This study entails a first approach to epistemic modality in Woolf＇s essays. In particular, we will distinguish between assertive and non-assertive epistemic modality. Woolf uses assertive epistemic modality when tra...This study entails a first approach to epistemic modality in Woolf＇s essays. In particular, we will distinguish between assertive and non-assertive epistemic modality. Woolf uses assertive epistemic modality when transmitting her criticism to, sometimes, women＇s inferiority condition in history, revealing Woolf＇s more confident stance. These markers are different from those used in more ＂gentle＂ themes related to reviewing an author and her work. In this second case, non-assertive epistemic modality is more frequent. Being less harsh towards an author＇s surroundings and her literary production, Woolf＇s stance proves less self-assured. The corpus consists of 10 short essays. We also refer to her longer essays A Room of One＇s Own （1929） and Three Guineas 0938）. They were selected bearing in mind their subject-matter. Half of them deal with literature and women writers, their lives and works; the other half ones also have to do with women-related topics, but referring to their position in history and their difficulties to undertake, for example, a literary career. Some concluding remarks indicate the predominance of non-assertive epistemic modality in relation to an intersubjective reading of her texts. This reading favours the inclusion of her audience in her commentary about women writing.展开更多
The paper probes into the connotations of tea in Virginia Woolt＇s The Years, showing historical changes of the relationship between women and tea. On the basis of the female characters＇ attitude and their understand...The paper probes into the connotations of tea in Virginia Woolt＇s The Years, showing historical changes of the relationship between women and tea. On the basis of the female characters＇ attitude and their understanding of tea, the tea values shed light on the culturally feminine roles, identity, social identity changes and family position in the Victorian Era and the New Era.展开更多
Unlike traditional fiction, Virginia Woolf＇s ＂The Mark on the Wall＂ doesn＇t have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrato...Unlike traditional fiction, Virginia Woolf＇s ＂The Mark on the Wall＂ doesn＇t have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrator adopts a new fixed internal focalization, interwoven with the first person external point of view. By weakening the physical time and space, the narrator tells the story according to her psychological time and space, stressing the moment of importance, through which the writer highlights her subjective reality.展开更多
Virginia Woolf’s seventh novel,The Waves,first published by the Hogarth Press in 1931,is widely regarded as her most experimental piece of writing.The complex and elusive structure of the work,the least representatio...Virginia Woolf’s seventh novel,The Waves,first published by the Hogarth Press in 1931,is widely regarded as her most experimental piece of writing.The complex and elusive structure of the work,the least representational among Woolf’s novels,challenges the reader’s assumptions about the inner and the outer world.In the absence of a substantial story,of a convincing plot and well-defined characters,the reader is called upon to search for a deeper coherence and more profound meanings.Indeed,in The Waves the modernist writer strives for a fresh way of expressing a vision of wholeness in a broken world.The present article attempts to reread Woolf’s self-conscious novel in the double perspective of separation and reunion,of dispersal and recomposition.A close reading of selected passages will show how the poetics of fragmentation and the poetics of wholeness coexist in Woolf’s narrative,pervading the imagery and the symbols of the text.In more than one sense,the dialectic between division and unity,fragmentation and wholeness can be identified as the structuring force of the novel;most tellingly,this textual dynamism is reflected in the oscillatory motion of the waves,continuously breaking and merging.展开更多
Mrs.Dalloway is one of the famous novels written by Virginia Woolf,who is perceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Septimus Warren Smith are the two pr...Mrs.Dalloway is one of the famous novels written by Virginia Woolf,who is perceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Septimus Warren Smith are the two protagonists in this novel.From analyzing the relationship of Clarissa Dalloway and Septimus Warren Smith in terms of the meaning of life and death,this thesis aims to explore the author's and the protagonists' inner conflicts and the significance of life and death.展开更多
Mrs.Dalloway and To the Lighthouse are two famous novels written by Virginia Woolf,who is conceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Mrs.Ramsay are the t...Mrs.Dalloway and To the Lighthouse are two famous novels written by Virginia Woolf,who is conceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Mrs.Ramsay are the two female protagonists in the two novels.From analyzing the similarities in terms of personality and psychology by using feminism as the theoretical basis,this thesis aims to explore the author's and the protagonists'paradoxical psychology-inner hope versus reality,and to help women liberate from the patriarchal society.展开更多
As an outstanding modernist female writer in the early twentieth century, Virginia Woolf appeals for women's liberation in literary productions. Focusing on her most significant feminist criticism A Room of One...As an outstanding modernist female writer in the early twentieth century, Virginia Woolf appeals for women's liberation in literary productions. Focusing on her most significant feminist criticism A Room of One's Own, especially on the argument "It is useless to go to the great men writers for help . . . a man's sentence . . . was unsuited for a woman's use", this essay attempts to explore how Woolf searches for language and literary forms more suited for women writers in patriarchal society, and in what ways modernist language and literary form have been shaped by the motives for innovation in Woolf's works. Shaping and being shaped by the trend of modernism, Woolf's assertion of androgynous mind and her unique stream-of-consciousness techniques make contribution to modernist female writing.展开更多
