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An ensemble with the Chinese pentatonic scale using electroencephalogram from both hemispheres 被引量:1
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作者 Dan Wu Chao-Yi Li De-Zhong Yao 《Neuroscience Bulletin》 SCIE CAS CSCD 2013年第5期581-587,共7页
To listen to brain activity as a piece of music,we previously proposed scale-free brainwave music(SFBM)technology,which translated the scalp electroencephalogram(EEG)into musical notes according to the power law o... To listen to brain activity as a piece of music,we previously proposed scale-free brainwave music(SFBM)technology,which translated the scalp electroencephalogram(EEG)into musical notes according to the power law of both the EEG and music.In this study,the methodology was further extended to ensemble music on two channels from the two hemispheres.EEG data from two channels symmetrically located on the left and right hemispheres were translated into MIDI sequences by SFBM,and the EEG parameters modulated the pitch,duration and volume of each note.Then,the two sequences were filtered into an ensemble with two voices:the pentatonic scale(traditional Chinese music)or the heptatonic scale(standard Western music).We demonstrated differences in harmony between the two scales generated at different sleep stages,with the pentatonic scale being more harmonious.The harmony intervals of this brain ensemble at various sleep stages followed the power law.Compared with the heptatonic scale,it was easier to distinguish the different stages using the pentatonic scale.These results suggested that the hemispheric ensemble can represent brain activity by variations in pitch,tempo and harmony.The ensemble with the pentatonic scale sounds more consonant,and partially reflects the relations of the two hemispheres.This can be used to distinguish the different states of brain activity and provide a new perspective on EEG analysis. 展开更多
关键词 electroencephalogram music power law ensemble Chinese pentatonic scale
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Chorus from Two Brain Hemispheres with Chinese Pentatonic Scale
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作者 WU Dan YAO De-zhong 《Chinese Journal of Biomedical Engineering(English Edition)》 2014年第3期121-126,共6页
In order to listen to brain activity as a piece of music, we proposed a scale-free brainwave music (SFBM) technology, which translates the scalp EEG into music notes according to the power law of both EEG and music.... In order to listen to brain activity as a piece of music, we proposed a scale-free brainwave music (SFBM) technology, which translates the scalp EEG into music notes according to the power law of both EEG and music. In this paper, the methodology was further extended to chorus music of two channels from the two hemispheres. Firstly, EEG data from two channels symmetrically located on the left and fight hemispheres are translated into MIDI sequences by SFBM, respectively, where the EEG parameters modulate the pitch, duration and volume of each music note. Then, the two sequences are fiitered into a chorus of the Chinese pentatonic scale or the Western major scale. The resulted Chinese and Western music at different sleep stages illustrate distinct differences in harmony, and the music with Chinese pentatonic scale sounds more harmonious. 展开更多
