Miao batik in Guizhou region of China has a long history,and the batik process is also a kind of inheritance of intangible cultural heritage,which contains the longing and pursuit of the minority people for a better l...Miao batik in Guizhou region of China has a long history,and the batik process is also a kind of inheritance of intangible cultural heritage,which contains the longing and pursuit of the minority people for a better life,and it is an indispensable treasure of the national folk culture,which is deeply loved by the people for its unique form showing its own unique value.At the same time,batik has become an important tourism resource to attract consumption because of its exquisite pattern modelling,iconic colour effect and deep cultural connotation.展开更多
基于文献计量法和文献综述法,以知网数据库(CNKI)2000—2024年公开发表的苗族蜡染研究文献作为数据对象,运用Cite Space 6.2.R1软件对国内苗族蜡染的年发文量、关键词、研究内容等方面进行可视化分析。通过可视图谱分析苗族蜡染发展脉...基于文献计量法和文献综述法,以知网数据库(CNKI)2000—2024年公开发表的苗族蜡染研究文献作为数据对象,运用Cite Space 6.2.R1软件对国内苗族蜡染的年发文量、关键词、研究内容等方面进行可视化分析。通过可视图谱分析苗族蜡染发展脉络和研究热点,探析未来发展趋势。结果表明:21世纪以来,苗族蜡染设计具有扎实的研究基础,发文量总体呈上升趋势,经历了探索、拓展和纵深3个发文阶段;学者与研究机构缺乏跨平台合作;我国对苗族蜡染的研究经历了单一原生理论文化研究、多重文化体系综合研究、蜡染文化创新应用设计3个研究历程;未来苗族蜡染应立足于跨学科、多角度、数字化3个角度探索,以活态方式推动苗族蜡染传承与创新。展开更多
文摘Miao batik in Guizhou region of China has a long history,and the batik process is also a kind of inheritance of intangible cultural heritage,which contains the longing and pursuit of the minority people for a better life,and it is an indispensable treasure of the national folk culture,which is deeply loved by the people for its unique form showing its own unique value.At the same time,batik has become an important tourism resource to attract consumption because of its exquisite pattern modelling,iconic colour effect and deep cultural connotation.
文摘基于文献计量法和文献综述法,以知网数据库(CNKI)2000—2024年公开发表的苗族蜡染研究文献作为数据对象,运用Cite Space 6.2.R1软件对国内苗族蜡染的年发文量、关键词、研究内容等方面进行可视化分析。通过可视图谱分析苗族蜡染发展脉络和研究热点,探析未来发展趋势。结果表明:21世纪以来,苗族蜡染设计具有扎实的研究基础,发文量总体呈上升趋势,经历了探索、拓展和纵深3个发文阶段;学者与研究机构缺乏跨平台合作;我国对苗族蜡染的研究经历了单一原生理论文化研究、多重文化体系综合研究、蜡染文化创新应用设计3个研究历程;未来苗族蜡染应立足于跨学科、多角度、数字化3个角度探索,以活态方式推动苗族蜡染传承与创新。
