Urban environments have challenging characteristics for bird acoustic communication.High levels of anthropogenic noise,as well as vegetation structure(e.g.,in urban parks),can potentially affect the song frequency cha...Urban environments have challenging characteristics for bird acoustic communication.High levels of anthropogenic noise,as well as vegetation structure(e.g.,in urban parks),can potentially affect the song frequency characteristics of several bird species.An additional factor such as the abundance of conspecific and heterospecific vocalizing birds may play an important role in determining the structure of bird songs.In this study,we analyzed whether noise levels,vegetation percentage,and abundance of conspecifics and heterospecifics influence the song characteristics of three syntopic songbird species:House Finch(Haemorhous mexicanus),Rufouscollared Sparrow(Zonotrichia capensis),and House Sparrow(Passer domesticus)living in urban sites.We recorded songs of these species and measured the peak frequency and entropy of their songs at 14 sites in the city of San Cristobal de Las Casas,Chiapas,Mexico.We found that the song peak frequency of House Finch and House Sparrow's songs was negatively related to the vegetation.The peak frequency of neither of the three species correlated with the average noise level.However,the abundances of conspecific and heterospecific were related to the peak frequency of the three species'songs.The entropy of the House Finch and House Sparrow songs was positively and negatively related,respectively,to noise levels.House Sparrow song entropy was negatively related to the percentage of vegetation.Song entropy of House Finches was negatively associated to conspecific and House Sparrow abundance.Song entropy of Rufous-collared Sparrows was positively related to conspecific abundance.In conclusion,the song peak frequency and song entropy of the three songbird species were differentially related to urban noise,vegetation,and conspecific and heterospecific abundance,suggesting these factors influence bird song characteristics.展开更多
Birdsong is an important secondary sexual trait which may vary between but also within species.Intraspecific variation is generally studied either on the geographical or on the temporal scale;most of the studies explo...Birdsong is an important secondary sexual trait which may vary between but also within species.Intraspecific variation is generally studied either on the geographical or on the temporal scale;most of the studies exploring the variation of song over time,however,focused on species with rather simple songs.In this study,we explored the temporal changes in song of a complex songster,the Thrush Nightingale(Luscinia luscinia),recorded after 33 years(in 1986 and 2019)at the same locality in south-eastern Finland.Our analysis revealed a complete turnover of song types over the study period,with no song type shared between the two recording years.In contrast,40%of the originally recorded syllable types were still found in the repertoires of recently recorded males.Their song type repertoires were significantly smaller but the songs themselves were on average longer compared to the 1986 recordings.Repertoires of both syllables and song types were more shared between males recorded in 1986 than between those from 2019.We discuss the processes that may have contributed to these temporal changes in song and call for more detailed studies of song evolution in wild populations.展开更多
Cross-cultural interactions between China and the global community have intensified,notably marked by the expanding international reach of Chinese films and television productions.Given the diverse cultural background...Cross-cultural interactions between China and the global community have intensified,notably marked by the expanding international reach of Chinese films and television productions.Given the diverse cultural backgrounds of different regions,the task of making adapted TV series resonate with the values of the audiences in the target regions has presented a substantial challenge.As the popular Chinese TV series The Legend of Zhen Huan and its American adaptation Empresses in the Palace garnered acclaim within their respective domestic markets,they exhibited rating disparities in cross-cultural acceptance,which offers a novel perspective for analyzing intercultural communication.Building on this phenomenon,this study employs Hofstede’s Cultural Dimensions Theory and Kluckhohn and Strodtbeck’s Values Orientation Theory to conduct a comparative analysis of the theme songs from the two series.By deconstructing the contextual contents embedded in these musical compositions,the research aims to elucidate the underlying cultural and cognitive differences between Chinese and American audiences,which lead to their distinct acceptances of the series.展开更多
Continuity is the foremost defining characteristic of Chinese civilization.It ensures that the evolution of this civilization respects the fine traditions and stays on the right course throughout its creative course.M...Continuity is the foremost defining characteristic of Chinese civilization.It ensures that the evolution of this civilization respects the fine traditions and stays on the right course throughout its creative course.Meanwhile,creativity imparts ceaseless vitality to this civilization,serving as the intrinsic propulsive force that fuels its evolution.The rise of Song Studies marks one of the symbolic events in the transformation in the Chinese ideological and cultural realm.It encapsulates the dialectical unity between continuity and creativity that characterizes Chinese civilization.Song Studies adhere to the traditional classic interpretations,center the core values around“benevolence,”and pursue the way of sages,which reflect the continuity of Chinese civilization.They also embody creativity.This is manifested in the emergence of a new academic spirit that emphasizes the seeking of truth and reason,a new academic ethos that involves questioning classics in the process of their dissemination and interpreting them with one’s own insight,as well as the fusion of philosophical speculation with social practice.Conducting an integrated analysis of the defining characteristics of Chinese civilization and the rise of Song Studies helps us gain a thorough understanding of the dialectical unity between the continuity and creativity of Chinese civilization through the interactions between history and reality.It also enables us to effectively address the relationship between inheritance and transformation,as well as between maintaining core values and pursuing creativity throughout its ongoing development.展开更多
