The Literary Lab at Stanford University is one of the birthplaces of digital humanities and has maintained significant influence in this field over the years.Professor Hui Haifeng has been engaged in research on digit...The Literary Lab at Stanford University is one of the birthplaces of digital humanities and has maintained significant influence in this field over the years.Professor Hui Haifeng has been engaged in research on digital humanities and computational criticism in recent years.During his visiting scholarship at Stanford University,he participated in the activities of the Literary Lab.Taking this opportunity,he interviewed Professor Mark Algee-Hewitt,the director of the Literary Lab,discussing important topics such as the current state and reception of DH(digital humanities)in the English Department,the operations of the Literary Lab,and the landscape of computational criticism.Mark Algee-Hewitt's research focuses on the eighteenth and early nineteenth centuries in England and Germany and seeks to combine literary criticism with digital and quantitative analyses of literary texts.In particular,he is interested in the history of aesthetic theory and the development and transmission of aesthetic and philosophical concepts during the Enlightenment and Romantic periods.He is also interested in the relationship between aesthetic theory and the poetry of the long eighteenth century.Although his primary background is English literature,he also has a degree in computer science.He believes that the influence of digital humanities within the humanities disciplines is growing increasingly significant.This impact is evident in both the attraction and assistance it offers to students,as well as in the new interpretations it brings to traditional literary studies.He argues that the key to effectively integrating digital humanities into the English Department is to focus on literary research questions,exploring how digital tools can raise new questions or provide new insights into traditional research.展开更多
This paper is composed of two parts,respectively prepared by Prof.Jerry Ward,Jr.on Oct 6,2021,for an online lecture to the faculty members and graduates of Central China Normal University,and on May 22,2019,as a contr...This paper is composed of two parts,respectively prepared by Prof.Jerry Ward,Jr.on Oct 6,2021,for an online lecture to the faculty members and graduates of Central China Normal University,and on May 22,2019,as a contribution to our journal of Foreign Language and Literature Research.Prof.Ward provides rich insights into the African American literature in the 21st century by exploring continuity and change,and the key features of the ongoing production,especially by referring to five 21st-century writers.Meanwhile Prof.Ward revisits the literary history of USA and casts new light on African American literature from the perspectives of ethos and ethnos.Thus this paper demonstrates some thought-provoking explorations into the major issues the studies of African American literature is confronted in the new century.展开更多
This article explores the intersections of Buddhism,Daoism,and contemporary French literary practice in the study of the everyday(quotidien).Since the 1980s,French literature has increasingly shifted its focus from th...This article explores the intersections of Buddhism,Daoism,and contemporary French literary practice in the study of the everyday(quotidien).Since the 1980s,French literature has increasingly shifted its focus from the exotic to the mundane,engaging with theoretical frameworks developed by scholars such as Henri Lefebvre and Michel de Certeau.Drawing on Buddhist notions of emptiness and dependent arising,as well as Daoist principles of yin-yang interdependence,the article bridges Eastern and Western philosophies to demonstrate the everyday not as a static or trivial backdrop,but as a dynamic and transformative space.It further examines how representations of daily life in the works of Georges Perec and Jacques Roubaud employ the meticulous documentation of mundane details to uncover hidden patterns,rhythms,and structures of human experience.Through literary fieldwork,Perec and Roubaud challenge conventional perceptions of the everyday,unveiling its depth,complexity,and potential for reinvention.展开更多
The hybridity of words in literary texts and the multiplicity of theoretical discourse fundamentally determine the cross-cultural attributes of literary studies.This feature holds significant value for understanding d...The hybridity of words in literary texts and the multiplicity of theoretical discourse fundamentally determine the cross-cultural attributes of literary studies.This feature holds significant value for understanding different cultural traditions and presenting one’s cultural traits in a mutually contextualized manner.By analyzing the cross-cultural essence of literary studies with a focus on word transformation and critical discourse and also emphasizing that literary studies should fully consider the linguistic elements of literary texts,the theoretical origins of critical terminology,and the cultural stance of the researcher,it becomes possible to understand the important role of literary studies in humanistic academic knowledge production.展开更多
In the present day,digital methods aid in the investigation and reflection of language and literary studies.It continues to develop through the use of digital tools,providing fresh perspectives on text analysis,langua...In the present day,digital methods aid in the investigation and reflection of language and literary studies.It continues to develop through the use of digital tools,providing fresh perspectives on text analysis,language comprehension,and cultural significance of literary works.The growing field of digital humanities has completely changed how academics study and comprehend language and literature.The goal of digital humanism is to investigate how technology and humanistic research might be combined in the field of language and literary studies.It demonstrates how technology improves our understanding of stories,genre classification,authorship characteristics,and language evolution.Furthermore,using these digital tools goes beyond simple analysis,embracing fresh approaches to interpretation and providing new perspectives on the production,distribution,and reception of literary works and linguistic materials.It provides opportunities for interdisciplinary study by fusing computational techniques with humanities studies to investigate language and literature in fresh and perceptive ways.In the literary field,the digital humanities offer cutting-edge techniques and resources that enhance study,instruction,and interpretation.In addition to advancing conventional approaches,the function of digital humanities is to promote innovative approaches to engage with and understand cultural artifacts in a technologically mediated world.展开更多
