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Study on Characteristics of Gold Powder with Round Shape for Maki-e
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作者 Chieko Narita Yutaro Shimode Kazushi Yamada 《Materials Sciences and Applications》 2015年第10期841-849,共9页
Maki-e is a traditional Japanese decorative technique that uses the natural lacquer Urushi and metal powders. Currently, there exist only two companies that manufacture metal powder for the purpose of Maki-e, and this... Maki-e is a traditional Japanese decorative technique that uses the natural lacquer Urushi and metal powders. Currently, there exist only two companies that manufacture metal powder for the purpose of Maki-e, and this research focuses on comparing the material characteristics of the gold powders with round shape manufactured by them. EDS (energy-dispersive X-ray spectroscopy) analysis, image analysis of particle shape before and after Maki-e processing, and color analysis of samples after Maki-e processing were carried out in this research. The study revealed that current gold powders with round shape had almost the same content ratio regardless of the manufacturing company and the powder diameter. In addition, spherical shape and irregular shape were observed in any gold powders, and the aggregates were observed in powder with increasing the powder diameter, while the shape of the aggregates differed with manufacturing companies. Therefore, it was indicated that the aggregates in the powder made by Asano Co., Ltd. had an influence on the particle diameter and its deviation after Maki-e processing. Moreover, the powder in Urushi resin has an influence on the Maki-e appearance because there is a color difference in polished powder, powder in Urushi resin, and Urushi resin. 展开更多
关键词 Urushi Natural LACQUER maki-e Gold POWDER with ROUND SHAPE TRADITIONAL CRAFTS
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Study on Properties of Silver Powder for Maki-e
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作者 Chieko Narita Yutaro Shimode Kazushi Yamada 《Materials Sciences and Applications》 2015年第1期1-8,共8页
Maki-e is a traditional Japanese decorative technique that uses the natural lacquer Urushi and metal powders. In 2014, there exist only two companies that manufacture silver powder for the purpose of Maki-e, and this ... Maki-e is a traditional Japanese decorative technique that uses the natural lacquer Urushi and metal powders. In 2014, there exist only two companies that manufacture silver powder for the purpose of Maki-e, and this study focuses on comparing the powders manufactured by them. Gloss and color of each silver powder were measured after Maki-e decoration was finished, and EDS (energy-dispersive X-ray spectroscopy) was used to determine the differences in their chemical composition. In addition, to verify the effect of polishing, residual