A 1.5-hour recording of six (Gulf of Mexico) captive common bottlenose dolphins (Tursiops truncatus) at Sea Life Park, Hawaii shows that: 1) they have a song of a sequence of tonal (often slurred) notes. The evidence ...A 1.5-hour recording of six (Gulf of Mexico) captive common bottlenose dolphins (Tursiops truncatus) at Sea Life Park, Hawaii shows that: 1) they have a song of a sequence of tonal (often slurred) notes. The evidence for their song comes from: a) their emitting songs that were complex (both tonally and rhythmically), b) their likely improvising (as inferred from their most complex songs not being repeated), c) songs based on a theme (used repeatedly), d) a bout of singing (at times) including social creativity, e) songs with a distinct beginning, middle and end section, and f) one song consisting of in part, a theme, 2) their songs are not sung in key (as determined from analysing the beginning tonal value of a note with spectral-frequency analysis), and 3) are sung in bouts, and 4) mostly with tonal-striated vocalizations (in the literature termed squawks and bray calls). Their apparent creativity (likely improvisations) and social creativity are of importance to how they evolved cognitively, to the study of song culture (between populations and delphinid species), understanding their (intra and inter-species) associations, and kinds of relationships, determining individual personalities, and perhaps will provide supporting evidence for their ability to reason. As inferred, they sing without being intentionally manipulative from: 1) their use of Gquic psychology [1] (as explained in this article), and 2) as inferred from their likely having an ability to reason [1] [2] (as deduced from their behavioural ecology (their unique exceptional evolutionary freedom), including their comparatively peaceful composure between conspecifics, in line with the proof of The Peaceful Composure Theorem), suggesting (per The Peaceful Composure Theorem) they have an egalitarian-like society. Their interspecies (displaced) aggression towards smaller odontocete species is shown to be a function of jealousies that emerge from their stronger social bonds than other species, from their compassionate nature, and females and males not pairing up in long-term associations. Species with greater cultural freedom are shown to have a more complex song providing further evidence for species culture not crucial to survival. The conclusive evidence for specie culture from my recent publications is of relevance to the scientific community’s acceptance of two new theories of evolution, and Gquic psychology. The loud burst-pulse sounds, chasing, charging and raking behaviours described in the literature could be a play behaviour, ought not be labelled as aggressive behaviours, as inferred from dog mock-fight play behaviour. In regard to future comparative behavioural ecology studies, aggressive animal behaviour should only be defined as an act of displacement (that is shown to commonly occur in the Indo-Pacific bottlenose dolphin species (Tursiops aduncus)), or as acts of biting, and hitting.展开更多
The Book of Songs is the first collection of poems in China,originally named Poetry,and is one of the Five Classics.Whether in terms of themes,thoughts and emotions,language skills,as well as in artistic images and ex...The Book of Songs is the first collection of poems in China,originally named Poetry,and is one of the Five Classics.Whether in terms of themes,thoughts and emotions,language skills,as well as in artistic images and expression methods,it has shown the great achievements of China’s earliest poetry works and has produced a profound influence on Chinese culture and literature.It not only has recorded the various aspects of the society of that time,but also opens the door to many literary studies.There is no need to argue about its status and significance.In the West,about twelve centuries after the creation of the first poem collected in The Book of Songs,there lived a literary theorist who has performed a great influence on western literature.He was Longinus,the author of On the Sublime.By comparing the aesthetic ideas of Longinus and the artistic characteristics of The Book of Songs,we are surprised to find that The Book of Songs is a paragon of the sublime described by Longinus.展开更多
Chinese classical poetry art songs are one of the important genres in vocal works.The interpretation of each piece place high demands on the singer’s breath control,timbre,and expression of song connotations.With a l...Chinese classical poetry art songs are one of the important genres in vocal works.The interpretation of each piece place high demands on the singer’s breath control,timbre,and expression of song connotations.With a long history of development and diverse stylistic classifications,they evoke varied emotional responses.A song primarily consists of two components:poetry and music.Poetry uses textual composition to shape poetic imagery,while music employs musical elements to create artistic images.These two elements complement and permeate each other.The integration of poetry and music better serves the presentation of artistic works,interprets the song’s artistic conception,and realizes the essence of Chinese classical aesthetic conceptions——the“Dao”that connects to the cosmic essence and life.Through specific research on the aesthetic harmony between poetry and music,this study clearly demonstrates the path of poetic-musical coexistence in Chinese classical poetry art songs.展开更多
