Goh Boon Teck is the chief artistic director of Toy Factory,a Singaporean theater company founded in 1990.According to Goh,a group of young people decided to organize their own theater company due to a love for drama....Goh Boon Teck is the chief artistic director of Toy Factory,a Singaporean theater company founded in 1990.According to Goh,a group of young people decided to organize their own theater company due to a love for drama.The“Toy”in the name of the theater company comes from a Thai shadow puppet artist who worked with them,and“Factory”highlights the organization’s devotion to training theater practitioners for the art community.Goh said that in addition to staging productions,Toy Factory has also vigorously worked to discover new drama artists including actors,designers,and playwrights.展开更多
Renowned theater director Tian Qinxin believes it’s time for foreign audiences to experience the beauty of Chinese culture on the world’s stages through Chinese-language theater.
With the emergence of new media,traditional art forms have also undergone further transformations,revealing their inherent vitality in the media age,as exemplified by the embodied perception of theatrical spaces and s...With the emergence of new media,traditional art forms have also undergone further transformations,revealing their inherent vitality in the media age,as exemplified by the embodied perception of theatrical spaces and stages in video games.The game“Layers of Fear”begins with ancient Horror and immersive artistic illusions,constructing a unique atopia space within the game.The game evokes theatrical memories through“haunted”mansions and paintings,highlighting the dramatic nature of the game and thus building a theatrical pathway at the game’s design level.The game also features unique digital avatars that materialize the player’s presence,further exploring this pathway.Using embodiment as a medium,and visual immersion and the perception of Horror as bridges,further experimentation with digital avatars gradually expands the player’s world and brings the player’s character to the audience.In the virtual world,digital avatars retain the immersion of fiction and illusion,and also imply the possibility of immersive theater practice on digital interfaces.The immersive digital theater of illusion will ultimately be staged in video games and completed in virtual reality games.展开更多
During the Chinese New Year of 2024,China National Opera&Dance Drama Theater was invited to Hungary,Sweden,Denmark and Norway to carry out the 2024"Happy Chinese NewYear"tour performance.China National O...During the Chinese New Year of 2024,China National Opera&Dance Drama Theater was invited to Hungary,Sweden,Denmark and Norway to carry out the 2024"Happy Chinese NewYear"tour performance.China National Opera&Dance Drama Theater sent a visiting team composed of 29 artists to touch the hearts of overseas audiences with the art of ethnic singing and dancing and the deep charm of the Chinese culture,and to spread the essence of the Chinese culture in the dialogue with the world.展开更多
Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduce...Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduces the use of ICT （information and communications technology）, such as Faeebook, Moodle platform, Web sites, E-mail, Word, Publisher, PowerPoint, Videos and Digital music. Results in the conduct of the students that participated： assertiveness, self-esteem, tolerance, cooperation, responsibility and teamwork, all of them significantly contributed a meaningful learning about the polymers.展开更多
Yukio Ninagawa （1935-2016） was expected to achieve in a few years the great milestone of directing the complete collection of Shakespeare plays in new Japanese translations. This paper reconsiders Ninagawa＇s direct...Yukio Ninagawa （1935-2016） was expected to achieve in a few years the great milestone of directing the complete collection of Shakespeare plays in new Japanese translations. This paper reconsiders Ninagawa＇s direction from a global/local perspective with a special focus on several last works directed by him： Richard II, performed by young players of the Saitama Next Theater in February 2012, which was especially intended for the local Japanese audience; Ninagawa Macbeth, which was performed in September 2015 and was a revival of the director＇s internationally-acclaimed production, first performed in Japan in 1980 and abroad in 1985 onwards; and Two Gentlemen of Verona, the thirty-first in his series of Shakespeare plays and seventh in his series of Shakespeare plays with all-male casts, in October 2015. His last plays were not as perfect as he was still experimenting. This paper concludes, however, that while possessed by the power of theater, his direction emits its magical and subversive power and suggestion to give the audience vital energy to live in this world of tough conflicts. He continued to hope to make global and local spectators wonder at the plays he directed.展开更多
