Mythology originated from the Greek. It refers to the ancient legends and stories. Up to the end of the 19^th century and the early part of the 20^th century, mythology attained a new meaning and the new mythology cam...Mythology originated from the Greek. It refers to the ancient legends and stories. Up to the end of the 19^th century and the early part of the 20^th century, mythology attained a new meaning and the new mythology came into being. The Russian symbolists took the mythology as a form to create the new mythology. Petersburg by Andrej Belyj and Meregkovskiy is characterized by ＂the new mythology＂.展开更多
Yuan Ke shifted his focus from early literary creation to mythological research,gradually developing a distinctive approach to mythology research,which involves examining the correlation between mythology and literatu...Yuan Ke shifted his focus from early literary creation to mythological research,gradually developing a distinctive approach to mythology research,which involves examining the correlation between mythology and literature.Yuan Ke is one of the most exceptional scholars who has made significant contributions to the popularity and promotion of Chinese mythology.He has collected,sorted out,and transformed related materials into stories to facilitate the systematic development of Chinese mythology.Moreover,he proposed and constructed a broad mythology theory,making him a leading figure in contemporary Chinese mythology research.Upon reflecting on the development of Chinese mythology,it is evident that Yuan Ke has progressed from a learner to a trailblazer and finally to the architect of his own comprehensive mythological framework.展开更多
As the hero in Ernest Hemingway's greatest masterpiece,The Old Man and the Sea,Santiago has always been considered as a perfect example of Hemingway's stoical protagonists.Being one of the classic characters i...As the hero in Ernest Hemingway's greatest masterpiece,The Old Man and the Sea,Santiago has always been considered as a perfect example of Hemingway's stoical protagonists.Being one of the classic characters in the American literature,Santiago is noticed for his strength,wisdom,bravery,and above all,his unsurpassed endurance.Even though the prototype of Santia go in reality,as Hemingway once revealed in an interview,is an old Cuban fisherman who told him about his experience of catching a large marlin and losing it to the sharks in 1935[海],the spiritual prototype of the old man has been best interpreted in the Greek Mythology.To be more precise,Santiago's spiritual prototype is the combination of Atlas,Prometheus and Sisyphus.展开更多
Most Greek myths or legends from ancient Greek literature, including such as "Iliad" and "Odyssey" of the "Homer", Hesiod's "Work Time" and "Divinity," Ovid's ...Most Greek myths or legends from ancient Greek literature, including such as "Iliad" and "Odyssey" of the "Homer", Hesiod's "Work Time" and "Divinity," Ovid's "Metamorphoses" and other classics, as well as Aeschylus, Sophocles and Euripides in the European theater.展开更多
The accurate knowledge of surgical anatomy,the amelioration of post-operative processes and the continuously increasing experience of surgeons nowadays allow the performance of severe hepatic operations(e.g.,wide live...The accurate knowledge of surgical anatomy,the amelioration of post-operative processes and the continuously increasing experience of surgeons nowadays allow the performance of severe hepatic operations(e.g.,wide liver resections,liver transplantations,etc.).The success of these operations is even more assisted by the great regenerative ability of the liver.Greek mythology,being an important source of information on the beliefs,habits,and phenomena observed during antiquity,reveals that hepatic regeneration was well known to ancient Greeks and this natural ability was established in two tales:the tale of Prometheus and the tale of the Giant Tityus.The main concept of both tales,being the destruction and reconstitution of the liver,is almost the same.Both of the condemned were immortal and their liver regenerated in a night,providing thus,food for the eagles and eternal pain for the sufferers.In conclusion,the tales show that the regenerative ability of the liver was well known from early years and that the trust shown by the Gods in this ability,to cause eternal suffering is on a par with the trust shown by the modern surgeons in it,to assure a successful hepatic operation.展开更多
