This study investigates the correlation between musical competence and English prosodic production as well as the associations among their internal components.Eighty Chinese EFL learners in college took the musical pe...This study investigates the correlation between musical competence and English prosodic production as well as the associations among their internal components.Eighty Chinese EFL learners in college took the musical perception test,musical production test and English prosodic production test in sequence.In order to take a closer look at the prosodic performance,taking native English speakers as a reference,we also conducted an in-depth acoustic analysis of the English prosody produced by six cases in both high and low musical competence groups with the aid of Praat and ToBI.Our results indicate that students with high musical competence tend to outperform those with low musical competence in English prosodic production.However,musical perception competence seems to have a greater correlation with English prosodic competence than musical production competence.In addition,beat alignment or tempo(related to time and stress)could be the most associated component in musical competence with English prosody,while melody in music was double confirmed to be unhelpful.It was also spotted that cases with high musical competence performed more native-like patterns of phrase accent,boundary tones,intonational phrases as well as placement of stress.The results have important theoretical implications for the construct interpretation of musical competence,and also suggest that rhythmic perception training could be the most effective way to transfer music achievement to English speech prosody.展开更多
James Joyce’s poetry collection, Chamber Music, which he defines as “chambermade music,” epitomizes his literary pursuit of musicality and resonates with his dual identity as both a lyric poet and an Irishman. Musi...James Joyce’s poetry collection, Chamber Music, which he defines as “chambermade music,” epitomizes his literary pursuit of musicality and resonates with his dual identity as both a lyric poet and an Irishman. Musicality in Chamber Music can first be seen in allusions to musical elements which contribute to the musical revelation of emotions. Furthermore, repetition pervades Chamber Music both in themes and structure, resonating with the cyclical nature of Irish music. Under the influence of the Irish Revival, Joyce creatively navigates the realm of musical lyrics, draws a balance between English and Irish traditions, and provides a seminal model for his further exploration of musical writing in his later masterpieces.展开更多
The Bashu region is not only the cultural center of southwestern China but also an important cultural corridor for the interaction among various ethnic groups.Under the influence of multi-ethnic interactions,geographi...The Bashu region is not only the cultural center of southwestern China but also an important cultural corridor for the interaction among various ethnic groups.Under the influence of multi-ethnic interactions,geographical conditions,and historical changes,its music culture has developed a distinct characteristic of symbiotic integration,reflecting a cultural pattern of“diversity within unity.”Bashu music not only inherits the aesthetic system of Han culture but also deeply incorporates musical elements from minority ethnic groups,such as Tibetan,Qiang,Yi,and Miao.It showcases cultural characteristics that are diverse in tone,variable in rhythm,and complex in musical form.Music,as a medium of cultural identity,reflects the inclusiveness and sustainability of Bashu culture.In the context of globalization,studying Bashu music culture from the perspective of musical geography not only helps enhance our understanding of the Bashu music culture integration mechanism but also provides a theoretical reference for the holistic study of China’s multi-ethnic music culture.This research holds significant practical importance for the construction of ethnic cultural identity,the protection of intangible cultural heritage,and cultural exchanges in the context of the Belt and Road Initiative.展开更多
This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and ...This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture.展开更多
Chinese classical poetry art songs are one of the important genres in vocal works.The interpretation of each piece place high demands on the singer’s breath control,timbre,and expression of song connotations.With a l...Chinese classical poetry art songs are one of the important genres in vocal works.The interpretation of each piece place high demands on the singer’s breath control,timbre,and expression of song connotations.With a long history of development and diverse stylistic classifications,they evoke varied emotional responses.A song primarily consists of two components:poetry and music.Poetry uses textual composition to shape poetic imagery,while music employs musical elements to create artistic images.These two elements complement and permeate each other.The integration of poetry and music better serves the presentation of artistic works,interprets the song’s artistic conception,and realizes the essence of Chinese classical aesthetic conceptions——the“Dao”that connects to the cosmic essence and life.Through specific research on the aesthetic harmony between poetry and music,this study clearly demonstrates the path of poetic-musical coexistence in Chinese classical poetry art songs.展开更多
