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Laboratory test on moisture adsorption-desorption of wall paintings at Mogao Grottoes, China 被引量:9
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作者 Hu-yuan ZHANG Geng-sheng YAN Xu-dong WANG 《Journal of Zhejiang University-Science A(Applied Physics & Engineering)》 SCIE EI CAS CSCD 2012年第3期208-218,共11页
Moisture adsorption-desorption tests (MATs) were conducted on simulated mural plaster specimens under different air temperatures (ATs) and relative humidity (RH) to investigate the possible effect of seasonal alterati... Moisture adsorption-desorption tests (MATs) were conducted on simulated mural plaster specimens under different air temperatures (ATs) and relative humidity (RH) to investigate the possible effect of seasonal alteration and visitors’ breath on the deterioration of Mogao Grottoes, Dunhuang, China. Saturated salt solutions were used to maintain a constant RH, and plant growth cabinets were used to maintain a constant or varying temperature in the simulation test. The weight of specimen was periodically measured to determine the adsorbed or desorbed moisture. Test data illustrate that the desorption process is far quicker than the adsorption one, indicating that it is possible to inhibit the disadvantage effect from visitors, such as shortening the staying time in caves. In case of high humidity, an accumulated moisture adsorption was found to correspond to the varying temperature. On the other hand, in case of low humidity, accumulated moisture desorption corresponded. Test data imply that opening caves more often to visitors in humid seasons should be avoided so as to prevent continuous wetting of wall paintings. 展开更多
关键词 mogao Grottoes Wall paintings Piaster Moisture adsorption-desorption Unsaturated soil
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Digitizing Dunhuang Cultural Heritage:A User Evaluation of Mogao Cave Panorama Digital Library 被引量:1
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作者 Xiao Hu Eric M.Y.Ho Chen Qiao 《Journal of Data and Information Science》 CSCD 2017年第3期49-67,共19页
Purpose: This study is a user evaluation on the usability of the Mogao Cave Panorama Digital Library (DL), aiming to measure its effectiveness from the users' perspective and to propose suggestions for improvement... Purpose: This study is a user evaluation on the usability of the Mogao Cave Panorama Digital Library (DL), aiming to measure its effectiveness from the users' perspective and to propose suggestions for improvement. Design/methodology/approach: Usability tests were conducted based on a framework of evaluation criteria and a set of information seeking tasks designed for the Dunhuang cultural heritage, and interviews were conducted for soliciting in-depth opinions from participants. Findings: The results of the usability tests indicate that the DL was more efficient in supporting simple information seeking tasks than those of higher-complexity levels. Statistical tests reveal that there were correlations among dimensions of usability criteria and user effectiveness measures. Moreover, interview discourses exposed specific usability issues of the DL. Research limitations: This research is based on a relatively small sample size, resulting in a limited representativeness of user diversity. A larger sample size is needed for a systematic cross group comparison. Practical implications: This study evaluated the usability of the Mogao Cave Panorama DL and proposed suggestions for its improvement for better experience. The results also provide a reference to other cultural heritage DLs with panorama functions. Originality/value: This study is one of the first evaluating cultural heritage DLs from the perspective of user experience. It provides methodological references for relevant studies: the evaluation framework, the designed information seeking tasks, and the interview questions can be adopted or adapted in evaluating other visually centric DLs of cultural heritage. 展开更多