The term“philosophy of mythology”is not a newly-coined terminology.It has been used by Schelling1,a German philosopher of the 19th century,as the title of his masterpiece.Ernst Cassirer,a famous German philosopher o...The term“philosophy of mythology”is not a newly-coined terminology.It has been used by Schelling1,a German philosopher of the 19th century,as the title of his masterpiece.Ernst Cassirer,a famous German philosopher of the 20th century also used it in the chapter heading of the introduction of Symbolic Forms of Philosophy Volume 2.2 However,a review of the books on mythology or philosophy in China reveals the concept of philosophy of mythology is still unfamiliar to the Chinese academic circles since the books mentioned above of both Schelling and Cassirer have not been translated into Chinese.So there is a necessity to clarify the title of this book.展开更多
Chinese mythology with its profound cultural asserts and the unconstrained imagination is an indispensable factor in animation creation.The rich resources of myth in ancient China provided a broad space for the creati...Chinese mythology with its profound cultural asserts and the unconstrained imagination is an indispensable factor in animation creation.The rich resources of myth in ancient China provided a broad space for the creation of animation film and inherited a long ethnic culture.Firstly,the study creates an animation mythological character design model according to the literature review to provide the operational theory for animation design,which consists of three main parts:central idea,research method,and conceptual model.Secondly,the research sums up the animation character creative process framework through the case of Shisa with the specific ideas of creative design.Four steps are used to design a mythological character:set a scenario(illustration),tell a story(interpretation),write a script(reaction),and design a character(reflection).It has analyzed how to integrate the information about the mythology and stimulate the designers’creative imagination in the animation character design in order to create the artworks with unique oriental charm.展开更多
Comparative studies of Japanese mythology have developed since the 1920s above all through eftbrts of Japanese ethnologists. They have paid attention to the possible ethno-cultural complexes that brought mythological ...Comparative studies of Japanese mythology have developed since the 1920s above all through eftbrts of Japanese ethnologists. They have paid attention to the possible ethno-cultural complexes that brought mythological motifs into the archipelago. In the present paper the theories set forth by Nobuhiro Matsumoto, Akihide Mishina, and Masao Oka are examined in terms of retrospect. The result shows that they shared the view that at least three different complexes, based in ancient Yamato, Izumo, and Kyushu respectively, contributed to the formation of Japanese mythology compiled in the 8th century CE （Common Era）. Their assumptions were synthesized by Taryo Obayashi in 1961, the hypothesis which has survived until today. In future we should cooperate with other disciplines and address the formation process of Japanese mythology.展开更多
Dragon is a legendary figure in myth and legend,which appears frequently in eastern and western myths and legends.Among the western myths and legends about dragons,the most famous one is ancient Greek myths.Starting f...Dragon is a legendary figure in myth and legend,which appears frequently in eastern and western myths and legends.Among the western myths and legends about dragons,the most famous one is ancient Greek myths.Starting from the dragon image in Greek mythology,this paper briefly introduces the images of different dragons in Greek mythology,and then introduces the evolution of the dragon image in various film works.The conclusion drawn from this paper is that with the integration of eastern and western cultures,the dragon in western films is no longer a single evil and negative image,but a diversified image welcomed by the audience.展开更多
In Greek Mythology, women play an important role in attracting readers' attention. In fact, their stories are the expressions used by ancient Greeks to present their views toward women. This essay will analyze the...In Greek Mythology, women play an important role in attracting readers' attention. In fact, their stories are the expressions used by ancient Greeks to present their views toward women. This essay will analyze the stories of mortal women in Greek Mythology and try to prove they are representatives of women in the realistic world.展开更多
A new exhibition has rekindled interest in ancient Chinas earliest geographical work to have survived to the present day,serving as a treasure trove of legendary mountains,seas,natural resources and mystical creatures.
