Mansfield Park is one of Jane Austen's masterpieces. There are a lot of lively vivid dialogues in the novel. Conversational implicature is analyzed from the perspective of progmatics in Mansfield Park will be prov...Mansfield Park is one of Jane Austen's masterpieces. There are a lot of lively vivid dialogues in the novel. Conversational implicature is analyzed from the perspective of progmatics in Mansfield Park will be provided in this article.展开更多
"When dear old Mrs. Hay went back to town after staying with the Burnells she sent the children a doll's house." There are three girls in the Burnells , one is Isabel---the eldest sister, the second one ..."When dear old Mrs. Hay went back to town after staying with the Burnells she sent the children a doll's house." There are three girls in the Burnells , one is Isabel---the eldest sister, the second one is Lottie, and the third one is Kezia. Kazia is the heroine of the story. When the marvellous house stood in the garden, the Burnell children sounded as though they were in despair.展开更多
Katherine Mansfield is regarded as a prominent modernist writer of short stories in New Zealand and English literature.Her works manifest the perfect union of modernistic techniques and modernistic themes in reflectin...Katherine Mansfield is regarded as a prominent modernist writer of short stories in New Zealand and English literature.Her works manifest the perfect union of modernistic techniques and modernistic themes in reflecting the spiritual life of modern people.The modernistic themes,including the theme of alienation,the theme of loneliness and disillusionment,and the theme of the paradox of life and death in her representative short storyAt the Bay,demonstrate her great concern about the spiritual world of modern people and her reflection on the modern society.展开更多
In a letter to Vita Sackville-West dated 8 August 1931, eight years after Katherine Mansfield＇s death, Virginia Woolf confides that she ＂gave up＂ reading her literary rival＇s stories ＂because of their cheap sharp...In a letter to Vita Sackville-West dated 8 August 1931, eight years after Katherine Mansfield＇s death, Virginia Woolf confides that she ＂gave up＂ reading her literary rival＇s stories ＂because of their cheap sharp sentimentality＂. Woolf＇s observation invites us to question： is Mansfield a mere sentimentalist or is her characterisation technique misunderstood？ The first section of this paper demonstrates that attributing Mansfield＇ works as ＂sentimental＂ is erroneous since Mansfield＇s strategy is to change the masks of her characters within her stories, revealed in her letters and journal entries. Following the first section of this paper, I aim to explore how Mansfield extends this strategy of changing masks in daily life to her fictional characters in ＂Je ne parle pas fran^ais＂ （1918） by equipping them with different types of masks--speech and facial expressions, gender, and animality--to respond to changes in their situations and toward the characters around them. Particularly important to this exploration are Joan Riviere＇s insights into gender in her article, ＂Womanliness as Masquerade＂, Michael Goldman＇s theory of masks in acting in his The Actor＇s Freedom： Toward a Theory of Drama and Gilles Deleuze and Felix Guattari＇s concept of ＂becoming-animal＂ in KaJka.＂ Towards a Minor Literature.展开更多
In this essay, the author proposes to explore Mansfield＇s ＂special prose＂ by examining the two issues raised in her journal entries： First, the phrase ＂perhaps not in poetry. No, perhaps in Prose＂ in her journal...In this essay, the author proposes to explore Mansfield＇s ＂special prose＂ by examining the two issues raised in her journal entries： First, the phrase ＂perhaps not in poetry. No, perhaps in Prose＂ in her journal entry of 22 January 1916 shows that Mansfield plans to experiment with a kind of poetic prose, or in her own words--＂special prose＂. The profound affinity between the ＂special prose＂ and the notion of elegy, ＂a mournful poem for the dead＂ （OED, ＂elegy＂, n. sense 1）, calls attention to her work＇s decisive but still insufficiently examined relationship to poetry and her preoccupation with mortality. Second, the words ＂scraps＂, ＂bits＂, and ＂nothing real finished＂ in her journal entry of 19 February 1918 indicate that the mortal fragility she writes about in her ＂special prose＂ is closely bound up with verbal fragility, as embodied, for example, in the form of an ellipsis mark that she uses extensively elsewhere in her short stories. Her connection to poetry and her use of ellipsis marks will be discussed by looking at the impact of John Keats＇s poems on her own work and ＂The Canary＂ （1922）, the last story she completed before her death.展开更多