The 7th Wuzhen Theater Festival,a 10-day annual cultural feast,concluded on Sunday in Wuzhen,the historic water town of China's Zhejiang Province.This cultural extravaganza featured 28 theater performances from 13...The 7th Wuzhen Theater Festival,a 10-day annual cultural feast,concluded on Sunday in Wuzhen,the historic water town of China's Zhejiang Province.This cultural extravaganza featured 28 theater performances from 13 countrics,laded with traditional and innova-tive form of storytelling.Themed"Emerge",this year's festival run from October 25 to November 3.Dramas,art exhibitions,poems,delicious food,many of the pleasant enjoyments in life,were enjoyed by visitors during the 7th Wuzhen Theater Festival.展开更多
BEIJING People’s Art Thea-ter is housed in a palace-like structure at the northernend of Wangfujing street,an oldshopping area in the capital city.Inits courtyard are the busts of Cao Yuand Jiao Juyin,both famous Chi...BEIJING People’s Art Thea-ter is housed in a palace-like structure at the northernend of Wangfujing street,an oldshopping area in the capital city.Inits courtyard are the busts of Cao Yuand Jiao Juyin,both famous Chinesedramatists.When new China wasfounded in 1949,a group of talentedChinese actors and dramatists gath-ered there to start a new type ofChinese stage art.Playwright Cao Yu was the firstmanager of the theater.In 1933,When he became famous for hisPlay,Thunderstorm,he was only 23.A pioneer,he established himself展开更多
SHANGHAl-SCHOOL Thea-ter has played an importantrole in modern Chinese cul-tural history.At the turn of the 20thcentury,when there were great so-cial changes.Chinese traditionaltheater extended itself to take inWester...SHANGHAl-SCHOOL Thea-ter has played an importantrole in modern Chinese cul-tural history.At the turn of the 20thcentury,when there were great so-cial changes.Chinese traditionaltheater extended itself to take inWestern cultural elements,causingchanges and developments in thestructure and form of traditionalChinese theater.Because this newtype.of theater started in shang-hai,it was named Shanghai-SchoolTheater.The fundaments of thetheatrical school emphasized the opening,integration and renovation of theatrlcal art.It actually tried tomodermize the traditional Chinesetheater.展开更多
Music aesthetic education enjoys a long history in both East and West.With the rise and development of the post-modern trend in the 21st century,traditional music aesthetic education,which mainly focused on the abilit...Music aesthetic education enjoys a long history in both East and West.With the rise and development of the post-modern trend in the 21st century,traditional music aesthetic education,which mainly focused on the ability to listen,feel and appreciate in the past,after inspired by the new curriculum idea,it now borrows the music theater model of creation,performance and appreciation.And it also adopts cross-disciplinary and cross-cultural ideas in training and business performance to find new forms of beauty.By the exploration and interpretation of sound,limbs,and space,actors can develop their vision,ability to communicate and reflect,self-identity,wisdom,caring for human beings,and respect for different civilizations.Furthermore,useful reference can be provided for the theoretical and practical research of music aesthetic education.展开更多
From September 12 to October 8,2022,"Rhythm of Autumn"by National Peking Opera Company greeted the public at Mei Lanfang Theater.The colorful performances covered 7 traditional dramas,3 special shows of exce...From September 12 to October 8,2022,"Rhythm of Autumn"by National Peking Opera Company greeted the public at Mei Lanfang Theater.The colorful performances covered 7 traditional dramas,3 special shows of excerpts,1 martial play show,1 concert of famous dramas and excerpts.Peking Opera artists and young and middle-aged performers gathered together,presenting complete types of roles and diverse schools.展开更多
By enabling audiences to move from merely an observer's state of mind to a state of total involvement,each show is different and unique.THE Hustle Dinner,a play produced by one of China's most popular theater ...By enabling audiences to move from merely an observer's state of mind to a state of total involvement,each show is different and unique.THE Hustle Dinner,a play produced by one of China's most popular theater troupes the Mahua FunAge.展开更多
