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An Approach to Assertive and Non-assertive Epistemic Modality in Virginia Woolf's Essays
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作者 Margarita Esther Sanchez Cuervo 《Sino-US English Teaching》 2011年第3期200-205,共6页
This study entails a first approach to epistemic modality in Woolf's essays. In particular, we will distinguish between assertive and non-assertive epistemic modality. Woolf uses assertive epistemic modality when tra... This study entails a first approach to epistemic modality in Woolf's essays. In particular, we will distinguish between assertive and non-assertive epistemic modality. Woolf uses assertive epistemic modality when transmitting her criticism to, sometimes, women's inferiority condition in history, revealing Woolf's more confident stance. These markers are different from those used in more "gentle" themes related to reviewing an author and her work. In this second case, non-assertive epistemic modality is more frequent. Being less harsh towards an author's surroundings and her literary production, Woolf's stance proves less self-assured. The corpus consists of 10 short essays. We also refer to her longer essays A Room of One's Own (1929) and Three Guineas 0938). They were selected bearing in mind their subject-matter. Half of them deal with literature and women writers, their lives and works; the other half ones also have to do with women-related topics, but referring to their position in history and their difficulties to undertake, for example, a literary career. Some concluding remarks indicate the predominance of non-assertive epistemic modality in relation to an intersubjective reading of her texts. This reading favours the inclusion of her audience in her commentary about women writing. 展开更多
关键词 virginia woolf ESSAYS women writing MODALITY EPISTEMIC assertive non-assertive
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The Cultural Values of Tea in Virginia Woolf's The Years
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作者 MA Xiao-li WANG Ya-xuan 《Journal of Literature and Art Studies》 2017年第12期1580-1586,共7页
The paper probes into the connotations of tea in Virginia Woolt's The Years, showing historical changes of the relationship between women and tea. On the basis of the female characters' attitude and their understand... The paper probes into the connotations of tea in Virginia Woolt's The Years, showing historical changes of the relationship between women and tea. On the basis of the female characters' attitude and their understanding of tea, the tea values shed light on the culturally feminine roles, identity, social identity changes and family position in the Victorian Era and the New Era. 展开更多
关键词 virginia woolf The Years tea culture WOMEN
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A Picture of "Subjective Reality"" A Narrative Analysis of Virginia Woolf's "The Mark on the Wall"
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作者 WANG Hai-ying 《Journal of Literature and Art Studies》 2018年第3期384-388,共5页
Unlike traditional fiction, Virginia Woolf's "The Mark on the Wall" doesn't have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrato... Unlike traditional fiction, Virginia Woolf's "The Mark on the Wall" doesn't have lively characters, detailed setting, or intriguing plot. Discarding the traditional narrative mode of zero focalization, the narrator adopts a new fixed internal focalization, interwoven with the first person external point of view. By weakening the physical time and space, the narrator tells the story according to her psychological time and space, stressing the moment of importance, through which the writer highlights her subjective reality. 展开更多