Chen Ziming(courtesy name Chen Liangfu)was from Linchuan(present Wuzhou,Jiangxi province).He called himself“old medical recluse”at the old age.Chen was a famous medial scientist of the South Song Dynasty and one of ...Chen Ziming(courtesy name Chen Liangfu)was from Linchuan(present Wuzhou,Jiangxi province).He called himself“old medical recluse”at the old age.Chen was a famous medial scientist of the South Song Dynasty and one of the founders of traditional Chinese medicine(TCM)gynecology.He had served as a teacher of the highest rank at the Mingdao Academy in Jiankang Prefecture(present Nanjing,Jiangsu province).He is the author of the Com-plete Compendium of Fine Formulas for Women(Fu Ren Da Quan Liang Fang),Essence of External Medicine(Wai Ke Jing Yao),etc.He came from a family skilled in TCM.展开更多
The Sluice Gate with Freight Carts is the earliest extant scroll in China that depicted a water mill.It was drawn during the early or middle Northern Song dynasty and was possibly a true portrayal of the West Water Mi...The Sluice Gate with Freight Carts is the earliest extant scroll in China that depicted a water mill.It was drawn during the early or middle Northern Song dynasty and was possibly a true portrayal of the West Water Mill Office.The copresence of a banquet scene of the Northern Song dynasty’s scholar-officials and a water mill both suggests a realistic reproduction of a specific scene and indicates the significance of the water mill as a cultural space.The Northern Song dynasty’s government-operated water mills were especially noticeable in the Capital Circuit京畿路,whose center was Dongjing东京.The basic development path of government-operated water mills in the inner and outer city of Dongjing was first from grain processing,which supplied the needs of the imperial palace,to tea processing,in which the governmental commercial capital also participated.Regarding city space and the use of water sources,the development spread from the north of the city to the south.Other prefectures outside Dongjing also had government-operated water mills—some brought income that could be used as official fiscal expenditure,including military expenditure,and were used to satisfy the need of local people’s livelihood,while some were used to serve the monopoly policy of tea and demonstrate the benevolent governance of local officials.In the Northern Song dynasty,the water mill was no longer merely a production site;rather,it was also a cultural space that integrated a natural background and artificial ingenuity.Closely related to the hosting of emperors and the garden making,sightseeing,feasting,and drinking of scholar-officials,along with the festival activities of locals,the water mill in the Northern Song dynasty was of great cultural significance.展开更多
The medical education of the Song dynasty constitutes a pivotal aspect within the broader framework of ancient Chinese medical education. The advent of the imperial examination system coincided with the emergence of a...The medical education of the Song dynasty constitutes a pivotal aspect within the broader framework of ancient Chinese medical education. The advent of the imperial examination system coincided with the emergence of a medical examination system, which served as the cornerstone for the subsequent evolution of medical education. According to historical records, the Song government established dedicated medical departments, along with comprehensive systems encompassing medical professors, students, and examinations. By examining extant medical historical documents, such as Tai Yi Ju Zhu Ke Cheng Wen Ge(《太医局诸科程文格》 Examination Answers and Standards of the Imperial Medical Bureau), researchers and readers can obtain a comprehensive understanding of the medical system that prevailed in the Song dynasty. While the intricate details of medical education during this era are not explicitly documented in historical records, modern researchers have the opportunity to uncover the entire view of medical education, particularly the medical examination system, through rigorous analysis of these extant historical medical documents. Such studies offer valuable insights into the developmental trajectory of the ancient Chinese medical examination system and provide crucial references for contemporary medical education. By conducting in-depth literature research and analysis of Tai Yi Ju Zhu Ke Cheng Wen Ge, this study endeavors to reconstruct the authentic scenario of medical examinations in the Song dynasty, as presented in the document, for the benefit of modern readers and researchers.展开更多
With the population growth through natural growth and migration,coupled with the city expansion,it is the fact that Dehradun City in India faces severe water scarcity.Therefore,the Song Dam Drinking Water Project(SDDW...With the population growth through natural growth and migration,coupled with the city expansion,it is the fact that Dehradun City in India faces severe water scarcity.Therefore,the Song Dam Drinking Water Project(SDDWP)is proposed to provide ample drinking water to Dehradun City and its suburban areas.This paper examined economic significance and environmental impacts of the SDDWP in Garhwal Himalaya,India.To conduct this study,we collected data from both primary and secondary sources.There are 12 villages and 3 forest divisions in the surrounding areas of the proposed dam project,of which 3 villages will be fully submerged and 50 households will be affected.For this study,50 heads of the households were interviewed in the 3 submerged villages.The questions mainly focused on economic significance,environmental