After graduating from the China Academy of Arts(Department of Oil Painting)in Hangzhou in 1995,Yang Fudong(1971)moved to Shanghai to work as a graphic designer.Inspired by his daily job in Pudong,he started producing ...After graduating from the China Academy of Arts(Department of Oil Painting)in Hangzhou in 1995,Yang Fudong(1971)moved to Shanghai to work as a graphic designer.Inspired by his daily job in Pudong,he started producing photographic series that closely resembled the advertising campaigns he worked on.Glossy images of stylish young people or dishevelled white collars in highly saturated colours,defined“intellectuals”in cryptic accompanying captions.Conversely,his body of work in black and white,almost entirely shot on 35mm film,portrays a suspended reality out of the historical time:a ghostly dimension akin to a drowsy vigil,a uchronia,an“estranged paradise”-to borrow the title of his earliest film set in Hangzhou.But it is Shanghai’s elusiveness and material relationship with the past that has contributed the most to form Yang’s trademark imagery and aesthetic.What he conjures up in his still and moving images,is a dimension with a distinctive oneiric quality,an“in-between”universe where all the circumstances are justified and have an inner logic,just like in dreams,or just like in the China of his childhood.The research of Yang Fudong is somewhat unique in the universe of contemporary Chinese art and sets him apart from a plethora of artists that have used the video in a much more“didactic”and quotational way.I will illustrate some specific aspects of his black and white body of work,trying to show how a certain self-orientalist trait can be interpreted as strategy to regain narrative agency and bring to the surface a series of removed instances:the main of which being,in my opinion,the fate of Shanghai’s(perhaps of China's Mainland in its ungraspable entirety?)modernity.展开更多
In the successive rise of the metaverse and artificial intelligence(AI),rationalism and emotionalism have consistently manifested as symptoms of modernity throughout their developmental trajectories.This paper argues ...In the successive rise of the metaverse and artificial intelligence(AI),rationalism and emotionalism have consistently manifested as symptoms of modernity throughout their developmental trajectories.This paper argues that the achievements and crises of both fields signify the triumph of rationalism in the context of deepening modernity,while simultaneously harboring an intrinsic impetus and possibility for transitioning from rationalism to emotionalism.This dynamic serves as a quintessential representation of modernity’s crises and their transcendence.Centered on embodied cognitive science,AI and the metaverse—rooted in rationalism—now face challenges in shifting toward emotionalism,revealing their inadequacy in addressing this shift.Humanity must explore new modernity-deepening paradigms grounded in emotionalism to confront and transcend the potential crises posed by the metaverse and AI.展开更多
Arnold Bennett is well-known for his regional novels that mainly represent domestic quotidian lives of his pottery town,especially the lower and middle class.However,his infatuation with the hotel space implicates his...Arnold Bennett is well-known for his regional novels that mainly represent domestic quotidian lives of his pottery town,especially the lower and middle class.However,his infatuation with the hotel space implicates his ambition to re-situate his characters within the parameters of hotel and create new types of characters,representing in new ways the subjectivity of characters and their relations with material space.Based on his hotel writing,this article intends to re-conceive the historical reasons of his obsession with hotel space and further probe the modernity deflected by his representation of domestic selves and modern public identities in hotel space.展开更多
Robert Frost is one of the best poets in the 20th century.His philosophical poem "Fire and Ice" is to be discussed as a piece representing modernity.By analyzing some specific elements,this essay tries to co...Robert Frost is one of the best poets in the 20th century.His philosophical poem "Fire and Ice" is to be discussed as a piece representing modernity.By analyzing some specific elements,this essay tries to convince that the poem is a perfect example of Frost's unique style-traditional forms combined with modern thoughts.展开更多
With a special matter, Chinese literature has differences with traditional theories from western countries in essence, so that Chinese literature demonstrates its renovation and involution. The main reason is its tren...With a special matter, Chinese literature has differences with traditional theories from western countries in essence, so that Chinese literature demonstrates its renovation and involution. The main reason is its trends of modernity. The transformation from oversea exchange is very important. This paper mainly explains the specific content of paradox of Chinese literature in mo dernity, and explores the reasons for differences between China and western countries.展开更多
In the modern era, the Jewish-Americans were faced with challenges because of the assimilation and modernity environment in the US, and as a result, many of them were in a double bind—to be an assimilated American ci...In the modern era, the Jewish-Americans were faced with challenges because of the assimilation and modernity environment in the US, and as a result, many of them were in a double bind—to be an assimilated American citizen or to be a traditional Jew. With his work"The Imported Bridegroom", Abraham Cahan contemplated on the subject of Jewish immigration and assimilation and he made a ground-breaking contribution to the establishment of American modernity. This paper intends to analyze Cahan's attitudes towards assimilation and modernity and how he builds up modernity for all of the Americans. Three characters in"The Imported Bridegroom", who stand for three prototypes of modern Jewish-Americans confronting the overwhelming flood of assimilation and the duty for retaining their traditions, will be analyzed. Through the composition of this work, Cahan tried to spread the Jewish culture on the one hand, and on the other, he warned the peripheral that it was difficult to be assimilated without disasters even if they had made contribution to the formation of modernity.展开更多
