Jack Kerouac's"On the Road"breaks the unity and rigor in structural narration,and adopts a spontaneous writing.Based on the former interpretation and literary reviews on the narrative theory,spontaneous ...Jack Kerouac's"On the Road"breaks the unity and rigor in structural narration,and adopts a spontaneous writing.Based on the former interpretation and literary reviews on the narrative theory,spontaneous narration is interpreted from structure arrangement,dis playing plots and monologues.展开更多
The Story of a Country House is one of the Swedish novelist Selma Lagerlöf’s short stories collected in her work From a Swedish Homestead.One of the crucial features in the story’s narrative is its telling of c...The Story of a Country House is one of the Swedish novelist Selma Lagerlöf’s short stories collected in her work From a Swedish Homestead.One of the crucial features in the story’s narrative is its telling of certain events and immediate retelling of part of that events by adopting another perspective,resulting in the overlapping of the narration of events that occur either in parallel with each other in the same time period in the story or in sequential time periods that happen to have significance on one another,thus the zigzag narration.We can see that the zigzag rendering of narration that does not follow the linear time order not only highlights the importance of the time period overlapped,but also leaves room for the introduction of different perspectives of various characters,if the introduction of a different perspective and voice is not the only purpose of shifting back the narrative time.We readers are thus granted access to more than one individual’s mindset to come to terms with the experiences partially shared by these characters to form a fuller picture of the whole situation.展开更多
Starting from the new approaches of brand communication in New Millennium Era, we show why, according to us,the fashion film is a powerful tool in defining and strengthening the visual identity of a fashion brand. Our...Starting from the new approaches of brand communication in New Millennium Era, we show why, according to us,the fashion film is a powerful tool in defining and strengthening the visual identity of a fashion brand. Our analysisis focused on ordering the different kinds of narration in this special category of orl-line videos and we discover thatthey work about the three fundamental parameters of the Visual Identity Model.展开更多
The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as i...The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.展开更多
Color has an intuitive expression of the material world,and is often used by creators of animated films in the narrative process of the film to express a creator’s subjective feelings.Color narration is a special men...Color has an intuitive expression of the material world,and is often used by creators of animated films in the narrative process of the film to express a creator’s subjective feelings.Color narration is a special mental imagination activity.It mainly refers to human beings perceiving colors in the external environment,and judging by their own rich life experience,and finally achieving a comprehensive cognition of external things.The animated film Ne Zha has attracted the attention of the audience since its release.That is because the film uses color narration ingeniously to innovate traditional stories and familiar characters,it displays the story through shocking visual expression,so that the audience can feel the influence of traditional culture while understanding the story,reflecting the unique artistic charm of color narration.This paper analyzes three aspects of color narration in showing the binary oppositions of goodness and evil,portraying vivid characters,promoting the development of narration,and highlighting the tension of the film,and fully expounds the importance of color narration in animated films.展开更多
Alice Munro,a famous Canadian Canadian short-story writer.She gained the Nobel Prize for Literature in 2013.Munro’s works focus on women and adolescents.She also writes about the illness and love of the elderly.“The...Alice Munro,a famous Canadian Canadian short-story writer.She gained the Nobel Prize for Literature in 2013.Munro’s works focus on women and adolescents.She also writes about the illness and love of the elderly.“The Bear Came over the Mountain”is one of them.In this story,Munro adopts unreliable narration to depict love between Grant and Fiona.This paper aims to study the love writing and its unreliable narration in this story.Based on the text of love writing,this paper analyzes the specific strategies of unreliable narration.The author believes that the unreliable narration of the love text in the story can be divided into the unreliable narration of character type and information type.Through analysis of these two types of narration in the story,special meaning of unreliable narration to describe love can be found.Besides,Munro’s description also contains her own insight of love:the course of true love does not always run smooth.展开更多
Town and Country Lovers is the masterpiece of the prominent South African writer Nadine Gordimer.Trying to illustrate the discrimination bore by native African women in the 20th century from the perspective of margina...Town and Country Lovers is the masterpiece of the prominent South African writer Nadine Gordimer.Trying to illustrate the discrimination bore by native African women in the 20th century from the perspective of marginal narration,it is going to ex?plore how the character suffers from the multiple oppressions in patriarchal and the whites’society.The three sets of marginal nar?rations:racial marginalization,gender marginalization and emotional marginalization will reveal the miserable encounter and sur?vival predicament of colored women in South Africa.展开更多