impacts,and rehabilitation issues of the dam project.The findings of this study indicate that economic significance of the dam project is substantial,including providing ample water for drinking and irrigation,contributing to groundwater recharge,creating job opportunities,and promoting the development of tourism and fisheries in the Doon Valley.In terms of the rehabilitation of the affected people,there are only 50 households in need of rehabilitation.Currently,the arable land of these affected people is not sufficient to sustain their livelihoods.The entire landscape is fragile,rugged,and precipitous;therefore,the affected people are willing to rehabilitate to more suitable areas in the Doon Valley.Moreover,it is essential to provide them with sufficient compensation packages including the compensation of arable land,houses,cash,common property resources,institutions,belongingness,and cultural adaptation.On the other hand,the proposed dam project will have adverse environmental impacts including arable land degradation,forest degradation,loss of fauna and flora,soil erosion,landslides,and soil siltation.These impacts will lead to the ecological imbalances in both upstream and downstream areas.This study suggests that the affected people should be given sufficient compensation packages in all respects.Afforestation programs can be launched in the degraded areas to compensate for the loss of forest in the affected areas.展开更多
The key point in studying or teaching the history of Chinese medicine is on the doctrines underlying it and on its perception of the body,physiology,pathology,and its treatment.Namely,there is often a tendency to focu...The key point in studying or teaching the history of Chinese medicine is on the doctrines underlying it and on its perception of the body,physiology,pathology,and its treatment.Namely,there is often a tendency to focus on reading and analysing the classical canons and therapy-related texts including formularies and materia medica collections.However,focusing on these sources provides us with a one-sided presentation of Chinese medicine.These primary sources lack the clinical down-to-earth know-how that encompasses medical treatment,which are represented,for instance,in the clinical rounds of modern medical schools.Our traditional focus on the medical canons and formularies provides almost no clinical knowledge,leaving us with a one-sided narrative that ignores how medicine and healing are actually practiced in the field.This paper focuses on the latter aspect of medicine from a historical perspective.Using written and visual sources dating to the Song dynasty,clinical encounters between doctors and patients including their families are depicted based on case records recorded by a physician,members of the patient’s family,and bystanders.This array of case records or case stories will enable us to narrate the interaction between physicians and patients both from the clinical perspective and from the social interaction.This paper will also discuss visual depictions of the medical encounter to provide another perspective for narrating medicine during the Song dynasty.Medical case records and paintings depicting medical encounters are exemplary of the potential of Chinese primary sources for narrative medicine.展开更多
This article employs the theory of conceptual metaphor to conduct a thorough analysis and exploration of translation strategies for the metaphors in Song Ci. Ci, a treasure in ancient Chinese literature, makes frequen...This article employs the theory of conceptual metaphor to conduct a thorough analysis and exploration of translation strategies for the metaphors in Song Ci. Ci, a treasure in ancient Chinese literature, makes frequent use of metaphor. Its unique form of expression and abundant artistic effects often create difficulties in translation. This study selects some representative metaphor examples from Song Ci to explore the patterns and strategies in the translation process. The study reveals that in face of the metaphors in Song Ci, translators need to comprehensively apply strategies such as retaining the metaphor, replacing the metaphor, and translating the literal meaning to ensure the quality of translation while restoring the aesthetic charm of the original metaphor.展开更多
Regarding the Chan Buddhism lamp records from the Song Dynasty and starting from Jing De Zhuan Deng Lu,the category of“enlightened masters in Chan Buddhism”禪門達者was listed separately,meaning a separate category w...Regarding the Chan Buddhism lamp records from the Song Dynasty and starting from Jing De Zhuan Deng Lu,the category of“enlightened masters in Chan Buddhism”禪門達者was listed separately,meaning a separate category was established for eccentric monks who pretended to be crazy,had unknown inheritance and miraculous deeds,and were difficult to classify.The following lamp records named this category of eccentric monks as“sages”散聖,or“saints”應化聖賢,which constructed another historical genealogy for the special Chan Buddhism eccentric monks.Moreover,the early lamp records included mostly idiosyncratic mad monks from previous dynasties.Since the Southern Song Dynasty,Chan Buddhism historical materials included many sages from the current dynasty.Therefore,this study mainly examines how the genealogy of Chan Buddhism eccentric monks was constructed in Song Dynasty Chan Buddhism lamp records,including quotations,and organizes the images of eccentric monks in the Song Dynasty,as written in Chan Buddhism historical materials,in order that the meaning of existence of these enlightened masters,sages,saints,etc.,included in the genealogy of Song Dynasty eccentric monks in the history of Chan Buddhism can be reflected.展开更多
