The Pisan Cantos （1948）, Ezra Pound＇s great epic, which reflects major social, cultural, and historical themes, is based on Western and Chinese cultures, especially Chinese Confucian thoughts. This paper attempts t...The Pisan Cantos （1948）, Ezra Pound＇s great epic, which reflects major social, cultural, and historical themes, is based on Western and Chinese cultures, especially Chinese Confucian thoughts. This paper attempts to provide an analysis of Confucian classics and Chinese characters/ideograms as cited in The Pisan Cantos, and to present the unique way in which Pound expresses his emotions and enriches his poetic art. Since, Chinese culture that emphases such concepts as ＂benevolence＂ and ＂sincerity＂ offers a more philosophical and poetical foundation to the cantos, it is understandable that The Pisan Cantos embodies Pound＇s ambition to reestablish the war-ruined Western world by Chinese Confucian thoughts, which he regards as an important foundation stone for establishing an idealistic regime展开更多
In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing...In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.展开更多
Both Chinese national vocal music and bel canto have a very long history of development, but have their own different characteristics. However, the two different ways are mutually influenced and connected along with t...Both Chinese national vocal music and bel canto have a very long history of development, but have their own different characteristics. However, the two different ways are mutually influenced and connected along with the social economic development and globalization. This requires the absorption of the excellent western singing styles on the basis of developing Chinese national vocal music, so as to promote a common development. In this paper, Chinese national vocal music and bel canto are studied and analyzed according to the historical origins, different characteristics, effects, etc.展开更多
Since China's entry into the World Trade Organization, the economic exchanges between China and the world have become closer and closer, and economic globalization is constantly being realized. At the same time, t...Since China's entry into the World Trade Organization, the economic exchanges between China and the world have become closer and closer, and economic globalization is constantly being realized. At the same time, the stable communication between Chinese culture and the world culture is becoming more and more frequent. Under this background, musicals are also loved by many people all over the world. There are two main ways of singing in musicals, namely, pop and bel canto. With the diversity of world culture, the blending of these two ways of singing will become the development trend of musicals in the future. In this regard, in the context of diversity, the popular singing in musicals and the combination of bel canto teaching methods are explored and analyzed in depth to effectively promote the development of musicals and make musicals better and better in the future.展开更多
With the improvement of people's quality of life in recent years, high-quality music has also become people's pursuit. Under the trend of rapid development in modern times, vocal music has presented a diversif...With the improvement of people's quality of life in recent years, high-quality music has also become people's pursuit. Under the trend of rapid development in modern times, vocal music has presented a diversified situation, among which bel canto music and pop music have their own characteristics in singing. The characteristics of bel canto music are that people can enjoy the charm of the sense of sound by listening to the sound, while the characteristics of pop music are to express the creators' thoughts and feelings through the lyrics, and to arouse the resonance of the audience. This paper compares the characteristics of the two singing methods to understand their respective charms in modern diversified vocal music and the relationship between the two singing methods under the trend of diversification.展开更多
Artificial intelligence(AI)is profoundly reshaping the practical logic and theoretical boundaries of bel canto education.This study takes“technical path-aesthetic challenge-paradigm reconstruction”as the analytical ...Artificial intelligence(AI)is profoundly reshaping the practical logic and theoretical boundaries of bel canto education.This study takes“technical path-aesthetic challenge-paradigm reconstruction”as the analytical framework to systematically explore the innovative mechanism and practical path of AI-empowered vocal education.At the technical level,an acoustic parameter modeling system is constructed based on deep learning.Through MEL spectrum analysis,forresonance tracking and breath dynamics modeling,the traditional singing assessment that relies on auditory experience is transformed into quantifiable and interpretable acoustic indicators(such as harmonic energy ratio,vowel resonance stability,etc.),achieving precise diagnosis and real-time intervention of vocal defects.Experimental data shows that this system reduces the learners’pitch error rate by 42%and increases their breath control efficiency by 35%.In the dimension of personalized training,an adaptive teaching engine based on reinforcement learning was developed to dynamically generate a three-dimensional matching scheme of“voice features-track difficulty-training intensity”,significantly reducing the time for beginners to master core vocal techniques(by an average of 28%).However,the conflict between AI quantitative indicators and the traditional aesthetic standards of vocal music has become prominent:the algorithm’s preference for standardized formuster distribution may suppress the singer’s unique timbre personality and artistic expression tension.To this end,a“dual-track evaluation model”is proposed:taking acoustic parameters as the technical benchmark and emotional expression and artistic appeal as the aesthetic benchmark,and achieving a dynamic balance between the two through expert annotation and group consensus algorithms.The research further reconstructs the teaching paradigm,advocating that AI tools be positioned as“aesthetic collaborators”rather than substitutes,and builds a new type of teacher-student relationship of“human-machine co-teaching-co-evaluation-co-creation”.This research provides a solution that is both technically feasible and aesthetically reasonable for the digital transformation of bel canto education,revealing the underlying logic of the deep integration of art and technology in the AI era.展开更多
文摘The Pisan Cantos （1948）, Ezra Pound＇s great epic, which reflects major social, cultural, and historical themes, is based on Western and Chinese cultures, especially Chinese Confucian thoughts. This paper attempts to provide an analysis of Confucian classics and Chinese characters/ideograms as cited in The Pisan Cantos, and to present the unique way in which Pound expresses his emotions and enriches his poetic art. Since, Chinese culture that emphases such concepts as ＂benevolence＂ and ＂sincerity＂ offers a more philosophical and poetical foundation to the cantos, it is understandable that The Pisan Cantos embodies Pound＇s ambition to reestablish the war-ruined Western world by Chinese Confucian thoughts, which he regards as an important foundation stone for establishing an idealistic regime
文摘In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.
