Thanks to globalization and the emergence of the digital,capitalism progressively arrives to the stage of neoliberal financial hegemony. Therefore,in Europe today,Marxism remains powerful only in the form of leftist p...Thanks to globalization and the emergence of the digital,capitalism progressively arrives to the stage of neoliberal financial hegemony. Therefore,in Europe today,Marxism remains powerful only in the form of leftist populism among the"radical left",as social-democrats and socialists have been largely absorbed by the right. However,because the struggle for hegemony is not only a binary relationship but also a triangular relationship,the only conceivable emancipation strategy is the old Marxist one,which is both dual,popular class against ruling class,and triangular,between three social forces (plus the competent). In this way,the popular class can access itself competence-power by associating with the competent and putting them under its own hegemony.展开更多
The paper discusses the 1957 Hong Kong film The True Story of Ah Q. As a Hong Kong leftist film, its plot and production process are relevant to understanding the political and cultural life of New China. However, Hon...The paper discusses the 1957 Hong Kong film The True Story of Ah Q. As a Hong Kong leftist film, its plot and production process are relevant to understanding the political and cultural life of New China. However, Hong Kong leftist cinema played an important role in the reception of New China cinema overseas; it can only be understood within the context of political and cultural life in New China. This paper explores the complicated relations between Hong Kong leftist cinema, domestic socialist cinema, and Shanghai left-wing cinema in the 1930s. In addition, it discusses The True Story ofAh Q as a film with features that identify it with both Hong Kong leftist cinema and New China cinema. Thus, the film＇s acceptibility is determined by the tensions between these two identifications.展开更多
文摘Thanks to globalization and the emergence of the digital,capitalism progressively arrives to the stage of neoliberal financial hegemony. Therefore,in Europe today,Marxism remains powerful only in the form of leftist populism among the"radical left",as social-democrats and socialists have been largely absorbed by the right. However,because the struggle for hegemony is not only a binary relationship but also a triangular relationship,the only conceivable emancipation strategy is the old Marxist one,which is both dual,popular class against ruling class,and triangular,between three social forces (plus the competent). In this way,the popular class can access itself competence-power by associating with the competent and putting them under its own hegemony.
文摘The paper discusses the 1957 Hong Kong film The True Story of Ah Q. As a Hong Kong leftist film, its plot and production process are relevant to understanding the political and cultural life of New China. However, Hong Kong leftist cinema played an important role in the reception of New China cinema overseas; it can only be understood within the context of political and cultural life in New China. This paper explores the complicated relations between Hong Kong leftist cinema, domestic socialist cinema, and Shanghai left-wing cinema in the 1930s. In addition, it discusses The True Story ofAh Q as a film with features that identify it with both Hong Kong leftist cinema and New China cinema. Thus, the film＇s acceptibility is determined by the tensions between these two identifications.