This study applies the basic theories of“Ethical Literary Criticism”proposed by Nie Zhenzhao to Arthur Miller’s play All My Sons,focusing on the ethical predicament Joe Keller faces in his specific ethical identity...This study applies the basic theories of“Ethical Literary Criticism”proposed by Nie Zhenzhao to Arthur Miller’s play All My Sons,focusing on the ethical predicament Joe Keller faces in his specific ethical identity within the ethical environment of his time.It further points out the process and the consequence of his ethical choices in the conflict between family interests and social responsibilities,so as to reveal the ethical teaching function of the play.Joe’s ethical predicament arises from the contradiction between his family roles and his desire for interests as a businessman.In this conflict,the interaction of the human factor and the animal factor within the“Sphinx factor”causes Joe to make two different ethical choices.Through Joe’s tragic fate,Miller reveals the ethical enlightenment in All My Sons:Individuals,families,and society are inextricably linked,so today’s citizens need to recognize their inherent social nature and fulfill ethical duties in both personal and social aspects.Miller uses the play to criticize the ethical ethos of 20th-century American society and calls on readers to reevaluate the instrumental rationality behind the American Dream.展开更多
Angela Carter’s“The Company of Wolves”is a provocative retelling of the classic fairy tale“Little Red Riding Hood,”delving into complex themes of sexuality,violence,and human nature.This paper examines the story...Angela Carter’s“The Company of Wolves”is a provocative retelling of the classic fairy tale“Little Red Riding Hood,”delving into complex themes of sexuality,violence,and human nature.This paper examines the story’s ethical implications through a literary ethics lens,focusing on the wolf as a symbol of both danger and desire.It explores the wolf’s dual nature,the power dynamics between rulers and the ruled,and the ethical choice between conflict and coexistence.展开更多
The heated conversations about Fang Fang＇s ＂Tu Ziqiang＇s Personal Sorrow＂ among the author, readers and critics are a typical example of the bottom literature which emerged in the 1990s. Starting with the controve...The heated conversations about Fang Fang＇s ＂Tu Ziqiang＇s Personal Sorrow＂ among the author, readers and critics are a typical example of the bottom literature which emerged in the 1990s. Starting with the controversies aroused by the novella, this paper discusses the relationships among literary creation, criticism and theory in the bottom writing. The problem of the social bottom is not only an economic or political problem, but also such a complicated cultural problem that has attracted increasing attention in the field of human science. As it were, around the problem of the bottom class, a new public field integrating different kinds of writing forms and various theoretical materials is formed. The Benign interaction among literary creation, criticism and theory will both benefit to the overall development of literature and provide resources for the theoretical construction.展开更多
The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a com...The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent.展开更多
Brown ＆ Levinson＇s face theory is an important theory in Pragmatics and it is an influential theory in expounding the phenomenon of politeness. Through an analysis of the functions of ＂face＂ in English literary wo...Brown ＆ Levinson＇s face theory is an important theory in Pragmatics and it is an influential theory in expounding the phenomenon of politeness. Through an analysis of the functions of ＂face＂ in English literary works, this article intends to shed new lights on literary pragmatics.展开更多
In literary translation,creative treason or translation deviations will surely be a shadow in company with each translated work.A translator is both the reader of the source text and the producer of the target text.Ap...In literary translation,creative treason or translation deviations will surely be a shadow in company with each translated work.A translator is both the reader of the source text and the producer of the target text.Applying much on Reception Theory,the present paper explores the issue of translator's creative treason in literary translation in two aspects:one is the translator's creative treason as reader and the other is the translator's creative treason as producer.展开更多
Culture-loaded words refer to expressions and idioms that carry typically culture messages. The peculiarity of one culture cannot be understood or accepted by readers from another culture. The uniqueness very likely m...Culture-loaded words refer to expressions and idioms that carry typically culture messages. The peculiarity of one culture cannot be understood or accepted by readers from another culture. The uniqueness very likely makes misunderstanding and may lead to cultural vacancy in other cultures. Due to the culture differences between Chinese and English, it is hard for a translator to achieve complete equivalence at the level of word. This paper discusses the translation approaches of Chinese cultureloaded words in literary works.展开更多
Manipulation always means a kind of extraordinary alteration for some purposes. All translation implies a degree of manipulation of the source text for a certain purpose. Liang Shih-chiu＇s literary translation serves...Manipulation always means a kind of extraordinary alteration for some purposes. All translation implies a degree of manipulation of the source text for a certain purpose. Liang Shih-chiu＇s literary translation serves for his literary creation which aims to promote colloquialism and to construct New Literature in the May Fourth Movement. Literary translation is the foundation of literary creation, or rather, its important strategy. The paper, from the perspective of Manipulation Theory, analyzes the purpose and strategy of Liang Shih-chiu＇s literary translation and explores the influence of his literary translation upon his literary creation in terms of ideology, poetics and patronage.展开更多