Virginia Woolf has drawn academic attention since she published her first novel.Studies on Virginia Woolf from the perspective of psychology started in the 1950 s and have been kept since then,and in recent years ther...Virginia Woolf has drawn academic attention since she published her first novel.Studies on Virginia Woolf from the perspective of psychology started in the 1950 s and have been kept since then,and in recent years there has been a warming trend in this respect.The paper aims at combing through studies on Virginia Woolf from psychological perspective at home and abroad,investigating its research status and prospect,summarizing its characteristics,digging out problems and exploring space for further studies.展开更多
Virginia Woolf’s life value,the pursuit for individuality in particular,is manifested in her successful work To the Light-house.Two aspects of pursuing individuality,that is,personal space and self-realization are cl...Virginia Woolf’s life value,the pursuit for individuality in particular,is manifested in her successful work To the Light-house.Two aspects of pursuing individuality,that is,personal space and self-realization are clarified the significance of pursing in-dividuality in people’s life is analyzed.展开更多
Virginia Woolf’s feminist ideas revised the traditional masculinized theory and confirmed the value of women themselves and brought feminist literary theory in shape. A Room of One’s Own is the concentrated reflecti...Virginia Woolf’s feminist ideas revised the traditional masculinized theory and confirmed the value of women themselves and brought feminist literary theory in shape. A Room of One’s Own is the concentrated reflection of her feminist ideas .This article tries to analyze the meaning of “a room one’s own” and “five hundred pounds a year” from the perspective of material and spiritual space.展开更多
This paper studies a short fiction of Virginia Woolf The Mark on the Wall.Woolf held the literary theory "moments of being" and believed that the moments ordinary enough in itself had an extraordinary effect...This paper studies a short fiction of Virginia Woolf The Mark on the Wall.Woolf held the literary theory "moments of being" and believed that the moments ordinary enough in itself had an extraordinary effect on people's imagination.Based on many diaries,essays and fictions of Woolf,and the related literature review,this paper analyzes the "moments of being" represented in The Mark on the Wall.It's is found that the moments of being are truth of being,both the external word and inner world.Woolf catches her mind sparks,seeks the truth and free thinking in each moment during her life.展开更多
Anna Snaith is Professor of Twentieth-Century Literature at the Department of English,King's College London.A renowned scholar of Virginia Woolf,she has edited a scholarly edition of The Years for Cambridge Univer...Anna Snaith is Professor of Twentieth-Century Literature at the Department of English,King's College London.A renowned scholar of Virginia Woolf,she has edited a scholarly edition of The Years for Cambridge University Press,and A Room of One's Own and Three Guineas(Oxford World Classics).Her major publications include Modernist Voyages:Colonial Women Writers in London,1890-1945(Cambridge UP,2014)and an edited collection,Sound and Literature(Cambridge UP,2020).Her research interests include modernist women writers,modernism and colonialism,and literary sounds.In this interview,Snaith answers questions about her recent exploration of literary sound studies.She talks about how Woolf's writings inspire her attention to sound,concisely introduces the key works and scholars in the field,and discusses the challenges of working on interdisciplinary projects with scholars from diverse fields.It is important,she believes,to name this field because the literary has conventionally been sidelined in sound studies.Sound is crucial for understanding modernism because the modernist era coincided with a revolution in sonic media and technology.She points out literary scholars can contribute to sound studies by combining close linguistic analysis of the representation of sound with a broader analysis of its cultural and social significance in the world.展开更多
文摘This study entails a first approach to epistemic modality in Woolf＇s essays. In particular, we will distinguish between assertive and non-assertive epistemic modality. Woolf uses assertive epistemic modality when transmitting her criticism to, sometimes, women＇s inferiority condition in history, revealing Woolf＇s more confident stance. These markers are different from those used in more ＂gentle＂ themes related to reviewing an author and her work. In this second case, non-assertive epistemic modality is more frequent. Being less harsh towards an author＇s surroundings and her literary production, Woolf＇s stance proves less self-assured. The corpus consists of 10 short essays. We also refer to her longer essays A Room of One＇s Own （1929） and Three Guineas 0938）. They were selected bearing in mind their subject-matter. Half of them deal with literature and women writers, their lives and works; the other half ones also have to do with women-related topics, but referring to their position in history and their difficulties to undertake, for example, a literary career. Some concluding remarks indicate the predominance of non-assertive epistemic modality in relation to an intersubjective reading of her texts. This reading favours the inclusion of her audience in her commentary about women writing.
文摘The paper probes into the connotations of tea in Virginia Woolt＇s The Years, showing historical changes of the relationship between women and tea. On the basis of the female characters＇ attitude and their understanding of tea, the tea values shed light on the culturally feminine roles, identity, social identity changes and family position in the Victorian Era and the New Era.
文摘Unlike traditional fiction, Virginia Woolf＇s ＂The Mark on the Wall＂ doesn＇t have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrator adopts a new fixed internal focalization, interwoven with the first person external point of view. By weakening the physical time and space, the narrator tells the story according to her psychological time and space, stressing the moment of importance, through which the writer highlights her subjective reality.
