Wish the Chinese Opera Festival in Paris becomes a door that will never be closed,so that the Chinese opera can bloom colorfully on the world stage,helping the people with various ethnic and cultural backgrounds get t...Wish the Chinese Opera Festival in Paris becomes a door that will never be closed,so that the Chinese opera can bloom colorfully on the world stage,helping the people with various ethnic and cultural backgrounds get to know and understand each other in the ocean of art,and jointly witness and protect the diversity and prosperity of the human civilization.展开更多
The Chinese Opera Season 2025 and International Exhibition of Chinese Opera opened in Vienna,the capital of Austria,on the evening of April 5.As the opening performance of the Season,a traditional Wu Opera(a local ope...The Chinese Opera Season 2025 and International Exhibition of Chinese Opera opened in Vienna,the capital of Austria,on the evening of April 5.As the opening performance of the Season,a traditional Wu Opera(a local opera in Zhejiang Province)scene"the Legend of the White Snake"was performed at the Muth Theatre in Vienna,drawing enthusiastic responses.展开更多
This study explores the intricate symbiotic relationship between the Cantonese tonal system and Cantonese opera through an interdisciplinary lens of linguistics and musicology.Cantonese,with its complex tonal architec...This study explores the intricate symbiotic relationship between the Cantonese tonal system and Cantonese opera through an interdisciplinary lens of linguistics and musicology.Cantonese,with its complex tonal architecture and unique phonetic characteristics,serves not only as a communicative medium but as a structural blueprint for the melodic and rhythmic composition of Cantonese opera.Through historical tracing,phonological analysis,and performative interpretation,the paper examines how tonal contours directly shape vocal techniques,emotional expression,and narrative cadence within the opera tradition.The research further investigates how socio-cultural factors—ranging from regional identity,migration,and colonial modernity to contemporary digital transmission—have mediated the evolution and resilience of this art form.By demonstrating how linguistic tone and musical tune co-construct aesthetic experience and cultural memory,the paper offers a new theoretical model for understanding language-music co-evolution in tonal cultures.This inquiry not only affirms Cantonese opera’s role as a living archive of regional identity but also proposes strategies for its revitalization amidst the shifting conditions of modernity and globalization.展开更多
Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating K...Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating Kunqu,Gaoqiang,Chuiqiang,and minor tunes,with Zhongzhou rhyme as its stage language.The roles are divided into seven categories:Sheng,Dan,Chou,Gong,Po,and Jing(including Hongjing and Wujing).Its accompaniment instruments,particularly the Touxian,Dasuluo,and Haotou,are distinctive,making it an excellent Pi and Huang opera genre in southern China.In 2008,Guangdong Han Opera was listed in the national intangible cultural heritage,recognizing its artistic value and entrusting it with the mission of inheriting and developing this opera genre.This paper focuses on the Guangdong Han Opera“Wang Zhaojun”and employs methods such as literature review and case analysis to explore its achievements in secondary creation and artistic innovation.The opera has achieved innovations in script,character,music,and stagecraft,and made breakthroughs in performance form,narrative technique,and cultural connotation,promoting the inheritance and development of Guangdong Han Opera and providing insights into contemporary drama innovation.展开更多
This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and ...This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture.展开更多
From the perspective of the inheritance of intangible cultural heritage,this study explores practical strategies for integrating local opera singing styles into the cultivation of preschool music literacy.After litera...From the perspective of the inheritance of intangible cultural heritage,this study explores practical strategies for integrating local opera singing styles into the cultivation of preschool music literacy.After literature research,field investigation,and teaching practice,it analyzes the application value of the artistic features of local opera singing styles in preschool education and seeks effective methods for integrating them into music education in kindergartens.Research shows that local opera singing styles are rich in cultural connotations and artistic charm,and have unique advantages in cultivating children’s musical literacy.Therefore,integrating them into preschool music education is beneficial to children’s understanding of traditional culture,the development of musical abilities,and the cultivation of aesthetic tastes.This study proposes the following practical strategies:Select suitable opera segments for young children and design interesting teaching activities;use multimedia technology to create vivid and interesting learning scenarios;organize opera experience activities to bring children closer to traditional culture;and conduct teacher training to enhance their knowledge of opera and teaching abilities.This research result has certain theoretical and practical significance for promoting local operas into kindergartens,facilitating the inheritance of intangible cultural heritage,and innovating preschool music education.展开更多
This paper selects the widely used New Practical Chinese Readers,a comprehensive teaching material for Chinese as a foreign language,analyzing its content selection,presentation format,and organizational characteristi...This paper selects the widely used New Practical Chinese Readers,a comprehensive teaching material for Chinese as a foreign language,analyzing its content selection,presentation format,and organizational characteristics.By reviewing the inclusion of Chinese opera cultural elements in this material,the study identifies existing issues and provides recommendations for improvement.Introducing opera culture into Chinese language teaching materials can align with global cultural exchanges,helping more people learn about traditional Chinese culture and enhancing China’s international influence.展开更多
