＂More than a book, it＇s an experience--startling, viscerally satisfying, and as joyous as a happy love affair--Cosmopolitan＂ （Doctorow, 19751）. E.L. Doctorow＇s masterpiece Ragtime has intrigued quite a great dea...＂More than a book, it＇s an experience--startling, viscerally satisfying, and as joyous as a happy love affair--Cosmopolitan＂ （Doctorow, 19751）. E.L. Doctorow＇s masterpiece Ragtime has intrigued quite a great deal of critics＇ attention worldwide. However, ironically, hardly any attention was paid to the sex and lovemaking scenes in Ragtime which have been overshadowed by Doctorow＇s splendid and original post-modernist approaches. The author wants to take up this challenge and commit herself to the appearance and role of sex and lovemaking scenes in Ragtime and more importantly, the deeper meanings behind them. Hopefully, this paper will give new perspectives to the understanding of this novel.展开更多
The purpose of the present paper is to explore Edgar Lawrence Doctorow’s novel Ragtime(1975)as a masterful adaptation of musical form in fiction.It demonstrates the ways in which the use of musical devices of Ragtime...The purpose of the present paper is to explore Edgar Lawrence Doctorow’s novel Ragtime(1975)as a masterful adaptation of musical form in fiction.It demonstrates the ways in which the use of musical devices of Ragtime shapes the rhythmic/narrative structure of the novel.The article offers the reading of the novel as a musicalized fiction,or,in other words,as a form of musico-literary intermediality.It focuses on the chief characteristics of Doctorow’s novel such as a plurality of independent consciousnesses and a diversity of simultaneous points of view/voices.The novel by its very design is polyphonic.Manipulating polyrhythmic effects,mixed rhythms,repetitive phrases and leitmotifs,Doctorow is experimenting with the rhythm both on micro and macro textual levels.展开更多
文摘＂More than a book, it＇s an experience--startling, viscerally satisfying, and as joyous as a happy love affair--Cosmopolitan＂ （Doctorow, 19751）. E.L. Doctorow＇s masterpiece Ragtime has intrigued quite a great deal of critics＇ attention worldwide. However, ironically, hardly any attention was paid to the sex and lovemaking scenes in Ragtime which have been overshadowed by Doctorow＇s splendid and original post-modernist approaches. The author wants to take up this challenge and commit herself to the appearance and role of sex and lovemaking scenes in Ragtime and more importantly, the deeper meanings behind them. Hopefully, this paper will give new perspectives to the understanding of this novel.
文摘The purpose of the present paper is to explore Edgar Lawrence Doctorow’s novel Ragtime(1975)as a masterful adaptation of musical form in fiction.It demonstrates the ways in which the use of musical devices of Ragtime shapes the rhythmic/narrative structure of the novel.The article offers the reading of the novel as a musicalized fiction,or,in other words,as a form of musico-literary intermediality.It focuses on the chief characteristics of Doctorow’s novel such as a plurality of independent consciousnesses and a diversity of simultaneous points of view/voices.The novel by its very design is polyphonic.Manipulating polyrhythmic effects,mixed rhythms,repetitive phrases and leitmotifs,Doctorow is experimenting with the rhythm both on micro and macro textual levels.