Against the backdrop of inter-civilization exchanges and globalization,Beijing International Studies University has addressed the issues of“Sino-Western dual opposition”,“single classroom-based practice”,and“supe...Against the backdrop of inter-civilization exchanges and globalization,Beijing International Studies University has addressed the issues of“Sino-Western dual opposition”,“single classroom-based practice”,and“superficial interdisciplinary integration”in the traditional Basic Music Theory Course.With the goal of“integrating Chinese and foreign musical rhythms and cultivating humanistic envoys”,the university has conducted six years of exploration to build a cross-cultural practice system.By reconstructing a three-dimensional curriculum system of“Chinese foundation+Western theory+global diversity”,establishing a three-level practical platform of“classroom-campus-society”,deepening the interdisciplinary integration of“music+foreign languages/communication”,and adopting the“experience-collaboration-creation”three-stage teaching method,the course has transformed from mere music knowledge imparting to cross-cultural competence cultivation.After the reform,students have significantly improved their multicultural awareness and practical abilities,won multiple awards in competitions,and their multilingual musical works have been widely disseminated by the media.Additionally,the course has provided talent support for the“Belt and Road Initiative”and the construction of Beijing’s“Four Centers”.However,challenges remain,such as insufficient development of digital resources and an imperfect teaching evaluation system.In the future,efforts will be made to promote the integration of“music+digital intelligence”and optimize the evaluation system.展开更多
The musicality of poetry is a project that has been in great need of scholars'attentions and studies due to its charming typicality,which has been a rarely-visited for a long time.To get away with this intellectua...The musicality of poetry is a project that has been in great need of scholars'attentions and studies due to its charming typicality,which has been a rarely-visited for a long time.To get away with this intellectual sterility and poverty,and highlight the aesthetic universality of the musicality in poetic texts,this paper aims to give a preliminary exploration of the metrical musicality in A Red,Red Rose.展开更多
Within the field of music education, there is a need of approaching the holistic view of musical experience from different angles. Therefore, the aim of this article is to investigate the phenomenon of multi-dimension...Within the field of music education, there is a need of approaching the holistic view of musical experience from different angles. Therefore, the aim of this article is to investigate the phenomenon of multi-dimensional musical experience from a life-world-phenomenological perspective and indicate its benefits to music education. The analysis is informed by Dufrenne＇s philosophical writings regarding the phenomenology of aesthetic experience and also draws on Merleau-Ponty, Heidegger, interpreted by Benson and Ford, together with Schutz. These philosophers provide tools for understanding musical experience from a bodily, existential, and sociological perspective, and their complementary ideas about being and learning can be applied to musical experience in the first case and secondly its influences for music educational praxis. Firstly, the concept of lived music is defined through a discussion of dimensions of musical experience; the phenomenology of aesthetic experience; the use of several senses; the heard and the hear-able; apperception; and musical dwelling. Then, the sharing of experience in musical dwelling and its relevance to the concept of imagination is highlighted. I will also emphasize the importance of the view of human beings as holistic bodily subjects. Finally, the article includes a discussion regarding the implications of a life-world-phenomenological view of musical experience to music education.展开更多
The musical culture of pre-war Danzig/Gdansk remains an area that is not well enough recognized in the scholarly literature.Numerous traces of this musical life are preserved in the collections of the Gdansk Library o...The musical culture of pre-war Danzig/Gdansk remains an area that is not well enough recognized in the scholarly literature.Numerous traces of this musical life are preserved in the collections of the Gdansk Library of the Polish Academy of Sciences.The collection ranges from scholarly publications and scores to an extensive number of concert programs and posters.The collection testifies to the dynamism and diversity of the city’s pre-war musical life.Notable among the collected materials is the role of female figures-composers,singers,and instrumentalists who made significant contributions to the shape of Gdansk musical life.In this article,I will present forgotten profiles of musically committed women:Martha Reincke,Ella Mertins,and Lotte Prins.In light of the surviving materials,it can be assumed that they were significant figures in the musical culture and social life of the city.展开更多
