Joanna Page is Director of CRASSH and Professor of Latin American Studies at the University of Cambridge.Her research interests are generally connected to the relationship between science and culture in Latin America....Joanna Page is Director of CRASSH and Professor of Latin American Studies at the University of Cambridge.Her research interests are generally connected to the relationship between science and culture in Latin America.She has also worked on questions of memory,modernity,capitalism,posthumanism,new materialism,decoloniality,ecology,and environmental thought.This interview covers three main aspects:the characteristics of science fiction texts in Latin America,the interdisciplinary research models at the intersection of science,literature,and art,and Latin America as a field of regional studies.Professor Page starts with Argentine science fiction novels and expands the discussion to include graphic novels in Latin America,outlining the panorama of science fiction and its indigenous features.The conversation delves into the literary and technological relationships within Latin American science fiction texts.Building upon this foundation,this interview explores the interdisciplinary research paradigms concerning the relationship between science and culture,aiming to contribute to regional studies by exploring new pathways for interdisciplinary,cross-regional,and trans-media research.展开更多
In the contemporary context of increasingly severe global ecological crises,literary works have gradually emerged as essential media through which humanity reflects on the relationship between the natural environment ...In the contemporary context of increasingly severe global ecological crises,literary works have gradually emerged as essential media through which humanity reflects on the relationship between the natural environment and human civilization.Within this trend,Japanese science fiction has produced a growing body of works that engage with ecological issues.Taking the Japanese science fiction novel The Palace of the Flower Dragons as a case study,this paper employs the theoretical framework of ecocriticism to examine the text across three dimensions-natural,social,and spiritual ecology.It investigates how the novel uses apocalyptic narrative strategies to explore the human-nature relationship and to articulate an ecological ethic of coexistence grounded in a non-anthropocentric worldview,thereby offering meaningful literary reference points for addressing real-world environmental crises.展开更多
This paper is centered on the extent to which contemporary Chinese science fiction is related to ancient Chinese mythologies according to the previous scholarly discussion and how these ancient mythologies are utilize...This paper is centered on the extent to which contemporary Chinese science fiction is related to ancient Chinese mythologies according to the previous scholarly discussion and how these ancient mythologies are utilized specifically in the futuristic narratives of modern Chinese science fiction.By referring to academic dialogues,this paper argues that ancient mythologies can be recreated in modern science fiction and create modern mythologies in futuristic narratives to present or deal with modern human fears.Based on this argument,this paper then continues to explore what kinds of modern mythologies science fiction might deliver.The Chinese film The Wandering Earth(2019)will be discussed in terms of its mythological symbols and metaphors.This paper proposes a new approach through which to reconnect past stories with futuristic narratives and builds a frame in which to contextualize ancient mythologies in contemporary Chinese culture.展开更多
Chinese science fiction(sci-fi) draws nutrition from traditional Chinese culture to achieve a modern transformation and promote the development of the national narrative in Chinese sci-fi. There are three ways to real...Chinese science fiction(sci-fi) draws nutrition from traditional Chinese culture to achieve a modern transformation and promote the development of the national narrative in Chinese sci-fi. There are three ways to realise the transformation. First, adapt and reproduce classic stories, myths, legends and history. By embracing modernity, this unlocks the connections between traditional culture and modern technology, and thus acquires supportive force for modern life. Second, reconstruct history by imagining new routes of technological evolution and thus open up new possibilities for history. By considering contemporary realities, this answers the contemporary call for a more advanced culture. Third, use the national spirit as the soul of Chinese sci-fi. When providing Chinese wisdom and solutions to global challenges, we should balance the relationship between the global vision and the national characteristics of Chinese sci-fi and develop future-oriented national characteristics.展开更多
The relationship between science fiction and science popularization has long been a controversial issue.Based on a brief historical review of the development of science fiction and science popularization in China, thi...The relationship between science fiction and science popularization has long been a controversial issue.Based on a brief historical review of the development of science fiction and science popularization in China, this paper analyses related literature and concepts and argues that the science–literature dispute can be somewhat lessened in that science fiction can be incorporated into science popularization under the framework of general science popularization.展开更多