关键词 virginia woolf The Mark on the Wall subjective reality
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Fragmentation and Wholeness in Virginia Woolf’s The Waves
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作者 Gioiella Bruni Roccia 《Journal of Literature and Art Studies》 2023年第12期931-940,共10页
Virginia Woolf’s seventh novel,The Waves,first published by the Hogarth Press in 1931,is widely regarded as her most experimental piece of writing.The complex and elusive structure of the work,the least representatio... Virginia Woolf’s seventh novel,The Waves,first published by the Hogarth Press in 1931,is widely regarded as her most experimental piece of writing.The complex and elusive structure of the work,the least representational among Woolf’s novels,challenges the reader’s assumptions about the inner and the outer world.In the absence of a substantial story,of a convincing plot and well-defined characters,the reader is called upon to search for a deeper coherence and more profound meanings.Indeed,in The Waves the modernist writer strives for a fresh way of expressing a vision of wholeness in a broken world.The present article attempts to reread Woolf’s self-conscious novel in the double perspective of separation and reunion,of dispersal and recomposition.A close reading of selected passages will show how the poetics of fragmentation and the poetics of wholeness coexist in Woolf’s narrative,pervading the imagery and the symbols of the text.In more than one sense,the dialectic between division and unity,fragmentation and wholeness can be identified as the structuring force of the novel;most tellingly,this textual dynamism is reflected in the oscillatory motion of the waves,continuously breaking and merging. 展开更多
关键词 virginia woolf’s The Waves FRAGMENTATION WHOLENESS RHYTHM circle motif
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Life versus Death:An Interpretation of Clarissa Dalloway and Septimus Warren Smith in Virginia Woolf's Mrs.Dalloway
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作者 王欢 《海外英语》 2011年第11X期277-278,共2页
Mrs.Dalloway is one of the famous novels written by Virginia Woolf,who is perceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Septimus Warren Smith are the two pr... Mrs.Dalloway is one of the famous novels written by Virginia Woolf,who is perceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Septimus Warren Smith are the two protagonists in this novel.From analyzing the relationship of Clarissa Dalloway and Septimus Warren Smith in terms of the meaning of life and death,this thesis aims to explore the author's and the protagonists' inner conflicts and the significance of life and death. 展开更多
关键词 virginia woolf CLARISSA Dalloway Septimus Warren SMITH
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Hope Versus Reality:A Feminist Interpretation of Virginia Woolf's Mrs.Dalloway and To the Lighthouse
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作者 王欢 《海外英语》 2010年第7X期215-216,共2页