关键词 mogao Caves Cultural heritage USABILITY Dunhuang Panorama digital library
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Overall efficiency of a V-shaped nylon net fence in preventing sand damage to the Mogao Grottoes 被引量:2
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作者 GuoShuai Li JianJun Qu +1 位作者 WanFu Wang Wei Yang 《Research in Cold and Arid Regions》 2012年第2期163-174,共12页
A V-shaped nylon net fence installed in 1990 on top of the Mogao Grottoes is shown to be effectively resisting aeolian sand damage to the grottoes. The structure guides and causes deposition of sand from westerly wind... A V-shaped nylon net fence installed in 1990 on top of the Mogao Grottoes is shown to be effectively resisting aeolian sand damage to the grottoes. The structure guides and causes deposition of sand from westerly wind (the primary hard wind), but to some extent hinders the inverse function of easterly wind carrying sand away from the grottoes toward Mount Mingsha. The gobi side by the fence experiences higher wind speed, so that on which are easily formed undercutting pits, and the deposited sands on it generally form double-peak structures due to abundant sand sources. If the earth surface characteristics in gobi areas by both sides of the fence are quite varied, the erosion and deposition features of the accumulating sand section are similar in different seasons; however, if the earth surface characteristics are similar, the features become irregular in different seasons. Sand depositions with long slope feet are formed along the south and north sides of V-shaped nylon net fence. Disrupted by strong westerly wind and northwesterly wind, sand accumulations by north of the fence are in form of single peaks. Although the operation duration of the V-shaped nylon net fence has exceeded its design life (10 years), our observations indicate that it is still effective in reducing wind-driven sand damages to the Mogao Grottoes, so it should not be withdrawn. 展开更多
关键词 nylon net sand prevention GOBI mogao Grottoes
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Uncovering the Secrets of a New Archaeological Case at Dunhuang—A Textual Study on the Newly Found Qianzi Wen Written on the South Wall in Mogao Cave 9
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作者 LI Guo ZHANG Xiantang 《Cultural and Religious Studies》 2022年第6期281-298,共18页
This paper investigates a unique and interesting archaeological case,namely the newly found inscription copied from Qianzi Wen(The Thousand Character Essay)on the south wall in the main chamber of Mogao cave 9,and ana... This paper investigates a unique and interesting archaeological case,namely the newly found inscription copied from Qianzi Wen(The Thousand Character Essay)on the south wall in the main chamber of Mogao cave 9,and analyzes a series of research topics related to the inscription,hoping to thoroughly reveal the historical and cultural phenomenon of the high popularity and extensive spread of Qianzi Wen in the Tang dynasty,and attempt to restore some living scenes of ancient school students and cave-making artisans.To the best of our knowledge,this is the first time to find Qianzi Wen on the wall in Mogao caves. 展开更多