Teng Junjie has pioneered a new paradigm for Chinese opera films through his exceptional narrative techniques and groundbreaking technological innovations.By skillfully integrating 3D,panoramic sound,and 8K technology...Teng Junjie has pioneered a new paradigm for Chinese opera films through his exceptional narrative techniques and groundbreaking technological innovations.By skillfully integrating 3D,panoramic sound,and 8K technology,he has brought about a transformative development in both the visual and auditory dimensions of traditional Chinese opera.While preserving the cultural essence of opera,Teng offers audiences an impactful and immersive artistic experience.This paper explores how Teng’s precise narrative pacing and emotional expression deeply reveal the inner world of opera characters,infusing them with renewed artistic vitality.Furthermore,it examines his successful strategies for international dissemination,highlighting how Teng has helped propel Chinese opera films onto the global stage,thereby enhancing China’s cultural soft power.展开更多
At the beginning of 2024,Liu Yunzhi,President of China National Opera House,and nearly 50 artists from the Opera troupe,Choir and Symphony of the Opera House held"Happy Chinese New Year"concerts in Latvia,Uz...At the beginning of 2024,Liu Yunzhi,President of China National Opera House,and nearly 50 artists from the Opera troupe,Choir and Symphony of the Opera House held"Happy Chinese New Year"concerts in Latvia,Uzbekistan and Austria,in"the simplest and most friendly way to convey the sound of cultural exchanges",which added impetus to the cultural exchanges between China and the world.展开更多
Activity 1.Think about the following questions and write down your answers before reading the text.1.If you were to introduce Sichuan Opera facechanging to people from other countries,what key points would you emphasi...Activity 1.Think about the following questions and write down your answers before reading the text.1.If you were to introduce Sichuan Opera facechanging to people from other countries,what key points would you emphasize?2.If you had the opportunity to learn the art of facechanging in Sichuan Opera,what difficulties do you think you might encounter?展开更多
In October 2024,the China National Opera House participated in Bangkok's 26th International Festival of Dance and Music with two operas,La Boheme and Turandot,creating a wonderful story of artistic exchange and co...In October 2024,the China National Opera House participated in Bangkok's 26th International Festival of Dance and Music with two operas,La Boheme and Turandot,creating a wonderful story of artistic exchange and cooperation.展开更多
The premiere of the Chinese opera-style musical Snow Embracing the Blue Pass on 21 June was a spectacle of excitement and cultural richness.On stage at Beijing’s Tianqiao Theater,music players,Chinese opera performer...The premiere of the Chinese opera-style musical Snow Embracing the Blue Pass on 21 June was a spectacle of excitement and cultural richness.On stage at Beijing’s Tianqiao Theater,music players,Chinese opera performers,and drama actors performed in perfect harmony,showcasing their extraordinary talents in one show.展开更多
The purpose of the article is to explore the effects of Sichuan opera singing on music majors’vocal skills,focusing on three key aspects:pitch test,assessment of rhythmic perception,and emotional expression.Through a...The purpose of the article is to explore the effects of Sichuan opera singing on music majors’vocal skills,focusing on three key aspects:pitch test,assessment of rhythmic perception,and emotional expression.Through a quasi-experimental design,100 music majors were selected as research subjects and divided into an experimental group that received Sichuan opera singing instruction and a control group that received traditional vocal instruction.The results showed that compared with the control group,the experimental group receiving Sichuan opera singing teaching showed significant improvement in pitch mastery,rhythm perception,and emotional expression.展开更多
This work proposes a reflection on the transformations in the representations of television fictional plots that deal with issues of slavery and black culture,to discuss how ethnic-racial issues were dealt with.Thus,i...This work proposes a reflection on the transformations in the representations of television fictional plots that deal with issues of slavery and black culture,to discuss how ethnic-racial issues were dealt with.Thus,it is proposed to examine the discussion of racism in the Brazilian soap opera,having as a historical line the comparison among"Escrava Isaura"(1976/2004),"Lado a Lado"(2012)and"O outro lado do paraíso"(2017).展开更多
Recently, Popa and Rata [27, 28] have shown the （in）stability of some classical operators defined on [0, 1] and found best constant when the positive linear operators are stable in the sense of Hyers-Ularn. In this ...Recently, Popa and Rata [27, 28] have shown the （in）stability of some classical operators defined on [0, 1] and found best constant when the positive linear operators are stable in the sense of Hyers-Ularn. In this paper we show Hyers-Ulam （in）stability of complex Bernstein-Schurer operators, complex Kantrovich-Schurer operators and Lorentz operators on compact disk. In the case when the operator is stable in the sense of Hyers and Ulam, we find the infimum of Hyers-Ulam stability constants for respective operators.展开更多
文摘Wish the Chinese Opera Festival in Paris becomes a door that will never be closed,so that the Chinese opera can bloom colorfully on the world stage,helping the people with various ethnic and cultural backgrounds get to know and understand each other in the ocean of art,and jointly witness and protect the diversity and prosperity of the human civilization.
