The importance of the local economy of the development of tourism resources in China＇s relatively underdeveloped minority areas is already common knowledge in academic and business circles. However it＇s necessary to...The importance of the local economy of the development of tourism resources in China＇s relatively underdeveloped minority areas is already common knowledge in academic and business circles. However it＇s necessary to research more on specific patterns of tourism development in these ethnic minority areas. This paper studies Wulong Stockade in Beichuan County in Sichuan Province and examines the distinctive experience of the local Qiang community about developing local tourism resources and the local funding of the development. It notes how the introduction of new re-afforestation laws of 1999 affected the traditional, agriculture-based economy and how a member of the communio： was a key motivator in initiating tourism as a new economic resource. It has also explored changes in the economic conditions of Qiang peasants since tourism began in Wulong Stockade, where local incomes have increased considerably. This paper focuses on a characteristic Qiang area in the mountains of western Sichuan, demonstrates the necessity and feasibility of community tourism development, and uggests that other ethnic minority mountain villages in rural areas draw lessons from Wulong Stockade＇s experience.展开更多
This paper aims to compare and contrast two site-specific performance productions, both designed to grapple with processes of cultural remembrance, whilst also operating as successful tourist attractions. The narrativ...This paper aims to compare and contrast two site-specific performance productions, both designed to grapple with processes of cultural remembrance, whilst also operating as successful tourist attractions. The narratives encompassed by both productions revolve around shared Australian histories, for audiences attracted by place and what it is able to represent. Re-enactments of past events call into the present a consideration of what still remains, with both shows enabling new subjective interpretations of earlier times. The defining difference between the two, however, rests in the context of each performance, in the one case as a commodification of heritage and in the other case as the desire to produce an artistic yet popular theatrical product. Ballarat＇s, Sovereign Hill＇s light and sound show, Blood on the Southern Cross celebrates and commemorates, in mega-spectacle style, the Eureka Stockade, one of Australia＇s key historical events. Using a mechanised display of the original goldmining site of the Eureka rebellion, the performance is operated by computers with video-projection, multi-phonic sound, and moving model forms, with audiences moved around the massive site on transporters. The Piccolo Tales, a contrasting performance most notably in terms of size, unfolds the history of Kings Cross, through its setting in the miniscule iconic Piccolo Bar, in one of the tiny side streets of Sydney＇s bustling and densest suburb. This paper encompasses an investigation of how the cultural inscriptions of the two specific sites interweave with the performance styles, materials, political and social positioning of the works. Previous performance studies examining site-specificity are utilised, including the author＇s analysis of particular festival performances as ＂place-making＂ （Hayes, 2012, 2013）. Smith＇s （2009） model of ＂signposts＂ is used to consider acting within site-specific productions in a new light, whilst both performances are more completely analysed through Schneider＇s （2011） concept of incomplete pasts forming ＂cycles of memory＂.展开更多
Stockaded villages of the Qiang nationality that are made up of watchtowers and watch-houses are an important part of its cultural heritage. The earliest documentary records of its blockhouse-styled construction can b...Stockaded villages of the Qiang nationality that are made up of watchtowers and watch-houses are an important part of its cultural heritage. The earliest documentary records of its blockhouse-styled construction can be found in Biography of the Ethnic Minority Groups in Southwest China of History of Eastern Hart. In 2006, watchtowers and stockaded villages of the Qiang nationality was placed in the preparatory declaration list of world cultural heritage .in China and became a minority architectural heritage that is of potential value for world cultural heritage. The Wenchuan earthquake, which happened on May 12th, 2008, caused severe damage to settlements of the Qiangs in the upper reaches of Min River, including the ＂Tangping Qiang village,＂ which plays a prominent role in Qiang stockaded villages. In conserving this important architectural heritage, we observe the idea ＂everything for heritage value＂. We discuss and draw up a series of salvage conservation countermeasures and research for antiseimatic key technology during post-earthquake reconstruction period of Tibetan and Qiang settlement engineering projects, including six engineering principles on priority of structure rescue, heritage vatue, former address maintenance, traditional way of use, protection against and mitigation of earthquake disasters, and spot cleaning and separating. We draw up three rules in engineering strategy, namely： （1） we should follow ultimate orientation of heritage value protection in rescue, maintenance, and protection engineering; （2） degrees of priority of engineering measures should be differentiated according to the situation of the disaster and residential situations of stockaded villages and; （3） we should keeplocal smiths and conventional art as the base, and modern technology as a supplement in rescue, maintenance, and protection engineering.展开更多
文摘The importance of the local economy of the development of tourism resources in China＇s relatively underdeveloped minority areas is already common knowledge in academic and business circles. However it＇s necessary to research more on specific patterns of tourism development in these ethnic minority areas. This paper studies Wulong Stockade in Beichuan County in Sichuan Province and examines the distinctive experience of the local Qiang community about developing local tourism resources and the local funding of the development. It notes how the introduction of new re-afforestation laws of 1999 affected the traditional, agriculture-based economy and how a member of the communio： was a key motivator in initiating tourism as a new economic resource. It has also explored changes in the economic conditions of Qiang peasants since tourism began in Wulong Stockade, where local incomes have increased considerably. This paper focuses on a characteristic Qiang area in the mountains of western Sichuan, demonstrates the necessity and feasibility of community tourism development, and uggests that other ethnic minority mountain villages in rural areas draw lessons from Wulong Stockade＇s experience.