关键词 Dunhuang mogao Caves an inscription in cave 9 Qianzi Wen temple school students cave-making artisans
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The Mogao Grottoes
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《China & The World Cultural Exchange》 2000年第6期1-1,共1页
关键词 World BC The mogao Grottoes
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The Discussion of Tibet's Paintings in Dunhuang During A.D. 786-907 And the Mural Painting on the North Side ofthe No.14 Cave of the Mogao Caves
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作者 ZHANG Ya-sha LI Nan 《Journal of Literature and Art Studies》 2018年第4期614-627,共14页
During A.D. 776 to 848, Dunhuang was occupied and ruled by Tubo political power, a special painting style, spread via the Tibetan silk road, appeared at same time, and which is related to the art style of India and Ne... During A.D. 776 to 848, Dunhuang was occupied and ruled by Tubo political power, a special painting style, spread via the Tibetan silk road, appeared at same time, and which is related to the art style of India and Nepal; It is worth noting that the Tibetan painting style during this period have no relative unified model actually, especially the mural and the silk painting preserved in Library Cave, the painting style of which had obvious difference between each other, and the reason behind this is very hard to explain. Until the late Tang Dynasty (A.D. 848-907), sheer Pala style of eastern India appeared in Dunhuang, however, whether those East India painting style still belong to Tubo remain for further discussion. The art style of East India appeared in Dunhuang during from the late Tang Dynasty to the early period of Northern Song Dynasty, probably propagated from the ways other than Tubo, and this art style was deemed as the one has nothing to do with Tibet's art in this study. 展开更多
关键词 Tibetan painting system silk painting the mural painting on the west of the 25th cave of the YulinCaves the mural painting on the north side of the No.14 cave of the mogao Caves
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Mogao Caves
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《ChinAfrica》 2017年第2期60-60,共1页
Listed as a World Heritage Site in 1987 Location: Dunhuang City, 6ansu Province, northwest China Best Time to Visit: Anytime, but autumn is the peak tourist season
关键词 World mogao Caves
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初唐敦煌壁画勾阑彩画艺术初探——以莫高窟第329窟、220窟为例
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作者 孟祥武 鄢倩倩 +1 位作者 叶明晖 裴强强 《古建园林技术》 2026年第1期114-120,共7页
由于国内现存唐代木构建筑稀少,目前学界对唐代建筑彩画的研究依然极为不足。敦煌唐代壁画中描绘了大量的建筑形象,初唐壁画勾阑的彩画更是历经千年依然光彩夺目、清晰可辨。并且这些彩画与建筑其余部位及构件的彩画有着千丝万缕的联系... 由于国内现存唐代木构建筑稀少,目前学界对唐代建筑彩画的研究依然极为不足。敦煌唐代壁画中描绘了大量的建筑形象,初唐壁画勾阑的彩画更是历经千年依然光彩夺目、清晰可辨。并且这些彩画与建筑其余部位及构件的彩画有着千丝万缕的联系,可以成为研究初唐建筑彩画的重要资料。本文以莫高窟第329窟、第220窟为例,从构图比例、纹样图案、色彩配置三方面系统分析了窟内壁画勾阑彩画的艺术特征,进而揭示初唐建筑彩画的特点,对完善我国早期建筑彩画的艺术特征具有重要的意义与价值。 展开更多
关键词 敦煌莫高窟 壁画 勾阑 彩画
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基于微气候特征的莫高窟第87窟预防性保护措施优化
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作者 张艳杰 郭青林 +1 位作者 王亚军 张正模 《地震工程学报》 北大核心 2026年第1期70-79,113,共11页