The transition period of Chinese society has spawned many psychosocial problems in China,which are characterized by high incidence,universality and growth. Compared with social and economic development,the devel-opmen...The transition period of Chinese society has spawned many psychosocial problems in China,which are characterized by high incidence,universality and growth. Compared with social and economic development,the devel-opment of social psychology has been relatively slow for a long time,which has led to the prevalence of psychosocial problems and the lack of modernity cultivation in China's modernization. Xi Jinping theory on socialism with Chi-nese characteristics(SCC) in the new era is a scientific plan for the all - round development and modernization of SCC,and it contains rich ideas of modernity. It is also the ideological inheritance and innovation of Marx's "full and free development of human beings",and the basic strategy of cultivating the modernity of the new era. Therefore,it is an important way to solve the current psychosocial problems in China through the Marxist theory and the "unfulfilled enlightenment" of the theory of the new era.展开更多
In Vietnam, divorce traditionally was considered scandalous for women, so there was a strong pressure against divorce, especially for women. While divorce has long been culturally discouraged and limited, divorce has ...In Vietnam, divorce traditionally was considered scandalous for women, so there was a strong pressure against divorce, especially for women. While divorce has long been culturally discouraged and limited, divorce has been rapidly increasing after the renovation policy in late 1980s with alternative causes, consequences, etc Modernization is a process of transforming ＂traditional＂ society to ＂modern＂ one, in order to achieve economic development and growth, to innovate politics and to enhance their social structure towards a political, social, and economic system similar to those of western developed countries. In the field of marriage, family, and kinship, modernization process experiences the maintenance of traditional values and the appearance of the new modern values. This paper aims to examine trend and correlates of divorce and to identify social and cultural factors influencing the divorce decision, using data of divorce profiles of one district court in 10 years （i.e., 2000-2009） with total divorce profiles analyzed are 2,033 cases, of which 499 divorce couples in a rural district and 1,534 divorced couples in an urban area.展开更多
Yu Opera China Women (some translated it into Our Company)(2000) has been well received by audiences for its simple folk description, vivid characters, touching story lines, stunning stage backgrounds, and exquisite s...Yu Opera China Women (some translated it into Our Company)(2000) has been well received by audiences for its simple folk description, vivid characters, touching story lines, stunning stage backgrounds, and exquisite stage performances. The opera describes a story of Xiangxiang and Huanhuan, mother-in-law and daughter-in-law, two generations of women in the reform and opening up years in the 20th century in China. These Chinese women try to break the shackles of fate, with the strength to overcome hardships, work hard to gain wealth, and be brave to pursue true love, so it has a strong sense of feminism. However, rooted in the deep traditional Chinese culture, Xiangxiang and Huanhuan are always struggling between tradition and modernity and they make difficult choices along with the awakening of women’s consciousness.展开更多
The article deals with the concept of leisure in Israel in terms of time, activity, state of mind, and Jewish values. The purpose of the study is to examine changes in how leisure is conceived in Judaism and the diffe...The article deals with the concept of leisure in Israel in terms of time, activity, state of mind, and Jewish values. The purpose of the study is to examine changes in how leisure is conceived in Judaism and the differences in the secular and religious conception of leisure, and the special relationship between leisure, work, and religious obligations and tradition. The study reviews the factors that have shaped the conception of leisure and its developments over time in Jewish religious society in general and in Israel in particular, which is a country with cultural foundations in both tradition and modernity, and one that strives to strike a balance between its multiple commitments to its religious roots and its modern democratic nature. The study proceeds to discuss the implications of such conceptions and developments for the Israeli education system. The article may have practical implications for imparting leisure behaviors, an educational challenge involving people＇s attitude to leisure.展开更多
With the development of urbanization,metropolises and megapolises are emerging.Urbanization is being completed with the driving force of capital;meanwhile,technology has achieved the quest of capital.In this thesis,in...With the development of urbanization,metropolises and megapolises are emerging.Urbanization is being completed with the driving force of capital;meanwhile,technology has achieved the quest of capital.In this thesis,in light of Henri Lefebvre’s ideology of technology rational critique,Chinese urban modernity issues under the perspective of technology rational critique were analyzed,including issues like eroded urban texture,urban mechanization,and urban segregation.The technology rational root of Chinese urban modernity issues was discussed from the turn of technical artifacts from design intention to application intention.In the end,possible methods to solve these Chinese urban modernity issues were illustrated based on Henri Lefebvre’s urban development theory.展开更多