This paper investigates and explores how the folk song operates in the Bai society from the theoretical perspective of pragmatics.In order to explore the deep relationship between a kind of langue use and the symbol o...This paper investigates and explores how the folk song operates in the Bai society from the theoretical perspective of pragmatics.In order to explore the deep relationship between a kind of langue use and the symbol of ethnicity among ethnic group members,this empirical study is carried out in the Dali Bai Autonomous Prefecture in Yunnan province where the majority of the Bai concentrate.According to this field survey,it is found that the content and performance of the Bai folk song can serve as a form of social behavior as well as a symbol of ethnic identity.展开更多
This study explores the application of the contextual teaching method in Sichuan folk song education and its impact on students’musical expressiveness.By incorporating contextual teaching methods in music classes,thi...This study explores the application of the contextual teaching method in Sichuan folk song education and its impact on students’musical expressiveness.By incorporating contextual teaching methods in music classes,this research investigates the effectiveness of this approach in enhancing students’understanding of Sichuan folk songs and improving their musical expressiveness and emotional expression.A mixed-method research approach is employed,utilizing classroom observations,questionnaires,interviews,and statistical analysis to assess the practical outcomes of contextual teaching in folk song education.展开更多
基金the Consejo Nacional de Humanidades,Ciencias y Tecnologías (CONAHCYT)of Mexico for providing funding for graduate studies of X.D.L. (No.001283)El Colegio de la Frontera Sur for PATM graduate fellowship for fieldwork。
文摘Urban environments have challenging characteristics for bird acoustic communication.High levels of anthropogenic noise,as well as vegetation structure(e.g.,in urban parks),can potentially affect the song frequency characteristics of several bird species.An additional factor such as the abundance of conspecific and heterospecific vocalizing birds may play an important role in determining the structure of bird songs.In this study,we analyzed whether noise levels,vegetation percentage,and abundance of conspecifics and heterospecifics influence the song characteristics of three syntopic songbird species:House Finch(Haemorhous mexicanus),Rufouscollared Sparrow(Zonotrichia capensis),and House Sparrow(Passer domesticus)living in urban sites.We recorded songs of these species and measured the peak frequency and entropy of their songs at 14 sites in the city of San Cristobal de Las Casas,Chiapas,Mexico.We found that the song peak frequency of House Finch and House Sparrow's songs was negatively related to the vegetation.The peak frequency of neither of the three species correlated with the average noise level.However,the abundances of conspecific and heterospecific were related to the peak frequency of the three species'songs.The entropy of the House Finch and House Sparrow songs was positively and negatively related,respectively,to noise levels.House Sparrow song entropy was negatively related to the percentage of vegetation.Song entropy of House Finches was negatively associated to conspecific and House Sparrow abundance.Song entropy of Rufous-collared Sparrows was positively related to conspecific abundance.In conclusion,the song peak frequency and song entropy of the three songbird species were differentially related to urban noise,vegetation,and conspecific and heterospecific abundance,suggesting these factors influence bird song characteristics.
文摘Birdsong is an important secondary sexual trait which may vary between but also within species.Intraspecific variation is generally studied either on the geographical or on the temporal scale;most of the studies exploring the variation of song over time,however,focused on species with rather simple songs.In this study,we explored the temporal changes in song of a complex songster,the Thrush Nightingale(Luscinia luscinia),recorded after 33 years(in 1986 and 2019)at the same locality in south-eastern Finland.Our analysis revealed a complete turnover of song types over the study period,with no song type shared between the two recording years.In contrast,40%of the originally recorded syllable types were still found in the repertoires of recently recorded males.Their song type repertoires were significantly smaller but the songs themselves were on average longer compared to the 1986 recordings.Repertoires of both syllables and song types were more shared between males recorded in 1986 than between those from 2019.We discuss the processes that may have contributed to these temporal changes in song and call for more detailed studies of song evolution in wild populations.
文摘Cross-cultural interactions between China and the global community have intensified,notably marked by the expanding international reach of Chinese films and television productions.Given the diverse cultural backgrounds of different regions,the task of making adapted TV series resonate with the values of the audiences in the target regions has presented a substantial challenge.As the popular Chinese TV series The Legend of Zhen Huan and its American adaptation Empresses in the Palace garnered acclaim within their respective domestic markets,they exhibited rating disparities in cross-cultural acceptance,which offers a novel perspective for analyzing intercultural communication.Building on this phenomenon,this study employs Hofstede’s Cultural Dimensions Theory and Kluckhohn and Strodtbeck’s Values Orientation Theory to conduct a comparative analysis of the theme songs from the two series.By deconstructing the contextual contents embedded in these musical compositions,the research aims to elucidate the underlying cultural and cognitive differences between Chinese and American audiences,which lead to their distinct acceptances of the series.
基金a phased achievement of the“Research on Chinese Confucian Orthodoxy”(Project No.:17ZDA010),a major project of the National Social Science Fund of China.
