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Calibration of X-ray telescope prototypes at PANTER 被引量:1
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作者 Ying-Yu Liao Zheng-Xiang Shen +11 位作者 Jun Yu Qiu-Shi Huang Bin Ma Zhong Zhang Xiao-Qiang Wang Kun Wang Chun Xie Vadim Burwitz Gisela Hartner Marlis-Madeleine La Caria Carlo Pelliciari Zhan-Shan Wang 《Research in Astronomy and Astrophysics》 SCIE CAS CSCD 2019年第12期199-206,共8页
We report on a ground X-ray calibration of two X-ray telescope prototypes at the PANTER X-ray Test Facility, operated by the Max-Planck-Institute for Extraterrestrial Physics, in Neuried, Germany.The X-ray telescope p... We report on a ground X-ray calibration of two X-ray telescope prototypes at the PANTER X-ray Test Facility, operated by the Max-Planck-Institute for Extraterrestrial Physics, in Neuried, Germany.The X-ray telescope prototypes were developed by the Institute of Precision Optical Engineering(IPOE)of Tongji University, in a conical Wolter-I configuration, using thermal glass slumping technology.Prototype #1 with three layers and Prototype #2 with 21 layers were tested to assess the prototypes’ onaxis imaging performance. The measurement of Prototype #1 indicates a Half Power Diameter(HPD) of 82′′ at 1.49 keV. As for Prototype #2, we performed more comprehensive measurements of on-axis angular resolution and effective area at several energies ranging from 0.5–10 keV. The HPD and effective area are111′′ and 39 cm^2 at 1.49 keV, respectively, at which energy the on-axis performance of the prototypes is our greatest concern. 展开更多
关键词 X-ray telescopes thermal slumping technology X-ray calibration panter
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论莱辛的诗画异质观——以里尔克的诗作《豹》为例
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作者 胡蕴玮 禹雪 《西安航空技术高等专科学校学报》 2011年第6期19-21,共3页
莱辛的《拉奥孔———或称论画与诗的界限》是德国启蒙运动时期重要的美学著作,指出诗与画的界限。他认为诗擅长表现时间艺术,即行为;而画擅长表现空间艺术,即物体。他的理论纠正了屈黎西派提倡描绘体诗的偏向和温克尔曼的古典艺术对静... 莱辛的《拉奥孔———或称论画与诗的界限》是德国启蒙运动时期重要的美学著作,指出诗与画的界限。他认为诗擅长表现时间艺术,即行为;而画擅长表现空间艺术,即物体。他的理论纠正了屈黎西派提倡描绘体诗的偏向和温克尔曼的古典艺术对静穆的片面看法,把人的动作提到首位,建立美学中的人本主义理想。里尔克是20世纪德国著名诗人,其作品《豹》被视为他最负盛名的佳作。《豹》表现关在铁笼里的豹的形象,抒发作者在探索人生意义时的迷惘、仿徨和苦闷的心情。通过分析这首"咏物诗"的代表作,诠释莱辛所认为的"诗是表达空间的艺术"。 展开更多
关键词 莱辛 诗画异质观 拉奥孔
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