The paper proposes to examine aspects of modernity in Cosmopolitan Alexandria in the first half of the 20th century as they are manifested in Jacqueline Carol＇s Cocktails andCamels （1960 and reprinted in 2008）. Wri...The paper proposes to examine aspects of modernity in Cosmopolitan Alexandria in the first half of the 20th century as they are manifested in Jacqueline Carol＇s Cocktails andCamels （1960 and reprinted in 2008）. Written in English by a Lebanese Egyptian, born and raised in Alexandria, the novel investigates issues of cultural and linguistic identity, gender, the rise of national discourse, and the emergence of independent Egypt after the 1952 Revolution through the eyes of a young woman growing up in Cosmopolitan Alexandria as part of the elite but paying attention to all the political and social changes taking place in the city and the whole country展开更多
This year marks the 50th anniversary of the normalization of diplomatic relations between China and Japan.Looking back on the past and forward to the future,we realize modernity has become a critical issue that not on...This year marks the 50th anniversary of the normalization of diplomatic relations between China and Japan.Looking back on the past and forward to the future,we realize modernity has become a critical issue that not only China and Japan,but the whole East Asian region should pay attention to.China and Japan are both within the“Circle of Confucius Culture”and are both modern latecomer countries.As they were coerced by western countries to enter the modern age,they shared multiple common features.An exploration of the two countries’respective rising of modern women’s education is an important path to discuss the reconstruction of gender and an important method of the course of the embodiment of east-Asian women into modernization drives.With regards to conclusion,entering the modern age,Chinese and Japanese intellectuals reshaped the female gender in terms of interpersonal relationship,value system,and knowledge structure by advocating the idea of“virtuous wives and worthy mothers”education.In the concept of virtuous wives and worthy mothers in East Asia,the Confucian ethics of“docility and virtue”is the soul,and modern scientific knowledge serves this core value.On the other hand,in the course of localization in China and Japan,this imported concept from the West has encountered a completely different historical fate.展开更多
Woman as a political trope had been essential to the Chinese Communist Party’s state vision of socialist modernization after the establishment of the People’s Republic of China in 1949.The Party valued women’s labo...Woman as a political trope had been essential to the Chinese Communist Party’s state vision of socialist modernization after the establishment of the People’s Republic of China in 1949.The Party valued women’s labor and devoted to emancipating it from the domestic realm so that women could be mobilized to actively participate in the collective socialist construction.Associating the figure of women with modernity is not an unprecedented strategy,for during the early twentieth century the“Modern Girl”embodying the essence of Chinese modernity had already become a conspicuous cultural icon in various kinds of visual cultural products.This paper investigates the ways in which females’public visual images were consciously constructed in the two different historical periods in order to cater to particular political or commercial schemes.It argues that while those images objectively capture the reality of social modernity to some extents,they also imply the artists’imaginary of an ideal vision of modernization.By registering female figures as the center for presentation,they were inscribed with males’desires through envisioning desirable female images that would correspond to their expectations of the concreteness of modernity.展开更多
文摘After graduating from the China Academy of Arts(Department of Oil Painting)in Hangzhou in 1995,Yang Fudong(1971)moved to Shanghai to work as a graphic designer.Inspired by his daily job in Pudong,he started producing photographic series that closely resembled the advertising campaigns he worked on.Glossy images of stylish young people or dishevelled white collars in highly saturated colours,defined“intellectuals”in cryptic accompanying captions.Conversely,his body of work in black and white,almost entirely shot on 35mm film,portrays a suspended reality out of the historical time:a ghostly dimension akin to a drowsy vigil,a uchronia,an“estranged paradise”-to borrow the title of his earliest film set in Hangzhou.But it is Shanghai’s elusiveness and material relationship with the past that has contributed the most to form Yang’s trademark imagery and aesthetic.What he conjures up in his still and moving images,is a dimension with a distinctive oneiric quality,an“in-between”universe where all the circumstances are justified and have an inner logic,just like in dreams,or just like in the China of his childhood.The research of Yang Fudong is somewhat unique in the universe of contemporary Chinese art and sets him apart from a plethora of artists that have used the video in a much more“didactic”and quotational way.I will illustrate some specific aspects of his black and white body of work,trying to show how a certain self-orientalist trait can be interpreted as strategy to regain narrative agency and bring to the surface a series of removed instances:the main of which being,in my opinion,the fate of Shanghai’s(perhaps of China's Mainland in its ungraspable entirety?)modernity.
