This essay argues that Edvard Munch's The Scream embodies a decisive shift from Immanuel Kant to Friedrich Nietzsche in the field of aesthetic philosophy.It posits the painting as a visual manifestation of Nietzsc...This essay argues that Edvard Munch's The Scream embodies a decisive shift from Immanuel Kant to Friedrich Nietzsche in the field of aesthetic philosophy.It posits the painting as a visual manifestation of Nietzsche's radical critique of"disinterestedness".Through an analysis of The Scream's aesthetic features,including its brushwork,color application,and the central figure's appearance,this essay demonstrates how Munch's work prioritizes the expression of individual emotions and life forces,marking a clear departure from Kant's"disinterested"conceptions of beauty.展开更多
文摘This essay argues that Edvard Munch's The Scream embodies a decisive shift from Immanuel Kant to Friedrich Nietzsche in the field of aesthetic philosophy.It posits the painting as a visual manifestation of Nietzsche's radical critique of"disinterestedness".Through an analysis of The Scream's aesthetic features,including its brushwork,color application,and the central figure's appearance,this essay demonstrates how Munch's work prioritizes the expression of individual emotions and life forces,marking a clear departure from Kant's"disinterested"conceptions of beauty.