文摘This paper aims to compare and contrast two site-specific performance productions, both designed to grapple with processes of cultural remembrance, whilst also operating as successful tourist attractions. The narratives encompassed by both productions revolve around shared Australian histories, for audiences attracted by place and what it is able to represent. Re-enactments of past events call into the present a consideration of what still remains, with both shows enabling new subjective interpretations of earlier times. The defining difference between the two, however, rests in the context of each performance, in the one case as a commodification of heritage and in the other case as the desire to produce an artistic yet popular theatrical product. Ballarat＇s, Sovereign Hill＇s light and sound show, Blood on the Southern Cross celebrates and commemorates, in mega-spectacle style, the Eureka Stockade, one of Australia＇s key historical events. Using a mechanised display of the original goldmining site of the Eureka rebellion, the performance is operated by computers with video-projection, multi-phonic sound, and moving model forms, with audiences moved around the massive site on transporters. The Piccolo Tales, a contrasting performance most notably in terms of size, unfolds the history of Kings Cross, through its setting in the miniscule iconic Piccolo Bar, in one of the tiny side streets of Sydney＇s bustling and densest suburb. This paper encompasses an investigation of how the cultural inscriptions of the two specific sites interweave with the performance styles, materials, political and social positioning of the works. Previous performance studies examining site-specificity are utilised, including the author＇s analysis of particular festival performances as ＂place-making＂ （Hayes, 2012, 2013）. Smith＇s （2009） model of ＂signposts＂ is used to consider acting within site-specific productions in a new light, whilst both performances are more completely analysed through Schneider＇s （2011） concept of incomplete pasts forming ＂cycles of memory＂.
文摘Stockaded villages of the Qiang nationality that are made up of watchtowers and watch-houses are an important part of its cultural heritage. The earliest documentary records of its blockhouse-styled construction can be found in Biography of the Ethnic Minority Groups in Southwest China of History of Eastern Hart. In 2006, watchtowers and stockaded villages of the Qiang nationality was placed in the preparatory declaration list of world cultural heritage .in China and became a minority architectural heritage that is of potential value for world cultural heritage. The Wenchuan earthquake, which happened on May 12th, 2008, caused severe damage to settlements of the Qiangs in the upper reaches of Min River, including the ＂Tangping Qiang village,＂ which plays a prominent role in Qiang stockaded villages. In conserving this important architectural heritage, we observe the idea ＂everything for heritage value＂. We discuss and draw up a series of salvage conservation countermeasures and research for antiseimatic key technology during post-earthquake reconstruction period of Tibetan and Qiang settlement engineering projects, including six engineering principles on priority of structure rescue, heritage vatue, former address maintenance, traditional way of use, protection against and mitigation of earthquake disasters, and spot cleaning and separating. We draw up three rules in engineering strategy, namely： （1） we should follow ultimate orientation of heritage value protection in rescue, maintenance, and protection engineering; （2） degrees of priority of engineering measures should be differentiated according to the situation of the disaster and residential situations of stockaded villages and; （3） we should keeplocal smiths and conventional art as the base, and modern technology as a supplement in rescue, maintenance, and protection engineering.