Science fiction takes many forms, including academic work that calls on readers to think about social and cultural problems. This paper takes a piece of science fiction, Kirinyaga: A Fable of Utopia, as an example and...Science fiction takes many forms, including academic work that calls on readers to think about social and cultural problems. This paper takes a piece of science fiction, Kirinyaga: A Fable of Utopia, as an example and discusses the conflicts among globalization, modernization and tradition present in the text, thus highlighting the academic meaning of science fiction as a literary form.展开更多
1.Introduction Founded in 1939,the World Science Fiction Convention(Worldcon)is an annual event that has been held 81 times to date.It is a world-famous,long-standing,large-scale and influential sci-fi cultural event ...1.Introduction Founded in 1939,the World Science Fiction Convention(Worldcon)is an annual event that has been held 81 times to date.It is a world-famous,long-standing,large-scale and influential sci-fi cultural event organized by the World Science Fiction Society.展开更多
The various definitions of science fiction reflect different understandings of science and fantasy and their relationship. Through a review of the development history of the British and American definitions of science...The various definitions of science fiction reflect different understandings of science and fantasy and their relationship. Through a review of the development history of the British and American definitions of science fiction and related controversies, we find that changes in science fiction's definition are often accompanied by the reorientation and reimagination of its position in society and culture. As people's perceptions deepen, the shifting boundary between science and fantasy has important implications for a better understanding of science fiction.展开更多
Cyberpunk science fiction movement was triggered by William Gibson, and this SF genre refocuses on the impacts of technology on human and society. This tradition was abandoned by the New Wave SF with its interest on f...Cyberpunk science fiction movement was triggered by William Gibson, and this SF genre refocuses on the impacts of technology on human and society. This tradition was abandoned by the New Wave SF with its interest on formal experiment. Cyberpunk SF is tinted with punk attitude for its rebellion against technological control and information control. With its criticism on postmodern society, cyberpunk science fiction has attracted postmodern critical attention.展开更多
This paper will apply a politically oriented description-critique paradigm developed from the works of Whitehall and Grewell that offers a way to examine works of popular culture, particularly Mars-based science ficti...This paper will apply a politically oriented description-critique paradigm developed from the works of Whitehall and Grewell that offers a way to examine works of popular culture, particularly Mars-based science fiction films. Because of the unique nature of these films, primarily which they are set in a future and distant world, they allow us to explore the socio-political landscape in which they were created from a remove that does not exist in ＂real-world＂ based works. Specifically we will be examining the governing power （in any particular Mars-based science fiction film） that might be either wielded by business interests or governmental interests. Although it is possible to have both a strong government and a strong business in a society, in many Mars-based science fiction films, government and business seem to represent two sides of a continuum. The stronger the business power structure in the film, the weaker the governmental power structure, and vice-versa.展开更多
The success of the Hunger Games trilogy to the young readers is its distinctive blending of science fiction elements with protagonist Katniss＇ initiation. The trilogy suffices youth＇s interest to embrace a fiction t...The success of the Hunger Games trilogy to the young readers is its distinctive blending of science fiction elements with protagonist Katniss＇ initiation. The trilogy suffices youth＇s interest to embrace a fiction that dramatizes both realistic and fantastic portray of the world. Through depicting the intellectual and social development of protagonist Katniss who, after experiencing both defeats and triumphs in a dystopian world, Suzanne Collins successfully conveys the coming-of-age theme under the veil of science fiction in the Hunger Games trilogy.展开更多
In recent years,China’s public diplomacy has flourished,with literary exchanges and external communication undoubtedly becoming an essential part.Particularly with the progress of Chinese technology,science fiction l...In recent years,China’s public diplomacy has flourished,with literary exchanges and external communication undoubtedly becoming an essential part.Particularly with the progress of Chinese technology,science fiction literature has become a focal point both domestically and internationally.This paper investigates the background of the Chinese science fiction literature’s national characteristics,the manifestation of these characteristics in works,and the advantages of communication from three aspects.It also explores new ideas for the external communication of Chinese science fiction literature from the perspective of public diplomacy,inspiring new pathways for the integration of Chinese culture with the world,and telling Chinese stories to the world.展开更多
Experiential futurism is an important subgenre of futuristic science fiction in China,with the greatest number of works and the richest content.Several important works in this genre have gained widespread influence.Ex...Experiential futurism is an important subgenre of futuristic science fiction in China,with the greatest number of works and the richest content.Several important works in this genre have gained widespread influence.Experiential futuristic works focus on conveying the experience of the future through words,and often use considerable appeal to call on people to pay attention to and to think about the future.Such works can be divided into two types:those attempting to convey the experience of a stand-alone technology and those attempting to convey a panoramic experience.The methods for creating experiential futuristic fiction include wonder creation,perception reinforcement,immersion creation,emotion activation and cognitive enhancement.Experiential futuristic works play a pioneering role in today's era of virtual reality and the metaverse.展开更多