文摘Continuity is the foremost defining characteristic of Chinese civilization.It ensures that the evolution of this civilization respects the fine traditions and stays on the right course throughout its creative course.Meanwhile,creativity imparts ceaseless vitality to this civilization,serving as the intrinsic propulsive force that fuels its evolution.The rise of Song Studies marks one of the symbolic events in the transformation in the Chinese ideological and cultural realm.It encapsulates the dialectical unity between continuity and creativity that characterizes Chinese civilization.Song Studies adhere to the traditional classic interpretations,center the core values around“benevolence,”and pursue the way of sages,which reflect the continuity of Chinese civilization.They also embody creativity.This is manifested in the emergence of a new academic spirit that emphasizes the seeking of truth and reason,a new academic ethos that involves questioning classics in the process of their dissemination and interpreting them with one’s own insight,as well as the fusion of philosophical speculation with social practice.Conducting an integrated analysis of the defining characteristics of Chinese civilization and the rise of Song Studies helps us gain a thorough understanding of the dialectical unity between the continuity and creativity of Chinese civilization through the interactions between history and reality.It also enables us to effectively address the relationship between inheritance and transformation,as well as between maintaining core values and pursuing creativity throughout its ongoing development.
文摘A 1.5-hour recording of six (Gulf of Mexico) captive common bottlenose dolphins (Tursiops truncatus) at Sea Life Park, Hawaii shows that: 1) they have a song of a sequence of tonal (often slurred) notes. The evidence for their song comes from: a) their emitting songs that were complex (both tonally and rhythmically), b) their likely improvising (as inferred from their most complex songs not being repeated), c) songs based on a theme (used repeatedly), d) a bout of singing (at times) including social creativity, e) songs with a distinct beginning, middle and end section, and f) one song consisting of in part, a theme, 2) their songs are not sung in key (as determined from analysing the beginning tonal value of a note with spectral-frequency analysis), and 3) are sung in bouts, and 4) mostly with tonal-striated vocalizations (in the literature termed squawks and bray calls). Their apparent creativity (likely improvisations) and social creativity are of importance to how they evolved cognitively, to the study of song culture (between populations and delphinid species), understanding their (intra and inter-species) associations, and kinds of relationships, determining individual personalities, and perhaps will provide supporting evidence for their ability to reason. As inferred, they sing without being intentionally manipulative from: 1) their use of Gquic psychology [1] (as explained in this article), and 2) as inferred from their likely having an ability to reason [1] [2] (as deduced from their behavioural ecology (their unique exceptional evolutionary freedom), including their comparatively peaceful composure between conspecifics, in line with the proof of The Peaceful Composure Theorem), suggesting (per The Peaceful Composure Theorem) they have an egalitarian-like society. Their interspecies (displaced) aggression towards smaller odontocete species is shown to be a function of jealousies that emerge from their stronger social bonds than other species, from their compassionate nature, and females and males not pairing up in long-term associations. Species with greater cultural freedom are shown to have a more complex song providing further evidence for species culture not crucial to survival. The conclusive evidence for specie culture from my recent publications is of relevance to the scientific community’s acceptance of two new theories of evolution, and Gquic psychology. The loud burst-pulse sounds, chasing, charging and raking behaviours described in the literature could be a play behaviour, ought not be labelled as aggressive behaviours, as inferred from dog mock-fight play behaviour. In regard to future comparative behavioural ecology studies, aggressive animal behaviour should only be defined as an act of displacement (that is shown to commonly occur in the Indo-Pacific bottlenose dolphin species (Tursiops aduncus)), or as acts of biting, and hitting.
文摘The Book of Songs is the first collection of poems in China,originally named Poetry,and is one of the Five Classics.Whether in terms of themes,thoughts and emotions,language skills,as well as in artistic images and expression methods,it has shown the great achievements of China’s earliest poetry works and has produced a profound influence on Chinese culture and literature.It not only has recorded the various aspects of the society of that time,but also opens the door to many literary studies.There is no need to argue about its status and significance.In the West,about twelve centuries after the creation of the first poem collected in The Book of Songs,there lived a literary theorist who has performed a great influence on western literature.He was Longinus,the author of On the Sublime.By comparing the aesthetic ideas of Longinus and the artistic characteristics of The Book of Songs,we are surprised to find that The Book of Songs is a paragon of the sublime described by Longinus.
文摘Chinese classical poetry art songs are one of the important genres in vocal works.The interpretation of each piece place high demands on the singer’s breath control,timbre,and expression of song connotations.With a long history of development and diverse stylistic classifications,they evoke varied emotional responses.A song primarily consists of two components:poetry and music.Poetry uses textual composition to shape poetic imagery,while music employs musical elements to create artistic images.These two elements complement and permeate each other.The integration of poetry and music better serves the presentation of artistic works,interprets the song’s artistic conception,and realizes the essence of Chinese classical aesthetic conceptions——the“Dao”that connects to the cosmic essence and life.Through specific research on the aesthetic harmony between poetry and music,this study clearly demonstrates the path of poetic-musical coexistence in Chinese classical poetry art songs.
