As one with great fame of writing China and Chinese people in war time, Anna Louise Strong, has the experience of communicating with Chinese left-wing writers, viewing their dramas works and reading their novels. From...As one with great fame of writing China and Chinese people in war time, Anna Louise Strong, has the experience of communicating with Chinese left-wing writers, viewing their dramas works and reading their novels. From her perspective, Chinese left-wing literature was featured by its revolution and popularity; Chinese left-wing writers were busy with creating different genres to get every Chinese＇s involvement in the anti-Japanese war in 1930s and participation in the construction of new China in 1940s. Hence, they were multifarious in their identity because they cared more than literature in a turbulent time. From what she presented, China, as a cultural otherness, was the existent utooia that fulfilled her radical nolitical dream of communism.展开更多
Auden’s political thinking was rooted in the turbulent times of the 1930s.He chose to stand with the proletariat and paid attention to social realities.Marxism helped him better understand the background and causes o...Auden’s political thinking was rooted in the turbulent times of the 1930s.He chose to stand with the proletariat and paid attention to social realities.Marxism helped him better understand the background and causes of social problems,and find ways to diagnose and treat social ills.Under the influence of these left-wing political thoughts,Auden’s poetry showed criticism of the bourgeoisie,exploration of social issues,and a call for social change and struggle in terms of its content.In terms of the form of his poetic creation,this stance was manifested through what Auden termed“the hawk’s vision”and highly radical wording.展开更多
This paper presents a comparative analysis on Chen Yingzhen＇s ＂Wo de didi Kangxiong＂ （＂My brother Kangxiong＇） and Wang Shangyi＇s ＂Ye gezi de huanghun＂ （＂Wild pigeon＇s dusk＂） in the cultural-historical c...This paper presents a comparative analysis on Chen Yingzhen＇s ＂Wo de didi Kangxiong＂ （＂My brother Kangxiong＇） and Wang Shangyi＇s ＂Ye gezi de huanghun＂ （＂Wild pigeon＇s dusk＂） in the cultural-historical context of Taiwan in 1960s, in the aim of exploring the origin of ＂nihilism＂ which had been prevailed among Taiwan youth from 1950s to 196os. Furthermore, the paper reexamines the hidden but intimate relationship between modernism and left-wing intellectuals.展开更多
文摘As one with great fame of writing China and Chinese people in war time, Anna Louise Strong, has the experience of communicating with Chinese left-wing writers, viewing their dramas works and reading their novels. From her perspective, Chinese left-wing literature was featured by its revolution and popularity; Chinese left-wing writers were busy with creating different genres to get every Chinese＇s involvement in the anti-Japanese war in 1930s and participation in the construction of new China in 1940s. Hence, they were multifarious in their identity because they cared more than literature in a turbulent time. From what she presented, China, as a cultural otherness, was the existent utooia that fulfilled her radical nolitical dream of communism.
文摘Auden’s political thinking was rooted in the turbulent times of the 1930s.He chose to stand with the proletariat and paid attention to social realities.Marxism helped him better understand the background and causes of social problems,and find ways to diagnose and treat social ills.Under the influence of these left-wing political thoughts,Auden’s poetry showed criticism of the bourgeoisie,exploration of social issues,and a call for social change and struggle in terms of its content.In terms of the form of his poetic creation,this stance was manifested through what Auden termed“the hawk’s vision”and highly radical wording.
文摘This paper presents a comparative analysis on Chen Yingzhen＇s ＂Wo de didi Kangxiong＂ （＂My brother Kangxiong＇） and Wang Shangyi＇s ＂Ye gezi de huanghun＂ （＂Wild pigeon＇s dusk＂） in the cultural-historical context of Taiwan in 1960s, in the aim of exploring the origin of ＂nihilism＂ which had been prevailed among Taiwan youth from 1950s to 196os. Furthermore, the paper reexamines the hidden but intimate relationship between modernism and left-wing intellectuals.