Functional linguistics has become the most influential linguistic theory in the field of translation study since the last de cade of 20th century.However,for the complexity of the context,it is uncommon and insufficie...Functional linguistics has become the most influential linguistic theory in the field of translation study since the last de cade of 20th century.However,for the complexity of the context,it is uncommon and insufficient to explore literary texts.Draw ing a general picture of literary text translation from functional perspectives aims to probe into the functional modes of translation.展开更多
Literary translation is the re-creation of the language art.To translate an English novel into Chinese one,translators need the skill of literature re-creation.Taking Zhang Guruo's translated version Tess of the D...Literary translation is the re-creation of the language art.To translate an English novel into Chinese one,translators need the skill of literature re-creation.Taking Zhang Guruo's translated version Tess of the D'urbervilles as an example,we perceive that translators have subjectivity and they should break the boundary between writing and translating.When a translator translates a piece of works,he must get rid of the constraint of the surface structures of the original works,and reproduces the flavor of the original novel.But the translators should try to show the original scenes in the original English novel to target readers.展开更多
Due to the prevalence of fuzziness in literary works and in poetry in particular,the author puts forward the view that some skills such as rhetoric devices,abstraction,meaning manifestation,creation of imagination con...Due to the prevalence of fuzziness in literary works and in poetry in particular,the author puts forward the view that some skills such as rhetoric devices,abstraction,meaning manifestation,creation of imagination context are to be adopted in the translation of literary fuzziness from the perspective of aesthetic recognition to achieve an integration between the textual implication and the readers' expectation horizon.And the author takes the translation of Chinese classic poems for example,through detailed analysis and comparison,proves the feasibility of the viewpoint.展开更多
Through summarizing the basic problems in Marxist literary theory,reflects on the phenomena of contemporary literary creation from the perspectives in Marxist literary theory,such as "Human Nature","the...Through summarizing the basic problems in Marxist literary theory,reflects on the phenomena of contemporary literary creation from the perspectives in Marxist literary theory,such as "Human Nature","the Nature of Beauty","Anti-alienation and Aesthetics" as well as "Overall Emancipation of Human Beings" to demonstrate that with its contemporary values.展开更多
The quality of language use is mainly evaluated at the levels of correctness,appropriateness and creativeness.Stylisticfeatures are manifested at the levels of appropriateness and creativeness.In traditional English g...The quality of language use is mainly evaluated at the levels of correctness,appropriateness and creativeness.Stylisticfeatures are manifested at the levels of appropriateness and creativeness.In traditional English grammar teaching,much effort isput on the correctness.Appropriateness is treated in part and creativeness is largely ignored.Isolated from concrete contexts,lin-guistic materials used for grammar teaching tend to be inefficient to ensure effective communication.The teaching of dry grammati-cal rules may lead to monotony and boredom in grammar learning.If the linguistic materials used in grammar teaching address cor-rectness,appropriateness and creativeness in language use simultaneously and are closer to life,grammar learning may be morefruitful.As literary texts are characterized by both the social discourses under multiple contexts and personal tastes,their styles arerich and lively.Therefore,to embed literary texts in English grammar teaching will not only create a more concrete,meaningful andinteresting context for the learning of grammatical rules but also be beneficial for the cultivation of stylistic awareness.展开更多
Su Manshu was a writer and translator in modern China. In addition to his fruitful literary creation, in the aspect of translation, he translated a lot of poetry in English literature, Hugo‘s Les Miserable's and ...Su Manshu was a writer and translator in modern China. In addition to his fruitful literary creation, in the aspect of translation, he translated a lot of poetry in English literature, Hugo‘s Les Miserable's and also some Indian literary works. He is good at making use of old verses to translate poetry. As to translation principles, he advocates "translation without increasing", "translation without increasing ornaments," and practices the method of "translation according to the source text context".展开更多
文摘The Literary Lab at Stanford University is one of the birthplaces of digital humanities and has maintained significant influence in this field over the years.Professor Hui Haifeng has been engaged in research on digital humanities and computational criticism in recent years.During his visiting scholarship at Stanford University,he participated in the activities of the Literary Lab.Taking this opportunity,he interviewed Professor Mark Algee-Hewitt,the director of the Literary Lab,discussing important topics such as the current state and reception of DH(digital humanities)in the English Department,the operations of the Literary Lab,and the landscape of computational criticism.Mark Algee-Hewitt's research focuses on the eighteenth and early nineteenth centuries in England and Germany and seeks to combine literary criticism with digital and quantitative analyses of literary texts.In particular,he is interested in the history of aesthetic theory and the development and transmission of aesthetic and philosophical concepts during the Enlightenment and Romantic periods.He is also interested in the relationship between aesthetic theory and the poetry of the long eighteenth century.Although his primary background is English literature,he also has a degree in computer science.He believes that the influence of digital humanities within the humanities disciplines is growing increasingly significant.This impact is evident in both the attraction and assistance it offers to students,as well as in the new interpretations it brings to traditional literary studies.He argues that the key to effectively integrating digital humanities into the English Department is to focus on literary research questions,exploring how digital tools can raise new questions or provide new insights into traditional research.
