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西方叙述学Metalepsis概念的形成及其跨媒介迁移 被引量:1
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作者 李莉 《外国美学》 2024年第2期233-247,共15页
metalepsis是西方叙述学的一个经典概念。自从热奈特在20世纪70年代首次将这个术语运用到叙述学以来,西方学界从定义、类型、效果等诸多方面对其进行了长久而深入的讨论。发轫于小说叙述学的metalepsis概念及相关理论在多种媒介和体裁... metalepsis是西方叙述学的一个经典概念。自从热奈特在20世纪70年代首次将这个术语运用到叙述学以来,西方学界从定义、类型、效果等诸多方面对其进行了长久而深入的讨论。发轫于小说叙述学的metalepsis概念及相关理论在多种媒介和体裁文艺作品的研究中也展现出了强大的适应性,成为叙述学为文艺批评理论贡献的重要术语。metalepsis的定义和分类因其跨媒介性而呈现出多元共生的局面,其功能和效果具有双重悖论性的后现代特征,而其悖论性本质则展现出文艺作品与人类自身思维怪圈的相互映射。 展开更多
关键词 metalepsis 叙述跨层 回旋跨层 怪圈
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Narration as Therapy in Natsume Sōseki's I Am a Cat
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作者 安藤文人 《外语教育研究》 2014年第4期70-76,共7页
Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906)... Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906). There are some evidence by his wife and friends that Sōseki's condition of disease dramatically improved during its serialization on a magazine, and the writer himself admited humorously in the preface of other work that it was his depression and mania that enabled him to produce I Am a Cat and other early works. This paper aims at describing the process how his act of narrating had therapeutic effects on his state of mind focusing on the construction of complicitous relationship between an implied author and readers in the work by the unique functions of the first-‘person' narrator: A Cat. Among others, I will consider the influence of Laurence Sterne's Tristram Shandy(1759-1767), which Sōseki introduced to Japan for the first time, by discussing the frequent use of metalepsis that the two works have in common. 展开更多
关键词 Natsume Sōseki I Am a Cat Laurence Sterne metalepsis NARRATIVE
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