Edgar Allan Poe,a writer of American Romantic period,is a forerunner in the use of irrational narration,especially in his dark tales,opening up a new approach for literature.Whether from narration perspective,plot or ...Edgar Allan Poe,a writer of American Romantic period,is a forerunner in the use of irrational narration,especially in his dark tales,opening up a new approach for literature.Whether from narration perspective,plot or theme,The Black Cat,one of his masterpiece,is the typical manifestation of this narration.展开更多
Based on rhetorical research methods of the unreliability,the paper intends to explore the unreliable narrative strategies of the narrator in Grace Paley's The Loudest Voice from the perspectives of the Wayne Boot...Based on rhetorical research methods of the unreliability,the paper intends to explore the unreliable narrative strategies of the narrator in Grace Paley's The Loudest Voice from the perspectives of the Wayne Booth's criterion of the distance between the narrator and the implied author and James Phelan's extension of unreliability on the basis of classical rhetorical narratology,point⁃ing out that the unreliability serves as the narrative trap which is set up to reveal the inner theme of the work:"The loudest voice"-what the protagonist thought she certainly possessed was only her illusion instead of the truth,and Eastern European Jewish com⁃munity was de facto marginalized by the mainstream culture at that time.展开更多
Narrative design was originated in the 20th century.As a kind of design thinking,it runs through various fields such as architecture,environment,and new media.The QR code design has gradually become a bridge for media...Narrative design was originated in the 20th century.As a kind of design thinking,it runs through various fields such as architecture,environment,and new media.The QR code design has gradually become a bridge for media integration design,and its importance is becoming increasingly obvious.An optimized QR code design may gradually replace the original LOGO of certain goods or brand.In this study,narration is embedded into the QR code design,and a new QR code design image is gradually constructed through three ways of planarization,spatialization,and narration.展开更多
Edgar Allan Poe is one of the representative writers in American Dark Romanticism.Different from his contemporaries,the majority of Poe's short stories are characterized by irrational narration.Whether from narrat...Edgar Allan Poe is one of the representative writers in American Dark Romanticism.Different from his contemporaries,the majority of Poe's short stories are characterized by irrational narration.Whether from narration technique or elements,The Black Cat is the best elucidation of such narration.Thus,this thesis is devoted to a condensed study of irrational narration in The Black Cat,holding views that Poe's contribution in promoting the development of American literature and continuing the American dream is profound and significant.展开更多
A Dream n Red Mansions.on the basis of inheriting the Chinese ancient hovel narrative tradition,does a lot of innovations.there are several narrators in this nove1.such as a super storyteller as well as the stone and ...A Dream n Red Mansions.on the basis of inheriting the Chinese ancient hovel narrative tradition,does a lot of innovations.there are several narrators in this nove1.such as a super storyteller as well as the stone and Cao Xueqin.For each narrator lies in a diferent background,the narration of the novel is divided into throe 1evels.namely.the super narrative level,the main narrative level and the sub—narrative leve1.The writing purpose is properly presented throuIgh these narrators and narrative leVels,which shows the excellent narrative skills.Applying the super narrative level aims to dilute the sense of reality of the works.And discussing the narrative skills in A Dream in Red Mansions helps to have a comprehensive and in—depth understanding of these classic works.展开更多
DEDITOR’S NOTE: On the eve of the 40th anniversary of theDemocratic Reform in Tibet, the author went to Bangjor Lhunbo Village in Jangra Township. The village was the site of theformer manor of Parjor Lhakang, a note...DEDITOR’S NOTE: On the eve of the 40th anniversary of theDemocratic Reform in Tibet, the author went to Bangjor Lhunbo Village in Jangra Township. The village was the site of theformer manor of Parjor Lhakang, a noted noble in old Tibet.The following is a record of the story of three villagers.展开更多
In this paper the author draws extensively upon her personal experience in witnessing storytelling in the oncological wing of the Laiko Hospital of Athens during her hospitalization in September-October 2004. More spe...In this paper the author draws extensively upon her personal experience in witnessing storytelling in the oncological wing of the Laiko Hospital of Athens during her hospitalization in September-October 2004. More specifically, she concentrates on the presence of an inspired woman folk storyteller who, also a patient visited in the same period the hospital for personal treatment. Having the ability to tell a story skillfully, the specific storyteller ultimately tried with her narrations to ease the pain, both physical and spiritual, of patients that suffered from heavy or light forms of cancer, regardless of the fact that she herself was facing similar health problems. This essay sheds light on the persistence and function of tradition in our days and examines how illness and misfortune are ascribed and how the storyteller and listeners are connected. Her purpose is to find out what and how people learn and teach each other under special circumstances. This question has not been absent from the work of folklorists. The fieldwork was based on qualitative research, and the ethnographic method and collecting were used.展开更多
Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906)...Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906). There are some evidence by his wife and friends that Sōseki's condition of disease dramatically improved during its serialization on a magazine, and the writer himself admited humorously in the preface of other work that it was his depression and mania that enabled him to produce I Am a Cat and other early works. This paper aims at describing the process how his act of narrating had therapeutic effects on his state of mind focusing on the construction of complicitous relationship between an implied author and readers in the work by the unique functions of the first-‘person' narrator: A Cat. Among others, I will consider the influence of Laurence Sterne's Tristram Shandy(1759-1767), which Sōseki introduced to Japan for the first time, by discussing the frequent use of metalepsis that the two works have in common.展开更多
This essay investigates the way Emily Bronte manipulates the artistic split between the exterior frame,the hostile naration of Nelly and Lockwood,and the core story of Catherine and Heathcliff.As noticed by the litera...This essay investigates the way Emily Bronte manipulates the artistic split between the exterior frame,the hostile naration of Nelly and Lockwood,and the core story of Catherine and Heathcliff.As noticed by the literary critic,Armold Krupat,while Nelly and Lockwood narrate the protagonists'story,they remain emotionally detached from them.Expanding and commenting upon Krupat's argument and observation,this essay will argue that Bronte intentionally makes Nelly's and Lockwood's attitudes towards the protagonists strangely repressive and unsympathetic.In doing so,Bronte spotlights and dramatizes social mores'contaminating influence on Catherine's relationship to Heathcliff.In the 19h century England,people could not be respected unless theywere wealthy and had refined and elegant manners.Though falling in love with Heathcliff deeply,Catherine abandons her authentic will and marries the wealthy Edgar Linton.In this sense,echoing the way social norms control the fates of Catherine and Heatheliff,Nelly and Lockwood also antagonistically control their fates.In contrast to the exterior narrators,the protagonists in the interior story are always passive and remain subjected to outer forces.展开更多
Jātaka story paintings are common narrative subjects in Dunhuang murals.Based on corresponding scriptures,they present all kinds of good deeds that Sakyamuni sacrificed his life to save sentient beings in his previou...Jātaka story paintings are common narrative subjects in Dunhuang murals.Based on corresponding scriptures,they present all kinds of good deeds that Sakyamuni sacrificed his life to save sentient beings in his previous life.Dunhuang Jātaka story paintings are highly consistent with the scriptures in content,but their intuitiveness and expressiveness are more prominent.By comparing the narrative relationship between Jātaka story paintings in the Mogao Grottoes of Dunhuang and their corresponding scriptures,this study finds that the two have unity in reproducing artistic images and restoring key plots of classic Buddhist scripture stories,but there are great differences in the narrative effect.Dunhuang Jātaka story paintings have three prominent features in narrative,including visualization of key elements,concretization of expressions and movements,and contextualization of cause and effect.This study aims to reveal the intertextual narrative relationship between Dunhuang Jātaka story paintings and their corresponding scriptures.展开更多
Convergent journalism constitutes a systematic investigation into emergent journalistic forms,conceptual frameworks,and practices emerging within media convergence context,characterized by its inherent attributes of c...Convergent journalism constitutes a systematic investigation into emergent journalistic forms,conceptual frameworks,and practices emerging within media convergence context,characterized by its inherent attributes of convergence,datacentricity,and interactivity.Grounded in the theoretical discourse of digital narratology,this monograph crystallizes its analytical focus on the triadic conceptual constellation of"convergence""mediaticity"and"narrativity",By positioning""convergence"as the central problematique,it systematically constructs an epistemological framework for convergent journalistic narrative through three dimensions:narrative theory,narrative language,and narrative praxis,thereby elucidates the ontological foundations and operational logics intrinsic to contemporary journalism studies.展开更多
