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特定场域舞蹈公演《The Stranger》中的观众参与性分析
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作者 袁子欣 陈洋 《尚舞》 2025年第13期90-92,共3页
特定场域舞蹈是指在舞台之外的特定场所中呈现的舞蹈表演,其即兴性特征显著,舞者与观众的互动成为表演过程中不可忽视的变量。本文以特定场域舞蹈公演《The Stranger》为案例,分析作品的场域构建以及观众参与性呈现方式,深入探讨创作意... 特定场域舞蹈是指在舞台之外的特定场所中呈现的舞蹈表演,其即兴性特征显著,舞者与观众的互动成为表演过程中不可忽视的变量。本文以特定场域舞蹈公演《The Stranger》为案例,分析作品的场域构建以及观众参与性呈现方式,深入探讨创作意图的表达过程。研究发现,在特定场域舞蹈中,观众以见证人身份参与其中,与舞者共同完成公演作品,赋予作品第三层意义的升华。希望本文的研究能够为未来观众参与特定场域舞蹈创作提供参考和启示。 展开更多
关键词 特定场域舞蹈 观众参与性 the stranger
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Peace, Peace to the Far and the Near: Who Comes First?
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作者 Jean-Francois REY 《Journal of Philosophy Study》 2017年第5期261-268,共8页
Peace's gift when you meet the other is not a polite phrase. This is courtesy or politeness which institutes a priority order: first the far, then the near. In Levinas' thought, there is a peace of pure rest, "at ... Peace's gift when you meet the other is not a polite phrase. This is courtesy or politeness which institutes a priority order: first the far, then the near. In Levinas' thought, there is a peace of pure rest, "at home" and a peace which questions my own identity. A fair peace is a peace where the foreigner goes before me. "Close peace is my responsibility for the other man," says Levinas. It is an "ethical" peace, different from political peace. Peace comes from my own responsibility for the other, until it could die for him. Maybe this welcome will seem crazy, but it is moderated, i.e., involved and estimated in politics. Levinas knows the political moment. But he puts it to its place: to welcome the strangers is an objective fact. Proximity of social link and perspective of far cannot be separated. It's a matter of politics and right. 展开更多
关键词 PEACE PROXIMITY against Hobbes the other the stranger HISTORY
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