基金supported by the China Metaverse and Digital Talent Development Initiative and the general project of the National Social Science Foundation of China titled“Theoretical Interpretation of Advertising Messaging and the Development of a Typical Case Database”(19BXW085).
文摘In the successive rise of the metaverse and artificial intelligence(AI),rationalism and emotionalism have consistently manifested as symptoms of modernity throughout their developmental trajectories.This paper argues that the achievements and crises of both fields signify the triumph of rationalism in the context of deepening modernity,while simultaneously harboring an intrinsic impetus and possibility for transitioning from rationalism to emotionalism.This dynamic serves as a quintessential representation of modernity’s crises and their transcendence.Centered on embodied cognitive science,AI and the metaverse—rooted in rationalism—now face challenges in shifting toward emotionalism,revealing their inadequacy in addressing this shift.Humanity must explore new modernity-deepening paradigms grounded in emotionalism to confront and transcend the potential crises posed by the metaverse and AI.
文摘Arnold Bennett is well-known for his regional novels that mainly represent domestic quotidian lives of his pottery town,especially the lower and middle class.However,his infatuation with the hotel space implicates his ambition to re-situate his characters within the parameters of hotel and create new types of characters,representing in new ways the subjectivity of characters and their relations with material space.Based on his hotel writing,this article intends to re-conceive the historical reasons of his obsession with hotel space and further probe the modernity deflected by his representation of domestic selves and modern public identities in hotel space.
文摘Robert Frost is one of the best poets in the 20th century.His philosophical poem "Fire and Ice" is to be discussed as a piece representing modernity.By analyzing some specific elements,this essay tries to convince that the poem is a perfect example of Frost's unique style-traditional forms combined with modern thoughts.
文摘With a special matter, Chinese literature has differences with traditional theories from western countries in essence, so that Chinese literature demonstrates its renovation and involution. The main reason is its trends of modernity. The transformation from oversea exchange is very important. This paper mainly explains the specific content of paradox of Chinese literature in mo dernity, and explores the reasons for differences between China and western countries.
文摘In the modern era, the Jewish-Americans were faced with challenges because of the assimilation and modernity environment in the US, and as a result, many of them were in a double bind—to be an assimilated American citizen or to be a traditional Jew. With his work"The Imported Bridegroom", Abraham Cahan contemplated on the subject of Jewish immigration and assimilation and he made a ground-breaking contribution to the establishment of American modernity. This paper intends to analyze Cahan's attitudes towards assimilation and modernity and how he builds up modernity for all of the Americans. Three characters in"The Imported Bridegroom", who stand for three prototypes of modern Jewish-Americans confronting the overwhelming flood of assimilation and the duty for retaining their traditions, will be analyzed. Through the composition of this work, Cahan tried to spread the Jewish culture on the one hand, and on the other, he warned the peripheral that it was difficult to be assimilated without disasters even if they had made contribution to the formation of modernity.
文摘The transition period of Chinese society has spawned many psychosocial problems in China,which are characterized by high incidence,universality and growth. Compared with social and economic development,the devel-opment of social psychology has been relatively slow for a long time,which has led to the prevalence of psychosocial problems and the lack of modernity cultivation in China's modernization. Xi Jinping theory on socialism with Chi-nese characteristics(SCC) in the new era is a scientific plan for the all - round development and modernization of SCC,and it contains rich ideas of modernity. It is also the ideological inheritance and innovation of Marx's "full and free development of human beings",and the basic strategy of cultivating the modernity of the new era. Therefore,it is an important way to solve the current psychosocial problems in China through the Marxist theory and the "unfulfilled enlightenment" of the theory of the new era.
文摘In Vietnam, divorce traditionally was considered scandalous for women, so there was a strong pressure against divorce, especially for women. While divorce has long been culturally discouraged and limited, divorce has been rapidly increasing after the renovation policy in late 1980s with alternative causes, consequences, etc Modernization is a process of transforming ＂traditional＂ society to ＂modern＂ one, in order to achieve economic development and growth, to innovate politics and to enhance their social structure towards a political, social, and economic system similar to those of western developed countries. In the field of marriage, family, and kinship, modernization process experiences the maintenance of traditional values and the appearance of the new modern values. This paper aims to examine trend and correlates of divorce and to identify social and cultural factors influencing the divorce decision, using data of divorce profiles of one district court in 10 years （i.e., 2000-2009） with total divorce profiles analyzed are 2,033 cases, of which 499 divorce couples in a rural district and 1,534 divorced couples in an urban area.