Botticelli’s The Birth of Venus continues to serve as an iconographic enigma and remains an enduring subject of scholarly analysis concerning the significance of mythological art and its symbolism during the Italian ...Botticelli’s The Birth of Venus continues to serve as an iconographic enigma and remains an enduring subject of scholarly analysis concerning the significance of mythological art and its symbolism during the Italian Renaissance.Therefore,it is particularly noteworthy to examine further the symbolic elements embedded within the imagery.This essay focuses on a specific component in the landscape of The Birth of Venus-the marsh plant on the riverbank,commonly known as cattail in English,tifa or stiancia in Italian,and Typha latifolia in Latin.Botticelli’s The Birth of Venus,executed between 1485 and 1490,is a tempera on canvas with gesso and gold applications.It was commissioned with specific aesthetic,cultural,and intellectual objectives and was intended to be displayed in a private chamber for personal viewing by members of the Medici family.Situated initially within the Medicean Villa at Castello,it has been exhibited at the Galleria degli Uffizi in Florence since 1815.This mythological painting exemplifies the Italian Renaissance principles of both physical and metaphysical humanism,visualized in a fusion of pagan and Christian iconography and iconology,incorporating symbolism that engages with antiquity and classical mythology.It also incorporates Italian Renaissance Neoplatonic philosophy,reflects Renaissance love poetry,demonstrates inventive patronage,and embodies spirituality directed towards a higher purpose.展开更多
Set against the cultural and historical backdrop of 18th-century Venice,Giulia Elisabetta Lama’s(1681-1747)remarkable paintings reveal intriguing connections to mythology and science.Lama’s notable depiction of Satu...Set against the cultural and historical backdrop of 18th-century Venice,Giulia Elisabetta Lama’s(1681-1747)remarkable paintings reveal intriguing connections to mythology and science.Lama’s notable depiction of Saturn Devouring His Child,painted in oils in 1729 and now in a private collection,draws significant attention.展开更多
Mythology of the San Bushmen of Southern Africa By MATHIAS GUENTHER Oxford University Press The San Bushmen,among the oldest continuous cultures on Earth,are indigenous peoples recognised as the First Nations of South...Mythology of the San Bushmen of Southern Africa By MATHIAS GUENTHER Oxford University Press The San Bushmen,among the oldest continuous cultures on Earth,are indigenous peoples recognised as the First Nations of Southern Africa.Rich in storytelling traditions,San culture preserves a vast body of myth and lore.In the book.展开更多
This study investigates translation strategies for Chinese cultural terms in academic texts through a case study of Chapter 7 from“Jade Myth Belief and Chinese Spirit”.Using a qualitative research approach based on ...This study investigates translation strategies for Chinese cultural terms in academic texts through a case study of Chapter 7 from“Jade Myth Belief and Chinese Spirit”.Using a qualitative research approach based on cultural context framework and cognitive model,the study analyzes translation challenges and solutions in rendering cultural terms related to jade mythology and archaeological concepts.The research identifies three primary translation strategies:transliteration with annotation,domestication with explanation,and cognitive-based translation.The findings reveal that effective translation requires a balanced approach between maintaining academic precision and preserving cultural authenticity.The study demonstrates that successful translation of cultural terms in academic contexts demands a sophisticated understanding of both source and target cultural contexts,along with careful consideration of the academic audience’s needs.This research contributes to the field by providing practical insights for translators working with Chinese cultural texts in academic settings and proposing an approach to handling complex cultural terminology.展开更多
Die Walküre is the most frequently staged and most popular title of the Ring cycle among classical music enthusiasts.It tells a complex story that involves intertwined relationships between father and daughter,hu...Die Walküre is the most frequently staged and most popular title of the Ring cycle among classical music enthusiasts.It tells a complex story that involves intertwined relationships between father and daughter,husband and wife,brother and sister,and lovers in the epic context of the Nordic mythology.展开更多
Cassirer argues that humans are animals of symbols,and these symbolic forms encompass not only the science of rational logic but also non-logical elements such as mythology and primitive religions.Previous research on...Cassirer argues that humans are animals of symbols,and these symbolic forms encompass not only the science of rational logic but also non-logical elements such as mythology and primitive religions.Previous research on Cassirer’s philosophy of symbolic forms has primarily focused on philosophical connotations,philosophical thoughts,cultural philosophy,and other aspects,yielding abundant results.By examining mythology within the context of symbolic forms,we discover a force within it,namely,the solidifying power.This solidifying power demands that mythology maintain fixed and established forms during its emergence and development,thereby distinguishing it from other symbolic forms.By exploring the development trends and manifestations of the solidifying power in mythology,we can gain a clearer understanding of the path of human intellectual development from childhood to maturity,thus answering the historical question of human essence.展开更多
