1 位作者 白晓波 刘俊玲 《包装工程》 北大核心 2025年第18期380-389,共10页
目的探究一种基于生成式人工智能技术拓展耀州青瓷传统牡丹纹饰的工作流程和设计方式。方法以耀州青瓷传统牡丹纹饰为研究对象,通过搭建多模型组合流程,对其进行数据整理、标签锚定和训练优化。使用生成式人工智能技术来获得特定风格牡... 目的探究一种基于生成式人工智能技术拓展耀州青瓷传统牡丹纹饰的工作流程和设计方式。方法以耀州青瓷传统牡丹纹饰为研究对象,通过搭建多模型组合流程,对其进行数据整理、标签锚定和训练优化。使用生成式人工智能技术来获得特定风格牡丹纹饰的智能生成方法,从而拓宽传统耀州青瓷牡丹纹饰样本数量,为设计师再创造提供海量素材。结果采用LoRA模型训练方式,仅需少量样本即可将耀州青瓷传统牡丹纹饰特征在Stable Diffusion中重现。结论在数智高速发展的背景下,该方式不仅符合新时代发展和满足独立知识产权的需要,而且为中国其他历史名窑的数字化传承提供了良好的可借鉴思路和方法。 展开更多
关键词 生成式人工智能 耀州青瓷传统牡丹纹饰 LoRA模型 Stable Diffusion
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耀州窑天青瓷与汝窑天青瓷呈色特征比较研究
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作者 桑振 付弦之 +4 位作者 刘真 李乐 袁小娟 施佩 付向阳 《中国陶瓷》 北大核心 2025年第7期70-77,共8页
为了对比研究五代耀州窑天青瓷与北宋汝窑天青瓷的釉呈色机理,采用色度仪、XRF、XRD、XPS等对其进行检测并分析。结果表明,五代耀州窑天青瓷标本釉层中气泡尺寸小且密度高于北宋汝窑天青瓷标本,是前者亮度更高的主要原因;前者非晶态衍... 为了对比研究五代耀州窑天青瓷与北宋汝窑天青瓷的釉呈色机理,采用色度仪、XRF、XRD、XPS等对其进行检测并分析。结果表明,五代耀州窑天青瓷标本釉层中气泡尺寸小且密度高于北宋汝窑天青瓷标本,是前者亮度更高的主要原因;前者非晶态衍射峰强度低于后者,说明前者烧成温度应该低于后者。五代耀州窑天青瓷标本釉内Fe2+与Fe3+的比值高于北宋汝窑天青瓷标本,说明前者的烧制还原气氛应该强于后者,是前者标本釉色比后者标本更加偏青蓝的主要因素。五代耀州窑天青瓷标本与北宋汝窑天青瓷标本釉层内分布多种大量的晶体,是二者具有一定乳浊性、玉质感的主要原因。 展开更多
关键词 五代耀州窑 北宋汝窑 天青瓷 呈色机理
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全球化视阈下中国早期瓷器海外贸易的文化传播及当代启示 被引量:1
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作者 万剑 姚炬炜 张杰 《中国陶瓷工业》 2025年第1期72-79,共8页
瓷器是中国物质文明的标志之一,是“第一个全球化商品”。作为中华文化在世界范围内广泛传播的鲜明例证,瓷器凭借深厚的文化内涵与卓越的艺术成就,不仅在东亚、东南亚儒家文化圈中得到广泛传播,而且与伊斯兰、波斯等国家的装饰图像彼此... 瓷器是中国物质文明的标志之一,是“第一个全球化商品”。作为中华文化在世界范围内广泛传播的鲜明例证,瓷器凭借深厚的文化内涵与卓越的艺术成就,不仅在东亚、东南亚儒家文化圈中得到广泛传播,而且与伊斯兰、波斯等国家的装饰图像彼此融合,深刻影响了欧洲的社会文化及审美观念。海上“陶瓷之路”与“一带一路”共同蕴涵着中华文化一脉相承的文化基因。在当今新型全球化的历程中,为世界创造出新时代“真”“善”“美”的高度物质文明是跨文化传播中华文化的重要途径。从跨文化传播的理论视阈来看,货物贸易的全球化与文化的全球化是相辅相成的,任何器物贸易的背后既是文化的接受、文化的认同以及国家的认同,也是国家形象的建构。 展开更多
关键词 全球化 陶瓷之路 青瓷 青花瓷 跨文化传播
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越窑遗址出土青瓷的物化组成与制备工艺的对比研究
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作者 赵可心 王芬 +4 位作者 罗晨琛 朱建锋 任肇 王莹 王甜 《中国陶瓷》 北大核心 2025年第4期56-66,共11页
为揭示晋代先越窑和唐五代越窑出土青瓷制备工艺的异同,采用超景深光学显微镜、X射线荧光光谱仪、色度仪、紫外–可见–近红外分光光度计和X射线光电子能谱仪,对比分析了晋代与唐五代越窑青瓷胎釉的微观结构、化学组成、釉中着色元素价... 为揭示晋代先越窑和唐五代越窑出土青瓷制备工艺的异同,采用超景深光学显微镜、X射线荧光光谱仪、色度仪、紫外–可见–近红外分光光度计和X射线光电子能谱仪,对比分析了晋代与唐五代越窑青瓷胎釉的微观结构、化学组成、釉中着色元素价态及配位,揭示了晋代与唐五代青瓷胎釉的原料特征与釉面呈色的异同。研究结果表明:(1)晋代青瓷胎中呈色元素Ti、Fe含量比唐五代的高,这是导致前者胎色灰黄而后者胎色为浅灰的一个原因。(2)二者釉中Ca含量均较高(12.0~16.4 wt%),属于高钙釉,同时唐五代釉中P、Mg元素含量比晋代的高,这说明唐五代时期可能广泛使用了草木灰作为助熔剂。(3)晋代青瓷呈黄绿色,唐代青瓷呈青偏黄色,五代青瓷呈绿色,是由于晋代,唐代和五代釉中的Fe^(2+)含量依次升高,致使釉色中绿色占比依次升高。 展开更多
关键词 越窑遗址 青瓷 化学组成 微观结构 原料特征 釉呈色
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