This paper discusses several of Wang Jinkang's science-fiction works on the subject of the universe, such as With Me, Escape from the Mother Universe, Heavenly Father and Earthly Mother and Cosmic Crystal Egg. Bas...This paper discusses several of Wang Jinkang's science-fiction works on the subject of the universe, such as With Me, Escape from the Mother Universe, Heavenly Father and Earthly Mother and Cosmic Crystal Egg. Based on an analysis of these works and Wang's creative writing trajectory, the paper summarizes the distinctive features of such universe-themed works: scientific rationality, fairy-tale-style plot setting, human–God duality and rational humanistic compassion. It concludes that Wang's works have not only crossed the gap between science and the humanities but also built a bridge between the two. Final y, this paper suggests that science-fiction writers provide a unique perspective for the reader by building a bridge between science and the humanities.展开更多
Chinese new generation science fiction refers to the science fiction after the 1990s because of their diverse creative concepts,aesthetic values and new narrative modes.This paper summarizes the development of Chinese...Chinese new generation science fiction refers to the science fiction after the 1990s because of their diverse creative concepts,aesthetic values and new narrative modes.This paper summarizes the development of Chinese science fiction literature,and analyzes the utopias in Chinese new generation science fiction.The types of utopias in new generation science fiction can be divided into two aspects:temporal and spatial utopias and technological utopias.The characteristics of Chinese new generation's utopia include extraordinary Imagination,new and different ways of thinking.The functions of Chinese utopia are mainly reflected in the affirmation of ultimate values and the criticism of reality.The creation of new generations has brought new hope to Chinese science fiction literature,but in general,Chinese science fiction literature has a long way to go.展开更多
As The Three-Body Problem translated by Ken Liu went popular in America, Chinese science fiction has got spotlightfrom all over the world. This article studies the translation of fictitious elements in The Three-Body ...As The Three-Body Problem translated by Ken Liu went popular in America, Chinese science fiction has got spotlightfrom all over the world. This article studies the translation of fictitious elements in The Three-Body Problem. Based on the specificmethods Ken Liu employs, general requirements for translators are proposed and strategies of translating fictitious elements areelicited. It intends to bring forth enlightening ideas in translating fictitious elements of science fiction and shed lights on this areaof study which few have set foot on.展开更多
The term ‘science fiction(sci-fi) industry' has developed only in the past two decades in China. It has gone through special cultural, economic and political backgrounds in its conceptual development. After years...The term ‘science fiction(sci-fi) industry' has developed only in the past two decades in China. It has gone through special cultural, economic and political backgrounds in its conceptual development. After years of evolution and under the influence of some influential sci-fi intellectual properties, the sci-fi industry has developed typical forms such as reading material, film and television programs, games, derivative products and cultural tourism. These forms are also the major means for the generation of sci-fi content and the dissemination of sci-fi culture. The sci-fi industry has three key features: it integrates culture with science and technology as production factors;it has both production capacity and consumer appeal;and it is made up of interconnected vertical and horizontal production chains.展开更多
The study of American science fiction in China has travelled a long and winding path over the past three decades.Relative papers and dissertations have been increasing with an academic boom of research programs.By ana...The study of American science fiction in China has travelled a long and winding path over the past three decades.Relative papers and dissertations have been increasing with an academic boom of research programs.By analyzing the statistics and representative works on American science fiction in China,it is revealed that the research output has been flourishing in the 21st century in terms of its research quantity and quality,though there is still much to be improved in its depth,breadth,and standardization.It is suggested that in the research of science fiction as a form of world literature,broader vision and deeper insight should be explored in such aspects as comprehensive,interdisciplinary,and comparative studies.展开更多
