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True Artists at Current Era——Alan Liu, CEO of AXL Musical Instruments Co., Ltd.
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作者 Alice Yang 《China's Foreign Trade》 2014年第3期74-75,共2页
Links Alan Liu graduated from Shanghai Conservatory of Music.During his college years,he specialized in flute playing and also studied composition theory.In 1986,he went to the U.S.and studied at the School of Music a... Links Alan Liu graduated from Shanghai Conservatory of Music.During his college years,he specialized in flute playing and also studied composition theory.In 1986,he went to the U.S.and studied at the School of Music at Dominican University to study musical composition.As graduate student of musical theory,Alan Liu developed strong interests in Blues,Country,Folk,Bluegrass and Jazz music.From 1986 to 1990,he spent a lot of time 展开更多
关键词 musical specialized college instrument PIANO SPENT
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Thoughts on the Complementation of Chinese and Western Musical Instruments and the Localization of Piano Music
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作者 Xiaolan Cui 《Review of Educational Theory》 2018年第4期105-110,共6页
At the beginning of the 20th century, Western music gradually integrated into Chinese music education institutions and various music social activities. The timbre, range and comprehensive expression of Western musical... At the beginning of the 20th century, Western music gradually integrated into Chinese music education institutions and various music social activities. The timbre, range and comprehensive expression of Western musical instruments have played an important role in promoting the performance of Chinese national musical instruments. At the same time, Chinese traditional music culture has also had an important impact on the localization of Western music in China, especially for the piano music. 展开更多
关键词 National musical instrument TIMBRE CHARM PIANO music
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The Unique Chinese National Musical Instruments
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作者 Sang Zi 《China's Foreign Trade》 1994年第1期43-44,共2页
The Chinese-made musical instruments, qin, zheng, bamboo flute and xiao, enjoy an irreplaceable position in the international instrument market, for their time-honored history, unique musical effect and delicate craft... The Chinese-made musical instruments, qin, zheng, bamboo flute and xiao, enjoy an irreplaceable position in the international instrument market, for their time-honored history, unique musical effect and delicate craftsmanship. Ancient zheng, named after its sound, is one of the oldest musical instruments of China. According to ancient records, zheng was popular in the Qin region (Shaanxi today) in 400 B.C. At that time, a zheng had 10 swings and was made of wood. In 900 B.C., the 展开更多
关键词 In 山川 The Unique Chinese National musical instruments
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Inheritance and Development of Guangxi Minority Musical Instruments and Their Integration With Operas
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作者 HUANG Lanchun 《Psychology Research》 2023年第9期420-424,共5页
The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guang... The traditional musical instrument of minorities converges the evolution of ethnic group culture and history,and ethnic musical instruments are a core component of minority culture.The traditional instruments of Guangxi minorities are rich and varied,and an all-round cultural inheritance and protection mechanism should be used for ethnic musical instruments,so that the performance form of classical musical instruments of minorities can be more widely understood and mastered.Therefore,in this paper,we discuss the specific practice idea of the inheritance and development of classical musical instruments of Guangxi minorities,and facilitate the innovation of development path of ethnic musical instruments by taking the inheritance form of integrating musical instruments with operas. 展开更多