The whole of Western metaphysics, particularly Platonism, sets up a partition between the sensory world and the supersensory world, laying the foundation for the mythology of the supersensory world. After Descartes se...The whole of Western metaphysics, particularly Platonism, sets up a partition between the sensory world and the supersensory world, laying the foundation for the mythology of the supersensory world. After Descartes set contemporary metaphysics on its course, Feuerbach became the first to attack the essence of the supersensory world on an ontological level and to transfer the criticism of theology to that of metaphysics in general. While in the final analysis Feuerbach＇s criticism fails, Marx＇s revolution appeals to the ontological notion of ＂sensory activity＂ or ＂objective activity＂ （i.e., practice）, the core of which rests in piercing and overturning the fundamental framework of contemporary metaphysics--＂the immanence of consciousness.＂ It is this ontological revolution which reveals the camouflage of the supersensory world＇s mythology （i.e., ideology） and which simultaneously establishes a solid foundation for the critical analysis of the latter. Marx＇s ＂science of history＂ is based on this foundation and develops from it.展开更多
This paper is centered on the extent to which contemporary Chinese science fiction is related to ancient Chinese mythologies according to the previous scholarly discussion and how these ancient mythologies are utilize...This paper is centered on the extent to which contemporary Chinese science fiction is related to ancient Chinese mythologies according to the previous scholarly discussion and how these ancient mythologies are utilized specifically in the futuristic narratives of modern Chinese science fiction.By referring to academic dialogues,this paper argues that ancient mythologies can be recreated in modern science fiction and create modern mythologies in futuristic narratives to present or deal with modern human fears.Based on this argument,this paper then continues to explore what kinds of modern mythologies science fiction might deliver.The Chinese film The Wandering Earth(2019)will be discussed in terms of its mythological symbols and metaphors.This paper proposes a new approach through which to reconnect past stories with futuristic narratives and builds a frame in which to contextualize ancient mythologies in contemporary Chinese culture.展开更多
文摘Mythology originated from the Greek. It refers to the ancient legends and stories. Up to the end of the 19^th century and the early part of the 20^th century, mythology attained a new meaning and the new mythology came into being. The Russian symbolists took the mythology as a form to create the new mythology. Petersburg by Andrej Belyj and Meregkovskiy is characterized by ＂the new mythology＂.
基金a phased achievement of“Literature Research of the Classic of Mountains and Seas,”a special fund project for basic scientific research business expenses of Southwest Minzu University(Project No.:2022SPYZX07YB)。
文摘Yuan Ke shifted his focus from early literary creation to mythological research,gradually developing a distinctive approach to mythology research,which involves examining the correlation between mythology and literature.Yuan Ke is one of the most exceptional scholars who has made significant contributions to the popularity and promotion of Chinese mythology.He has collected,sorted out,and transformed related materials into stories to facilitate the systematic development of Chinese mythology.Moreover,he proposed and constructed a broad mythology theory,making him a leading figure in contemporary Chinese mythology research.Upon reflecting on the development of Chinese mythology,it is evident that Yuan Ke has progressed from a learner to a trailblazer and finally to the architect of his own comprehensive mythological framework.
文摘As the hero in Ernest Hemingway's greatest masterpiece,The Old Man and the Sea,Santiago has always been considered as a perfect example of Hemingway's stoical protagonists.Being one of the classic characters in the American literature,Santiago is noticed for his strength,wisdom,bravery,and above all,his unsurpassed endurance.Even though the prototype of Santia go in reality,as Hemingway once revealed in an interview,is an old Cuban fisherman who told him about his experience of catching a large marlin and losing it to the sharks in 1935[海],the spiritual prototype of the old man has been best interpreted in the Greek Mythology.To be more precise,Santiago's spiritual prototype is the combination of Atlas,Prometheus and Sisyphus.
文摘Most Greek myths or legends from ancient Greek literature, including such as "Iliad" and "Odyssey" of the "Homer", Hesiod's "Work Time" and "Divinity," Ovid's "Metamorphoses" and other classics, as well as Aeschylus, Sophocles and Euripides in the European theater.
文摘The accurate knowledge of surgical anatomy,the amelioration of post-operative processes and the continuously increasing experience of surgeons nowadays allow the performance of severe hepatic operations(e.g.,wide liver resections,liver transplantations,etc.).The success of these operations is even more assisted by the great regenerative ability of the liver.Greek mythology,being an important source of information on the beliefs,habits,and phenomena observed during antiquity,reveals that hepatic regeneration was well known to ancient Greeks and this natural ability was established in two tales:the tale of Prometheus and the tale of the Giant Tityus.The main concept of both tales,being the destruction and reconstitution of the liver,is almost the same.Both of the condemned were immortal and their liver regenerated in a night,providing thus,food for the eagles and eternal pain for the sufferers.In conclusion,the tales show that the regenerative ability of the liver was well known from early years and that the trust shown by the Gods in this ability,to cause eternal suffering is on a par with the trust shown by the modern surgeons in it,to assure a successful hepatic operation.