Katherine Mansfield is a world famous woman master of short stories in English literature. Her stories are sensitive revelations of human behaiour in quite ordinary situations, through which we can glimpse a powerful,...Katherine Mansfield is a world famous woman master of short stories in English literature. Her stories are sensitive revelations of human behaiour in quite ordinary situations, through which we can glimpse a powerful, and sometimes cruelly pessimistic view of life. A Dill Pickle is one of her short stories published in 1917, describing the encounter between a young woman and a young man who have been lovers six years ago and their lost love and changes over the years. Short as it is, it is really worth our earful analysis and appreciation. This paper will comment on this short story from the following two aspects： a commont on the theme of the story; a comment on the writing technique of the story. The paper conludes that romantic love is dependent upon circumstances and the convergence of certain character traits at a particular time.展开更多
Katherine Mansfield is a central figure in the development of the modern short story.Among modernist techniques of novels in the 20^(th) century, interior monologue plays a significant role.Katherine Mansfield was the...Katherine Mansfield is a central figure in the development of the modern short story.Among modernist techniques of novels in the 20^(th) century, interior monologue plays a significant role.Katherine Mansfield was the first writer to use it consciously as a literary device.Her frequent and skillful use of interior monologue not only makes her works more unique and more attractive but also leaves a deep influence upon many writers.This paper mainly introduces interior monologue in her two famous short stories——The Daughters of the Late Colonel and Life of Ma Parker,in order to make readers have a better appreciation of Mansfield’s flexible use of interior monologue and comprehend her love and hatred towards society and her contemporaries.展开更多
As one of the best short story writers in Britain who ardently loved both music and poetry,Katherine Mansfield managed to add poetic and music beauty to story writing."Miss Brill"is perfected by her unique w...As one of the best short story writers in Britain who ardently loved both music and poetry,Katherine Mansfield managed to add poetic and music beauty to story writing."Miss Brill"is perfected by her unique writing style.Her poetic and musical language is applied in the story to strengthen the difficulty of understanding,prolong reader’s perception and achieve aesthetic effect.展开更多
This paper analyzes the features of language in"The Garden-Party"of Katherine Mansfield from three aspects of sentencestructure, word selection and characters' discourse. A large number of examples indic...This paper analyzes the features of language in"The Garden-Party"of Katherine Mansfield from three aspects of sentencestructure, word selection and characters' discourse. A large number of examples indicate Katherine Mansfield's language in the shortfiction creates a poetic imagery; moreover, the author's words depicting things and portraying figures have a great influence on the ex-pression of the theme and characterization of the short story.展开更多
In the last chapter of Jane Austen's third novel, Mansfield Park, Fanny Price, the heroine, married her cousin Edmund Bertram. In the context of British society in the early 19th century, Fanny's marriage had ...In the last chapter of Jane Austen's third novel, Mansfield Park, Fanny Price, the heroine, married her cousin Edmund Bertram. In the context of British society in the early 19th century, Fanny's marriage had a strong symbolic meaning:through mar-riage, Fanny was legally accepted by Mansfield Park;at the same time, she was also given an opportunity to temporarily escape from the oppression from the parents of Mansfield Park (although she could never escape from the control offeudal system);the ac-ceptance of Fanny was a reflection of the efforts of the gentry (represented by Sir Thomas Bertram, Edmund's father) to ameliorate slavery when it was declining.展开更多