A new lighting and enlargement on phase spectrogram （PS） and frequency spectrogram （FS） is presented in this paper. These representations result from the coupling of power spectrogram and short time Fourier transf...A new lighting and enlargement on phase spectrogram （PS） and frequency spectrogram （FS） is presented in this paper. These representations result from the coupling of power spectrogram and short time Fourier transform （STFT）. The main contribution is the construction of the 3D phase spectrogram （3DPS） and the 3D frequency spectrogram （3DFS）. These new tools allow such specific test signals as small slope linear chirp, phase jump case of musical signal analysis is reported. The main objective is to and small frequency jump to be analyzed. An application detect small frequency and phase variations in order to characterize each type of sound attack without losing the amplitude information given by power spectrogram展开更多
Background:Musical perception requires a host of skills.Instrumental musicians place greater emphasis on motor coordination,whereas vocal musicians rehearse vocal sounds.The study explored the differential advantages ...Background:Musical perception requires a host of skills.Instrumental musicians place greater emphasis on motor coordination,whereas vocal musicians rehearse vocal sounds.The study explored the differential advantages of musical background on binaural integration and interaction in musicians(instrumentalists,vocalists)and compared them with age-matched non-musicians.Methods:Eight six participants aged 20e40 y with normal hearing sensitivity were subjected to binaural tests using a standard group comparison research design.The participants were segregated into three groups e Group 1 included instrumentalists(n?26,mean age:17.73±2.83 y),while Group 2 and Group 3 consisted of vocalists(n?30,mean age:19.30±2.47 y)and non-musicians(n?30,mean age:18.20±3.02 y)respectively.The binaural processes namely integration(Dichotic syllable test,DST;and virtual acoustic space identification-VASI)and interaction(Interaural difference thresholds for time and level:ITD&ILD),were administered on all the participants.Results:Statistical analyses showed the main effect of musicianship.Bonferroni pair-wise test revealed that the musicians(instrumentalists and vocalists)outperformed(p<0.05)non-musicians in all the tests.The differential advantage of the musical background was seen on the binaural integration test with instrumentalists performing better in the VASI test compared to vocalists,and vice-versa for DST.No difference was observed in interaction tasks(ITD&ILD)between vocalists and instrumentalists(p>0.05).Conclusion:Musical background-induced differential advantages can be reasonably noted in the binaural skills of instrumentalists and vocalists(compared to non-musicians).展开更多
The therapeutic musical compact disc designed by experts of traditional Chinese medicine, traditional Chinese music and traditional Qigong according to traditional medical theories of "Correspondence between Man ...The therapeutic musical compact disc designed by experts of traditional Chinese medicine, traditional Chinese music and traditional Qigong according to traditional medical theories of "Correspondence between Man and Universe", "The Harmony of Heaven, Earth and Man", the 5-Note Effects on the Five Internal Organs in Regulating Seven Emotions (i.e, Five Expressions of Emotions: joy, anger, sorrow, anxiety and fear), and Generating-Restricting展开更多
BACKGROUND Musical hallucinations(MH)involve the false perception of music in the absence of external stimuli which links with different etiologies.The pathomechanisms of MH encompass various conditions.The etiologica...BACKGROUND Musical hallucinations(MH)involve the false perception of music in the absence of external stimuli which links with different etiologies.The pathomechanisms of MH encompass various conditions.The etiological classification of MH is of particular importance and offers valuable insights to understand MH,and further to develop the effective treatment of MH.Over the recent decades,more MH cases have been reported,revealing newly identified medical and psychiatric causes of MH.Functional imaging studies reveal that MH activates a wide array of brain regions.An up-to-date analysis on MH,especially on MH comorbid psychiatric conditions is warranted.AIM To propose a new classification of MH;to study the age and gender differences of MH in mental disorders;and neuropathology of MH.METHODS Literatures searches were conducted using keywords such as“music hallucination,”“music hallucination and mental illness,”“music hallucination and gender difference,”and“music hallucination and psychiatric disease”in the databases of PubMed,Google Scholar,and Web of Science.MH cases were collected and categorized based on their etiologies.The t-test and ANOVA were employed(P<0.05)to compare the age differences of MH different etiological groups.Function neuroimaging studies of neural networks regulating MH and their possible molecular mechanisms were discussed.RESULTS Among the 357 yielded publications,294 MH cases were collected.The average age of MH cases was 67.9 years,with a predominance of females(66.8%females vs 33.2%males).MH was classified into eight groups based on their etiological mechanisms.Statistical analysis of MH cases indicates varying associations with psychiatric diagnoses.CONCLUSION We carried out a more comprehensive review of MH studies.For the first time according to our knowledge,we demonstrated the psychiatric conditions linked and/or associated with MH from statistical,biological and molecular point of view.展开更多
