This article is devoted to the study of the neural mechanisms of the binary substance of the brain in the process of creating,presenting and evaluating new approaches,methods and tools in the field of art.The interrel...This article is devoted to the study of the neural mechanisms of the binary substance of the brain in the process of creating,presenting and evaluating new approaches,methods and tools in the field of art.The interrelation and interdependence of genetically determined neural structures in the subcortical sphere and the neocortex in the creative process are shown.The scientific interpretation of the concepts of trance and bifurcation as mechanisms for the emergence of a new approach,method,and means for an innovator is given,and the peculiarities of perception and identification of innovations by art connoisseurs are characterized.展开更多
目的 克隆人分泌型肿瘤坏死因子相关激活诱导因子 (s TRANCE)的编码区 c DNA片段。 方法 从人淋巴结组织提取总 RNA,利用 RT- PCR技术扩增人 s TRANCE基因编码区序列 ,将其克隆至 p MD18- T载体中 ,并行序列测定。 结果 克隆获得的...目的 克隆人分泌型肿瘤坏死因子相关激活诱导因子 (s TRANCE)的编码区 c DNA片段。 方法 从人淋巴结组织提取总 RNA,利用 RT- PCR技术扩增人 s TRANCE基因编码区序列 ,将其克隆至 p MD18- T载体中 ,并行序列测定。 结果 克隆获得的 744 bp片段与文献报道的人 s TRANCE基因编码区 c DNA序列一致。 结论 本研究为进一步研究 s TRANCE的生物学性能和用于肿瘤生物治疗的可能性打下了基础。展开更多
This paper is a theoretical comment based on long participant observation in France.While it is not a detailed presentation of the empirical results,it does summarize its main lines.The aim is to highlight the nuances...This paper is a theoretical comment based on long participant observation in France.While it is not a detailed presentation of the empirical results,it does summarize its main lines.The aim is to highlight the nuances of commitment,the collective memory,and the intergroup relationships that structure concrete and significant interactions among French skinheads.Three processes explain the development of apolitical skinhead concerts in France since the late 1990s:a.the establishment of resistance through rituals and the affirmation of belonging to the same community;b.the need to experience a hypnotic crowd trance;c.the ambivalence of these communities in the face of intercultural relationships and mixed global music.These three psycho-sociological characteristics influence the French replication of a typically and historically British youth culture.The skinhead rituals observed at apolitical concerts are reproductive,conservative,fetishist,ritualistic.They aim to establish the broad outlines of common stylistic identity.Moreover,the social representation of the skinhead is like a heritage,which allows the actualization of a memory of the provocation of violence and anger.Finally,this social representation is linked to a continual dissemination of its associated musical styles specific to these circles(ska,rocksteady,early reggae,street-punk,and Oi!).展开更多
文摘This article is devoted to the study of the neural mechanisms of the binary substance of the brain in the process of creating,presenting and evaluating new approaches,methods and tools in the field of art.The interrelation and interdependence of genetically determined neural structures in the subcortical sphere and the neocortex in the creative process are shown.The scientific interpretation of the concepts of trance and bifurcation as mechanisms for the emergence of a new approach,method,and means for an innovator is given,and the peculiarities of perception and identification of innovations by art connoisseurs are characterized.
文摘目的 克隆人分泌型肿瘤坏死因子相关激活诱导因子 (s TRANCE)的编码区 c DNA片段。 方法 从人淋巴结组织提取总 RNA,利用 RT- PCR技术扩增人 s TRANCE基因编码区序列 ,将其克隆至 p MD18- T载体中 ,并行序列测定。 结果 克隆获得的 744 bp片段与文献报道的人 s TRANCE基因编码区 c DNA序列一致。 结论 本研究为进一步研究 s TRANCE的生物学性能和用于肿瘤生物治疗的可能性打下了基础。
文摘This paper is a theoretical comment based on long participant observation in France.While it is not a detailed presentation of the empirical results,it does summarize its main lines.The aim is to highlight the nuances of commitment,the collective memory,and the intergroup relationships that structure concrete and significant interactions among French skinheads.Three processes explain the development of apolitical skinhead concerts in France since the late 1990s:a.the establishment of resistance through rituals and the affirmation of belonging to the same community;b.the need to experience a hypnotic crowd trance;c.the ambivalence of these communities in the face of intercultural relationships and mixed global music.These three psycho-sociological characteristics influence the French replication of a typically and historically British youth culture.The skinhead rituals observed at apolitical concerts are reproductive,conservative,fetishist,ritualistic.They aim to establish the broad outlines of common stylistic identity.Moreover,the social representation of the skinhead is like a heritage,which allows the actualization of a memory of the provocation of violence and anger.Finally,this social representation is linked to a continual dissemination of its associated musical styles specific to these circles(ska,rocksteady,early reggae,street-punk,and Oi!).