gloss after sulfuration and polishing was measured. The study revealed that the shapes of the silver powders (Maru-fun, No. 1) manufactured by the two companies are different and it affects the occupancy rate of Urushi and powder, which in turn affects their gloss and color. Wakou silver has a very strong resistance to sulfuration;however, owing to its Pd content, its chroma is much lower than that of other powders. It was shown that sulfuration on powder surface can be removed by polishing irrespective of the shape and chemical composition ratio of the particles. 展开更多
关键词 Urushi NATURAL LACQUER maki-e SILVER POWDER Energy-Dispersive X-RAY Spectroscopy
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Effect of Different Eggshell Powder on Appearance of Eggshell Maki-e
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作者 Yutaro Shimode Chieko Narita +1 位作者 Atsushi Endo Kazushi Yamada 《Materials Sciences and Applications》 2013年第2期138-144,共7页
The Maki-e technique with eggshell powder is one of techniques of Japanese traditional Urushi (Japanese lacquer) crafts. However, this technique is relatively new in the history of Maki-e, and there are no prior resea... The Maki-e technique with eggshell powder is one of techniques of Japanese traditional Urushi (Japanese lacquer) crafts. However, this technique is relatively new in the history of Maki-e, and there are no prior researches in terms of materials, structure, and properties. In this research, therefore we have aimed to evaluate the relationship between the eggshell powder sizes, dispersion, and color shade in Maki-e with eggshell powder. The difference between hen’s and quail’s eggshell characteristics and the effect of their powder particle size on appearance of eggshell Maki-e were discussed on the basis of the results of the particle size, circularity, particle number, and RGB value. As a result, it was found that the occupancy of the eggshell powder on the surface depends on not particle number but the particle size, whereas the whiteness of both eggshell powders depends on the particle size. 展开更多
关键词 Urushi (Japanese Lacquer) maki-e EGGSHELL Powder TRADITIONAL CRAFTS
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国学教育机构中的儿童家具设计 被引量:3
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作者 谢晓洁 苗艳凤 《家具》 2024年第4期69-72,共4页
当前,我国国学教育日益火爆。为适应国学家具厂商产品的批量化、标准化和机械化生产要求,并加强国学家具中人文因素的应用,对国学教育机构中的儿童家具进行了设计与研究,以提高儿童对国学的喜爱程度。通过研究当下儿童国学家具在造型、... 当前,我国国学教育日益火爆。为适应国学家具厂商产品的批量化、标准化和机械化生产要求,并加强国学家具中人文因素的应用,对国学教育机构中的儿童家具进行了设计与研究,以提高儿童对国学的喜爱程度。通过研究当下儿童国学家具在造型、功能、色彩、材料等方面的创新设计理论,针对国文教室、国画教室内的家具进行设计。设计输出以满足儿童成长需求和学习需求为出发点,结合青绿画法、莳绘工艺技法来丰富国学家具的内涵。设计研究国学教育机构中的儿童家具有利于为传统元素家具提供更多可行性的创新方案,进一步实现家具的中式美,使得儿童通过家具的熏陶喜爱中国文化。 展开更多
关键词 国学家具 儿童家具 莳绘工艺 传统家具创新
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日本漆器上的莳绘纹样 被引量:3
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作者 汪瑾 《中国生漆》 2014年第4期28-33,共6页