关键词 musical instruments of GUANGXI MINORITIES inheritance and development INTEGRATION with OPERAS
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Construction of Three-in-one Industry and Cultural Inheritance of Musical Instruments of Li People in Hainan from the Perspective of Rural Revitalization
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作者 Jianjian HE Wenhao JIAN +2 位作者 Pingping WENG Jiangtao LIANG Mengyi XIONG 《Asian Agricultural Research》 2022年第6期47-50,54,共5页
From the perspective of industrial integration,how the musical instruments of Li people in Hainan can solve the current development problems such as lack of endogenous power and market enthusiasm under the strategy of... From the perspective of industrial integration,how the musical instruments of Li people in Hainan can solve the current development problems such as lack of endogenous power and market enthusiasm under the strategy of rural revitalization to walk out a unique road of three-in-one industry construction was studied. 展开更多
关键词 instrumental music culture of Li people Rural revitalization Industrial integration
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Application of Timbres of National Musical Instruments in the Performance of Chinese Piano Works
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作者 Zhou Zhengchang 《International Journal of Technology Management》 2016年第12期83-84,共2页
Piano and national musical instruments symbolize the understanding and interpretation of different cultures, races and regions for music. However, music is the art of sound. Both piano and national music instruments r... Piano and national musical instruments symbolize the understanding and interpretation of different cultures, races and regions for music. However, music is the art of sound. Both piano and national music instruments reflect sound art. Similarly, both of them blend with and affect each other. For instance, some excellent piano works in China inherit national culture and fuse western music techniques. Timbres of national musical instruments present the music characteristics of combining Chinese elements with western elements and integrating with each other in piano performance. 展开更多
关键词 National musical instruments Piano Performance Sound Art
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Chinese National Bowed-Stringed Musical Instruments
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《China Today》 2002年第5期61-61,共1页
关键词 In Chinese National Bowed-Stringed musical instruments
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Exploration on the Foundations of Contemporary Education and Ethnic Music Education from the Perspective of Traditional Chinese Musical Instruments
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作者 Xingzhi Guan 《教育研究前沿(中英文版)》 2022年第2期48-55,共8页
With the rapid development of multicultural arts,music education has become an important component of the educational research system.However,the teaching of traditional Chinese folk musical instruments,as an essentia... With the rapid development of multicultural arts,music education has become an important component of the educational research system.However,the teaching of traditional Chinese folk musical instruments,as an essential branch of music education teaching,has been neglected.This paper discusses the significance of Chinese folk musical instrument education from three aspects:the history of Chinese folk musical instruments,the development of folk musical instrument teaching,and the integration of modern musical instrument education with folk musical instrument education. 展开更多
关键词 music Education music Aesthetics Ethnic instrumental music Chinese Folk musical instrument
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Chinese Musical Instruments and Chinese Music(Ⅱ)
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《China & The World Cultural Exchange》 1998年第6期28-35,共8页
关键词 Chinese musical instruments and Chinese music
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Portrayal of"Oud" Musical Instrument in Creative Work of Alisher Navoi
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作者 Laylo Djuraeva 《Journal of Literature and Art Studies》 2017年第1期83-86,共4页