文摘Chen Ziming(courtesy name Chen Liangfu)was from Linchuan(present Wuzhou,Jiangxi province).He called himself“old medical recluse”at the old age.Chen was a famous medial scientist of the South Song Dynasty and one of the founders of traditional Chinese medicine(TCM)gynecology.He had served as a teacher of the highest rank at the Mingdao Academy in Jiankang Prefecture(present Nanjing,Jiangsu province).He is the author of the Com-plete Compendium of Fine Formulas for Women(Fu Ren Da Quan Liang Fang),Essence of External Medicine(Wai Ke Jing Yao),etc.He came from a family skilled in TCM.
文摘The Sluice Gate with Freight Carts is the earliest extant scroll in China that depicted a water mill.It was drawn during the early or middle Northern Song dynasty and was possibly a true portrayal of the West Water Mill Office.The copresence of a banquet scene of the Northern Song dynasty’s scholar-officials and a water mill both suggests a realistic reproduction of a specific scene and indicates the significance of the water mill as a cultural space.The Northern Song dynasty’s government-operated water mills were especially noticeable in the Capital Circuit京畿路,whose center was Dongjing东京.The basic development path of government-operated water mills in the inner and outer city of Dongjing was first from grain processing,which supplied the needs of the imperial palace,to tea processing,in which the governmental commercial capital also participated.Regarding city space and the use of water sources,the development spread from the north of the city to the south.Other prefectures outside Dongjing also had government-operated water mills—some brought income that could be used as official fiscal expenditure,including military expenditure,and were used to satisfy the need of local people’s livelihood,while some were used to serve the monopoly policy of tea and demonstrate the benevolent governance of local officials.In the Northern Song dynasty,the water mill was no longer merely a production site;rather,it was also a cultural space that integrated a natural background and artificial ingenuity.Closely related to the hosting of emperors and the garden making,sightseeing,feasting,and drinking of scholar-officials,along with the festival activities of locals,the water mill in the Northern Song dynasty was of great cultural significance.
文摘The medical education of the Song dynasty constitutes a pivotal aspect within the broader framework of ancient Chinese medical education. The advent of the imperial examination system coincided with the emergence of a medical examination system, which served as the cornerstone for the subsequent evolution of medical education. According to historical records, the Song government established dedicated medical departments, along with comprehensive systems encompassing medical professors, students, and examinations. By examining extant medical historical documents, such as Tai Yi Ju Zhu Ke Cheng Wen Ge(《太医局诸科程文格》 Examination Answers and Standards of the Imperial Medical Bureau), researchers and readers can obtain a comprehensive understanding of the medical system that prevailed in the Song dynasty. While the intricate details of medical education during this era are not explicitly documented in historical records, modern researchers have the opportunity to uncover the entire view of medical education, particularly the medical examination system, through rigorous analysis of these extant historical medical documents. Such studies offer valuable insights into the developmental trajectory of the ancient Chinese medical examination system and provide crucial references for contemporary medical education. By conducting in-depth literature research and analysis of Tai Yi Ju Zhu Ke Cheng Wen Ge, this study endeavors to reconstruct the authentic scenario of medical examinations in the Song dynasty, as presented in the document, for the benefit of modern readers and researchers.
文摘With the population growth through natural growth and migration,coupled with the city expansion,it is the fact that Dehradun City in India faces severe water scarcity.Therefore,the Song Dam Drinking Water Project(SDDWP)is proposed to provide ample drinking water to Dehradun City and its suburban areas.This paper examined economic significance and environmental impacts of the SDDWP in Garhwal Himalaya,India.To conduct this study,we collected data from both primary and secondary sources.There are 12 villages and 3 forest divisions in the surrounding areas of the proposed dam project,of which 3 villages will be fully submerged and 50 households will be affected.For this study,50 heads of the households were interviewed in the 3 submerged villages.The questions mainly focused on economic significance,environmental impacts,and rehabilitation issues of the dam project.The findings of this study indicate that economic significance of the dam project is substantial,including providing ample water for drinking and irrigation,contributing to groundwater recharge,creating job opportunities,and promoting the development of tourism and fisheries in the Doon Valley.In terms of the rehabilitation of the affected people,there are only 50 households in need of rehabilitation.Currently,the arable land of these affected people is not sufficient to sustain their livelihoods.The entire landscape is fragile,rugged,and precipitous;therefore,the affected people are willing to rehabilitate to more suitable areas in the Doon Valley.Moreover,it is essential to provide them with sufficient compensation packages including the compensation of arable land,houses,cash,common property resources,institutions,belongingness,and cultural adaptation.On the other hand,the proposed dam project will have adverse environmental impacts including arable land degradation,forest degradation,loss of fauna and flora,soil erosion,landslides,and soil siltation.These impacts will lead to the ecological imbalances in both upstream and downstream areas.This study suggests that the affected people should be given sufficient compensation packages in all respects.Afforestation programs can be launched in the degraded areas to compensate for the loss of forest in the affected areas.