Mrs.Dalloway and To the Lighthouse are two famous novels written by Virginia Woolf,who is conceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Mrs.Ramsay are the t... Mrs.Dalloway and To the Lighthouse are two famous novels written by Virginia Woolf,who is conceived as one of the famous feminist writers in the history of English literature.Clarissa Dalloway and Mrs.Ramsay are the two female protagonists in the two novels.From analyzing the similarities in terms of personality and psychology by using feminism as the theoretical basis,this thesis aims to explore the author's and the protagonists'paradoxical psychology-inner hope versus reality,and to help women liberate from the patriarchal society. 展开更多
关键词 FEMINISM virginia woolf CLARISSA Dalloway Mrs.Ramsay
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Woman, Fiction and Modernism:Virginia Woolf and Modernist Fiction
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作者 刘楚 《海外英语》 2013年第14期199-203,共5页
As an outstanding modernist female writer in the early twentieth century, Virginia Woolf appeals for women's liberation in literary productions. Focusing on her most significant feminist criticism A Room of One... As an outstanding modernist female writer in the early twentieth century, Virginia Woolf appeals for women's liberation in literary productions. Focusing on her most significant feminist criticism A Room of One's Own, especially on the argument "It is useless to go to the great men writers for help . . . a man's sentence . . . was unsuited for a woman's use", this essay attempts to explore how Woolf searches for language and literary forms more suited for women writers in patriarchal society, and in what ways modernist language and literary form have been shaped by the motives for innovation in Woolf's works. Shaping and being shaped by the trend of modernism, Woolf's assertion of androgynous mind and her unique stream-of-consciousness techniques make contribution to modernist female writing. 展开更多
关键词 virginia woolf female writing FEMINISM MODERNISM a
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A Review of Studies on Virginia Woolf from the Perspective of Psychology
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作者 Zhu Yanyang 《学术界》 CSSCI 北大核心 2015年第12期279-284,共6页
Virginia Woolf has drawn academic attention since she published her first novel.Studies on Virginia Woolf from the perspective of psychology started in the 1950 s and have been kept since then,and in recent years ther... Virginia Woolf has drawn academic attention since she published her first novel.Studies on Virginia Woolf from the perspective of psychology started in the 1950 s and have been kept since then,and in recent years there has been a warming trend in this respect.The paper aims at combing through studies on Virginia Woolf from psychological perspective at home and abroad,investigating its research status and prospect,summarizing its characteristics,digging out problems and exploring space for further studies. 展开更多
关键词 心理学 综述 发展前景 弗吉尼亚 学术界 国内外
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Pursuit of Individuality: A Thematic Study of Virginia Woolf's To the Lighthouse
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作者 朱啸 《海外英语》 2018年第16期197-199,201,共4页
Virginia Woolf’s life value,the pursuit for individuality in particular,is manifested in her successful work To the Light-house.Two aspects of pursuing individuality,that is,personal space and self-realization are cl... Virginia Woolf’s life value,the pursuit for individuality in particular,is manifested in her successful work To the Light-house.Two aspects of pursuing individuality,that is,personal space and self-realization are clarified the significance of pursing in-dividuality in people’s life is analyzed. 展开更多
关键词 英语学习 学习方法 阅读知识 阅读材料