文摘The Chinese Opera Season 2025 and International Exhibition of Chinese Opera opened in Vienna,the capital of Austria,on the evening of April 5.As the opening performance of the Season,a traditional Wu Opera(a local opera in Zhejiang Province)scene"the Legend of the White Snake"was performed at the Muth Theatre in Vienna,drawing enthusiastic responses.
文摘This study explores the intricate symbiotic relationship between the Cantonese tonal system and Cantonese opera through an interdisciplinary lens of linguistics and musicology.Cantonese,with its complex tonal architecture and unique phonetic characteristics,serves not only as a communicative medium but as a structural blueprint for the melodic and rhythmic composition of Cantonese opera.Through historical tracing,phonological analysis,and performative interpretation,the paper examines how tonal contours directly shape vocal techniques,emotional expression,and narrative cadence within the opera tradition.The research further investigates how socio-cultural factors—ranging from regional identity,migration,and colonial modernity to contemporary digital transmission—have mediated the evolution and resilience of this art form.By demonstrating how linguistic tone and musical tune co-construct aesthetic experience and cultural memory,the paper offers a new theoretical model for understanding language-music co-evolution in tonal cultures.This inquiry not only affirms Cantonese opera’s role as a living archive of regional identity but also proposes strategies for its revitalization amidst the shifting conditions of modernity and globalization.
基金This work was supported by the sub-topic“Research on Language Folklore Art”of the 2022 China National Social Science Fund Art Major Project“Theoretical and Practical Research on Chinese Art Folklore”(Moderator:Professor Bo Dong)’s phased research results(Grant No.22ZD06).
文摘Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating Kunqu,Gaoqiang,Chuiqiang,and minor tunes,with Zhongzhou rhyme as its stage language.The roles are divided into seven categories:Sheng,Dan,Chou,Gong,Po,and Jing(including Hongjing and Wujing).Its accompaniment instruments,particularly the Touxian,Dasuluo,and Haotou,are distinctive,making it an excellent Pi and Huang opera genre in southern China.In 2008,Guangdong Han Opera was listed in the national intangible cultural heritage,recognizing its artistic value and entrusting it with the mission of inheriting and developing this opera genre.This paper focuses on the Guangdong Han Opera“Wang Zhaojun”and employs methods such as literature review and case analysis to explore its achievements in secondary creation and artistic innovation.The opera has achieved innovations in script,character,music,and stagecraft,and made breakthroughs in performance form,narrative technique,and cultural connotation,promoting the inheritance and development of Guangdong Han Opera and providing insights into contemporary drama innovation.
基金supported by the sub-topic“Research on Language Folklore Art”of the 2022 China National Social Science Fund Art Major Project“Theoretical and Practical Research on Chinese Art Folklore”(Moderator:Professor Bo Dong)’s phased research results(Grant No.22ZD06).
文摘This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture.