基金This study is financed by the grants from Israel Science Foundation(No.ISF-1199/16)Chiang Ching-kuo Foundation for International Scholarly Exchange(No.RG001-U-19).
文摘The key point in studying or teaching the history of Chinese medicine is on the doctrines underlying it and on its perception of the body,physiology,pathology,and its treatment.Namely,there is often a tendency to focus on reading and analysing the classical canons and therapy-related texts including formularies and materia medica collections.However,focusing on these sources provides us with a one-sided presentation of Chinese medicine.These primary sources lack the clinical down-to-earth know-how that encompasses medical treatment,which are represented,for instance,in the clinical rounds of modern medical schools.Our traditional focus on the medical canons and formularies provides almost no clinical knowledge,leaving us with a one-sided narrative that ignores how medicine and healing are actually practiced in the field.This paper focuses on the latter aspect of medicine from a historical perspective.Using written and visual sources dating to the Song dynasty,clinical encounters between doctors and patients including their families are depicted based on case records recorded by a physician,members of the patient’s family,and bystanders.This array of case records or case stories will enable us to narrate the interaction between physicians and patients both from the clinical perspective and from the social interaction.This paper will also discuss visual depictions of the medical encounter to provide another perspective for narrating medicine during the Song dynasty.Medical case records and paintings depicting medical encounters are exemplary of the potential of Chinese primary sources for narrative medicine.
文摘This article employs the theory of conceptual metaphor to conduct a thorough analysis and exploration of translation strategies for the metaphors in Song Ci. Ci, a treasure in ancient Chinese literature, makes frequent use of metaphor. Its unique form of expression and abundant artistic effects often create difficulties in translation. This study selects some representative metaphor examples from Song Ci to explore the patterns and strategies in the translation process. The study reveals that in face of the metaphors in Song Ci, translators need to comprehensively apply strategies such as retaining the metaphor, replacing the metaphor, and translating the literal meaning to ensure the quality of translation while restoring the aesthetic charm of the original metaphor.
文摘Regarding the Chan Buddhism lamp records from the Song Dynasty and starting from Jing De Zhuan Deng Lu,the category of“enlightened masters in Chan Buddhism”禪門達者was listed separately,meaning a separate category was established for eccentric monks who pretended to be crazy,had unknown inheritance and miraculous deeds,and were difficult to classify.The following lamp records named this category of eccentric monks as“sages”散聖,or“saints”應化聖賢,which constructed another historical genealogy for the special Chan Buddhism eccentric monks.Moreover,the early lamp records included mostly idiosyncratic mad monks from previous dynasties.Since the Southern Song Dynasty,Chan Buddhism historical materials included many sages from the current dynasty.Therefore,this study mainly examines how the genealogy of Chan Buddhism eccentric monks was constructed in Song Dynasty Chan Buddhism lamp records,including quotations,and organizes the images of eccentric monks in the Song Dynasty,as written in Chan Buddhism historical materials,in order that the meaning of existence of these enlightened masters,sages,saints,etc.,included in the genealogy of Song Dynasty eccentric monks in the history of Chan Buddhism can be reflected.
基金supported by Research and Innovation Project for Graduate Students at Guangdong University of Foreign Studies(No.24GWCXXM-004)International Training Program for Outstanding Young Research Talents of the Department of Education of Guangdong Province.
文摘This paper investigates and explores how the folk song operates in the Bai society from the theoretical perspective of pragmatics.In order to explore the deep relationship between a kind of langue use and the symbol of ethnicity among ethnic group members,this empirical study is carried out in the Dali Bai Autonomous Prefecture in Yunnan province where the majority of the Bai concentrate.According to this field survey,it is found that the content and performance of the Bai folk song can serve as a form of social behavior as well as a symbol of ethnic identity.
文摘This study explores the application of the contextual teaching method in Sichuan folk song education and its impact on students’musical expressiveness.By incorporating contextual teaching methods in music classes,this research investigates the effectiveness of this approach in enhancing students’understanding of Sichuan folk songs and improving their musical expressiveness and emotional expression.A mixed-method research approach is employed,utilizing classroom observations,questionnaires,interviews,and statistical analysis to assess the practical outcomes of contextual teaching in folk song education.