How can music be a modus of accomplishing what Husserl calls“a radical,skeptical epochē”,that is,a way of refraining from judgment about all that is to be known?In order to answer the question,we have to first subm...How can music be a modus of accomplishing what Husserl calls“a radical,skeptical epochē”,that is,a way of refraining from judgment about all that is to be known?In order to answer the question,we have to first submit music itself to the act of epochē.This will allow us to get free from the widespread opinion that music is only an art,and to understand it in a broad sense,namely as a sphere of Being.This sphere is founded on the tone which,on its part,is thinkable not as an expression of the number(as in the Pythagorean tradition)or a medium for voicing,supplementing,or accompanying words,but as a primary essence enabling us to reach the truth of Being in a direct and immediate way.Hence,music provides an advantage for the one who chooses it as a way of accomplishing epochē.In providing immediate access to the truth of all thinkable things and of Being itself,it releases him from the necessity to cover any distance to it by passing through concepts,notions,and ideas in relation to which he is required to exercise the discipline of epochē.展开更多
In the aftermath of the First World War, various compositions emerged that explored the phenomenon of the modem city by translating the clamorous sounds of urban environments and reflecting them artistically in the me...In the aftermath of the First World War, various compositions emerged that explored the phenomenon of the modem city by translating the clamorous sounds of urban environments and reflecting them artistically in the medium of music. With the rendering of poetic and esoteric moods unrelated to practical life considered outdated, musical preoccupation with modem architecture mostly concemed social aspects, such as people＇s circumstances, their emotional rootedness to bygone conditions and the search for orientation in an environment characterized by technology. There is a parallel here with contemporary architectural debates in which tension between modernism and traditionalism also played a key role.展开更多
Links Alan Liu graduated from Shanghai Conservatory of Music.During his college years,he specialized in flute playing and also studied composition theory.In 1986,he went to the U.S.and studied at the School of Music a...Links Alan Liu graduated from Shanghai Conservatory of Music.During his college years,he specialized in flute playing and also studied composition theory.In 1986,he went to the U.S.and studied at the School of Music at Dominican University to study musical composition.As graduate student of musical theory,Alan Liu developed strong interests in Blues,Country,Folk,Bluegrass and Jazz music.From 1986 to 1990,he spent a lot of time展开更多
The Oud is a pear-shaped stringed instrument with 11 ＇or 13 strings grouped in 5 or 6 courses, commonly used in Persian, Arabic, Greek, Turkish, Jewish, Byzantine, Azerbaijani, Armenian, North African and Middle East...The Oud is a pear-shaped stringed instrument with 11 ＇or 13 strings grouped in 5 or 6 courses, commonly used in Persian, Arabic, Greek, Turkish, Jewish, Byzantine, Azerbaijani, Armenian, North African and Middle Eastern music. Oud had been widely popular before 17th century among society, and it provided moral and spiritual nourishment. This musical instrument was created by singer Borbad who lived in the period of Khisrav Parviz who was Sosoniy King and it was in the novel of ＂Khisrav and Shirin＂ （Nizami Ganjavi）. Oud was also described in Kitab al-Musiqa al-Kabir （The Book of Music） by Farabi. Moreover, Alishir Navoi showed the connection of the science of music with spiritual world in verses of his priceless heritage. The poet assessed the sound features of the musical instruments in his book Mahbub ul-Qulub. Additionally he has written, ＂While the sound of Chang （struck zither） is torturing, sound of Oud is more touching.＂ Sometimes Navoi used the Oud in musician＇s hands as an artistic image in order to illustrate his torture to reader. He described his condition very vividly and skillfully. This is probably because Oud has unique wail, which cannot be heard in any other instruments.展开更多
Traditional noise reduction techniques have the drawback of generating an annoying musical noise. A new scheme for speech enhancement in high noise environment is developed by considering human auditory system masking...Traditional noise reduction techniques have the drawback of generating an annoying musical noise. A new scheme for speech enhancement in high noise environment is developed by considering human auditory system masking characteristics. The new scheme considers the masking threshold of both noisy speech and the denoised one, to detect musical noise components. To make them inaudible, they are set under the noise masking threshold. The improved signal is subjected to extensive subjective and objective tests. It is ob-served that the musical noise is appreciably reduced even at very low signal to noise ratios.展开更多