文摘Both Chinese national vocal music and bel canto have a very long history of development, but have their own different characteristics. However, the two different ways are mutually influenced and connected along with the social economic development and globalization. This requires the absorption of the excellent western singing styles on the basis of developing Chinese national vocal music, so as to promote a common development. In this paper, Chinese national vocal music and bel canto are studied and analyzed according to the historical origins, different characteristics, effects, etc.
文摘Since China's entry into the World Trade Organization, the economic exchanges between China and the world have become closer and closer, and economic globalization is constantly being realized. At the same time, the stable communication between Chinese culture and the world culture is becoming more and more frequent. Under this background, musicals are also loved by many people all over the world. There are two main ways of singing in musicals, namely, pop and bel canto. With the diversity of world culture, the blending of these two ways of singing will become the development trend of musicals in the future. In this regard, in the context of diversity, the popular singing in musicals and the combination of bel canto teaching methods are explored and analyzed in depth to effectively promote the development of musicals and make musicals better and better in the future.
文摘With the improvement of people's quality of life in recent years, high-quality music has also become people's pursuit. Under the trend of rapid development in modern times, vocal music has presented a diversified situation, among which bel canto music and pop music have their own characteristics in singing. The characteristics of bel canto music are that people can enjoy the charm of the sense of sound by listening to the sound, while the characteristics of pop music are to express the creators' thoughts and feelings through the lyrics, and to arouse the resonance of the audience. This paper compares the characteristics of the two singing methods to understand their respective charms in modern diversified vocal music and the relationship between the two singing methods under the trend of diversification.
文摘Artificial intelligence(AI)is profoundly reshaping the practical logic and theoretical boundaries of bel canto education.This study takes“technical path-aesthetic challenge-paradigm reconstruction”as the analytical framework to systematically explore the innovative mechanism and practical path of AI-empowered vocal education.At the technical level,an acoustic parameter modeling system is constructed based on deep learning.Through MEL spectrum analysis,forresonance tracking and breath dynamics modeling,the traditional singing assessment that relies on auditory experience is transformed into quantifiable and interpretable acoustic indicators(such as harmonic energy ratio,vowel resonance stability,etc.),achieving precise diagnosis and real-time intervention of vocal defects.Experimental data shows that this system reduces the learners’pitch error rate by 42%and increases their breath control efficiency by 35%.In the dimension of personalized training,an adaptive teaching engine based on reinforcement learning was developed to dynamically generate a three-dimensional matching scheme of“voice features-track difficulty-training intensity”,significantly reducing the time for beginners to master core vocal techniques(by an average of 28%).However,the conflict between AI quantitative indicators and the traditional aesthetic standards of vocal music has become prominent:the algorithm’s preference for standardized formuster distribution may suppress the singer’s unique timbre personality and artistic expression tension.To this end,a“dual-track evaluation model”is proposed:taking acoustic parameters as the technical benchmark and emotional expression and artistic appeal as the aesthetic benchmark,and achieving a dynamic balance between the two through expert annotation and group consensus algorithms.The research further reconstructs the teaching paradigm,advocating that AI tools be positioned as“aesthetic collaborators”rather than substitutes,and builds a new type of teacher-student relationship of“human-machine co-teaching-co-evaluation-co-creation”.This research provides a solution that is both technically feasible and aesthetically reasonable for the digital transformation of bel canto education,revealing the underlying logic of the deep integration of art and technology in the AI era.
