This is a study of the earliest poetry by the modern Chinese writer Guo Moruo （1892-1978）, composed between 1904 and 1912. He became famous mostly due to his ＂early poetry＂ composed in the 1920s, such as Niishen ...This is a study of the earliest poetry by the modern Chinese writer Guo Moruo （1892-1978）, composed between 1904 and 1912. He became famous mostly due to his ＂early poetry＂ composed in the 1920s, such as Niishen （The Goddesses）, but he was also an author of autobiographies. His autobiography Shaonian shidai （Childhood） and the poems published in the volume Guo Moruo shaonian shigao （Guo Moruo＇s childhood poetry）, are analysed here in comparison with the traditional Tang poetry.展开更多
This paper aims to contribute to the ongoing debate about the ＂socialist New Man＂ in modem Chinese literature. Focusing on the ideas of humanity, individuality and the people, it attempts to show the prehistory of t...This paper aims to contribute to the ongoing debate about the ＂socialist New Man＂ in modem Chinese literature. Focusing on the ideas of humanity, individuality and the people, it attempts to show the prehistory of the ＂New Man,＂ i.e., the emergence of the concept-figure of ＂the people＂ out of the discourse of human!ty. The making of a new historical subjectivity of ＂the people＂ was part and parcel of the singular historical experience of the Chinese Revolution and the precondition for its social experiments. Yet this issue receives insufficient critical attention. This paper gives an outline of this idea＇s genealogy, by concentrating on Guo Moruo＇s literary-intellectual trajectory. It will show how the enlightenment project and romantic historical imagination paved the way for the concept of the people, and how the new subjectivity of the people prepared for the ideal of the new man.展开更多
20世纪20年代,德语文学汉译活动进入高潮,歌德的作品蜂拥进入中国译坛,将Sturm und Drang这一概念引入中国文人的视野。历史上曾存在对Sturm und Drang汉译名的讨论,而译名“狂飙突进运动”的最终采纳与五四运动的时代语境紧密相关。彼...20世纪20年代,德语文学汉译活动进入高潮,歌德的作品蜂拥进入中国译坛,将Sturm und Drang这一概念引入中国文人的视野。历史上曾存在对Sturm und Drang汉译名的讨论,而译名“狂飙突进运动”的最终采纳与五四运动的时代语境紧密相关。彼时国人反对封建束缚、追求个性解放的需求与狂飙突进的时代精神不谋而合;结合时代背景,得以考察Sturm und Drang在我国的译介历程。展开更多
文摘This is a study of the earliest poetry by the modern Chinese writer Guo Moruo （1892-1978）, composed between 1904 and 1912. He became famous mostly due to his ＂early poetry＂ composed in the 1920s, such as Niishen （The Goddesses）, but he was also an author of autobiographies. His autobiography Shaonian shidai （Childhood） and the poems published in the volume Guo Moruo shaonian shigao （Guo Moruo＇s childhood poetry）, are analysed here in comparison with the traditional Tang poetry.
文摘This paper aims to contribute to the ongoing debate about the ＂socialist New Man＂ in modem Chinese literature. Focusing on the ideas of humanity, individuality and the people, it attempts to show the prehistory of the ＂New Man,＂ i.e., the emergence of the concept-figure of ＂the people＂ out of the discourse of human!ty. The making of a new historical subjectivity of ＂the people＂ was part and parcel of the singular historical experience of the Chinese Revolution and the precondition for its social experiments. Yet this issue receives insufficient critical attention. This paper gives an outline of this idea＇s genealogy, by concentrating on Guo Moruo＇s literary-intellectual trajectory. It will show how the enlightenment project and romantic historical imagination paved the way for the concept of the people, and how the new subjectivity of the people prepared for the ideal of the new man.
文摘20世纪20年代,德语文学汉译活动进入高潮,歌德的作品蜂拥进入中国译坛,将Sturm und Drang这一概念引入中国文人的视野。历史上曾存在对Sturm und Drang汉译名的讨论,而译名“狂飙突进运动”的最终采纳与五四运动的时代语境紧密相关。彼时国人反对封建束缚、追求个性解放的需求与狂飙突进的时代精神不谋而合;结合时代背景,得以考察Sturm und Drang在我国的译介历程。