Edward Burne-Jones （1833-1898）, a pre-Raphaelite painter, was fascinated with astronomy, as noted in his memorials and accounts. In 1879, he executed cartoon drawings for a cycle on nine planets for the artisans of ...Edward Burne-Jones （1833-1898）, a pre-Raphaelite painter, was fascinated with astronomy, as noted in his memorials and accounts. In 1879, he executed cartoon drawings for a cycle on nine planets for the artisans of the William Morris Firm, who would transform them into stained-glass panels. The commission was for the decoration of Woodlands, the Victorian mansion of Baron Angus Holden （1833-1912）, a major of Bradford. Presently, seven of the cartoons--The Moon （Luna）, Earth （Terra）, Sol （Apollo）, Venus, Jupiter, Saturn, and Evening Star--are in the Torre Abbey Museum in Torquay, UK, while the cartoon for Mars is part of the collection of drawings at the Birmingham Museum and Art Gallery, UK, and the cartoon for Morning Star is located at Lady Margaret Hall in Oxford, UK. In the creation of the Planets cycle, Burne-Jones was inspired by cultural events of the time such as British scientific astronomical discoveries and British and Italian humanistic sources in literature and visual arts portraying astronomy. This essay art historically and iconographically examines the nine planets as celestial and terrestrial formations and astral spheres of good omen. It is composed of three sections. The first section discusses the history of the artistic commission; the second analyzes the stylistic and iconographical aspects of the Planets cycle; and the third section explains some of Burne-Jones＇s cultural sources for the Planets cycle as manifestations of seasonal transformations, heavenly and terrestrial realms, musical spheres, and visions of a benevolent cosmos.展开更多
文摘This study investigates the correlation between musical competence and English prosodic production as well as the associations among their internal components.Eighty Chinese EFL learners in college took the musical perception test,musical production test and English prosodic production test in sequence.In order to take a closer look at the prosodic performance,taking native English speakers as a reference,we also conducted an in-depth acoustic analysis of the English prosody produced by six cases in both high and low musical competence groups with the aid of Praat and ToBI.Our results indicate that students with high musical competence tend to outperform those with low musical competence in English prosodic production.However,musical perception competence seems to have a greater correlation with English prosodic competence than musical production competence.In addition,beat alignment or tempo(related to time and stress)could be the most associated component in musical competence with English prosody,while melody in music was double confirmed to be unhelpful.It was also spotted that cases with high musical competence performed more native-like patterns of phrase accent,boundary tones,intonational phrases as well as placement of stress.The results have important theoretical implications for the construct interpretation of musical competence,and also suggest that rhythmic perception training could be the most effective way to transfer music achievement to English speech prosody.
文摘James Joyce’s poetry collection, Chamber Music, which he defines as “chambermade music,” epitomizes his literary pursuit of musicality and resonates with his dual identity as both a lyric poet and an Irishman. Musicality in Chamber Music can first be seen in allusions to musical elements which contribute to the musical revelation of emotions. Furthermore, repetition pervades Chamber Music both in themes and structure, resonating with the cyclical nature of Irish music. Under the influence of the Irish Revival, Joyce creatively navigates the realm of musical lyrics, draws a balance between English and Irish traditions, and provides a seminal model for his further exploration of musical writing in his later masterpieces.
文摘The Bashu region is not only the cultural center of southwestern China but also an important cultural corridor for the interaction among various ethnic groups.Under the influence of multi-ethnic interactions,geographical conditions,and historical changes,its music culture has developed a distinct characteristic of symbiotic integration,reflecting a cultural pattern of“diversity within unity.”Bashu music not only inherits the aesthetic system of Han culture but also deeply incorporates musical elements from minority ethnic groups,such as Tibetan,Qiang,Yi,and Miao.It showcases cultural characteristics that are diverse in tone,variable in rhythm,and complex in musical form.Music,as a medium of cultural identity,reflects the inclusiveness and sustainability of Bashu culture.In the context of globalization,studying Bashu music culture from the perspective of musical geography not only helps enhance our understanding of the Bashu music culture integration mechanism but also provides a theoretical reference for the holistic study of China’s multi-ethnic music culture.This research holds significant practical importance for the construction of ethnic cultural identity,the protection of intangible cultural heritage,and cultural exchanges in the context of the Belt and Road Initiative.
基金supported by the sub-topic“Research on Language Folklore Art”of the 2022 China National Social Science Fund Art Major Project“Theoretical and Practical Research on Chinese Art Folklore”(Moderator:Professor Bo Dong)’s phased research results(Grant No.22ZD06).
文摘This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture.
