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Music/voice separation based on the multi-repeating structure of Mel cepstrum coefficient 被引量:4
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作者 ZHANG Tianqi XU Xin +1 位作者 WU Wangjun LIU Yu 《Chinese Journal of Acoustics》 CSCD 2015年第4期424-435,共12页
For the poor adaptability of the original repeating pattern, an improved music separation method of multi-repeating structure of Mel cepstrum coefficient (MFCC) is proposed. Firstly, the MFCC coefficient matrix (39... For the poor adaptability of the original repeating pattern, an improved music separation method of multi-repeating structure of Mel cepstrum coefficient (MFCC) is proposed. Firstly, the MFCC coefficient matrix (39-dimensional data) of the music signal was extracted. Then the cosine characteristic was applied to the count of similarity matrix of MFCC, and the fragments with consistent similarity are putted together. Next different repeating patterns are built for different groups. Thereby the spectrums of the background music and vocal were separated combined with ideal binary masking (IBM), and the corresponding time domain signals were obtained by inverse Fourier transform. Fnally, the improved method was tested on the music database of different types and length, and the separation results were compared with repeating method of Rafii and the non-negative matrix factorization based on flexible framework method of Ozerov. The experimental results showed that the separation performance of improved method was improved about 3 dB, and the performance of music with melody changed larger was significantly improved. Experiments verified that the improved method was an effective music separation algorithm and more stability. 展开更多
关键词 MFCC Music/voice separation based on the multi-repeating structure of Mel cepstrum coefficient Mel
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Ye Xiaogang's Lin'an Qibu II:exploring the"Qǐ-Chéng-Zhuǎn-Hé"structural thinking in"Sailing on West Lake After a Morning of Sunshine and Rain"
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作者 Linfan Sun 《Advances in Humanities Research》 2025年第8期65-71,共7页
Modern Chinese music has,from its inception,demonstrated creativity rooted in native linguistic and cultural traditions.Particularly after the mid-1980s,this creativity was no longer limited to the mere use of Chinese... Modern Chinese music has,from its inception,demonstrated creativity rooted in native linguistic and cultural traditions.Particularly after the mid-1980s,this creativity was no longer limited to the mere use of Chinese traditional musical materials or the presentation of national styles,nor simply an expression of Chinese cultural spirit and thought.Instead,it manifested as development and innovation within modern compositional techniques themselves.It is evident that Chinese composers have made distinctive contributions in many areas,including pitch structures,harmonic organization,and contrapuntal logic.In particular,regarding pitch structures and related harmonic techniques and tonal thinking,Chinese composers have pursued developments and innovations based on the language and forms of Chinese traditional music.As a prominent contemporary Chinese composer,Ye Xiaogang possesses a profound and distinctive understanding of musical structure.His works demonstrate a high degree of innovation and integration in structural design.Rather than adhering strictly to traditional forms,he tailors and innovates structures according to expressive needs.In an interview,he stated,"Chinese musical structure follows'Qǐ-Chéng-Zhuǎn-Hé'(beginning–development–turn–conclusion).My musical structures cannot be found in any Western musical forms;this is my unique advantage."Ye skillfully draws on structural techniques from Western modern music while simultaneously integrating structural thinking rooted in Chinese traditional music.This Sino-Western fusion in structural thinking allows his compositions to be both innovative in the modern musical sense and imbued with the aesthetic charm of Chinese traditional music,forming a contemporary artistic expression of China's rich cultural heritage. 展开更多
关键词 Ye Xiaogang Qǐ-Chéng-Zhuǎn-Hé musical structure
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Music snippet extraction via melody-based repeated pattern discovery 被引量:2
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作者 XU JiePing ZHAO Yang CHEN Zhe LIU ZiLi 《Science in China(Series F)》 2009年第5期804-812,共9页
In this paper, we present a complete set of procedures to automatically extract a music snippet, defined as the most representative or the highlighted excerpt of a music clip. We first generate a modified and compact ... In this paper, we present a complete set of procedures to automatically extract a music snippet, defined as the most representative or the highlighted excerpt of a music clip. We first generate a modified and compact similarity matrix based on selected features and distance metrics, and then several improved techniques for music repeated pattern discovery are utilized because a music snippet is usually a part of the repeated melody, main theme or chorus. During the process, redundant and wrongly detected patterns are discarded, boundaries are corrected using beat information, and final clusters are also further sorted according to the occurrence frequency and energy information. Subsequently, following our methods, we designed a music snippet extraction system which allows users to detect snippets. Experiments performed on the system show the superiority of our proposed approach. 展开更多
关键词 music snippet music structure beat detection TEMPO
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