The conservation of agricultural heritage systems is of great significance.Studies have shown that artistic experiences,such as calligraphy and music,influence tourists’cognition,emotions,and behaviors during their v...The conservation of agricultural heritage systems is of great significance.Studies have shown that artistic experiences,such as calligraphy and music,influence tourists’cognition,emotions,and behaviors during their visits.This study examines the influence of artistic experiences on tourists’willingness to participate in conservation efforts,utilizing the Huzhou Mulberry-Dyke and fish pond system—a Globally Important Agricultural Heritage System—as a case study.Drawing on the stimulus-organism-response model and previous research findings,we developed a conceptual framework to evaluate how tourists’artistic experiences impact their willingness to conserve agricultural heritage systems.A measurement index system was established,and data were collected from 434 questionnaires through field research.The model was refined based on the results of data analysis.The findings indicate that(1)Artistic experiences positively influence the development of tourists’conservation willingness;(2)These experiences affect conservation willingness by mediating flow experiences and overall satisfaction.Additionally,artistic experiences significantly influence tourists’consumption tendencies,fostering protective consumption behaviors that enhance their willingness to participate in conservation efforts for agricultural heritage systems.展开更多
The earliest Chinese poetry is closely linked with songs.Singing promotes the emergence of poetic genres and contributes to the combination of words and the construction of poetic lines.Songs are sung to a regular rhy...The earliest Chinese poetry is closely linked with songs.Singing promotes the emergence of poetic genres and contributes to the combination of words and the construction of poetic lines.Songs are sung to a regular rhythm and melody.In the early days of humanity,when music was not yet developed,music needed a kind of rhythmic vocal language to accompany it.Meanwhile,people in the early days had a minimal set of words that they needed music to enhance the rhythm of their language.Therefore,music and language complemented each other.The extensive use of interjections in early Chinese poetry directly related to singing.The word combination and artistic embellishment of these poems were continuously refined and evolved in the style of songs.Early poems were artistic creations and employment of rhetorical devices in the form of singing.This characteristic makes early Chinese poetry quite different from the poem composition in written form of later periods.Therefore,studying the language and rhythm of early Chinese poetry should be conducted in the context of singing.The poems in The Book of Songs are divided into three categories:airs(feng风),court hymns(ya雅),and eulogies(song颂)based on their musical attributes.Their artistic forms and language skills were also influenced by singing.The literary forms observed in The Odes of Chu,represented by"The Nine Songs,""The Lamet,""Heavenly Question,""Requiem,"and"Divination,"can be explored from their relationships with singing.During the Han Dynasty,song poetry歌诗featured three major forms and styles,each originating from a specific song form of that era.These song forms included the songs of Chu,guchui army songs鼓吹饶歌,and xianghe songs相和歌.The songs of Chu continue the syntax and line patterns of"The Nine Songs."Guchui army songs represent the earliest form of zayan poetry杂言诗,while xianghe songs predominantly feature poetic lines of five characters.These three song forms led to three literary forms,which underwent a natural evolution in the Han Dynasty.展开更多
基金The National Natural Science Foundation of China(41971264)。
文摘The conservation of agricultural heritage systems is of great significance.Studies have shown that artistic experiences,such as calligraphy and music,influence tourists’cognition,emotions,and behaviors during their visits.This study examines the influence of artistic experiences on tourists’willingness to participate in conservation efforts,utilizing the Huzhou Mulberry-Dyke and fish pond system—a Globally Important Agricultural Heritage System—as a case study.Drawing on the stimulus-organism-response model and previous research findings,we developed a conceptual framework to evaluate how tourists’artistic experiences impact their willingness to conserve agricultural heritage systems.A measurement index system was established,and data were collected from 434 questionnaires through field research.The model was refined based on the results of data analysis.The findings indicate that(1)Artistic experiences positively influence the development of tourists’conservation willingness;(2)These experiences affect conservation willingness by mediating flow experiences and overall satisfaction.Additionally,artistic experiences significantly influence tourists’consumption tendencies,fostering protective consumption behaviors that enhance their willingness to participate in conservation efforts for agricultural heritage systems.
基金This article is the phased achievement of the key project“The Salvage,Organization,and Study of Classical Chinese Songs”(108LZD1107)sponsored by the National Social Science Fund of China.It is also an achievement of the Capital Normal University's“The Capital Cultural Center Development”2011 coordinated innovation project.
文摘The earliest Chinese poetry is closely linked with songs.Singing promotes the emergence of poetic genres and contributes to the combination of words and the construction of poetic lines.Songs are sung to a regular rhythm and melody.In the early days of humanity,when music was not yet developed,music needed a kind of rhythmic vocal language to accompany it.Meanwhile,people in the early days had a minimal set of words that they needed music to enhance the rhythm of their language.Therefore,music and language complemented each other.The extensive use of interjections in early Chinese poetry directly related to singing.The word combination and artistic embellishment of these poems were continuously refined and evolved in the style of songs.Early poems were artistic creations and employment of rhetorical devices in the form of singing.This characteristic makes early Chinese poetry quite different from the poem composition in written form of later periods.Therefore,studying the language and rhythm of early Chinese poetry should be conducted in the context of singing.The poems in The Book of Songs are divided into three categories:airs(feng风),court hymns(ya雅),and eulogies(song颂)based on their musical attributes.Their artistic forms and language skills were also influenced by singing.The literary forms observed in The Odes of Chu,represented by"The Nine Songs,""The Lamet,""Heavenly Question,""Requiem,"and"Divination,"can be explored from their relationships with singing.During the Han Dynasty,song poetry歌诗featured three major forms and styles,each originating from a specific song form of that era.These song forms included the songs of Chu,guchui army songs鼓吹饶歌,and xianghe songs相和歌.The songs of Chu continue the syntax and line patterns of"The Nine Songs."Guchui army songs represent the earliest form of zayan poetry杂言诗,while xianghe songs predominantly feature poetic lines of five characters.These three song forms led to three literary forms,which underwent a natural evolution in the Han Dynasty.