文摘Chinese classical poetry art songs are one of the important genres in vocal works.The interpretation of each piece place high demands on the singer’s breath control,timbre,and expression of song connotations.With a long history of development and diverse stylistic classifications,they evoke varied emotional responses.A song primarily consists of two components:poetry and music.Poetry uses textual composition to shape poetic imagery,while music employs musical elements to create artistic images.These two elements complement and permeate each other.The integration of poetry and music better serves the presentation of artistic works,interprets the song’s artistic conception,and realizes the essence of Chinese classical aesthetic conceptions——the“Dao”that connects to the cosmic essence and life.Through specific research on the aesthetic harmony between poetry and music,this study clearly demonstrates the path of poetic-musical coexistence in Chinese classical poetry art songs.
文摘Against the backdrop of inter-civilization exchanges and globalization,Beijing International Studies University has addressed the issues of“Sino-Western dual opposition”,“single classroom-based practice”,and“superficial interdisciplinary integration”in the traditional Basic Music Theory Course.With the goal of“integrating Chinese and foreign musical rhythms and cultivating humanistic envoys”,the university has conducted six years of exploration to build a cross-cultural practice system.By reconstructing a three-dimensional curriculum system of“Chinese foundation+Western theory+global diversity”,establishing a three-level practical platform of“classroom-campus-society”,deepening the interdisciplinary integration of“music+foreign languages/communication”,and adopting the“experience-collaboration-creation”three-stage teaching method,the course has transformed from mere music knowledge imparting to cross-cultural competence cultivation.After the reform,students have significantly improved their multicultural awareness and practical abilities,won multiple awards in competitions,and their multilingual musical works have been widely disseminated by the media.Additionally,the course has provided talent support for the“Belt and Road Initiative”and the construction of Beijing’s“Four Centers”.However,challenges remain,such as insufficient development of digital resources and an imperfect teaching evaluation system.In the future,efforts will be made to promote the integration of“music+digital intelligence”and optimize the evaluation system.
文摘The musicality of poetry is a project that has been in great need of scholars'attentions and studies due to its charming typicality,which has been a rarely-visited for a long time.To get away with this intellectual sterility and poverty,and highlight the aesthetic universality of the musicality in poetic texts,this paper aims to give a preliminary exploration of the metrical musicality in A Red,Red Rose.
文摘Within the field of music education, there is a need of approaching the holistic view of musical experience from different angles. Therefore, the aim of this article is to investigate the phenomenon of multi-dimensional musical experience from a life-world-phenomenological perspective and indicate its benefits to music education. The analysis is informed by Dufrenne＇s philosophical writings regarding the phenomenology of aesthetic experience and also draws on Merleau-Ponty, Heidegger, interpreted by Benson and Ford, together with Schutz. These philosophers provide tools for understanding musical experience from a bodily, existential, and sociological perspective, and their complementary ideas about being and learning can be applied to musical experience in the first case and secondly its influences for music educational praxis. Firstly, the concept of lived music is defined through a discussion of dimensions of musical experience; the phenomenology of aesthetic experience; the use of several senses; the heard and the hear-able; apperception; and musical dwelling. Then, the sharing of experience in musical dwelling and its relevance to the concept of imagination is highlighted. I will also emphasize the importance of the view of human beings as holistic bodily subjects. Finally, the article includes a discussion regarding the implications of a life-world-phenomenological view of musical experience to music education.
文摘The musical culture of pre-war Danzig/Gdansk remains an area that is not well enough recognized in the scholarly literature.Numerous traces of this musical life are preserved in the collections of the Gdansk Library of the Polish Academy of Sciences.The collection ranges from scholarly publications and scores to an extensive number of concert programs and posters.The collection testifies to the dynamism and diversity of the city’s pre-war musical life.Notable among the collected materials is the role of female figures-composers,singers,and instrumentalists who made significant contributions to the shape of Gdansk musical life.In this article,I will present forgotten profiles of musically committed women:Martha Reincke,Ella Mertins,and Lotte Prins.In light of the surviving materials,it can be assumed that they were significant figures in the musical culture and social life of the city.