The Oud is a pear-shaped stringed instrument with 11 'or 13 strings grouped in 5 or 6 courses, commonly used in Persian, Arabic, Greek, Turkish, Jewish, Byzantine, Azerbaijani, Armenian, North African and Middle East... The Oud is a pear-shaped stringed instrument with 11 'or 13 strings grouped in 5 or 6 courses, commonly used in Persian, Arabic, Greek, Turkish, Jewish, Byzantine, Azerbaijani, Armenian, North African and Middle Eastern music. Oud had been widely popular before 17th century among society, and it provided moral and spiritual nourishment. This musical instrument was created by singer Borbad who lived in the period of Khisrav Parviz who was Sosoniy King and it was in the novel of "Khisrav and Shirin" (Nizami Ganjavi). Oud was also described in Kitab al-Musiqa al-Kabir (The Book of Music) by Farabi. Moreover, Alishir Navoi showed the connection of the science of music with spiritual world in verses of his priceless heritage. The poet assessed the sound features of the musical instruments in his book Mahbub ul-Qulub. Additionally he has written, "While the sound of Chang (struck zither) is torturing, sound of Oud is more touching." Sometimes Navoi used the Oud in musician's hands as an artistic image in order to illustrate his torture to reader. He described his condition very vividly and skillfully. This is probably because Oud has unique wail, which cannot be heard in any other instruments. 展开更多
关键词 Navoi Oud Mughanni ghazal musical instrument verses
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The Erhu: A Journey Through Chinese Music
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作者 郭子升 《疯狂英语(双语世界)》 2025年第3期77-77,共1页
When we learn about Chinese traditional culture,we can find many interesting things.One of them is a special musical instrument—Erhu.The Erhu is a two-stringed instrument played with a bow.People often call it the Ch... When we learn about Chinese traditional culture,we can find many interesting things.One of them is a special musical instrument—Erhu.The Erhu is a two-stringed instrument played with a bow.People often call it the Chinese violin or Chinese fiddle.It is one of the most famous and loved instruments in Chinese music.The Erhu has a small wooden body and a long neck.It is held on the lap,and the bow moves between the two strings to make music. 展开更多
关键词 traditional culture chinese fiddleit two stringed instrument ERHU chinese violin bow moves two strings musical instrument BOW
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Matouqin-A Musical Instrument of the Grassland
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《China & The World Cultural Exchange》 1997年第4期17-18,共2页
关键词 Matouqin-A musical instrument of the Grassland
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Research on Aesthetic Education in Instrumental Music Teaching
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作者 ZHOU Lian 《Journal of Literature and Art Studies》 2020年第5期435-439,共5页
Aesthetic education is an important part of instrumental music teaching content.The study of aesthetic education in instrumental music teaching can not only cultivate sentiment and improve artistic accomplishment,but ... Aesthetic education is an important part of instrumental music teaching content.The study of aesthetic education in instrumental music teaching can not only cultivate sentiment and improve artistic accomplishment,but also promote the healthy and all-round development of students.Through the emotional experience,the students can feel the emotion contained in the music,creating and transmitting the beauty in the performance.This paper starts from the importance of aesthetic education in instrumental music teaching,and analyzes the current situation of aesthetic education in instrumental music teaching,and puts forward corresponding implementation strategies,in order to truly realize the value of talent cultivation and art in instrumental music teaching. 展开更多
关键词 instrumental music teaching aesthetic education implementation strategy emotional experience
