Veng Soknea,a Cambodian teacher dressed in Hanfu(traditional Han Chinese costume),was all smiles.A group of female students surrounded her,admiring the beauty and solemnity of Hanfu,their eyes full of surprise and cur...Veng Soknea,a Cambodian teacher dressed in Hanfu(traditional Han Chinese costume),was all smiles.A group of female students surrounded her,admiring the beauty and solemnity of Hanfu,their eyes full of surprise and curiosity.Encouraged by their teacher,they also put on Hanfu to experience the unique charm of traditional Chinese costume.展开更多
The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti...The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti-Japanese War films and teleplays is abnormally high, and their values deeply enmeshed in a radical nationalism. The result is a general trend towards a ＂carnival of vengeful images.＂ Given the potential harms implicit in this situation, the question of just what kind of war narratives are appropriate for the contemporary circumstances of globalization should receive serious attention and reconsideration from society at large.展开更多
文摘Veng Soknea,a Cambodian teacher dressed in Hanfu(traditional Han Chinese costume),was all smiles.A group of female students surrounded her,admiring the beauty and solemnity of Hanfu,their eyes full of surprise and curiosity.Encouraged by their teacher,they also put on Hanfu to experience the unique charm of traditional Chinese costume.
文摘The cosmopolitan cultural behaviors employed by war films and teleplays in the reconstruction of national traumatic memories are worthy of understanding and respect. However, in present-day China, the quantity of Anti-Japanese War films and teleplays is abnormally high, and their values deeply enmeshed in a radical nationalism. The result is a general trend towards a ＂carnival of vengeful images.＂ Given the potential harms implicit in this situation, the question of just what kind of war narratives are appropriate for the contemporary circumstances of globalization should receive serious attention and reconsideration from society at large.