目的系统评价临床常用精神类药物对阿尔茨海默病(AD)激越症状的疗效、安全性及认知功能的影响,基于累积排序概率曲线下面积(SUCRA)进行多维度概率排名,为临床决策提供参考。方法系统检索PubMed、the Cochrane Library、Web of Science和...目的系统评价临床常用精神类药物对阿尔茨海默病(AD)激越症状的疗效、安全性及认知功能的影响,基于累积排序概率曲线下面积(SUCRA)进行多维度概率排名,为临床决策提供参考。方法系统检索PubMed、the Cochrane Library、Web of Science和Embase数据库,纳入抗精神病药与安慰剂治疗AD的随机对照研究,采用平均值(MD)及其95%置信区间(95%CI)量化疗效差异,并基于SUCRA进行不同药物治疗效果的优劣排序。结果共检索3615篇文献,最终纳入11篇文献,涉及12项研究(涵盖8种干预措施与安慰剂对照)。网状meta分析结果显示,与安慰剂相比,依匹哌唑可显著降低Cohen-Mansfield激越问卷(CMAI)评分(MD=-3.88,95%CI:-5.89~-1.88)和神经精神问卷(NPI)评分(MD=-4.60,95%CI:-7.54~-1.66),其疗效在CMAI(SUCRA=85.2%)评分改善与NPI(SUCRA=89.2%)评分改善方面的累积概率排名均为首位,但其不良事件风险显著升高(RR=1.11,95%CI:1.02~1.21)。米氮平在认知功能改善方面具有优势(SMD=5.10,95%CI:0.69~9.51,SUCRA=96.1%),但激越症状控制效果有限。结论依匹哌唑是改善AD激越症状方面具有统计学优势的药物,但需警惕不良反应风险;米氮平对认知功能的获益有潜在治疗价值,但核心激越症状控制效能不足。展开更多
文摘Mansfield Park is one of Jane Austen's masterpieces. There are a lot of lively vivid dialogues in the novel. Conversational implicature is analyzed from the perspective of progmatics in Mansfield Park will be provided in this article.
文摘"When dear old Mrs. Hay went back to town after staying with the Burnells she sent the children a doll's house." There are three girls in the Burnells , one is Isabel---the eldest sister, the second one is Lottie, and the third one is Kezia. Kazia is the heroine of the story. When the marvellous house stood in the garden, the Burnell children sounded as though they were in despair.
文摘Katherine Mansfield is regarded as a prominent modernist writer of short stories in New Zealand and English literature.Her works manifest the perfect union of modernistic techniques and modernistic themes in reflecting the spiritual life of modern people.The modernistic themes,including the theme of alienation,the theme of loneliness and disillusionment,and the theme of the paradox of life and death in her representative short storyAt the Bay,demonstrate her great concern about the spiritual world of modern people and her reflection on the modern society.
文摘In a letter to Vita Sackville-West dated 8 August 1931, eight years after Katherine Mansfield＇s death, Virginia Woolf confides that she ＂gave up＂ reading her literary rival＇s stories ＂because of their cheap sharp sentimentality＂. Woolf＇s observation invites us to question： is Mansfield a mere sentimentalist or is her characterisation technique misunderstood？ The first section of this paper demonstrates that attributing Mansfield＇ works as ＂sentimental＂ is erroneous since Mansfield＇s strategy is to change the masks of her characters within her stories, revealed in her letters and journal entries. Following the first section of this paper, I aim to explore how Mansfield extends this strategy of changing masks in daily life to her fictional characters in ＂Je ne parle pas fran^ais＂ （1918） by equipping them with different types of masks--speech and facial expressions, gender, and animality--to respond to changes in their situations and toward the characters around them. Particularly important to this exploration are Joan Riviere＇s insights into gender in her article, ＂Womanliness as Masquerade＂, Michael Goldman＇s theory of masks in acting in his The Actor＇s Freedom： Toward a Theory of Drama and Gilles Deleuze and Felix Guattari＇s concept of ＂becoming-animal＂ in KaJka.＂ Towards a Minor Literature.
文摘In this essay, the author proposes to explore Mansfield＇s ＂special prose＂ by examining the two issues raised in her journal entries： First, the phrase ＂perhaps not in poetry. No, perhaps in Prose＂ in her journal entry of 22 January 1916 shows that Mansfield plans to experiment with a kind of poetic prose, or in her own words--＂special prose＂. The profound affinity between the ＂special prose＂ and the notion of elegy, ＂a mournful poem for the dead＂ （OED, ＂elegy＂, n. sense 1）, calls attention to her work＇s decisive but still insufficiently examined relationship to poetry and her preoccupation with mortality. Second, the words ＂scraps＂, ＂bits＂, and ＂nothing real finished＂ in her journal entry of 19 February 1918 indicate that the mortal fragility she writes about in her ＂special prose＂ is closely bound up with verbal fragility, as embodied, for example, in the form of an ellipsis mark that she uses extensively elsewhere in her short stories. Her connection to poetry and her use of ellipsis marks will be discussed by looking at the impact of John Keats＇s poems on her own work and ＂The Canary＂ （1922）, the last story she completed before her death.