文摘The term“philosophy of mythology”is not a newly-coined terminology.It has been used by Schelling1,a German philosopher of the 19th century,as the title of his masterpiece.Ernst Cassirer,a famous German philosopher of the 20th century also used it in the chapter heading of the introduction of Symbolic Forms of Philosophy Volume 2.2 However,a review of the books on mythology or philosophy in China reveals the concept of philosophy of mythology is still unfamiliar to the Chinese academic circles since the books mentioned above of both Schelling and Cassirer have not been translated into Chinese.So there is a necessity to clarify the title of this book.
文摘Chinese mythology with its profound cultural asserts and the unconstrained imagination is an indispensable factor in animation creation.The rich resources of myth in ancient China provided a broad space for the creation of animation film and inherited a long ethnic culture.Firstly,the study creates an animation mythological character design model according to the literature review to provide the operational theory for animation design,which consists of three main parts:central idea,research method,and conceptual model.Secondly,the research sums up the animation character creative process framework through the case of Shisa with the specific ideas of creative design.Four steps are used to design a mythological character:set a scenario(illustration),tell a story(interpretation),write a script(reaction),and design a character(reflection).It has analyzed how to integrate the information about the mythology and stimulate the designers’creative imagination in the animation character design in order to create the artworks with unique oriental charm.
文摘Comparative studies of Japanese mythology have developed since the 1920s above all through eftbrts of Japanese ethnologists. They have paid attention to the possible ethno-cultural complexes that brought mythological motifs into the archipelago. In the present paper the theories set forth by Nobuhiro Matsumoto, Akihide Mishina, and Masao Oka are examined in terms of retrospect. The result shows that they shared the view that at least three different complexes, based in ancient Yamato, Izumo, and Kyushu respectively, contributed to the formation of Japanese mythology compiled in the 8th century CE （Common Era）. Their assumptions were synthesized by Taryo Obayashi in 1961, the hypothesis which has survived until today. In future we should cooperate with other disciplines and address the formation process of Japanese mythology.
文摘Dragon is a legendary figure in myth and legend,which appears frequently in eastern and western myths and legends.Among the western myths and legends about dragons,the most famous one is ancient Greek myths.Starting from the dragon image in Greek mythology,this paper briefly introduces the images of different dragons in Greek mythology,and then introduces the evolution of the dragon image in various film works.The conclusion drawn from this paper is that with the integration of eastern and western cultures,the dragon in western films is no longer a single evil and negative image,but a diversified image welcomed by the audience.
文摘In Greek Mythology, women play an important role in attracting readers' attention. In fact, their stories are the expressions used by ancient Greeks to present their views toward women. This essay will analyze the stories of mortal women in Greek Mythology and try to prove they are representatives of women in the realistic world.
文摘A new exhibition has rekindled interest in ancient Chinas earliest geographical work to have survived to the present day,serving as a treasure trove of legendary mountains,seas,natural resources and mystical creatures.
文摘Botticelli’s The Birth of Venus continues to serve as an iconographic enigma and remains an enduring subject of scholarly analysis concerning the significance of mythological art and its symbolism during the Italian Renaissance.Therefore,it is particularly noteworthy to examine further the symbolic elements embedded within the imagery.This essay focuses on a specific component in the landscape of The Birth of Venus-the marsh plant on the riverbank,commonly known as cattail in English,tifa or stiancia in Italian,and Typha latifolia in Latin.Botticelli’s The Birth of Venus,executed between 1485 and 1490,is a tempera on canvas with gesso and gold applications.It was commissioned with specific aesthetic,cultural,and intellectual objectives and was intended to be displayed in a private chamber for personal viewing by members of the Medici family.Situated initially within the Medicean Villa at Castello,it has been exhibited at the Galleria degli Uffizi in Florence since 1815.This mythological painting exemplifies the Italian Renaissance principles of both physical and metaphysical humanism,visualized in a fusion of pagan and Christian iconography and iconology,incorporating symbolism that engages with antiquity and classical mythology.It also incorporates Italian Renaissance Neoplatonic philosophy,reflects Renaissance love poetry,demonstrates inventive patronage,and embodies spirituality directed towards a higher purpose.