Animation has been a popular form of feature length movie.In addition to the mean of entertainment,some animated works move audiences deeply and even arouse their reflection.In order to achieve this,the setup of story...Animation has been a popular form of feature length movie.In addition to the mean of entertainment,some animated works move audiences deeply and even arouse their reflection.In order to achieve this,the setup of story structure is critical,and the arrangement of the time and setting of foreshadowing in plots influence significantly on audiences’understanding and feeling towards films.Your Name,directed by Japanese animation director,Makoto Shinkai,was an animated feature film released in 2016,soon received high praise by audiences and film review critics,and ended with the highest gross in box office of the director’s works ever.The story of this animation is special for its non-linear structure,which is seldom seen in feature length animated works.The question on how this non-linear structure presents a compelling story and touch audiences so deeply is worth to explore in depth.There is very few analytical study that dedicates on the examination of the foreshadowing based on timeline from an empirical point of view in the area of narrative studies.Hence,this study investigates the spatial-time arrangement,and foreshadowing of plots in Your Name with the basis of timeline in the film.The textual analysis is undertaken with timeline by deconstructing events and elements in the story to look into the arrangement of foreshadowing.The result indicates that the spatial-time structure is complicated by keeps jumping between the year 2013 and 2016 from the two main characters’point of views in different locations,and ends in the year 2021.There are six elements of foreshadowing in this story,and each of them corresponds to important turning points of the story.They appear in the first and the second act of the story to progress the storyline and make the story reasonable through the functions of advanced notice and advanced mention,and gradually echo and accumulate to build up the climax of the narrative to cross over to the third act.In spite of the three settings of the story,the crash of meteorite,the exchanging of body and soul,and the time traveling are rather ordinary,elements of foreshadowing originated form Japanese folk culture interweave plots of the story to create its specialty.展开更多
文摘Jack Kerouac's"On the Road"breaks the unity and rigor in structural narration,and adopts a spontaneous writing.Based on the former interpretation and literary reviews on the narrative theory,spontaneous narration is interpreted from structure arrangement,dis playing plots and monologues.
文摘The Story of a Country House is one of the Swedish novelist Selma Lagerlöf’s short stories collected in her work From a Swedish Homestead.One of the crucial features in the story’s narrative is its telling of certain events and immediate retelling of part of that events by adopting another perspective,resulting in the overlapping of the narration of events that occur either in parallel with each other in the same time period in the story or in sequential time periods that happen to have significance on one another,thus the zigzag narration.We can see that the zigzag rendering of narration that does not follow the linear time order not only highlights the importance of the time period overlapped,but also leaves room for the introduction of different perspectives of various characters,if the introduction of a different perspective and voice is not the only purpose of shifting back the narrative time.We readers are thus granted access to more than one individual’s mindset to come to terms with the experiences partially shared by these characters to form a fuller picture of the whole situation.
文摘Starting from the new approaches of brand communication in New Millennium Era, we show why, according to us,the fashion film is a powerful tool in defining and strengthening the visual identity of a fashion brand. Our analysisis focused on ordering the different kinds of narration in this special category of orl-line videos and we discover thatthey work about the three fundamental parameters of the Visual Identity Model.
文摘The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.
文摘Color has an intuitive expression of the material world,and is often used by creators of animated films in the narrative process of the film to express a creator’s subjective feelings.Color narration is a special mental imagination activity.It mainly refers to human beings perceiving colors in the external environment,and judging by their own rich life experience,and finally achieving a comprehensive cognition of external things.The animated film Ne Zha has attracted the attention of the audience since its release.That is because the film uses color narration ingeniously to innovate traditional stories and familiar characters,it displays the story through shocking visual expression,so that the audience can feel the influence of traditional culture while understanding the story,reflecting the unique artistic charm of color narration.This paper analyzes three aspects of color narration in showing the binary oppositions of goodness and evil,portraying vivid characters,promoting the development of narration,and highlighting the tension of the film,and fully expounds the importance of color narration in animated films.
文摘Alice Munro,a famous Canadian Canadian short-story writer.She gained the Nobel Prize for Literature in 2013.Munro’s works focus on women and adolescents.She also writes about the illness and love of the elderly.“The Bear Came over the Mountain”is one of them.In this story,Munro adopts unreliable narration to depict love between Grant and Fiona.This paper aims to study the love writing and its unreliable narration in this story.Based on the text of love writing,this paper analyzes the specific strategies of unreliable narration.The author believes that the unreliable narration of the love text in the story can be divided into the unreliable narration of character type and information type.Through analysis of these two types of narration in the story,special meaning of unreliable narration to describe love can be found.Besides,Munro’s description also contains her own insight of love:the course of true love does not always run smooth.