本文通过对日本传统漆器上莳绘纹样发展的历史沿革及其风格特征的论述,展现了日本传统漆器在学习、借鉴中国传统漆文化的基础上,通过长期与本国地理与风土人情的融合,创造出具有地域特征、富有岛国风情的独特纹样。正是这种独特的莳绘... 本文通过对日本传统漆器上莳绘纹样发展的历史沿革及其风格特征的论述,展现了日本传统漆器在学习、借鉴中国传统漆文化的基础上,通过长期与本国地理与风土人情的融合,创造出具有地域特征、富有岛国风情的独特纹样。正是这种独特的莳绘纹样和莳绘技法的完美结合,使得日本漆器成为当今日本传统工艺品种中最具特色及高超艺术表现力的艺术种类。 展开更多
关键词 日本传统漆器 莳绘 莳绘纹样
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印笼为例谈唐代中日漆艺文化交流
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作者 郑勇 陈杰 《中国生漆》 2023年第1期19-23,共5页
目的是对“印笼”造型和审美意蕴进行分析。通过剖析“印笼”的演变来深度解读唐代中日漆艺文化交流情况,利用理论梳理、田野调查和调研分析相结合,将“印笼”造型、材质、审美综合研究比较,探寻古代器物美学之道。“印笼”作为古代的... 目的是对“印笼”造型和审美意蕴进行分析。通过剖析“印笼”的演变来深度解读唐代中日漆艺文化交流情况,利用理论梳理、田野调查和调研分析相结合,将“印笼”造型、材质、审美综合研究比较,探寻古代器物美学之道。“印笼”作为古代的印章和药品的包装是东方文化荟萃载体,其多种材料、繁复的装饰都能作为研究唐代中日交流的媒介,其蕴含深厚的审美、文化和技艺传承值得不断探索和钻研。 展开更多
关键词 印笼 漆器 无用之用 莳绘
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故宫藏日本江户“金漆花鸟琴”初探
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作者 刘岐荣 《中国国家博物馆馆刊》 CSSCI 北大核心 2018年第1期57-64,共8页
故宫博物院"金漆花鸟琴"为清宫旧藏古琴,与其它传世古琴不同,它的漆地表面有用金粉和颜料描绘的龙纹、花鸟、山石等纹饰,琴上龙纹图案,琴侧的花菱纹,琴面和琴背的花卉等,均与传统中国漆器上的纹饰存在明显差别,具有日本纹饰... 故宫博物院"金漆花鸟琴"为清宫旧藏古琴,与其它传世古琴不同,它的漆地表面有用金粉和颜料描绘的龙纹、花鸟、山石等纹饰,琴上龙纹图案,琴侧的花菱纹,琴面和琴背的花卉等,均与传统中国漆器上的纹饰存在明显差别,具有日本纹饰的显著特征。从髹漆工艺看,琴上纹饰和花鸟图案,创作技法上采用日本平莳绘、高莳绘、色粉莳绘等不同莳绘的髹漆技法。考察日本古琴发展及中日贸易关系,江户时代(1603—1867年)后期,古琴在日本颇为流行,并一度在日本成为一种时尚,古琴文化的发展在日本达到鼎盛时期。故宫博物院收藏的这张"金漆花鸟琴",具有江户时期日本莳绘漆器的艺术风格,应该就是受中国古琴在日本盛行风气影响的产物,它是日本江户时期制作的莳绘工艺品,而后流入中国,并为宫廷所收藏。此琴进入清宫的时间,当在乾隆末期前后。 展开更多
关键词 故宫 金漆花鸟琴 江户时代 莳绘 古琴
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超血亲共同体:以赤塚派莳绘为例探析日本传统手工艺家元传承
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作者 徐承宇 徐恺 《艺术与设计(理论版)》 2025年第2期141-143,共3页
文章以赤塚派莳绘为例,探讨日本传统手工艺家元传承的独特机制及其在现代社会中的适应与发展。文章在回顾赤塚派发展脉络基础上,通过分析其内部传承及扩展方式,肯定了家族内部代际传承对技艺延续的积极作用,揭示了嫡长继承制及其局限性... 文章以赤塚派莳绘为例,探讨日本传统手工艺家元传承的独特机制及其在现代社会中的适应与发展。文章在回顾赤塚派发展脉络基础上,通过分析其内部传承及扩展方式,肯定了家族内部代际传承对技艺延续的积极作用,揭示了嫡长继承制及其局限性;进而论证了封建社会向现代社会转型过程中,面临工业化和市场经济冲击挑战时的应对策略。 展开更多
关键词 赤塚派 莳绘 家元制 传统手工艺 三田村有纯
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清宫旧藏莳绘漆壶与雍正朝仿制壶探析
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作者 邢娜 《故宫博物院院刊》 CSSCI 北大核心 2024年第7期106-116,142,143,共13页
故宫博物院收藏有几件特点鲜明的日本莳绘漆壶,以及与之相关的造于清宫的铜胎画珐琅壶和银壶。本文以清宫内务府造办处档案中的记录为引线,通过对几件清宫旧藏小型器物造型、装饰的考察,分析了壶的用途以及来历,并引出中日两国工艺美术... 故宫博物院收藏有几件特点鲜明的日本莳绘漆壶,以及与之相关的造于清宫的铜胎画珐琅壶和银壶。本文以清宫内务府造办处档案中的记录为引线,通过对几件清宫旧藏小型器物造型、装饰的考察,分析了壶的用途以及来历,并引出中日两国工艺美术的相互影响。 展开更多
关键词 莳绘 雍正 仿制
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故宫博物院藏“洋漆”与“仿洋漆”器探源 被引量:19
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作者 夏更起 《故宫博物院院刊》 CSSCI 北大核心 2015年第6期136-150,161,共15页
故宫博物院藏有大量"洋漆"与"仿洋漆"器,亦即日本称作"莳绘"者,中国称作描金漆器,此前尚无人对其进行系统性研究。作者依据实物,并结合相关文献,对这两类漆器的发展进行了全面梳理、总结,特别是对日本描... 故宫博物院藏有大量"洋漆"与"仿洋漆"器,亦即日本称作"莳绘"者,中国称作描金漆器,此前尚无人对其进行系统性研究。作者依据实物,并结合相关文献,对这两类漆器的发展进行了全面梳理、总结,特别是对日本描金漆艺如何进入中国宫廷进行了充分的分析,进而又对清代宫廷制造"仿洋漆"器情况以及工艺特点加以探究。此外,作者还通过档案证明,清代有多地制造"仿洋漆器"进贡于皇宫,成为故宫博物院现藏"仿洋漆器"的组成部分。 展开更多
关键词 莳绘 仿洋器 描金漆 工艺技艺
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