为制定科学的洞窟调查与维护时间表以降低开门引起的窟内微气候波动,对莫高窟底层小型洞窟第87窟窟内外微环境进行监测、分析。分别对第87窟窟内外温度(T)、相对湿度(RH)和绝对湿度(AH)以及窟内外差值的变化特征进行分析,对窟内外温度... 为制定科学的洞窟调查与维护时间表以降低开门引起的窟内微气候波动,对莫高窟底层小型洞窟第87窟窟内外微环境进行监测、分析。分别对第87窟窟内外温度(T)、相对湿度(RH)和绝对湿度(AH)以及窟内外差值的变化特征进行分析,对窟内外温度差和相对湿度差进行曲线拟合与方程求解,找出不同季节窟内外空气的对流方式以及相应的壁画吸-放湿模型,对露点温度年变化特征进行探讨。得到窟内外温度混合线性模型,即窟外温度每增加1℃,窟内温度增加0.395℃,以此结果找出窟内外温湿度差的极值和零值日期。研究结果表明,洞窟调查和维护的最佳时间分别为3月、4月、9月、10月;冬季和夏季打开窟门均易发生窟内水汽凝结。研究结果对第87窟窟内壁画的预防性保护具有重要意义,也可为其他类似洞窟的保护措施优化提供理论支持和参考。 展开更多
关键词 文化遗产 莫高窟 微气候监测 空气交换 预防性保护
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Sand drift encroachment in the Dunhuang Mogao Grottoes District and its control 被引量:2
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作者 屈建军 董光荣 +2 位作者 文子祥 张伟民 胡世雄 《Science China Earth Sciences》 SCIE EI CAS 1997年第2期197-206,共10页
Analysis on sand drift damages to the Dunhuang Mogao Grottoes showed that the actual sand drift hazards in the area are mainly attributed to the gobi wind-sand stream formed by sand coming from the Mingsha Mountain (m... Analysis on sand drift damages to the Dunhuang Mogao Grottoes showed that the actual sand drift hazards in the area are mainly attributed to the gobi wind-sand stream formed by sand coming from the Mingsha Mountain (megadune), while the migration of the megadune and its frontal edge dunes is actually not a major threat to the grottoes. The gobi belt on the cliff top of the Mogao Grottoes is not only a natural sand transport field but also a natural protective screen which prevents the megadune and its frontal edge dunes from advancing towards the grottoes or burying the grottoes. Therefore efforts to protect the Mogao Grottoes should be focussed on halting the gobi wind-sand stream rather than on checking the migration of sand dunes. For this reason, effective sand blockade and stabilization measures should be adopted at the frontal edge of the megadune but no sand retarding works are allowed to be set up in the gobi belt so as to avoid sand accumulation and entering the grottoes. 展开更多
关键词 mogao Grottoes GOBI wind-sand stream SAND DUNE migration
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情动理论视角下游客感动机制研究——基于世界文化遗产地莫高窟的案例
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作者 张慧 黄克己 +1 位作者 吴茂英 向科衡 《旅游学刊》 北大核心 2026年第2期127-140,共14页
遗产旅游是游客学习历史、了解文化多样性、提升文化自觉与文化自信的重要方式。感动作为一种独特的情感状态,在塑造遗产旅游体验、提升历史文化影响力方面发挥着重要作用。文章在情动理论视角下,以世界文化遗产莫高窟为案例地,采用网... 遗产旅游是游客学习历史、了解文化多样性、提升文化自觉与文化自信的重要方式。感动作为一种独特的情感状态,在塑造遗产旅游体验、提升历史文化影响力方面发挥着重要作用。文章在情动理论视角下,以世界文化遗产莫高窟为案例地,采用网络文本和照片引谈法搜集数据,基于建构扎根理论探索游客感动的发生与作用机制。研究发现:感动的逻辑起点主要包括文化情感和空间挑战,二者共同构成了感动唤起模型的先验铺垫;感动分为本能感动和深层感动,具身情境构建和历时心灵满足唤起了本能感动,深层感动则体现为在场瞬间多层次交替联动的身心体验,主要由人文奇观的冲击、营造者和守护者的濡染、激活自我和生命思考而唤起;生理反应和心理反应亦即时出现;影响价值则体现为物有所值、庆幸得见、唤醒使命及情感依恋,蕴含了正向的思想和行为倾向。研究为文化遗产地如何为游客营造感动氛围提供了理论参考和实践启示。 展开更多
关键词 游客感动 情动理论 文化遗产地 照片引谈法 扎根理论 莫高窟
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敦煌艺术中天王戎装与世俗武士戎装的演变及关联
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作者 董昳云 李轶潇 《武汉纺织大学学报》 2026年第1期65-72,共8页
针对学术界对敦煌艺术中天王戎装与世俗武士戎装的关联及演变脉络尚不清晰这一问题,文章运用图像学分析与文献研究相结合的方法,系统梳理莫高窟壁画及彩塑中戎装服饰的演变轨迹,并与汉地历代世俗武士戎装的发展进行对比研究。研究表明:1... 针对学术界对敦煌艺术中天王戎装与世俗武士戎装的关联及演变脉络尚不清晰这一问题,文章运用图像学分析与文献研究相结合的方法,系统梳理莫高窟壁画及彩塑中戎装服饰的演变轨迹,并与汉地历代世俗武士戎装的发展进行对比研究。研究表明:1)北魏至北周及中唐时期,天王戎装呈现敦煌特有的地域性与时代性,受中亚、吐蕃文化影响显著,与中原世俗戎装差异明显;2)隋至盛唐时期,天王戎装形制与世俗戎装高度契合,如裲裆甲、明光甲搭配大袖襦裙的仪卫着装,反映了佛教艺术与中原文化的深度融合;3)五代宋时期,天王戎装趋向神异繁复,通过璎珞、兽首纹样等宗教装饰强化其护法职能,而世俗戎装则向仪仗化发展,两者在功能分化中仍存在互动关联。 展开更多
关键词 敦煌莫高窟 古代戎装 天王 军戎服饰
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Mogao Caves—A Treasure in the Desert
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作者 WANG GUANMIN 《Women of China》 1995年第10期54-55,共2页
The Yueya (Crescent Moon) Spring in the Mingsha Mountain in the suburbs of Dunhuang City never dries up. The Mogao Caves lie south of the spring.