文摘Katherine Mansfield is a world famous woman master of short stories in English literature. Her stories are sensitive revelations of human behaiour in quite ordinary situations, through which we can glimpse a powerful, and sometimes cruelly pessimistic view of life. A Dill Pickle is one of her short stories published in 1917, describing the encounter between a young woman and a young man who have been lovers six years ago and their lost love and changes over the years. Short as it is, it is really worth our earful analysis and appreciation. This paper will comment on this short story from the following two aspects： a commont on the theme of the story; a comment on the writing technique of the story. The paper conludes that romantic love is dependent upon circumstances and the convergence of certain character traits at a particular time.
文摘Katherine Mansfield is a central figure in the development of the modern short story.Among modernist techniques of novels in the 20^(th) century, interior monologue plays a significant role.Katherine Mansfield was the first writer to use it consciously as a literary device.Her frequent and skillful use of interior monologue not only makes her works more unique and more attractive but also leaves a deep influence upon many writers.This paper mainly introduces interior monologue in her two famous short stories——The Daughters of the Late Colonel and Life of Ma Parker,in order to make readers have a better appreciation of Mansfield’s flexible use of interior monologue and comprehend her love and hatred towards society and her contemporaries.
文摘As one of the best short story writers in Britain who ardently loved both music and poetry,Katherine Mansfield managed to add poetic and music beauty to story writing."Miss Brill"is perfected by her unique writing style.Her poetic and musical language is applied in the story to strengthen the difficulty of understanding,prolong reader’s perception and achieve aesthetic effect.
文摘This paper analyzes the features of language in"The Garden-Party"of Katherine Mansfield from three aspects of sentencestructure, word selection and characters' discourse. A large number of examples indicate Katherine Mansfield's language in the shortfiction creates a poetic imagery; moreover, the author's words depicting things and portraying figures have a great influence on the ex-pression of the theme and characterization of the short story.
文摘In the last chapter of Jane Austen's third novel, Mansfield Park, Fanny Price, the heroine, married her cousin Edmund Bertram. In the context of British society in the early 19th century, Fanny's marriage had a strong symbolic meaning:through mar-riage, Fanny was legally accepted by Mansfield Park;at the same time, she was also given an opportunity to temporarily escape from the oppression from the parents of Mansfield Park (although she could never escape from the control offeudal system);the ac-ceptance of Fanny was a reflection of the efforts of the gentry (represented by Sir Thomas Bertram, Edmund's father) to ameliorate slavery when it was declining.
文摘目的系统评价临床常用精神类药物对阿尔茨海默病(AD)激越症状的疗效、安全性及认知功能的影响,基于累积排序概率曲线下面积(SUCRA)进行多维度概率排名,为临床决策提供参考。方法系统检索PubMed、the Cochrane Library、Web of Science和Embase数据库,纳入抗精神病药与安慰剂治疗AD的随机对照研究,采用平均值(MD)及其95%置信区间(95%CI)量化疗效差异,并基于SUCRA进行不同药物治疗效果的优劣排序。结果共检索3615篇文献,最终纳入11篇文献,涉及12项研究(涵盖8种干预措施与安慰剂对照)。网状meta分析结果显示,与安慰剂相比,依匹哌唑可显著降低Cohen-Mansfield激越问卷(CMAI)评分(MD=-3.88,95%CI:-5.89~-1.88)和神经精神问卷(NPI)评分(MD=-4.60,95%CI:-7.54~-1.66),其疗效在CMAI(SUCRA=85.2%)评分改善与NPI(SUCRA=89.2%)评分改善方面的累积概率排名均为首位,但其不良事件风险显著升高(RR=1.11,95%CI:1.02~1.21)。米氮平在认知功能改善方面具有优势(SMD=5.10,95%CI:0.69~9.51,SUCRA=96.1%),但激越症状控制效果有限。结论依匹哌唑是改善AD激越症状方面具有统计学优势的药物,但需警惕不良反应风险;米氮平对认知功能的获益有潜在治疗价值,但核心激越症状控制效能不足。