文摘Yu Opera China Women (some translated it into Our Company)(2000) has been well received by audiences for its simple folk description, vivid characters, touching story lines, stunning stage backgrounds, and exquisite stage performances. The opera describes a story of Xiangxiang and Huanhuan, mother-in-law and daughter-in-law, two generations of women in the reform and opening up years in the 20th century in China. These Chinese women try to break the shackles of fate, with the strength to overcome hardships, work hard to gain wealth, and be brave to pursue true love, so it has a strong sense of feminism. However, rooted in the deep traditional Chinese culture, Xiangxiang and Huanhuan are always struggling between tradition and modernity and they make difficult choices along with the awakening of women’s consciousness.
文摘The article deals with the concept of leisure in Israel in terms of time, activity, state of mind, and Jewish values. The purpose of the study is to examine changes in how leisure is conceived in Judaism and the differences in the secular and religious conception of leisure, and the special relationship between leisure, work, and religious obligations and tradition. The study reviews the factors that have shaped the conception of leisure and its developments over time in Jewish religious society in general and in Israel in particular, which is a country with cultural foundations in both tradition and modernity, and one that strives to strike a balance between its multiple commitments to its religious roots and its modern democratic nature. The study proceeds to discuss the implications of such conceptions and developments for the Israeli education system. The article may have practical implications for imparting leisure behaviors, an educational challenge involving people＇s attitude to leisure.
文摘With the development of urbanization,metropolises and megapolises are emerging.Urbanization is being completed with the driving force of capital;meanwhile,technology has achieved the quest of capital.In this thesis,in light of Henri Lefebvre’s ideology of technology rational critique,Chinese urban modernity issues under the perspective of technology rational critique were analyzed,including issues like eroded urban texture,urban mechanization,and urban segregation.The technology rational root of Chinese urban modernity issues was discussed from the turn of technical artifacts from design intention to application intention.In the end,possible methods to solve these Chinese urban modernity issues were illustrated based on Henri Lefebvre’s urban development theory.
文摘The paper proposes to examine aspects of modernity in Cosmopolitan Alexandria in the first half of the 20th century as they are manifested in Jacqueline Carol＇s Cocktails andCamels （1960 and reprinted in 2008）. Written in English by a Lebanese Egyptian, born and raised in Alexandria, the novel investigates issues of cultural and linguistic identity, gender, the rise of national discourse, and the emergence of independent Egypt after the 1952 Revolution through the eyes of a young woman growing up in Cosmopolitan Alexandria as part of the elite but paying attention to all the political and social changes taking place in the city and the whole country
文摘This year marks the 50th anniversary of the normalization of diplomatic relations between China and Japan.Looking back on the past and forward to the future,we realize modernity has become a critical issue that not only China and Japan,but the whole East Asian region should pay attention to.China and Japan are both within the“Circle of Confucius Culture”and are both modern latecomer countries.As they were coerced by western countries to enter the modern age,they shared multiple common features.An exploration of the two countries’respective rising of modern women’s education is an important path to discuss the reconstruction of gender and an important method of the course of the embodiment of east-Asian women into modernization drives.With regards to conclusion,entering the modern age,Chinese and Japanese intellectuals reshaped the female gender in terms of interpersonal relationship,value system,and knowledge structure by advocating the idea of“virtuous wives and worthy mothers”education.In the concept of virtuous wives and worthy mothers in East Asia,the Confucian ethics of“docility and virtue”is the soul,and modern scientific knowledge serves this core value.On the other hand,in the course of localization in China and Japan,this imported concept from the West has encountered a completely different historical fate.
文摘Woman as a political trope had been essential to the Chinese Communist Party’s state vision of socialist modernization after the establishment of the People’s Republic of China in 1949.The Party valued women’s labor and devoted to emancipating it from the domestic realm so that women could be mobilized to actively participate in the collective socialist construction.Associating the figure of women with modernity is not an unprecedented strategy,for during the early twentieth century the“Modern Girl”embodying the essence of Chinese modernity had already become a conspicuous cultural icon in various kinds of visual cultural products.This paper investigates the ways in which females’public visual images were consciously constructed in the two different historical periods in order to cater to particular political or commercial schemes.It argues that while those images objectively capture the reality of social modernity to some extents,they also imply the artists’imaginary of an ideal vision of modernization.By registering female figures as the center for presentation,they were inscribed with males’desires through envisioning desirable female images that would correspond to their expectations of the concreteness of modernity.