Zheng Wenguang described the concept of"science fiction realism"in 1981 as a form of misreading,aiming at exploring social problems.Personally,he was rethinking and developing a series of his own writing ide...Zheng Wenguang described the concept of"science fiction realism"in 1981 as a form of misreading,aiming at exploring social problems.Personally,he was rethinking and developing a series of his own writing ideas since the 195os.As for the science fiction community,it was a powerful challenge to the idea that"science fiction is a part of popular science,"which had existed for almost five decades.As soon as Zheng's idea was put forward,it quickly received a warm response from Jin Tao and Wei Yahua,etc.The works,such as"The Moonlight Island"(Yueguangdao)and"Destiny Nightclub"(Mingyun yezonghui),broke down the narrow boundaries of contemporary popular science discourse."Science fiction realism"should be understood to mean"realistic science fiction."However,from a theoretical perspective,all kinds of writings in this period not only narrowed and vulgarized the understanding of"realism,"especially as they ignored heated discussions of this concept,but also blurred the core and boundary of the"science fiction"genre and even dissolved its autonomy to a certain extent.Zheng and his proponents'explorations are Chinese science fiction authors'beneficial attempts to construct local traditions.They reflect a profound anxiety towards reality and a strong desire for self-identification among a generation of science fiction authors.The core point they observe reappears in various guises across the development of the science fiction genre in the following decades.The basic conceptions they are trying to convey have also become important resources for the development of Chinese science fiction literary theory.展开更多
基金“Cyborg Narratives and the Construction of 21^(st)Century Science Fiction Poetics”(22BZW175)sponsored by the National Social Science Fund of China。
文摘Joanna Page is Director of CRASSH and Professor of Latin American Studies at the University of Cambridge.Her research interests are generally connected to the relationship between science and culture in Latin America.She has also worked on questions of memory,modernity,capitalism,posthumanism,new materialism,decoloniality,ecology,and environmental thought.This interview covers three main aspects:the characteristics of science fiction texts in Latin America,the interdisciplinary research models at the intersection of science,literature,and art,and Latin America as a field of regional studies.Professor Page starts with Argentine science fiction novels and expands the discussion to include graphic novels in Latin America,outlining the panorama of science fiction and its indigenous features.The conversation delves into the literary and technological relationships within Latin American science fiction texts.Building upon this foundation,this interview explores the interdisciplinary research paradigms concerning the relationship between science and culture,aiming to contribute to regional studies by exploring new pathways for interdisciplinary,cross-regional,and trans-media research.
基金supported by the foundation of SFLEP National University Foreign Language Teaching Research Project(No.2019SH0039B)the Ministry of Education Industry-Academy Cooperation Collaborative Education Project(No.2408212240).
文摘In the contemporary context of increasingly severe global ecological crises,literary works have gradually emerged as essential media through which humanity reflects on the relationship between the natural environment and human civilization.Within this trend,Japanese science fiction has produced a growing body of works that engage with ecological issues.Taking the Japanese science fiction novel The Palace of the Flower Dragons as a case study,this paper employs the theoretical framework of ecocriticism to examine the text across three dimensions-natural,social,and spiritual ecology.It investigates how the novel uses apocalyptic narrative strategies to explore the human-nature relationship and to articulate an ecological ethic of coexistence grounded in a non-anthropocentric worldview,thereby offering meaningful literary reference points for addressing real-world environmental crises.
文摘This paper is centered on the extent to which contemporary Chinese science fiction is related to ancient Chinese mythologies according to the previous scholarly discussion and how these ancient mythologies are utilized specifically in the futuristic narratives of modern Chinese science fiction.By referring to academic dialogues,this paper argues that ancient mythologies can be recreated in modern science fiction and create modern mythologies in futuristic narratives to present or deal with modern human fears.Based on this argument,this paper then continues to explore what kinds of modern mythologies science fiction might deliver.The Chinese film The Wandering Earth(2019)will be discussed in terms of its mythological symbols and metaphors.This paper proposes a new approach through which to reconnect past stories with futuristic narratives and builds a frame in which to contextualize ancient mythologies in contemporary Chinese culture.
基金an outcome of the youth programme of the National Social Science Foundation of China,‘Research on the Imagination of Chinese Contemporary Science Fiction Literature’(grant no.22CZW057)
文摘Chinese science fiction(sci-fi) draws nutrition from traditional Chinese culture to achieve a modern transformation and promote the development of the national narrative in Chinese sci-fi. There are three ways to realise the transformation. First, adapt and reproduce classic stories, myths, legends and history. By embracing modernity, this unlocks the connections between traditional culture and modern technology, and thus acquires supportive force for modern life. Second, reconstruct history by imagining new routes of technological evolution and thus open up new possibilities for history. By considering contemporary realities, this answers the contemporary call for a more advanced culture. Third, use the national spirit as the soul of Chinese sci-fi. When providing Chinese wisdom and solutions to global challenges, we should balance the relationship between the global vision and the national characteristics of Chinese sci-fi and develop future-oriented national characteristics.