文摘Virginia Woolf’s seventh novel,The Waves,first published by the Hogarth Press in 1931,is widely regarded as her most experimental piece of writing.The complex and elusive structure of the work,the least representational among Woolf’s novels,challenges the reader’s assumptions about the inner and the outer world.In the absence of a substantial story,of a convincing plot and well-defined characters,the reader is called upon to search for a deeper coherence and more profound meanings.Indeed,in The Waves the modernist writer strives for a fresh way of expressing a vision of wholeness in a broken world.The present article attempts to reread Woolf’s self-conscious novel in the double perspective of separation and reunion,of dispersal and recomposition.A close reading of selected passages will show how the poetics of fragmentation and the poetics of wholeness coexist in Woolf’s narrative,pervading the imagery and the symbols of the text.In more than one sense,the dialectic between division and unity,fragmentation and wholeness can be identified as the structuring force of the novel;most tellingly,this textual dynamism is reflected in the oscillatory motion of the waves,continuously breaking and merging.
文摘Mrs.Dalloway is one of the famous novels written by Virginia Woolf,who is perceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Septimus Warren Smith are the two protagonists in this novel.From analyzing the relationship of Clarissa Dalloway and Septimus Warren Smith in terms of the meaning of life and death,this thesis aims to explore the author's and the protagonists' inner conflicts and the significance of life and death.
文摘Mrs.Dalloway and To the Lighthouse are two famous novels written by Virginia Woolf,who is conceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Mrs.Ramsay are the two female protagonists in the two novels.From analyzing the similarities in terms of personality and psychology by using feminism as the theoretical basis,this thesis aims to explore the author's and the protagonists'paradoxical psychology-inner hope versus reality,and to help women liberate from the patriarchal society.
文摘As an outstanding modernist female writer in the early twentieth century, Virginia Woolf appeals for women's liberation in literary productions. Focusing on her most significant feminist criticism A Room of One's Own, especially on the argument "It is useless to go to the great men writers for help . . . a man's sentence . . . was unsuited for a woman's use", this essay attempts to explore how Woolf searches for language and literary forms more suited for women writers in patriarchal society, and in what ways modernist language and literary form have been shaped by the motives for innovation in Woolf's works. Shaping and being shaped by the trend of modernism, Woolf's assertion of androgynous mind and her unique stream-of-consciousness techniques make contribution to modernist female writing.
基金the achievement of the National Social Science Fund Project“Trauma Studies on Virginia Woolf”(13CWW020)Research Project of Returning Doctor of Jishou University entitled“Studies on Virginia Woolf”(jsdxxcfxbskyxm201308)
文摘Virginia Woolf has drawn academic attention since she published her first novel.Studies on Virginia Woolf from the perspective of psychology started in the 1950 s and have been kept since then,and in recent years there has been a warming trend in this respect.The paper aims at combing through studies on Virginia Woolf from psychological perspective at home and abroad,investigating its research status and prospect,summarizing its characteristics,digging out problems and exploring space for further studies.
文摘Virginia Woolf’s life value,the pursuit for individuality in particular,is manifested in her successful work To the Light-house.Two aspects of pursuing individuality,that is,personal space and self-realization are clarified the significance of pursing in-dividuality in people’s life is analyzed.
文摘Virginia Woolf’s feminist ideas revised the traditional masculinized theory and confirmed the value of women themselves and brought feminist literary theory in shape. A Room of One’s Own is the concentrated reflection of her feminist ideas .This article tries to analyze the meaning of “a room one’s own” and “five hundred pounds a year” from the perspective of material and spiritual space.
文摘This paper studies a short fiction of Virginia Woolf The Mark on the Wall.Woolf held the literary theory "moments of being" and believed that the moments ordinary enough in itself had an extraordinary effect on people's imagination.Based on many diaries,essays and fictions of Woolf,and the related literature review,this paper analyzes the "moments of being" represented in The Mark on the Wall.It's is found that the moments of being are truth of being,both the external word and inner world.Woolf catches her mind sparks,seeks the truth and free thinking in each moment during her life.
文摘Anna Snaith is Professor of Twentieth-Century Literature at the Department of English,King's College London.A renowned scholar of Virginia Woolf,she has edited a scholarly edition of The Years for Cambridge University Press,and A Room of One's Own and Three Guineas(Oxford World Classics).Her major publications include Modernist Voyages:Colonial Women Writers in London,1890-1945(Cambridge UP,2014)and an edited collection,Sound and Literature(Cambridge UP,2020).Her research interests include modernist women writers,modernism and colonialism,and literary sounds.In this interview,Snaith answers questions about her recent exploration of literary sound studies.She talks about how Woolf's writings inspire her attention to sound,concisely introduces the key works and scholars in the field,and discusses the challenges of working on interdisciplinary projects with scholars from diverse fields.It is important,she believes,to name this field because the literary has conventionally been sidelined in sound studies.Sound is crucial for understanding modernism because the modernist era coincided with a revolution in sonic media and technology.She points out literary scholars can contribute to sound studies by combining close linguistic analysis of the representation of sound with a broader analysis of its cultural and social significance in the world.