关键词 A Treasure in the Desert mogao Caves
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Dunhuang Mogao Caves
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作者 LIU QIAN JANE SHAW 《Women of China》 1995年第10期50-51,共2页
AS the 20th century approached, a Taoist discovered a cave on the desolate Gobi in Northwest China. Within this cave were hidden more than 40,000 pieces of Buddhist scripture, embroideries, paintings and books on vari... AS the 20th century approached, a Taoist discovered a cave on the desolate Gobi in Northwest China. Within this cave were hidden more than 40,000 pieces of Buddhist scripture, embroideries, paintings and books on various subjects, such as religion, history, 展开更多
关键词 Dunhuang mogao Caves
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史小玉是绘壁画工还是礼佛香客——莫高窟史小玉题记的新发现与新论证 被引量:1
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作者 李国 张先堂 王海彬 《敦煌研究》 北大核心 2025年第2期57-69,共13页
关于莫高窟题壁甘州史小玉的身份,学术界有“画工说”、“香客说”两种截然不同的观点。笔者认为以往的研究存在凭借简单证据、经过简单推理即得出结论的缺陷。我们利用多光谱摄影技术在莫高窟第7、29、379、384窟新发现了四条史小玉题... 关于莫高窟题壁甘州史小玉的身份,学术界有“画工说”、“香客说”两种截然不同的观点。笔者认为以往的研究存在凭借简单证据、经过简单推理即得出结论的缺陷。我们利用多光谱摄影技术在莫高窟第7、29、379、384窟新发现了四条史小玉题记,综合考察这些新材料,并从多方面分析论证“香客说”更加符合史实、合乎逻辑。 展开更多
关键词 敦煌莫高窟 题记 甘州史小玉 画工 香客
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敦煌莫高窟艺术宝库中的读书图探析 被引量:1
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作者 王波 《图书馆论坛》 北大核心 2025年第4期24-48,148,共26页
文章全面检索、浏览敦煌莫高窟遗存的壁画、彩塑和纸帛画等艺术作品,筛选出读书图。这些图像生动地描绘与读书有关的听法、诵经、传法、度亡等佛教活动,艺术地呈现了中古时期人们的读书学习生活。这些读书图中呈现的读物,多是写在纸帛... 文章全面检索、浏览敦煌莫高窟遗存的壁画、彩塑和纸帛画等艺术作品,筛选出读书图。这些图像生动地描绘与读书有关的听法、诵经、传法、度亡等佛教活动,艺术地呈现了中古时期人们的读书学习生活。这些读书图中呈现的读物,多是写在纸帛等软载体上的经卷,基本取代了汉代画像石中的简牍,反映了书籍的形制演变、代际更替。敦煌莫高窟艺术作品中缤纷多样的读书图虽然具有浓郁的佛教色彩,但折射了中古时期读书和教育活动的普及,见证了当时西北地区崇学尚书的风气,是了解这个时期图书史、阅读史和文化史的重要途径。 展开更多
关键词 敦煌 莫高窟 绘画 读书图 佛教传播 中古教育 图书史 阅读史 文化史
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张大千临摹敦煌元代壁画考述 被引量:1
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作者 王平 梁艺 《青海师范大学学报(社会科学版)》 2025年第3期156-164,共9页
本文旨在考述张大千对敦煌元代壁画的临摹行为及其绘画创作所受影响。通过对敦煌元代壁画的艺术特征及代表性洞窟的个案研究,结合张大千临摹作品的艺术分析,揭示敦煌元代壁画对张大千绘画技法、题材与艺术观念的影响。张大千的临摹行为... 本文旨在考述张大千对敦煌元代壁画的临摹行为及其绘画创作所受影响。通过对敦煌元代壁画的艺术特征及代表性洞窟的个案研究,结合张大千临摹作品的艺术分析,揭示敦煌元代壁画对张大千绘画技法、题材与艺术观念的影响。张大千的临摹行为不仅是对濒危文化遗产的抢救性记录,更是其个人艺术风格转型的关键契机,同时也为中国现代绘画的民族化道路探索提供了启示。 展开更多
关键词 张大千 敦煌 莫高窟 榆林窟 元代壁画 临摹
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莫高窟第95窟壁画为元代考 被引量:1
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作者 祁晓庆 《石河子大学学报(哲学社会科学版)》 2025年第3期105-111,共7页
莫高窟第95窟窟内壁画的年代在早期被定为元代,但近年来有部分学者明确指出此窟壁画为西夏时期所绘。通过分析发现,该窟窟顶的六字真言莲花图案具有典型的元代特征,中心柱正面龛内主尊塑像六臂观音可以和龛顶的六字真言形成组合图像,也... 莫高窟第95窟窟内壁画的年代在早期被定为元代,但近年来有部分学者明确指出此窟壁画为西夏时期所绘。通过分析发现,该窟窟顶的六字真言莲花图案具有典型的元代特征,中心柱正面龛内主尊塑像六臂观音可以和龛顶的六字真言形成组合图像,也是元代才流行的。该文通过与榆林窟、东千佛洞、五个庙石窟壁画进行比较研究,同时引入元代传世绘画作品作为佐证材料,发现位于该洞窟左侧甬道顶部的水月观音像、洞窟南壁所绘的十六罗汉图中的长眉尊者等壁画亦为元代作品。 展开更多
关键词 莫高窟 西夏 元代 水月观音 罗汉像
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《大般涅槃经后分》的传入及对莫高窟涅槃经变情节的影响
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作者 魏迎春 唐露恬 《敦煌研究》 北大核心 2025年第4期80-86,共7页
传世经录载《大般涅槃经后分》于唐麟德年间在波凌国译出,后于仪凤年初传入中土,然新见一敦煌《后分》写经,其题记所示抄写年代比传世佛经目录记载更早二十余年。《后分》传入中土后,唐宋时期佛学界对此经是否为《大般涅槃经》之续颇有... 传世经录载《大般涅槃经后分》于唐麟德年间在波凌国译出,后于仪凤年初传入中土,然新见一敦煌《后分》写经,其题记所示抄写年代比传世佛经目录记载更早二十余年。《后分》传入中土后,唐宋时期佛学界对此经是否为《大般涅槃经》之续颇有疑虑,但从敦煌写本及壁画皆可见敦煌认可《后分》为《大般涅槃经》之续。对写本的考察发现,敦煌僧众将《后分》两卷内容直接置于四十卷次《涅槃经》之后编为第四十一、四十二卷;对壁画的研究可见,《后分》的传入甚至促使莫高窟涅槃经变画更换底本,涅槃经变中的相关情节因此发生改变,此变动在第332、148窟的涅槃经变情节对比中可以探见。 展开更多
关键词 《大般涅槃经后分》 涅槃经变 第332窟 第148窟
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