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Research on the Practice of Instrumental Music in Music Teaching under the Current Educational Background
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作者 HUANGJing 《外文科技期刊数据库(文摘版)教育科学》 2022年第5期150-153,共4页
Music performance plays an important role in students interest in learning music and their ability to express and create music. Music education in the field of basic education, as a part of the new curriculum reform, ... Music performance plays an important role in students interest in learning music and their ability to express and create music. Music education in the field of basic education, as a part of the new curriculum reform, in order to effectively promote the implementation of quality education, we need to constantly carry out research and innovation. Introducing instrumental music into music teaching and optimizing music teaching can further improve the professional quality of music teachers and promote the continuous improvement of music teaching quality in schools. 展开更多
关键词 instrumental music primary and secondary schools music TEACHING
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Only the Works Paying Attention to Technology Could Be More Popular The Application of Instrumental Music Writing Techniques in Composing Pop Music
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作者 Bo Ma 《Journal of Zhouyi Research》 2014年第4期79-82,共4页
关键词 流行音乐 写作 器乐 技术 应用 作品 流行歌曲
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感觉、意义与美学——19世纪器乐观念的合法性论证
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作者 李晓冬 《星海音乐学院学报》 北大核心 2025年第2期19-35,共17页
文章探讨19世纪西方的器乐音乐观念合法性问题。文章作者认为,19世纪西方音乐观念的核心问题是“器乐音乐如何可能?”围绕这个问题,黑格尔、叔本华以及汉斯立克分别从感觉、意义以及自主性这三方面,对器乐的合法性予以不同角度的论证。... 文章探讨19世纪西方的器乐音乐观念合法性问题。文章作者认为,19世纪西方音乐观念的核心问题是“器乐音乐如何可能?”围绕这个问题,黑格尔、叔本华以及汉斯立克分别从感觉、意义以及自主性这三方面,对器乐的合法性予以不同角度的论证。这些观念逐渐成为19世纪器乐思想的有机组成部分,形成具有现代性特征的西方音乐话语。 展开更多
关键词 器乐 合法性 感觉世界 意义 美学
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改革开放初期西藏歌舞艺术创作表演和评论研究活动历史回眸——以《西藏歌舞》杂志为主要史料
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作者 觉嘎 《西藏大学学报(社会科学版)》 北大核心 2025年第2期16-24,共9页
随着西藏和平解放和民主改革,特别是党的十一届三中全会做出的拨乱反正和改革开放的决策,西藏各项事业的发展迎来了前所未有的大好时机,《西藏歌舞》杂志在这一背景下应运而生。作为西藏最早印行的歌舞艺术专业期刊,自1982年11月试刊至1... 随着西藏和平解放和民主改革,特别是党的十一届三中全会做出的拨乱反正和改革开放的决策,西藏各项事业的发展迎来了前所未有的大好时机,《西藏歌舞》杂志在这一背景下应运而生。作为西藏最早印行的歌舞艺术专业期刊,自1982年11月试刊至1985年11月终刊,历时三载之余,共发行十三期,记载了以这一时期西藏歌舞艺术发展状况为核心的诸多内容和资讯。文章对《西藏歌舞》所刊载、报道、推介的西藏歌舞艺术创作、表演和评论、研究等内容及相关动态和资讯加以梳理,认为其反映了改革开放初期西藏歌舞艺术蓬勃发展的时代面貌;体现了西藏歌舞艺术领域的艺术家们承前启后、继往开来的职业情操与担当意识。 展开更多
关键词 《西藏歌舞》杂志 西藏民歌 音乐舞蹈 创作表演 评论 研究
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唐墓乐舞图所见“胡部”乐的形态与乐舞转型
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作者 亓娟莉 蒋媛 《民族艺术研究》 2025年第3期98-107,共10页
唐墓乐舞图所绘“三联式”“左右式”结构、丝竹乐器组合及软舞形态与史籍所载“胡部”乐舞高度契合,是“胡部”乐舞在墓葬中的真实投射,其原型或为《凉州》等流行乐舞。“胡部”是汉民族传统乐舞与外来乐舞充分交融吸纳后的新型乐舞艺... 唐墓乐舞图所绘“三联式”“左右式”结构、丝竹乐器组合及软舞形态与史籍所载“胡部”乐舞高度契合,是“胡部”乐舞在墓葬中的真实投射,其原型或为《凉州》等流行乐舞。“胡部”是汉民族传统乐舞与外来乐舞充分交融吸纳后的新型乐舞艺术,以汉族传统音乐文化和审美体验为主,反映了胡汉融合后的汉化调适。“胡部”乐以“新俗乐”形态成为盛唐私家宴乐主流,反映了唐代乐舞从大型仪式性雅乐到小型世俗化私家宴乐的转型。 展开更多
关键词 唐墓 乐舞图 胡部 乐器 考古图像
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彝族乐器上色彩与纹样的符号表达
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作者 罗嘉琪 管加贝贝 《四川民族学院学报》 2025年第5期102-108,共7页
本文基于符号学的皮尔斯模式,以彝族地区的月琴、克西举尔(咬笛)、口弦、马布等乐器为主要例证,解读彝族三原色用于彝族乐器制作的意蕴,探究彝族乐器上四类纹样符号各自的文化内涵;并结合新的历史条件与社会环境,将论阈延伸至彝族乐器... 本文基于符号学的皮尔斯模式,以彝族地区的月琴、克西举尔(咬笛)、口弦、马布等乐器为主要例证,解读彝族三原色用于彝族乐器制作的意蕴,探究彝族乐器上四类纹样符号各自的文化内涵;并结合新的历史条件与社会环境,将论阈延伸至彝族乐器的符号表达策略这一问题范畴之中。意在促进彝族乐器制作技艺的理论研究,增强传统民族乐器在当代文化领域的阐释效能。通过解析彝族乐器中色彩与纹样两种文化符号,本文认为符号的加成使得彝族乐器本体传达着彝族人民对宇宙自然的深刻理解、对现实人生的生动体味;彝族乐器在艺术美感和文化底蕴双重作用下,成为传承彝族文化的重要媒介与解读彝族文化的独特密码。而当代彝族乐器的符号表达策略则紧紧围绕传统与现代而展开。 展开更多
关键词 彝族乐器 彝族文化 符号 意义
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辽代出土乐器研究
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作者 李岳 《赤峰学院学报(哲学社会科学版)》 2025年第5期17-20,共4页
辽代音乐文化以“国乐”为核心,融合中原雅乐、西域胡乐及周边民族音乐,形成独特的艺术体系。近年来,随着考古工作的深入,大量辽墓壁画、乐器实物及装饰图像被发现,辽代音乐文化的创新性与多元性得以重构。本文基于吐尔基山辽墓、宣化... 辽代音乐文化以“国乐”为核心,融合中原雅乐、西域胡乐及周边民族音乐,形成独特的艺术体系。近年来,随着考古工作的深入,大量辽墓壁画、乐器实物及装饰图像被发现,辽代音乐文化的创新性与多元性得以重构。本文基于吐尔基山辽墓、宣化辽墓等最新考古资料,探讨辽代乐器的独特价值及其在中国音乐史上的创新意义。 展开更多
关键词 辽代 出土乐器 文明互动
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