文摘The relationship between science fiction and science popularization has long been a controversial issue.Based on a brief historical review of the development of science fiction and science popularization in China, this paper analyses related literature and concepts and argues that the science–literature dispute can be somewhat lessened in that science fiction can be incorporated into science popularization under the framework of general science popularization.
文摘Science fiction takes many forms, including academic work that calls on readers to think about social and cultural problems. This paper takes a piece of science fiction, Kirinyaga: A Fable of Utopia, as an example and discusses the conflicts among globalization, modernization and tradition present in the text, thus highlighting the academic meaning of science fiction as a literary form.
文摘1.Introduction Founded in 1939,the World Science Fiction Convention(Worldcon)is an annual event that has been held 81 times to date.It is a world-famous,long-standing,large-scale and influential sci-fi cultural event organized by the World Science Fiction Society.
基金supported by the 2022 Science Popularization Enhancement Programme for Master’s and PhD Students funded by the China Association for Science and Technology:‘A Historiographical Study of the Definition of Science Fiction and Debates Involved’(grant no.KXYJS2022003)
文摘The various definitions of science fiction reflect different understandings of science and fantasy and their relationship. Through a review of the development history of the British and American definitions of science fiction and related controversies, we find that changes in science fiction's definition are often accompanied by the reorientation and reimagination of its position in society and culture. As people's perceptions deepen, the shifting boundary between science and fantasy has important implications for a better understanding of science fiction.
文摘Cyberpunk science fiction movement was triggered by William Gibson, and this SF genre refocuses on the impacts of technology on human and society. This tradition was abandoned by the New Wave SF with its interest on formal experiment. Cyberpunk SF is tinted with punk attitude for its rebellion against technological control and information control. With its criticism on postmodern society, cyberpunk science fiction has attracted postmodern critical attention.
文摘This paper will apply a politically oriented description-critique paradigm developed from the works of Whitehall and Grewell that offers a way to examine works of popular culture, particularly Mars-based science fiction films. Because of the unique nature of these films, primarily which they are set in a future and distant world, they allow us to explore the socio-political landscape in which they were created from a remove that does not exist in ＂real-world＂ based works. Specifically we will be examining the governing power （in any particular Mars-based science fiction film） that might be either wielded by business interests or governmental interests. Although it is possible to have both a strong government and a strong business in a society, in many Mars-based science fiction films, government and business seem to represent two sides of a continuum. The stronger the business power structure in the film, the weaker the governmental power structure, and vice-versa.
文摘The success of the Hunger Games trilogy to the young readers is its distinctive blending of science fiction elements with protagonist Katniss＇ initiation. The trilogy suffices youth＇s interest to embrace a fiction that dramatizes both realistic and fantastic portray of the world. Through depicting the intellectual and social development of protagonist Katniss who, after experiencing both defeats and triumphs in a dystopian world, Suzanne Collins successfully conveys the coming-of-age theme under the veil of science fiction in the Hunger Games trilogy.
基金supported by the foundation of SFLEP National University Foreign Language Teaching Research Project(No.2019SH0039B)and Hebei Provincial Social Science Foundation(No.HB19WW007).
文摘In recent years,China’s public diplomacy has flourished,with literary exchanges and external communication undoubtedly becoming an essential part.Particularly with the progress of Chinese technology,science fiction literature has become a focal point both domestically and internationally.This paper investigates the background of the Chinese science fiction literature’s national characteristics,the manifestation of these characteristics in works,and the advantages of communication from three aspects.It also explores new ideas for the external communication of Chinese science fiction literature from the perspective of public diplomacy,inspiring new pathways for the integration of Chinese culture with the world,and telling Chinese stories to the world.
基金supported by the Center for the Humanities and Innovation Culture in the Great Bay Area, Southern University of Science and Technology
文摘Experiential futurism is an important subgenre of futuristic science fiction in China,with the greatest number of works and the richest content.Several important works in this genre have gained widespread influence.Experiential futuristic works focus on conveying the experience of the future through words,and often use considerable appeal to call on people to pay attention to and to think about the future.Such works can be divided into two types:those attempting to convey the experience of a stand-alone technology and those attempting to convey a panoramic experience.The methods for creating experiential futuristic fiction include wonder creation,perception reinforcement,immersion creation,emotion activation and cognitive enhancement.Experiential futuristic works play a pioneering role in today's era of virtual reality and the metaverse.
