本文以美国南方作家尤多拉·韦尔蒂(Eudora Welty,1909—2001)的代表作品《金苹果》(The Golden Apples)为范例,通过考察作者对不同主人公形象的叙写模式,从身体意象的文学审美角度揭示了"捣蛋鬼"的行为特征,呈现绅士文...本文以美国南方作家尤多拉·韦尔蒂(Eudora Welty,1909—2001)的代表作品《金苹果》(The Golden Apples)为范例,通过考察作者对不同主人公形象的叙写模式,从身体意象的文学审美角度揭示了"捣蛋鬼"的行为特征,呈现绅士文化内在系统对生命主体的作用与反作用,表达了对绅士文化背景下"捣蛋鬼"的人文主义关怀,从而为文学作品鉴赏跳出反思的藩篱,为从反身的角度考察现代主义作品的互文性提供了一个研究范本,同时以"捣蛋鬼"为研究对象揭示形象嬗变在文学书写中的象征寓意。展开更多
This paper aims to study Chinua Achebe's short story"Civil Peace"from a mythological point of view. As a trickster,the protagonist confronts the violence and chaos in the society after the civil war and ...This paper aims to study Chinua Achebe's short story"Civil Peace"from a mythological point of view. As a trickster,the protagonist confronts the violence and chaos in the society after the civil war and manages to rebuild his life by playing tricks. Due to the absence of help from either the government or the community, Jonathan is forced to depend on himself to solve different problems and resolve the crisis that will probably lead to the loss of everything he owns. His success symbolizes a hope to the desperate society.展开更多
文摘本文以美国南方作家尤多拉·韦尔蒂(Eudora Welty,1909—2001)的代表作品《金苹果》(The Golden Apples)为范例,通过考察作者对不同主人公形象的叙写模式,从身体意象的文学审美角度揭示了"捣蛋鬼"的行为特征,呈现绅士文化内在系统对生命主体的作用与反作用,表达了对绅士文化背景下"捣蛋鬼"的人文主义关怀,从而为文学作品鉴赏跳出反思的藩篱,为从反身的角度考察现代主义作品的互文性提供了一个研究范本,同时以"捣蛋鬼"为研究对象揭示形象嬗变在文学书写中的象征寓意。
文摘This paper aims to study Chinua Achebe's short story"Civil Peace"from a mythological point of view. As a trickster,the protagonist confronts the violence and chaos in the society after the civil war and manages to rebuild his life by playing tricks. Due to the absence of help from either the government or the community, Jonathan is forced to depend on himself to solve different problems and resolve the crisis that will probably lead to the loss of everything he owns. His success symbolizes a hope to the desperate society.