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An Analysis of Virginia Woolf’s Feminist View in A Room of One’s Own
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作者 郜聿页 《好家长》 2019年第58期248-248,共1页
Virginia Woolf’s feminist ideas revised the traditional masculinized theory and confirmed the value of women themselves and brought feminist literary theory in shape. A Room of One’s Own is the concentrated reflecti... Virginia Woolf’s feminist ideas revised the traditional masculinized theory and confirmed the value of women themselves and brought feminist literary theory in shape. A Room of One’s Own is the concentrated reflection of her feminist ideas .This article tries to analyze the meaning of “a room one’s own” and “five hundred pounds a year” from the perspective of material and spiritual space. 展开更多
关键词 virginia woolf FEMINISM A ROOM of One’s OWN
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论弗吉尼亚·伍尔夫诗化小说的道家意蕴
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作者 韦佳贤 徐文 《佳木斯大学社会科学学报》 2026年第1期94-98,共5页
弗吉尼亚·伍尔夫用诗意的方式观照世界,以文学创作表现其内在生命体验,继而在其诗化小说创作中,全面构建出以生命为最高真实本体进行审美观照的诗学。以“生命诗学”为统摄视野,将伍尔夫的《到灯塔去》《奥兰多》《海浪》等诗化小... 弗吉尼亚·伍尔夫用诗意的方式观照世界,以文学创作表现其内在生命体验,继而在其诗化小说创作中,全面构建出以生命为最高真实本体进行审美观照的诗学。以“生命诗学”为统摄视野,将伍尔夫的《到灯塔去》《奥兰多》《海浪》等诗化小说作为核心文本,引入中国传统道家“天人合一”“阴阳和谐”“生死齐一”等诗学思想加以参照与激活,有助于系统考察二者在“生命”这一向度上的汇通性透视,由此鉴照生命诗学的跨文化价值,并尝试为中西对话和交流开辟有益的通道。 展开更多
关键词 弗吉尼亚·伍尔夫 诗化小说 道家思想 生命诗学
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Woolf's “Moments of Being” Represented in The Mark on the Wall
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作者 李莉 《海外英语》 2016年第17期157-158,共2页
This paper studies a short fiction of Virginia Woolf The Mark on the Wall.Woolf held the literary theory "moments of being" and believed that the moments ordinary enough in itself had an extraordinary effect... This paper studies a short fiction of Virginia Woolf The Mark on the Wall.Woolf held the literary theory "moments of being" and believed that the moments ordinary enough in itself had an extraordinary effect on people's imagination.Based on many diaries,essays and fictions of Woolf,and the related literature review,this paper analyzes the "moments of being" represented in The Mark on the Wall.It's is found that the moments of being are truth of being,both the external word and inner world.Woolf catches her mind sparks,seeks the truth and free thinking in each moment during her life. 展开更多
关键词 virginia woolf The Mark on the Wall moments of being TRUTH
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论《海浪》与贝多芬弦乐四重奏的文学与音乐的契合
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作者 赵越 宋岩 《东北大学学报(社会科学版)》 北大核心 2025年第6期131-139,共9页
《海浪》是伍尔夫极具创新性、充满实验主义色彩的力作,也是她探索文学—音乐关系的重要跨媒介实践。从《海浪》的构思到完结,贝多芬音乐对其创作过程产生了深刻的影响。小说无论在形式还是内容上都与贝多芬晚期弦乐四重奏存在着密切的... 《海浪》是伍尔夫极具创新性、充满实验主义色彩的力作,也是她探索文学—音乐关系的重要跨媒介实践。从《海浪》的构思到完结,贝多芬音乐对其创作过程产生了深刻的影响。小说无论在形式还是内容上都与贝多芬晚期弦乐四重奏存在着密切的关联。在小说音乐化“隐蔽媒介间性”框架内,通过显性“讲述”和隐性“展示”,伍尔夫对贝多芬降B大调弦乐四重奏在形式与结构、主题化和想象内容以及作曲技法层面进行了效仿和类比,完成了一场从宏观到微观,从结构借鉴、主题映射到感知激活的文学—音乐转译实验。《海浪》与贝多芬音乐之间的高度契合使其成为伍尔夫小说音乐化的典型文本。 展开更多
关键词 《海浪》 伍尔夫 贝多芬弦乐四重奏 跨媒介 音乐化
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“更大的不列颠”?——《达洛卫夫人》城乡融合的空间叙事
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作者 陈研 《外国语言文学》 2025年第5期98-108,135,136,共13页
19世纪中后期,面对内忧外患,英帝国主义者提出了“更大的不列颠”的概念,却在一战中遭受重创,战后国内外政局动荡更加速了帝国的衰落。弗吉尼亚·伍尔夫笔下的《达洛卫夫人》正是以此为背景,聚焦多重空间,对这一概念予以回应。本文... 19世纪中后期,面对内忧外患,英帝国主义者提出了“更大的不列颠”的概念,却在一战中遭受重创,战后国内外政局动荡更加速了帝国的衰落。弗吉尼亚·伍尔夫笔下的《达洛卫夫人》正是以此为背景,聚焦多重空间,对这一概念予以回应。本文采用雷蒙德·威廉斯流动的文化空间观,探讨小说人物的城市漫游和乡村回忆对帝国“大”之内涵的重新审视,分析小说融合城乡元素建构英国民族特性中的“家”这一特殊空间,揭示伍尔夫以小见大的柔性殖民策略。 展开更多