文摘Set against the cultural and historical backdrop of 18th-century Venice,Giulia Elisabetta Lama’s(1681-1747)remarkable paintings reveal intriguing connections to mythology and science.Lama’s notable depiction of Saturn Devouring His Child,painted in oils in 1729 and now in a private collection,draws significant attention.
文摘Mythology of the San Bushmen of Southern Africa By MATHIAS GUENTHER Oxford University Press The San Bushmen,among the oldest continuous cultures on Earth,are indigenous peoples recognised as the First Nations of Southern Africa.Rich in storytelling traditions,San culture preserves a vast body of myth and lore.In the book.
基金sponsored by the Humanities and Social Sciences Project of the Ministry of Education under Grant No.24YJCZH443Shanghai Philosophy and Social Science Planning Project under Grant No.2024EYY015Shanghai Municipal Philosophy and Social Sciences Planning Project under Grant No.2024EYY011.
文摘This study investigates translation strategies for Chinese cultural terms in academic texts through a case study of Chapter 7 from“Jade Myth Belief and Chinese Spirit”.Using a qualitative research approach based on cultural context framework and cognitive model,the study analyzes translation challenges and solutions in rendering cultural terms related to jade mythology and archaeological concepts.The research identifies three primary translation strategies:transliteration with annotation,domestication with explanation,and cognitive-based translation.The findings reveal that effective translation requires a balanced approach between maintaining academic precision and preserving cultural authenticity.The study demonstrates that successful translation of cultural terms in academic contexts demands a sophisticated understanding of both source and target cultural contexts,along with careful consideration of the academic audience’s needs.This research contributes to the field by providing practical insights for translators working with Chinese cultural texts in academic settings and proposing an approach to handling complex cultural terminology.
文摘Die Walküre is the most frequently staged and most popular title of the Ring cycle among classical music enthusiasts.It tells a complex story that involves intertwined relationships between father and daughter,husband and wife,brother and sister,and lovers in the epic context of the Nordic mythology.
文摘Cassirer argues that humans are animals of symbols,and these symbolic forms encompass not only the science of rational logic but also non-logical elements such as mythology and primitive religions.Previous research on Cassirer’s philosophy of symbolic forms has primarily focused on philosophical connotations,philosophical thoughts,cultural philosophy,and other aspects,yielding abundant results.By examining mythology within the context of symbolic forms,we discover a force within it,namely,the solidifying power.This solidifying power demands that mythology maintain fixed and established forms during its emergence and development,thereby distinguishing it from other symbolic forms.By exploring the development trends and manifestations of the solidifying power in mythology,we can gain a clearer understanding of the path of human intellectual development from childhood to maturity,thus answering the historical question of human essence.
文摘The whole of Western metaphysics, particularly Platonism, sets up a partition between the sensory world and the supersensory world, laying the foundation for the mythology of the supersensory world. After Descartes set contemporary metaphysics on its course, Feuerbach became the first to attack the essence of the supersensory world on an ontological level and to transfer the criticism of theology to that of metaphysics in general. While in the final analysis Feuerbach＇s criticism fails, Marx＇s revolution appeals to the ontological notion of ＂sensory activity＂ or ＂objective activity＂ （i.e., practice）, the core of which rests in piercing and overturning the fundamental framework of contemporary metaphysics--＂the immanence of consciousness.＂ It is this ontological revolution which reveals the camouflage of the supersensory world＇s mythology （i.e., ideology） and which simultaneously establishes a solid foundation for the critical analysis of the latter. Marx＇s ＂science of history＂ is based on this foundation and develops from it.
文摘This paper is centered on the extent to which contemporary Chinese science fiction is related to ancient Chinese mythologies according to the previous scholarly discussion and how these ancient mythologies are utilized specifically in the futuristic narratives of modern Chinese science fiction.By referring to academic dialogues,this paper argues that ancient mythologies can be recreated in modern science fiction and create modern mythologies in futuristic narratives to present or deal with modern human fears.Based on this argument,this paper then continues to explore what kinds of modern mythologies science fiction might deliver.The Chinese film The Wandering Earth(2019)will be discussed in terms of its mythological symbols and metaphors.This paper proposes a new approach through which to reconnect past stories with futuristic narratives and builds a frame in which to contextualize ancient mythologies in contemporary Chinese culture.
