In contemporary China,some domestic films are deeply rooted in traditional Chinese culture,contributing to more and more excellent film&TV programs,among which,the styling inspired by animal patterns on Late Shang...In contemporary China,some domestic films are deeply rooted in traditional Chinese culture,contributing to more and more excellent film&TV programs,among which,the styling inspired by animal patterns on Late Shang Dynasty bronze ware has given strong vitality to the film&TV programs.This paper is intended to compile and understand the cultural value and artistic features of the patterns on Late Shang Dynasty bronze ware as well as its value in the traditional pattern application.It provides certain references regarding the role of film&TV styling in the inheritance and application of traditional patterns,if we analyze the cognition and status quo of the Late Shang Dynasty bronze ware patterns in the contemporary film&TV styling,and if we go deep into its artistic value and its application within such makeup design and identify the problems and laws in current design cases.Such analysis also provides a way of thinking for the application of traditional patterns in current film&TV costume design.展开更多
This paper discusses the most recent case of the lost-wax process,namely,a bronze appendage with hollow snake patterns excavated in 2002 at the tomb of Duke Ning of Xu(許公寧)(a state in the Spring and Autumn period)i...This paper discusses the most recent case of the lost-wax process,namely,a bronze appendage with hollow snake patterns excavated in 2002 at the tomb of Duke Ning of Xu(許公寧)(a state in the Spring and Autumn period)in Ye County,Henan Province.Various physical and chemical analyses indicate that this artifact was cast as a whole in 547 BCE or slightly later in a high tin bronze alloy using the lost-wax process.No traces of cast joints or soldering were found.This research provides further proof that the lost-wax process was a significant technical development achieved by casters in the Pre-Qin period.展开更多
The back of the mirror is mainly decorated with dragon patterns,in which the head of the dragon is perking up.and the body of the dragon stretches freely.This is the largest ancient copper mirror ever seen.The bronze ...The back of the mirror is mainly decorated with dragon patterns,in which the head of the dragon is perking up.and the body of the dragon stretches freely.This is the largest ancient copper mirror ever seen.The bronze mirror is used to reflect the human image.SO the surface must be bright and fiat.For sucha casting with a large flat surface,it is extremely difficult to control the mirror surface without warpingdeformation.展开更多
新石器—青铜时代自然环境波动变化对农业发展的影响一直备受关注。荥阳盆地是中华文明起源和早期农业发展的重要区域之一。但目前荥阳盆地新石器—青铜时代农业时空演化格局与水文地貌环境变迁的关系尚不清楚。本文基于两处详细测年的...新石器—青铜时代自然环境波动变化对农业发展的影响一直备受关注。荥阳盆地是中华文明起源和早期农业发展的重要区域之一。但目前荥阳盆地新石器—青铜时代农业时空演化格局与水文地貌环境变迁的关系尚不清楚。本文基于两处详细测年的湖沼地层,集成已有湖沼地层年代、高程数据,重建了荥阳盆地新石器—青铜时代4个时间节点(~8000 a BP、~6000 a BP、~4500 a BP和~3600 a BP)的湖沼水域分布;再结合已有植物浮选资料,探讨了农业时空分布格局与水文地貌环境的耦合关系。结果显示:①在~8000 a BP,荥阳盆地湖泊广布,并于~6000 a BP达到鼎盛。盆地湖泊在~4500 a BP明显萎缩,至~3600 a BP,盆地中大的湖泊不断萎缩并分解为数个小湖泊。②新石器—青铜时代荥阳盆地形成了以粟、黍、稻为主的农业结构。整个新石器—青铜时代,盆地周边山地丘陵区多为粟黍为主的旱作农业模式,在冲积平原区则存在粟黍旱作与稻作的混合模式。但在冲积平原与周边山地丘陵交接地段,不同时期农作物结构存在旱作与旱稻混作模式的变化。结合已有荥阳盆地周边地区气候重建资料,发现仰韶文化时期是荥阳盆地全新世湖泊分布范围最广的时段,不仅在平原区,临近平原的山地丘陵及部分黄土台地上也有水稻的种植,是新石器—青铜时代稻分布范围最广的阶段。因此,荥阳盆地新石器—青铜时代的水文地貌环境格局明显影响了区域农业发展。展开更多
基金supported by the Education and Teaching Reform Program,Beijing Institute of Fashion Technology.
文摘In contemporary China,some domestic films are deeply rooted in traditional Chinese culture,contributing to more and more excellent film&TV programs,among which,the styling inspired by animal patterns on Late Shang Dynasty bronze ware has given strong vitality to the film&TV programs.This paper is intended to compile and understand the cultural value and artistic features of the patterns on Late Shang Dynasty bronze ware as well as its value in the traditional pattern application.It provides certain references regarding the role of film&TV styling in the inheritance and application of traditional patterns,if we analyze the cognition and status quo of the Late Shang Dynasty bronze ware patterns in the contemporary film&TV styling,and if we go deep into its artistic value and its application within such makeup design and identify the problems and laws in current design cases.Such analysis also provides a way of thinking for the application of traditional patterns in current film&TV costume design.
文摘This paper discusses the most recent case of the lost-wax process,namely,a bronze appendage with hollow snake patterns excavated in 2002 at the tomb of Duke Ning of Xu(許公寧)(a state in the Spring and Autumn period)in Ye County,Henan Province.Various physical and chemical analyses indicate that this artifact was cast as a whole in 547 BCE or slightly later in a high tin bronze alloy using the lost-wax process.No traces of cast joints or soldering were found.This research provides further proof that the lost-wax process was a significant technical development achieved by casters in the Pre-Qin period.
文摘The back of the mirror is mainly decorated with dragon patterns,in which the head of the dragon is perking up.and the body of the dragon stretches freely.This is the largest ancient copper mirror ever seen.The bronze mirror is used to reflect the human image.SO the surface must be bright and fiat.For sucha casting with a large flat surface,it is extremely difficult to control the mirror surface without warpingdeformation.
文摘新石器—青铜时代自然环境波动变化对农业发展的影响一直备受关注。荥阳盆地是中华文明起源和早期农业发展的重要区域之一。但目前荥阳盆地新石器—青铜时代农业时空演化格局与水文地貌环境变迁的关系尚不清楚。本文基于两处详细测年的湖沼地层,集成已有湖沼地层年代、高程数据,重建了荥阳盆地新石器—青铜时代4个时间节点(~8000 a BP、~6000 a BP、~4500 a BP和~3600 a BP)的湖沼水域分布;再结合已有植物浮选资料,探讨了农业时空分布格局与水文地貌环境的耦合关系。结果显示:①在~8000 a BP,荥阳盆地湖泊广布,并于~6000 a BP达到鼎盛。盆地湖泊在~4500 a BP明显萎缩,至~3600 a BP,盆地中大的湖泊不断萎缩并分解为数个小湖泊。②新石器—青铜时代荥阳盆地形成了以粟、黍、稻为主的农业结构。整个新石器—青铜时代,盆地周边山地丘陵区多为粟黍为主的旱作农业模式,在冲积平原区则存在粟黍旱作与稻作的混合模式。但在冲积平原与周边山地丘陵交接地段,不同时期农作物结构存在旱作与旱稻混作模式的变化。结合已有荥阳盆地周边地区气候重建资料,发现仰韶文化时期是荥阳盆地全新世湖泊分布范围最广的时段,不仅在平原区,临近平原的山地丘陵及部分黄土台地上也有水稻的种植,是新石器—青铜时代稻分布范围最广的阶段。因此,荥阳盆地新石器—青铜时代的水文地貌环境格局明显影响了区域农业发展。