A few days ago.the 6^th China Children's Drama Week and the 23^rd Berlin International Festival of Puppet Theater ended in Berlin.Chengdu/Xcadcmy of In tangible Cultural Heritage Puppet Troupe sent 6 excellent pup...A few days ago.the 6^th China Children's Drama Week and the 23^rd Berlin International Festival of Puppet Theater ended in Berlin.Chengdu/Xcadcmy of In tangible Cultural Heritage Puppet Troupe sent 6 excellent puppet artists to bring 8 wonderful programs.According to statistics,the troupe's thrce-day performance in Berlin attracted thousands of spectators.Many German parents said it was the first time for their children to watch a children's puppet show from China.展开更多
John Petrucci于1967年生于美国纽约州长岛,他曾经在8岁的时候对吉他有过短暂的兴趣,但直到12岁才真正开始弹吉他,并且开始感受到一些伟大的吉他手对他产生的影响,下定决心朝着他们的琴艺迈进.早期对他起重要影响的人包括Yngwie Mal... John Petrucci于1967年生于美国纽约州长岛,他曾经在8岁的时候对吉他有过短暂的兴趣,但直到12岁才真正开始弹吉他,并且开始感受到一些伟大的吉他手对他产生的影响,下定决心朝着他们的琴艺迈进.早期对他起重要影响的人包括Yngwie Malmsteen(英格威·玛姆斯汀)、Randy Rhoads、Iron Maiden(铁娘子)、Stevie Ray Vaughn (S.R.V.)、Yes、Rush等.……展开更多
文摘Goh Boon Teck is the chief artistic director of Toy Factory,a Singaporean theater company founded in 1990.According to Goh,a group of young people decided to organize their own theater company due to a love for drama.The“Toy”in the name of the theater company comes from a Thai shadow puppet artist who worked with them,and“Factory”highlights the organization’s devotion to training theater practitioners for the art community.Goh said that in addition to staging productions,Toy Factory has also vigorously worked to discover new drama artists including actors,designers,and playwrights.
文摘Renowned theater director Tian Qinxin believes it’s time for foreign audiences to experience the beauty of Chinese culture on the world’s stages through Chinese-language theater.
文摘With the emergence of new media,traditional art forms have also undergone further transformations,revealing their inherent vitality in the media age,as exemplified by the embodied perception of theatrical spaces and stages in video games.The game“Layers of Fear”begins with ancient Horror and immersive artistic illusions,constructing a unique atopia space within the game.The game evokes theatrical memories through“haunted”mansions and paintings,highlighting the dramatic nature of the game and thus building a theatrical pathway at the game’s design level.The game also features unique digital avatars that materialize the player’s presence,further exploring this pathway.Using embodiment as a medium,and visual immersion and the perception of Horror as bridges,further experimentation with digital avatars gradually expands the player’s world and brings the player’s character to the audience.In the virtual world,digital avatars retain the immersion of fiction and illusion,and also imply the possibility of immersive theater practice on digital interfaces.The immersive digital theater of illusion will ultimately be staged in video games and completed in virtual reality games.
文摘During the Chinese New Year of 2024,China National Opera&Dance Drama Theater was invited to Hungary,Sweden,Denmark and Norway to carry out the 2024"Happy Chinese NewYear"tour performance.China National Opera&Dance Drama Theater sent a visiting team composed of 29 artists to touch the hearts of overseas audiences with the art of ethnic singing and dancing and the deep charm of the Chinese culture,and to spread the essence of the Chinese culture in the dialogue with the world.
文摘Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduces the use of ICT （information and communications technology）, such as Faeebook, Moodle platform, Web sites, E-mail, Word, Publisher, PowerPoint, Videos and Digital music. Results in the conduct of the students that participated： assertiveness, self-esteem, tolerance, cooperation, responsibility and teamwork, all of them significantly contributed a meaningful learning about the polymers.
文摘Yukio Ninagawa （1935-2016） was expected to achieve in a few years the great milestone of directing the complete collection of Shakespeare plays in new Japanese translations. This paper reconsiders Ninagawa＇s direction from a global/local perspective with a special focus on several last works directed by him： Richard II, performed by young players of the Saitama Next Theater in February 2012, which was especially intended for the local Japanese audience; Ninagawa Macbeth, which was performed in September 2015 and was a revival of the director＇s internationally-acclaimed production, first performed in Japan in 1980 and abroad in 1985 onwards; and Two Gentlemen of Verona, the thirty-first in his series of Shakespeare plays and seventh in his series of Shakespeare plays with all-male casts, in October 2015. His last plays were not as perfect as he was still experimenting. This paper concludes, however, that while possessed by the power of theater, his direction emits its magical and subversive power and suggestion to give the audience vital energy to live in this world of tough conflicts. He continued to hope to make global and local spectators wonder at the plays he directed.