文摘A new lighting and enlargement on phase spectrogram （PS） and frequency spectrogram （FS） is presented in this paper. These representations result from the coupling of power spectrogram and short time Fourier transform （STFT）. The main contribution is the construction of the 3D phase spectrogram （3DPS） and the 3D frequency spectrogram （3DFS）. These new tools allow such specific test signals as small slope linear chirp, phase jump case of musical signal analysis is reported. The main objective is to and small frequency jump to be analyzed. An application detect small frequency and phase variations in order to characterize each type of sound attack without losing the amplitude information given by power spectrogram
文摘Background:Musical perception requires a host of skills.Instrumental musicians place greater emphasis on motor coordination,whereas vocal musicians rehearse vocal sounds.The study explored the differential advantages of musical background on binaural integration and interaction in musicians(instrumentalists,vocalists)and compared them with age-matched non-musicians.Methods:Eight six participants aged 20e40 y with normal hearing sensitivity were subjected to binaural tests using a standard group comparison research design.The participants were segregated into three groups e Group 1 included instrumentalists(n?26,mean age:17.73±2.83 y),while Group 2 and Group 3 consisted of vocalists(n?30,mean age:19.30±2.47 y)and non-musicians(n?30,mean age:18.20±3.02 y)respectively.The binaural processes namely integration(Dichotic syllable test,DST;and virtual acoustic space identification-VASI)and interaction(Interaural difference thresholds for time and level:ITD&ILD),were administered on all the participants.Results:Statistical analyses showed the main effect of musicianship.Bonferroni pair-wise test revealed that the musicians(instrumentalists and vocalists)outperformed(p<0.05)non-musicians in all the tests.The differential advantage of the musical background was seen on the binaural integration test with instrumentalists performing better in the VASI test compared to vocalists,and vice-versa for DST.No difference was observed in interaction tasks(ITD&ILD)between vocalists and instrumentalists(p>0.05).Conclusion:Musical background-induced differential advantages can be reasonably noted in the binaural skills of instrumentalists and vocalists(compared to non-musicians).
文摘The therapeutic musical compact disc designed by experts of traditional Chinese medicine, traditional Chinese music and traditional Qigong according to traditional medical theories of "Correspondence between Man and Universe", "The Harmony of Heaven, Earth and Man", the 5-Note Effects on the Five Internal Organs in Regulating Seven Emotions (i.e, Five Expressions of Emotions: joy, anger, sorrow, anxiety and fear), and Generating-Restricting
文摘BACKGROUND Musical hallucinations(MH)involve the false perception of music in the absence of external stimuli which links with different etiologies.The pathomechanisms of MH encompass various conditions.The etiological classification of MH is of particular importance and offers valuable insights to understand MH,and further to develop the effective treatment of MH.Over the recent decades,more MH cases have been reported,revealing newly identified medical and psychiatric causes of MH.Functional imaging studies reveal that MH activates a wide array of brain regions.An up-to-date analysis on MH,especially on MH comorbid psychiatric conditions is warranted.AIM To propose a new classification of MH;to study the age and gender differences of MH in mental disorders;and neuropathology of MH.METHODS Literatures searches were conducted using keywords such as“music hallucination,”“music hallucination and mental illness,”“music hallucination and gender difference,”and“music hallucination and psychiatric disease”in the databases of PubMed,Google Scholar,and Web of Science.MH cases were collected and categorized based on their etiologies.The t-test and ANOVA were employed(P<0.05)to compare the age differences of MH different etiological groups.Function neuroimaging studies of neural networks regulating MH and their possible molecular mechanisms were discussed.RESULTS Among the 357 yielded publications,294 MH cases were collected.The average age of MH cases was 67.9 years,with a predominance of females(66.8%females vs 33.2%males).MH was classified into eight groups based on their etiological mechanisms.Statistical analysis of MH cases indicates varying associations with psychiatric diagnoses.CONCLUSION We carried out a more comprehensive review of MH studies.For the first time according to our knowledge,we demonstrated the psychiatric conditions linked and/or associated with MH from statistical,biological and molecular point of view.
基金financial support of the Scientific Research Fund attached to the Bulgarian Ministry of Education and Science within the framework of scientific project No.10/6,15.12.2016“Contemporary musical composition,theory and philosophy”.
文摘How can music be a modus of accomplishing what Husserl calls“a radical,skeptical epochē”,that is,a way of refraining from judgment about all that is to be known?In order to answer the question,we have to first submit music itself to the act of epochē.This will allow us to get free from the widespread opinion that music is only an art,and to understand it in a broad sense,namely as a sphere of Being.This sphere is founded on the tone which,on its part,is thinkable not as an expression of the number(as in the Pythagorean tradition)or a medium for voicing,supplementing,or accompanying words,but as a primary essence enabling us to reach the truth of Being in a direct and immediate way.Hence,music provides an advantage for the one who chooses it as a way of accomplishing epochē.In providing immediate access to the truth of all thinkable things and of Being itself,it releases him from the necessity to cover any distance to it by passing through concepts,notions,and ideas in relation to which he is required to exercise the discipline of epochē.