关键词 “更大的不列颠” 弗吉尼亚·伍尔夫 《达洛卫夫人》 城乡融合 空间叙事
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《谁害怕弗吉尼亚·伍尔夫?》中的狂欢化叙事与当代美国家庭神话
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作者 刘一畅 苗福光 《菏泽学院学报》 2025年第6期61-69,共9页
爱德华·阿尔比的戏剧《谁害怕弗吉尼亚·伍尔夫?》通过狂欢化叙事揭示了美国中产阶级家庭神话的虚构本质。作品中以乔治与玛莎为代表的中年一代试图通过虚构的儿子建构并维系他们基于权力博弈和物质利益的家庭,最终归于徒劳;... 爱德华·阿尔比的戏剧《谁害怕弗吉尼亚·伍尔夫?》通过狂欢化叙事揭示了美国中产阶级家庭神话的虚构本质。作品中以乔治与玛莎为代表的中年一代试图通过虚构的儿子建构并维系他们基于权力博弈和物质利益的家庭,最终归于徒劳;以尼克与哈妮为代表的年轻一代主动放弃了传统家庭建构的可能,彻底解构了作为美国社会基石的核心家庭神话。剧中人物新英格兰学术精英的背景设定,又将家庭危机延伸至美国的学术领域,彻底解构了美国的精英神话。阿尔比并未止于解构,而是通过狂欢过后剧中人物直面现实的态度,暗示重构家庭的可能性。 展开更多
关键词 《谁害怕弗吉尼亚·伍尔夫?》 狂欢化叙事 美国家庭神话
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阿里奥斯托与伍尔夫的“取材”及其对文学传统的挑战
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作者 惠子萱 《中世纪与文艺复兴研究》 2025年第1期159-183,共25页
《疯狂的奥兰多》与《奥兰多:一则传记》之间的联系并不只是伍尔夫对阿里奥斯托笔下神话和传奇的引用与改写,这两部作品在内容与叙事结构层面均体现出对传统史诗结构、英雄主义和骑士爱情的质疑与颠覆。这种质疑与颠覆在内容上刻画了性... 《疯狂的奥兰多》与《奥兰多:一则传记》之间的联系并不只是伍尔夫对阿里奥斯托笔下神话和传奇的引用与改写,这两部作品在内容与叙事结构层面均体现出对传统史诗结构、英雄主义和骑士爱情的质疑与颠覆。这种质疑与颠覆在内容上刻画了性别角色的可互换性和雌雄同体,在叙事结构上违反了亚里士多德的诗学原则和史诗创作规范,展示了英雄崇拜和骑士价值观的荒谬之处。两位作者分别通过与各自在文学创作上的借鉴与模仿对象的对比,尝试定义自身的诗学身份。伍尔夫通过“取材”这一方式实现了对文学传统的挑战,继承并发展了阿里奥斯托叙事中的诗学革新,进而创建了自己的文学传统。 展开更多
关键词 阿里奥斯托 《疯狂的奥兰多》 伍尔夫 《奥兰多:一则传记》 英雄主义 骑士爱情 取材
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“联结梦”的瓦解:《达洛卫夫人》中的人际困境解析
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作者 许秋红 《文化创新比较研究》 2025年第15期1-5,共5页
《达洛卫夫人》是英国现代作家弗吉尼亚·伍尔夫的成名作,蕴含着深刻的多元主题,其中“联结”主题尤为突出。小说中,女主人公克拉丽莎·达洛卫试图以“宴会”这一古老英式聚会传统为依托,搭建起人与人之间沟通联结的桥梁。该文... 《达洛卫夫人》是英国现代作家弗吉尼亚·伍尔夫的成名作,蕴含着深刻的多元主题,其中“联结”主题尤为突出。小说中,女主人公克拉丽莎·达洛卫试图以“宴会”这一古老英式聚会传统为依托,搭建起人与人之间沟通联结的桥梁。该文聚焦于达洛卫夫人与其他三位核心人物的交互关系,从个体心理创伤、社会阶层差异、价值观差异等维度出发,探究“联结梦”萌发的根源及最终走向破灭的诸多因素,借由对该小说“联结”主题的深度阐释,揭示伍尔夫对现代社会人际关系危机的深切关注与深沉忧思,以期为理解作品内涵及当代人际困境提供新的视角。 展开更多
关键词 弗吉尼亚·伍尔夫 《达洛卫夫人》 宴会 “联结梦” 破灭成因 人际关系危机
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论伍尔夫《奥兰多》中“双性同体”的叙事实验
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作者 龙心怡 《哈尔滨学院学报》 2025年第4期79-83,共5页
“双性同体”观最早由弗吉尼亚·伍尔夫在其女性主义理论著作《一间自己的房间》中提出,并在同时期完成对“双性同体”观实践的小说《奥兰多》。如今,“双性同体”演变为女性主义批评的研究方法,并在性别研究与文化研究中成为新的... “双性同体”观最早由弗吉尼亚·伍尔夫在其女性主义理论著作《一间自己的房间》中提出,并在同时期完成对“双性同体”观实践的小说《奥兰多》。如今,“双性同体”演变为女性主义批评的研究方法,并在性别研究与文化研究中成为新的学术增长点。伍尔夫以“双性同体”的文学实验消解传统性别分野,建构出一系列“双性同体”的实验人物。他们以奇异的无性、变性和跨性经历,展示了两性意识“同体”后对构建和谐包容社会的积极启示。这不仅为女性主义批评提供了新的方法论视角,也为当代性别研究拓展了理论边界。 展开更多
关键词 弗吉尼亚·伍尔夫 《奥兰多》 双性同体 女性主义意识
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丁玲与伍尔夫女性文学创作的跨文化比较研究
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作者 毛雅琴 《文化创新比较研究》 2025年第18期139-145,共7页
该文以跨文化比较视角探究丁玲与伍尔夫的女性文学创作。通过文本细读分析二者在女性意识表达、艺术风格及文化语境影响维度的异同。研究发现:丁玲在《莎菲女士的日记》等作品中,以日记体与现实主义手法,展现中国女性在社会革命中的觉醒... 该文以跨文化比较视角探究丁玲与伍尔夫的女性文学创作。通过文本细读分析二者在女性意识表达、艺术风格及文化语境影响维度的异同。研究发现:丁玲在《莎菲女士的日记》等作品中,以日记体与现实主义手法,展现中国女性在社会革命中的觉醒,将女性解放融入民族解放集体话语;伍尔夫则通过《一间自己的房间》等文本提出经济独立与物理空间的理论主张,运用意识流技法与象征体系探索中产阶级女性的精神困境与创作可能。二者均批判父权制,但丁玲的性别抗争始终与政治革命同构,而伍尔夫更侧重个体意识的诗学实验。该文通过建立跨文化对话框架,深化对中西方女性文学特质的理解,为全球化语境下的女性主义理论发展提供新的阐释路径。 展开更多
关键词 丁玲 伍尔夫 女性意识 跨文化比较 创作风格 女性文学
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近20年国内弗吉尼亚·伍尔夫研究述评 被引量:41
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作者 高奋 鲁彦 《外国文学研究》 CSSCI 北大核心 2004年第5期36-42,共7页
本文从译介出版、总体研究、作品研究三个方面回顾了我国学术界近 2 0年来的弗吉尼亚·伍尔夫研究 :已经翻译出版了伍尔夫几乎全部的作品 ;从小说理论、创作实践、女性主义、主题、形式等多个方面对伍尔夫的思想和作品进行了研究和... 本文从译介出版、总体研究、作品研究三个方面回顾了我国学术界近 2 0年来的弗吉尼亚·伍尔夫研究 :已经翻译出版了伍尔夫几乎全部的作品 ;从小说理论、创作实践、女性主义、主题、形式等多个方面对伍尔夫的思想和作品进行了研究和解读。在今后的研究中应该重视几个方面的问题 :确立批评中的本土意识和主体意识 ,关注研究视野和观点的创新 ,加强对国外研究成果的翻译和引进。 展开更多
关键词 弗吉尼亚·伍尔夫 小说理论 译介 创作实践 本土意识 作品研究 女性主义 应该 近20年 研究述评
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