文摘The 7th Wuzhen Theater Festival,a 10-day annual cultural feast,concluded on Sunday in Wuzhen,the historic water town of China's Zhejiang Province.This cultural extravaganza featured 28 theater performances from 13 countrics,laded with traditional and innova-tive form of storytelling.Themed"Emerge",this year's festival run from October 25 to November 3.Dramas,art exhibitions,poems,delicious food,many of the pleasant enjoyments in life,were enjoyed by visitors during the 7th Wuzhen Theater Festival.
文摘BEIJING People’s Art Thea-ter is housed in a palace-like structure at the northernend of Wangfujing street,an oldshopping area in the capital city.Inits courtyard are the busts of Cao Yuand Jiao Juyin,both famous Chinesedramatists.When new China wasfounded in 1949,a group of talentedChinese actors and dramatists gath-ered there to start a new type ofChinese stage art.Playwright Cao Yu was the firstmanager of the theater.In 1933,When he became famous for hisPlay,Thunderstorm,he was only 23.A pioneer,he established himself
文摘SHANGHAl-SCHOOL Thea-ter has played an importantrole in modern Chinese cul-tural history.At the turn of the 20thcentury,when there were great so-cial changes.Chinese traditionaltheater extended itself to take inWestern cultural elements,causingchanges and developments in thestructure and form of traditionalChinese theater.Because this newtype.of theater started in shang-hai,it was named Shanghai-SchoolTheater.The fundaments of thetheatrical school emphasized the opening,integration and renovation of theatrlcal art.It actually tried tomodermize the traditional Chinesetheater.
基金This work was supported by grants from Jiangsu Social Science Fund Project(No.17YSD008)。
文摘Music aesthetic education enjoys a long history in both East and West.With the rise and development of the post-modern trend in the 21st century,traditional music aesthetic education,which mainly focused on the ability to listen,feel and appreciate in the past,after inspired by the new curriculum idea,it now borrows the music theater model of creation,performance and appreciation.And it also adopts cross-disciplinary and cross-cultural ideas in training and business performance to find new forms of beauty.By the exploration and interpretation of sound,limbs,and space,actors can develop their vision,ability to communicate and reflect,self-identity,wisdom,caring for human beings,and respect for different civilizations.Furthermore,useful reference can be provided for the theoretical and practical research of music aesthetic education.
文摘From September 12 to October 8,2022,"Rhythm of Autumn"by National Peking Opera Company greeted the public at Mei Lanfang Theater.The colorful performances covered 7 traditional dramas,3 special shows of excerpts,1 martial play show,1 concert of famous dramas and excerpts.Peking Opera artists and young and middle-aged performers gathered together,presenting complete types of roles and diverse schools.
文摘By enabling audiences to move from merely an observer's state of mind to a state of total involvement,each show is different and unique.THE Hustle Dinner,a play produced by one of China's most popular theater troupes the Mahua FunAge.
文摘A few days ago.the 6^th China Children's Drama Week and the 23^rd Berlin International Festival of Puppet Theater ended in Berlin.Chengdu/Xcadcmy of In tangible Cultural Heritage Puppet Troupe sent 6 excellent puppet artists to bring 8 wonderful programs.According to statistics,the troupe's thrce-day performance in Berlin attracted thousands of spectators.Many German parents said it was the first time for their children to watch a children's puppet show from China.
文摘 John Petrucci于1967年生于美国纽约州长岛,他曾经在8岁的时候对吉他有过短暂的兴趣,但直到12岁才真正开始弹吉他,并且开始感受到一些伟大的吉他手对他产生的影响,下定决心朝着他们的琴艺迈进.早期对他起重要影响的人包括Yngwie Malmsteen(英格威·玛姆斯汀)、Randy Rhoads、Iron Maiden(铁娘子)、Stevie Ray Vaughn (S.R.V.)、Yes、Rush等.……
