Through literature review,we found that evaluations of urban planning implementation often focus narrowly on either the subject(stakeholders)or the object(projects),while micro-level aspects such as site selection and...Through literature review,we found that evaluations of urban planning implementation often focus narrowly on either the subject(stakeholders)or the object(projects),while micro-level aspects such as site selection and construction are primarily considered within the context of planning implementation.There is insufficient research on the evaluation of implementation.Community daycare centers play a crucial role in the community home care model,yet there is relatively little research on their usage efficiency,satisfaction levels,and spatial evaluation of planning implementation.Based on the theoretical understanding of the human environment,including the subject,object,and their interactions,an evaluation system for the planning and implementation of community day care centers was constructed,incorporating subjective evaluation,objective evaluation,and comparative analysis.展开更多
Xie Lingyun's谢灵运“Rhapsody on Dwelling in the Mountains”山居赋is not only a remarkable literary achievement but also holds significant value in the theoretical discourse on ancient Chinese shanshui山水(landsca...Xie Lingyun's谢灵运“Rhapsody on Dwelling in the Mountains”山居赋is not only a remarkable literary achievement but also holds significant value in the theoretical discourse on ancient Chinese shanshui山水(landscape)aesthetics.It expands the subject-object relationship within this aesthetic tradition:Instead of mere contemplation,which became prevalent in the pre-Qin and Han periods,it presents a subject-object relationship that integrates the enjoyment of dwelling and roaming with aesthetic appreciation,reflecting the thoughts on the body-mind relationship and the nature-principle relationship within shanshui aesthetics.The aesthetic distance in the Rhapsody on Dwelling in the Mountains,"neither too close nor too far,deviates from the rhapsody tradition and the established custom of mountain dwelling.This rhapsody expresses the viewpoint centered on“attaining intention”意得and“delighting the heart”赏心,pioneering a self-fulfilling space自得之场transcending and yet grounded in the mundane world,thus influencing the depiction from the subjective spirit in subsequent shanshui aesthetics.展开更多
基金Scientific and Technological Research Project of Chongqing Municipal Education Commission:Evaluation and Optimization of Planning and Implementation of Community Day Care Centers from the Perspective of Subject-Object Relationship(Project number:KJQN202301901).
文摘Through literature review,we found that evaluations of urban planning implementation often focus narrowly on either the subject(stakeholders)or the object(projects),while micro-level aspects such as site selection and construction are primarily considered within the context of planning implementation.There is insufficient research on the evaluation of implementation.Community daycare centers play a crucial role in the community home care model,yet there is relatively little research on their usage efficiency,satisfaction levels,and spatial evaluation of planning implementation.Based on the theoretical understanding of the human environment,including the subject,object,and their interactions,an evaluation system for the planning and implementation of community day care centers was constructed,incorporating subjective evaluation,objective evaluation,and comparative analysis.
文摘Xie Lingyun's谢灵运“Rhapsody on Dwelling in the Mountains”山居赋is not only a remarkable literary achievement but also holds significant value in the theoretical discourse on ancient Chinese shanshui山水(landscape)aesthetics.It expands the subject-object relationship within this aesthetic tradition:Instead of mere contemplation,which became prevalent in the pre-Qin and Han periods,it presents a subject-object relationship that integrates the enjoyment of dwelling and roaming with aesthetic appreciation,reflecting the thoughts on the body-mind relationship and the nature-principle relationship within shanshui aesthetics.The aesthetic distance in the Rhapsody on Dwelling in the Mountains,"neither too close nor too far,deviates from the rhapsody tradition and the established custom of mountain dwelling.This rhapsody expresses the viewpoint centered on“attaining intention”意得and“delighting the heart”赏心,pioneering a self-fulfilling space自得之场transcending and yet grounded in the mundane world,thus influencing the depiction from the subjective spirit in subsequent shanshui aesthetics.
