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Aesthetic Revolution and the Contemporary Construction of Utopia
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作者 XIANG Li 《Journal of Literature and Art Studies》 2017年第11期1401-1409,共9页
When Utopia is re-discussed in the contemporary era, it is no longer just a question about the continued writing of a romantic poem, but a revolutionary political question. As it is the "presence" of "absence", th... When Utopia is re-discussed in the contemporary era, it is no longer just a question about the continued writing of a romantic poem, but a revolutionary political question. As it is the "presence" of "absence", the charm of Utopia lies in that it is not only distant otherness, but a kind of existence always touching the undercurrent of reality. In contemporary era, Utopia exists in the paradoxical form of dystopia. It is just in the review on Utopia that the political potential of art enables aesthetic Utopia re-enter its promising holy land as a new configuration of contemporary Utopia. However, the practice of aesthetic Utopia is not entirely poetic; on the contrary, there are always many fields which intertwine around and fight against each other between reality and expectations. Therefore, the aesthetic revolution chooses a more prudent way after the passionate release. 展开更多
关键词 UTOPIA Political potential aesthetic Utopia aesthetic revolution Institutional Critique aestheticCapitalism
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No Dream, No Future: A Study on Aesthetic Dimensions of"Chinese Dream" and the Task of Literary Critics
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作者 WANG Jie 《Journal of Literature and Art Studies》 2015年第12期1107-1114,共8页
This article believes that "Chinese Dream" has three dimensions: First, "Chinese Dream" is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern ... This article believes that "Chinese Dream" has three dimensions: First, "Chinese Dream" is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film "Lost" and "Peking Monk" as examples and analyze the specific form of expression. This article is going to indicate in the end that "the revolution of aesthetics" and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the "aesthetic form" of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the "aesthetic entertainment" and "spiritual redemption". The significance of Marxist Aesthetics lies in that it upgrades the general "literal principle" and "aesthetic principle" in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation. 展开更多
关键词 Chinese dream aesthetic dimensions the revolution of aesthetics cultural libration
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何其芳文学道路研究的细节还原与整体把握——评周思辉教授的《从“梦中道路”到“革命的路”——何其芳文学道路研究》
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作者 吴敏敏 《齐鲁师范学院学报》 2025年第2期109-116,共8页
青年学者周思辉《从“梦中道路”到“革命的路”——何其芳文学道路研究》一书,对何其芳文学道路进行了整体研究。该专著指出何其芳转型关键在于从“梦中道路”迈向“革命的路”,也就是从唯美主义作家转变为革命作家的复杂过程。相较于... 青年学者周思辉《从“梦中道路”到“革命的路”——何其芳文学道路研究》一书,对何其芳文学道路进行了整体研究。该专著指出何其芳转型关键在于从“梦中道路”迈向“革命的路”,也就是从唯美主义作家转变为革命作家的复杂过程。相较于其他专著,它将何其芳的思想演变与创作实践结合起来,建构了一个全面立体的何其芳形象。专著不仅将何其芳的早期创作命名为“新月时期”并进行深入研究,完善了何其芳文学创作谱系,还对“两个何其芳”的传统观念进行反思,强调其唯美主义思想发展的内在连贯性,特别是对转型期间作品中的“新旧矛盾”进行了详尽阐释。在研究何其芳文学道路过程中,该书始终将何其芳创作的文学作品作为立论根本,还原了何其芳复杂艰辛的文学道路及其本真面目。同时,它以新颖真实的细节,揭示了何其芳走向“革命的路”争论与文学道路转型实质。这不仅凸显了何其芳转型之路的曲折艰难,还对传统文学史中对其转型过于简化的叙述进行了反思,刻画出何其芳作为文学转型中一个更为真实且复杂的典型形象。 展开更多
关键词 何其芳 文学道路 当代价值 唯美主义 革命主义
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