From the beginning of the 20th century, development in the archaeology of relics in the new stone age of China broke the traditional idea of "all nations have the same origin" and " regions are always u...From the beginning of the 20th century, development in the archaeology of relics in the new stone age of China broke the traditional idea of "all nations have the same origin" and " regions are always united" , and understood the early Chinese culture with a more diversed orientation. However, this diversity of early cultures cannot conceal the unification of cultures and politics. Cur- rently, the determination on the diversity of pre -history Chinese culture mainly relys on the forms of pottery in different regions. Com- pared with apperance of copper, pottery not only gets continued but cross regions manufacturing mode. Thus, the change from pottery to copper formed the most suitable symbol for the Chinese culture. Therefore, the legend of Xia molded nine cauldrons and modular paint- ing of Yin - Shang copper wares provided proof of aethestic, politics and even thelogy for early Chinese unification idea. The domestic aethestic circle's study on pre - history pottery and copper need to change this self - blocking studying method.展开更多
文摘From the beginning of the 20th century, development in the archaeology of relics in the new stone age of China broke the traditional idea of "all nations have the same origin" and " regions are always united" , and understood the early Chinese culture with a more diversed orientation. However, this diversity of early cultures cannot conceal the unification of cultures and politics. Cur- rently, the determination on the diversity of pre -history Chinese culture mainly relys on the forms of pottery in different regions. Com- pared with apperance of copper, pottery not only gets continued but cross regions manufacturing mode. Thus, the change from pottery to copper formed the most suitable symbol for the Chinese culture. Therefore, the legend of Xia molded nine cauldrons and modular paint- ing of Yin - Shang copper wares provided proof of aethestic, politics and even thelogy for early Chinese unification idea. The domestic aethestic circle's study on pre - history pottery and copper need to change this self - blocking studying method.