文摘From the perspective of the inheritance of intangible cultural heritage,this study explores practical strategies for integrating local opera singing styles into the cultivation of preschool music literacy.After literature research,field investigation,and teaching practice,it analyzes the application value of the artistic features of local opera singing styles in preschool education and seeks effective methods for integrating them into music education in kindergartens.Research shows that local opera singing styles are rich in cultural connotations and artistic charm,and have unique advantages in cultivating children’s musical literacy.Therefore,integrating them into preschool music education is beneficial to children’s understanding of traditional culture,the development of musical abilities,and the cultivation of aesthetic tastes.This study proposes the following practical strategies:Select suitable opera segments for young children and design interesting teaching activities;use multimedia technology to create vivid and interesting learning scenarios;organize opera experience activities to bring children closer to traditional culture;and conduct teacher training to enhance their knowledge of opera and teaching abilities.This research result has certain theoretical and practical significance for promoting local operas into kindergartens,facilitating the inheritance of intangible cultural heritage,and innovating preschool music education.
基金Zhejiang Federation of Humanities and Social Sciences Circles“Investigating the Effect of ChatGPT on L2 Education”(24NDQN206YBM)。
文摘This paper selects the widely used New Practical Chinese Readers,a comprehensive teaching material for Chinese as a foreign language,analyzing its content selection,presentation format,and organizational characteristics.By reviewing the inclusion of Chinese opera cultural elements in this material,the study identifies existing issues and provides recommendations for improvement.Introducing opera culture into Chinese language teaching materials can align with global cultural exchanges,helping more people learn about traditional Chinese culture and enhancing China’s international influence.
文摘Teng Junjie has pioneered a new paradigm for Chinese opera films through his exceptional narrative techniques and groundbreaking technological innovations.By skillfully integrating 3D,panoramic sound,and 8K technology,he has brought about a transformative development in both the visual and auditory dimensions of traditional Chinese opera.While preserving the cultural essence of opera,Teng offers audiences an impactful and immersive artistic experience.This paper explores how Teng’s precise narrative pacing and emotional expression deeply reveal the inner world of opera characters,infusing them with renewed artistic vitality.Furthermore,it examines his successful strategies for international dissemination,highlighting how Teng has helped propel Chinese opera films onto the global stage,thereby enhancing China’s cultural soft power.
文摘At the beginning of 2024,Liu Yunzhi,President of China National Opera House,and nearly 50 artists from the Opera troupe,Choir and Symphony of the Opera House held"Happy Chinese New Year"concerts in Latvia,Uzbekistan and Austria,in"the simplest and most friendly way to convey the sound of cultural exchanges",which added impetus to the cultural exchanges between China and the world.
文摘Activity 1.Think about the following questions and write down your answers before reading the text.1.If you were to introduce Sichuan Opera facechanging to people from other countries,what key points would you emphasize?2.If you had the opportunity to learn the art of facechanging in Sichuan Opera,what difficulties do you think you might encounter?
文摘In October 2024,the China National Opera House participated in Bangkok's 26th International Festival of Dance and Music with two operas,La Boheme and Turandot,creating a wonderful story of artistic exchange and cooperation.
文摘The premiere of the Chinese opera-style musical Snow Embracing the Blue Pass on 21 June was a spectacle of excitement and cultural richness.On stage at Beijing’s Tianqiao Theater,music players,Chinese opera performers,and drama actors performed in perfect harmony,showcasing their extraordinary talents in one show.
文摘The purpose of the article is to explore the effects of Sichuan opera singing on music majors’vocal skills,focusing on three key aspects:pitch test,assessment of rhythmic perception,and emotional expression.Through a quasi-experimental design,100 music majors were selected as research subjects and divided into an experimental group that received Sichuan opera singing instruction and a control group that received traditional vocal instruction.The results showed that compared with the control group,the experimental group receiving Sichuan opera singing teaching showed significant improvement in pitch mastery,rhythm perception,and emotional expression.
文摘This work proposes a reflection on the transformations in the representations of television fictional plots that deal with issues of slavery and black culture,to discuss how ethnic-racial issues were dealt with.Thus,it is proposed to examine the discussion of racism in the Brazilian soap opera,having as a historical line the comparison among"Escrava Isaura"(1976/2004),"Lado a Lado"(2012)and"O outro lado do paraíso"(2017).
文摘Recently, Popa and Rata [27, 28] have shown the （in）stability of some classical operators defined on [0, 1] and found best constant when the positive linear operators are stable in the sense of Hyers-Ularn. In this paper we show Hyers-Ulam （in）stability of complex Bernstein-Schurer operators, complex Kantrovich-Schurer operators and Lorentz operators on compact disk. In the case when the operator is stable in the sense of Hyers and Ulam, we find the infimum of Hyers-Ulam stability constants for respective operators.