文摘This paper discusses several of Wang Jinkang's science-fiction works on the subject of the universe, such as With Me, Escape from the Mother Universe, Heavenly Father and Earthly Mother and Cosmic Crystal Egg. Based on an analysis of these works and Wang's creative writing trajectory, the paper summarizes the distinctive features of such universe-themed works: scientific rationality, fairy-tale-style plot setting, human–God duality and rational humanistic compassion. It concludes that Wang's works have not only crossed the gap between science and the humanities but also built a bridge between the two. Final y, this paper suggests that science-fiction writers provide a unique perspective for the reader by building a bridge between science and the humanities.
基金supported by 2022 Project of Women Federation of Zhejiang Province(No.:202248).
文摘Chinese new generation science fiction refers to the science fiction after the 1990s because of their diverse creative concepts,aesthetic values and new narrative modes.This paper summarizes the development of Chinese science fiction literature,and analyzes the utopias in Chinese new generation science fiction.The types of utopias in new generation science fiction can be divided into two aspects:temporal and spatial utopias and technological utopias.The characteristics of Chinese new generation's utopia include extraordinary Imagination,new and different ways of thinking.The functions of Chinese utopia are mainly reflected in the affirmation of ultimate values and the criticism of reality.The creation of new generations has brought new hope to Chinese science fiction literature,but in general,Chinese science fiction literature has a long way to go.
文摘As The Three-Body Problem translated by Ken Liu went popular in America, Chinese science fiction has got spotlightfrom all over the world. This article studies the translation of fictitious elements in The Three-Body Problem. Based on the specificmethods Ken Liu employs, general requirements for translators are proposed and strategies of translating fictitious elements areelicited. It intends to bring forth enlightening ideas in translating fictitious elements of science fiction and shed lights on this areaof study which few have set foot on.
文摘The term ‘science fiction(sci-fi) industry' has developed only in the past two decades in China. It has gone through special cultural, economic and political backgrounds in its conceptual development. After years of evolution and under the influence of some influential sci-fi intellectual properties, the sci-fi industry has developed typical forms such as reading material, film and television programs, games, derivative products and cultural tourism. These forms are also the major means for the generation of sci-fi content and the dissemination of sci-fi culture. The sci-fi industry has three key features: it integrates culture with science and technology as production factors;it has both production capacity and consumer appeal;and it is made up of interconnected vertical and horizontal production chains.
文摘The study of American science fiction in China has travelled a long and winding path over the past three decades.Relative papers and dissertations have been increasing with an academic boom of research programs.By analyzing the statistics and representative works on American science fiction in China,it is revealed that the research output has been flourishing in the 21st century in terms of its research quantity and quality,though there is still much to be improved in its depth,breadth,and standardization.It is suggested that in the research of science fiction as a form of world literature,broader vision and deeper insight should be explored in such aspects as comprehensive,interdisciplinary,and comparative studies.
文摘Zheng Wenguang described the concept of"science fiction realism"in 1981 as a form of misreading,aiming at exploring social problems.Personally,he was rethinking and developing a series of his own writing ideas since the 195os.As for the science fiction community,it was a powerful challenge to the idea that"science fiction is a part of popular science,"which had existed for almost five decades.As soon as Zheng's idea was put forward,it quickly received a warm response from Jin Tao and Wei Yahua,etc.The works,such as"The Moonlight Island"(Yueguangdao)and"Destiny Nightclub"(Mingyun yezonghui),broke down the narrow boundaries of contemporary popular science discourse."Science fiction realism"should be understood to mean"realistic science fiction."However,from a theoretical perspective,all kinds of writings in this period not only narrowed and vulgarized the understanding of"realism,"especially as they ignored heated discussions of this concept,but also blurred the core and boundary of the"science fiction"genre and even dissolved its autonomy to a certain extent.Zheng and his proponents'explorations are Chinese science fiction authors'beneficial attempts to construct local traditions.They reflect a profound anxiety towards reality and a strong desire for self-identification among a generation of science fiction authors.The core point they observe reappears in various guises across the development of the science fiction genre in the following decades.The basic conceptions they are trying to convey have also become important resources for the development of Chinese science fiction literary theory.