文摘Town and Country Lovers is the masterpiece of the prominent South African writer Nadine Gordimer.Trying to illustrate the discrimination bore by native African women in the 20th century from the perspective of marginal narration,it is going to ex?plore how the character suffers from the multiple oppressions in patriarchal and the whites’society.The three sets of marginal nar?rations:racial marginalization,gender marginalization and emotional marginalization will reveal the miserable encounter and sur?vival predicament of colored women in South Africa.
文摘Edgar Allan Poe,a writer of American Romantic period,is a forerunner in the use of irrational narration,especially in his dark tales,opening up a new approach for literature.Whether from narration perspective,plot or theme,The Black Cat,one of his masterpiece,is the typical manifestation of this narration.
文摘Based on rhetorical research methods of the unreliability,the paper intends to explore the unreliable narrative strategies of the narrator in Grace Paley's The Loudest Voice from the perspectives of the Wayne Booth's criterion of the distance between the narrator and the implied author and James Phelan's extension of unreliability on the basis of classical rhetorical narratology,point⁃ing out that the unreliability serves as the narrative trap which is set up to reveal the inner theme of the work:"The loudest voice"-what the protagonist thought she certainly possessed was only her illusion instead of the truth,and Eastern European Jewish com⁃munity was de facto marginalized by the mainstream culture at that time.
文摘Narrative design was originated in the 20th century.As a kind of design thinking,it runs through various fields such as architecture,environment,and new media.The QR code design has gradually become a bridge for media integration design,and its importance is becoming increasingly obvious.An optimized QR code design may gradually replace the original LOGO of certain goods or brand.In this study,narration is embedded into the QR code design,and a new QR code design image is gradually constructed through three ways of planarization,spatialization,and narration.
文摘Edgar Allan Poe is one of the representative writers in American Dark Romanticism.Different from his contemporaries,the majority of Poe's short stories are characterized by irrational narration.Whether from narration technique or elements,The Black Cat is the best elucidation of such narration.Thus,this thesis is devoted to a condensed study of irrational narration in The Black Cat,holding views that Poe's contribution in promoting the development of American literature and continuing the American dream is profound and significant.
文摘A Dream n Red Mansions.on the basis of inheriting the Chinese ancient hovel narrative tradition,does a lot of innovations.there are several narrators in this nove1.such as a super storyteller as well as the stone and Cao Xueqin.For each narrator lies in a diferent background,the narration of the novel is divided into throe 1evels.namely.the super narrative level,the main narrative level and the sub—narrative leve1.The writing purpose is properly presented throuIgh these narrators and narrative leVels,which shows the excellent narrative skills.Applying the super narrative level aims to dilute the sense of reality of the works.And discussing the narrative skills in A Dream in Red Mansions helps to have a comprehensive and in—depth understanding of these classic works.
文摘DEDITOR’S NOTE: On the eve of the 40th anniversary of theDemocratic Reform in Tibet, the author went to Bangjor Lhunbo Village in Jangra Township. The village was the site of theformer manor of Parjor Lhakang, a noted noble in old Tibet.The following is a record of the story of three villagers.
文摘In this paper the author draws extensively upon her personal experience in witnessing storytelling in the oncological wing of the Laiko Hospital of Athens during her hospitalization in September-October 2004. More specifically, she concentrates on the presence of an inspired woman folk storyteller who, also a patient visited in the same period the hospital for personal treatment. Having the ability to tell a story skillfully, the specific storyteller ultimately tried with her narrations to ease the pain, both physical and spiritual, of patients that suffered from heavy or light forms of cancer, regardless of the fact that she herself was facing similar health problems. This essay sheds light on the persistence and function of tradition in our days and examines how illness and misfortune are ascribed and how the storyteller and listeners are connected. Her purpose is to find out what and how people learn and teach each other under special circumstances. This question has not been absent from the work of folklorists. The fieldwork was based on qualitative research, and the ethnographic method and collecting were used.
文摘Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906). There are some evidence by his wife and friends that Sōseki's condition of disease dramatically improved during its serialization on a magazine, and the writer himself admited humorously in the preface of other work that it was his depression and mania that enabled him to produce I Am a Cat and other early works. This paper aims at describing the process how his act of narrating had therapeutic effects on his state of mind focusing on the construction of complicitous relationship between an implied author and readers in the work by the unique functions of the first-‘person' narrator: A Cat. Among others, I will consider the influence of Laurence Sterne's Tristram Shandy(1759-1767), which Sōseki introduced to Japan for the first time, by discussing the frequent use of metalepsis that the two works have in common.