文摘In the aftermath of the First World War, various compositions emerged that explored the phenomenon of the modem city by translating the clamorous sounds of urban environments and reflecting them artistically in the medium of music. With the rendering of poetic and esoteric moods unrelated to practical life considered outdated, musical preoccupation with modem architecture mostly concemed social aspects, such as people＇s circumstances, their emotional rootedness to bygone conditions and the search for orientation in an environment characterized by technology. There is a parallel here with contemporary architectural debates in which tension between modernism and traditionalism also played a key role.
文摘Links Alan Liu graduated from Shanghai Conservatory of Music.During his college years,he specialized in flute playing and also studied composition theory.In 1986,he went to the U.S.and studied at the School of Music at Dominican University to study musical composition.As graduate student of musical theory,Alan Liu developed strong interests in Blues,Country,Folk,Bluegrass and Jazz music.From 1986 to 1990,he spent a lot of time
文摘The Oud is a pear-shaped stringed instrument with 11 ＇or 13 strings grouped in 5 or 6 courses, commonly used in Persian, Arabic, Greek, Turkish, Jewish, Byzantine, Azerbaijani, Armenian, North African and Middle Eastern music. Oud had been widely popular before 17th century among society, and it provided moral and spiritual nourishment. This musical instrument was created by singer Borbad who lived in the period of Khisrav Parviz who was Sosoniy King and it was in the novel of ＂Khisrav and Shirin＂ （Nizami Ganjavi）. Oud was also described in Kitab al-Musiqa al-Kabir （The Book of Music） by Farabi. Moreover, Alishir Navoi showed the connection of the science of music with spiritual world in verses of his priceless heritage. The poet assessed the sound features of the musical instruments in his book Mahbub ul-Qulub. Additionally he has written, ＂While the sound of Chang （struck zither） is torturing, sound of Oud is more touching.＂ Sometimes Navoi used the Oud in musician＇s hands as an artistic image in order to illustrate his torture to reader. He described his condition very vividly and skillfully. This is probably because Oud has unique wail, which cannot be heard in any other instruments.
文摘Traditional noise reduction techniques have the drawback of generating an annoying musical noise. A new scheme for speech enhancement in high noise environment is developed by considering human auditory system masking characteristics. The new scheme considers the masking threshold of both noisy speech and the denoised one, to detect musical noise components. To make them inaudible, they are set under the noise masking threshold. The improved signal is subjected to extensive subjective and objective tests. It is ob-served that the musical noise is appreciably reduced even at very low signal to noise ratios.
文摘Edward Burne-Jones （1833-1898）, a pre-Raphaelite painter, was fascinated with astronomy, as noted in his memorials and accounts. In 1879, he executed cartoon drawings for a cycle on nine planets for the artisans of the William Morris Firm, who would transform them into stained-glass panels. The commission was for the decoration of Woodlands, the Victorian mansion of Baron Angus Holden （1833-1912）, a major of Bradford. Presently, seven of the cartoons--The Moon （Luna）, Earth （Terra）, Sol （Apollo）, Venus, Jupiter, Saturn, and Evening Star--are in the Torre Abbey Museum in Torquay, UK, while the cartoon for Mars is part of the collection of drawings at the Birmingham Museum and Art Gallery, UK, and the cartoon for Morning Star is located at Lady Margaret Hall in Oxford, UK. In the creation of the Planets cycle, Burne-Jones was inspired by cultural events of the time such as British scientific astronomical discoveries and British and Italian humanistic sources in literature and visual arts portraying astronomy. This essay art historically and iconographically examines the nine planets as celestial and terrestrial formations and astral spheres of good omen. It is composed of three sections. The first section discusses the history of the artistic commission; the second analyzes the stylistic and iconographical aspects of the Planets cycle; and the third section explains some of Burne-Jones＇s cultural sources for the Planets cycle as manifestations of seasonal transformations, heavenly and terrestrial realms, musical spheres, and visions of a benevolent cosmos.