关键词 brain music SCALE-FREE chinese pentatonic scale Western majorscale EEG sonification
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在创作与表演中重构荆楚元素——以竹笛协奏曲《楚江开》为例
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作者 谢闻吉 《黄钟(武汉音乐学院学报)》 北大核心 2025年第1期119-133,M0004,共16页
作曲家龚华华在竹笛协奏曲《楚江开》中将荆楚“三声腔”作为音高材料,通过“音高换序构建人工音列动机”、音调“拉扯”和“锯齿塑形”等重构思路,并融入“调式纵合”“调性游移”及“调式流动”的调式调性手法,突显作品的地方特色。... 作曲家龚华华在竹笛协奏曲《楚江开》中将荆楚“三声腔”作为音高材料,通过“音高换序构建人工音列动机”、音调“拉扯”和“锯齿塑形”等重构思路,并融入“调式纵合”“调性游移”及“调式流动”的调式调性手法,突显作品的地方特色。演奏家荣政通过运用“中原笛乐”的两种演奏技法,个性化的“打谱”、呼吸及句法矫正,润色了荆楚音乐的地域特色。文章从创作与表演视角,分析《楚江开》中重构荆楚元素的一度、二度创作理念,归纳出荆楚音乐创作理论向实践转化的过程。 展开更多
关键词 龚华华 楚江开 三声腔 泛五声性 中原笛乐
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王建中钢琴作品的和声手法 被引量:13
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作者 陈旭 《星海音乐学院学报》 2004年第3期32-35,共4页
王建中钢琴作品主要运用5种和声手法和表现形式;三度叠置和弦;五声式音程与和弦;附加音和弦;复合和弦;多音和弦。其和声的运用基本特点是根据音乐作品内涵揭示、风格表现、意境渲染、情绪抒发和韵味体现的需要,大胆运用三度和非三度叠... 王建中钢琴作品主要运用5种和声手法和表现形式;三度叠置和弦;五声式音程与和弦;附加音和弦;复合和弦;多音和弦。其和声的运用基本特点是根据音乐作品内涵揭示、风格表现、意境渲染、情绪抒发和韵味体现的需要,大胆运用三度和非三度叠置的不同结构不同色彩的和声,充分发挥和声艺术在多声音乐中的结构组织作用及色彩性功能性,灵活多样,不拘一格,随意调遣,尽情挥洒。 展开更多
关键词 王建中 钢琴作品 和声手法 三度叠置 非三度叠置 音程 和弦 五声性
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罗忠镕《第二弦乐四重奏》的分析 被引量:2
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作者 韩焱 《乐府新声(沈阳音乐学院学报)》 2004年第2期19-23,共5页
本文通过对罗忠镕《第二弦乐四重奏》的序列组成、使用及曲式结构的分析,揭示了这部作品将中国传统民间音乐和西方现代作曲技法相结合的创作理念。
关键词 罗忠镕 《第二弦乐四重奏》 序列组成 曲式结构 民间音乐 作曲技法 创作理念
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Analysis of the application of five tone therapy in the prevention and control of COVID-19
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作者 Yu Guo Jie Chen 《Psychosomatic Medicine Research》 2022年第4期20-23,共4页
The new coronavirus variant Omicron spread in China this time has the characteristics of strong transmission,short infection incubation period and mild symptoms.In order to effectively prevent and control the epidemic... The new coronavirus variant Omicron spread in China this time has the characteristics of strong transmission,short infection incubation period and mild symptoms.In order to effectively prevent and control the epidemic,medical staff,public security,volunteers and other staff are facing great challenges.At the same time,due to the unknown of the disease and many conditions such as home isolation,the entire society has a lot of social anxiety and sadness.Music therapy is an important supplement for the treatment of mental and behavioral disorders.This commentary takes the prevention idea of"preventing disease"as the basic principle to analyze the application of five-tone therapy to the mitigation and control of Coronavirus disease 2019.It is a method worth popularizing and applying. 展开更多
关键词 pentatonic music therapy Traditional Chinese medicine COVID-19 PSYCHOLOGY
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罗忠镕“创作之初”器乐结构思维及音高技法探源——以《第一小奏鸣曲》第一乐章为例
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作者 魏明 华璐 《中央音乐学院学报》 北大核心 2025年第2期97-119,共23页
在五声性音高领域中探索,是作曲家罗忠镕自“创作之初”便确立的创作追求,直至最终形成具有鲜明个人特征的“五声性十二音”理念和音乐语言。对罗忠镕在“创作之初”如何探索做出分析,是更深入研究他音乐创作及其相关问题的起点。文章... 在五声性音高领域中探索,是作曲家罗忠镕自“创作之初”便确立的创作追求,直至最终形成具有鲜明个人特征的“五声性十二音”理念和音乐语言。对罗忠镕在“创作之初”如何探索做出分析,是更深入研究他音乐创作及其相关问题的起点。文章围绕罗忠镕第一部器乐作品《第一小奏鸣曲》的第一乐章,探讨他“创作之初”的音乐理念及其形成动因,分析他如何以器乐化思维和技法来实践“在五声性音高领域探索”这一创作探索。 展开更多
关键词 结构功能思维 节奏动机观念 五声音级功能转换 五声性音高纵横一体化
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