文摘This essay investigates the way Emily Bronte manipulates the artistic split between the exterior frame,the hostile naration of Nelly and Lockwood,and the core story of Catherine and Heathcliff.As noticed by the literary critic,Armold Krupat,while Nelly and Lockwood narrate the protagonists'story,they remain emotionally detached from them.Expanding and commenting upon Krupat's argument and observation,this essay will argue that Bronte intentionally makes Nelly's and Lockwood's attitudes towards the protagonists strangely repressive and unsympathetic.In doing so,Bronte spotlights and dramatizes social mores'contaminating influence on Catherine's relationship to Heathcliff.In the 19h century England,people could not be respected unless theywere wealthy and had refined and elegant manners.Though falling in love with Heathcliff deeply,Catherine abandons her authentic will and marries the wealthy Edgar Linton.In this sense,echoing the way social norms control the fates of Catherine and Heatheliff,Nelly and Lockwood also antagonistically control their fates.In contrast to the exterior narrators,the protagonists in the interior story are always passive and remain subjected to outer forces.
文摘Jātaka story paintings are common narrative subjects in Dunhuang murals.Based on corresponding scriptures,they present all kinds of good deeds that Sakyamuni sacrificed his life to save sentient beings in his previous life.Dunhuang Jātaka story paintings are highly consistent with the scriptures in content,but their intuitiveness and expressiveness are more prominent.By comparing the narrative relationship between Jātaka story paintings in the Mogao Grottoes of Dunhuang and their corresponding scriptures,this study finds that the two have unity in reproducing artistic images and restoring key plots of classic Buddhist scripture stories,but there are great differences in the narrative effect.Dunhuang Jātaka story paintings have three prominent features in narrative,including visualization of key elements,concretization of expressions and movements,and contextualization of cause and effect.This study aims to reveal the intertextual narrative relationship between Dunhuang Jātaka story paintings and their corresponding scriptures.
文摘Convergent journalism constitutes a systematic investigation into emergent journalistic forms,conceptual frameworks,and practices emerging within media convergence context,characterized by its inherent attributes of convergence,datacentricity,and interactivity.Grounded in the theoretical discourse of digital narratology,this monograph crystallizes its analytical focus on the triadic conceptual constellation of"convergence""mediaticity"and"narrativity",By positioning""convergence"as the central problematique,it systematically constructs an epistemological framework for convergent journalistic narrative through three dimensions:narrative theory,narrative language,and narrative praxis,thereby elucidates the ontological foundations and operational logics intrinsic to contemporary journalism studies.
文摘Animation has been a popular form of feature length movie.In addition to the mean of entertainment,some animated works move audiences deeply and even arouse their reflection.In order to achieve this,the setup of story structure is critical,and the arrangement of the time and setting of foreshadowing in plots influence significantly on audiences’understanding and feeling towards films.Your Name,directed by Japanese animation director,Makoto Shinkai,was an animated feature film released in 2016,soon received high praise by audiences and film review critics,and ended with the highest gross in box office of the director’s works ever.The story of this animation is special for its non-linear structure,which is seldom seen in feature length animated works.The question on how this non-linear structure presents a compelling story and touch audiences so deeply is worth to explore in depth.There is very few analytical study that dedicates on the examination of the foreshadowing based on timeline from an empirical point of view in the area of narrative studies.Hence,this study investigates the spatial-time arrangement,and foreshadowing of plots in Your Name with the basis of timeline in the film.The textual analysis is undertaken with timeline by deconstructing events and elements in the story to look into the arrangement of foreshadowing.The result indicates that the spatial-time structure is complicated by keeps jumping between the year 2013 and 2016 from the two main characters’point of views in different locations,and ends in the year 2021.There are six elements of foreshadowing in this story,and each of them corresponds to important turning points of the story.They appear in the first and the second act of the story to progress the storyline and make the story reasonable through the functions of advanced notice and advanced mention,and gradually echo and accumulate to build up the climax of the narrative to cross over to the third act.In spite of the three settings of the story,the crash of meteorite,the exchanging of body and soul,and the time traveling are rather ordinary,elements of foreshadowing originated form Japanese folk culture interweave plots of the story to create its specialty.
