Through the comparative analysis of freehand brushwork oil painting and expression oil painting, the similarities and differences between the two sides are understood. As a result, when the characteristics of the two ...Through the comparative analysis of freehand brushwork oil painting and expression oil painting, the similarities and differences between the two sides are understood. As a result, when the characteristics of the two sides are effectively known, the blend and complementation of the two sides are realized, and also the space for expressing both freehand brushwork oil painting and expression oil painting is expanded, which are not the simple blend and mix of ＂freehand brushwork＂ and ＂expression＂ .展开更多
In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with plural...In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with pluralism, varied painting idea and painting skill and technique of art is great and abundant, traditional in the canvas works ＂ The brush stroke in Chinese painting and calligraphy ＂ Already not merely can be spoken to the limit by the simple scribbling and wiping of pen, and Chinese comfortable brush stroke in Chinese painting and calligraphy, technique of writing incorporate visual language and spiritual intension created that can enrich the picture greatly in the canvas is created. This text attempts to canvass the canvas and create the feasibility that incorporated into comfortable brush stroke in Chinese painting and calligraphy and expansionary from two respect factors of cultural idea and skill and technique and tool material.展开更多
Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese ...Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy.展开更多
Fang Chuxiong’s works combine the meticulousness of fine brushwork with the elegance of freehand brushstrokes,making him a distinct figure in the contemporary Chinese art circle.Fang Chuxiong is a representative figu...Fang Chuxiong’s works combine the meticulousness of fine brushwork with the elegance of freehand brushstrokes,making him a distinct figure in the contemporary Chinese art circle.Fang Chuxiong is a representative figure in the field of contemporary Chinese flower-and-bird painting.His artwork masterfully integrates the elements of nature,the charm of living creatures,the subtleties of brushwork,and the vitality of color,exhibiting refined taste and a vibrant style.展开更多
Kong Zi was born in 1952 in Tangshan. Hebei Province. In 1985 she took a refresher course in the Department of Traditional Chinese Painting at the Zhejiang Fine Arts Academy. In 1989 she graduated from the Painting De...Kong Zi was born in 1952 in Tangshan. Hebei Province. In 1985 she took a refresher course in the Department of Traditional Chinese Painting at the Zhejiang Fine Arts Academy. In 1989 she graduated from the Painting Department of the P.L.A. Arts Academy. Today she is a professional painter in her army unit.展开更多
Jin Na’s graduation work entitled Lotus Flowers is housed in the collection at the Central Academy of Fine Arts. Jin succeeded in creating a harmonious integral whole which yielded splendid. ambiguous and pleasing vi...Jin Na’s graduation work entitled Lotus Flowers is housed in the collection at the Central Academy of Fine Arts. Jin succeeded in creating a harmonious integral whole which yielded splendid. ambiguous and pleasing visual effects. In recent years. Jin Na has stressed tine relationship of the consciousness of mankind with society and nature. Jin, an exquisite female artist. attempts to express romantic sentiment as obscure dreams.展开更多
文摘Through the comparative analysis of freehand brushwork oil painting and expression oil painting, the similarities and differences between the two sides are understood. As a result, when the characteristics of the two sides are effectively known, the blend and complementation of the two sides are realized, and also the space for expressing both freehand brushwork oil painting and expression oil painting is expanded, which are not the simple blend and mix of ＂freehand brushwork＂ and ＂expression＂ .
文摘In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with pluralism, varied painting idea and painting skill and technique of art is great and abundant, traditional in the canvas works ＂ The brush stroke in Chinese painting and calligraphy ＂ Already not merely can be spoken to the limit by the simple scribbling and wiping of pen, and Chinese comfortable brush stroke in Chinese painting and calligraphy, technique of writing incorporate visual language and spiritual intension created that can enrich the picture greatly in the canvas is created. This text attempts to canvass the canvas and create the feasibility that incorporated into comfortable brush stroke in Chinese painting and calligraphy and expansionary from two respect factors of cultural idea and skill and technique and tool material.
文摘Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy.
文摘Fang Chuxiong’s works combine the meticulousness of fine brushwork with the elegance of freehand brushstrokes,making him a distinct figure in the contemporary Chinese art circle.Fang Chuxiong is a representative figure in the field of contemporary Chinese flower-and-bird painting.His artwork masterfully integrates the elements of nature,the charm of living creatures,the subtleties of brushwork,and the vitality of color,exhibiting refined taste and a vibrant style.
文摘Kong Zi was born in 1952 in Tangshan. Hebei Province. In 1985 she took a refresher course in the Department of Traditional Chinese Painting at the Zhejiang Fine Arts Academy. In 1989 she graduated from the Painting Department of the P.L.A. Arts Academy. Today she is a professional painter in her army unit.
文摘Jin Na’s graduation work entitled Lotus Flowers is housed in the collection at the Central Academy of Fine Arts. Jin succeeded in creating a harmonious integral whole which yielded splendid. ambiguous and pleasing visual effects. In recent years. Jin Na has stressed tine relationship of the consciousness of mankind with society and nature. Jin, an exquisite female artist. attempts to express romantic sentiment as obscure dreams.