文摘This paper is composed of two parts,respectively prepared by Prof.Jerry Ward,Jr.on Oct 6,2021,for an online lecture to the faculty members and graduates of Central China Normal University,and on May 22,2019,as a contribution to our journal of Foreign Language and Literature Research.Prof.Ward provides rich insights into the African American literature in the 21st century by exploring continuity and change,and the key features of the ongoing production,especially by referring to five 21st-century writers.Meanwhile Prof.Ward revisits the literary history of USA and casts new light on African American literature from the perspectives of ethos and ethnos.Thus this paper demonstrates some thought-provoking explorations into the major issues the studies of African American literature is confronted in the new century.
基金funded by Sichuan International Studies University within the framework of the research project“Oulipian Experimentalism and Spatial Structure in the Travel Narratives of Jacques Roubaud”(sisu202008).
文摘This article explores the intersections of Buddhism,Daoism,and contemporary French literary practice in the study of the everyday(quotidien).Since the 1980s,French literature has increasingly shifted its focus from the exotic to the mundane,engaging with theoretical frameworks developed by scholars such as Henri Lefebvre and Michel de Certeau.Drawing on Buddhist notions of emptiness and dependent arising,as well as Daoist principles of yin-yang interdependence,the article bridges Eastern and Western philosophies to demonstrate the everyday not as a static or trivial backdrop,but as a dynamic and transformative space.It further examines how representations of daily life in the works of Georges Perec and Jacques Roubaud employ the meticulous documentation of mundane details to uncover hidden patterns,rhythms,and structures of human experience.Through literary fieldwork,Perec and Roubaud challenge conventional perceptions of the everyday,unveiling its depth,complexity,and potential for reinvention.
文摘The hybridity of words in literary texts and the multiplicity of theoretical discourse fundamentally determine the cross-cultural attributes of literary studies.This feature holds significant value for understanding different cultural traditions and presenting one’s cultural traits in a mutually contextualized manner.By analyzing the cross-cultural essence of literary studies with a focus on word transformation and critical discourse and also emphasizing that literary studies should fully consider the linguistic elements of literary texts,the theoretical origins of critical terminology,and the cultural stance of the researcher,it becomes possible to understand the important role of literary studies in humanistic academic knowledge production.
文摘In the present day,digital methods aid in the investigation and reflection of language and literary studies.It continues to develop through the use of digital tools,providing fresh perspectives on text analysis,language comprehension,and cultural significance of literary works.The growing field of digital humanities has completely changed how academics study and comprehend language and literature.The goal of digital humanism is to investigate how technology and humanistic research might be combined in the field of language and literary studies.It demonstrates how technology improves our understanding of stories,genre classification,authorship characteristics,and language evolution.Furthermore,using these digital tools goes beyond simple analysis,embracing fresh approaches to interpretation and providing new perspectives on the production,distribution,and reception of literary works and linguistic materials.It provides opportunities for interdisciplinary study by fusing computational techniques with humanities studies to investigate language and literature in fresh and perceptive ways.In the literary field,the digital humanities offer cutting-edge techniques and resources that enhance study,instruction,and interpretation.In addition to advancing conventional approaches,the function of digital humanities is to promote innovative approaches to engage with and understand cultural artifacts in a technologically mediated world.
文摘This study applies the basic theories of“Ethical Literary Criticism”proposed by Nie Zhenzhao to Arthur Miller’s play All My Sons,focusing on the ethical predicament Joe Keller faces in his specific ethical identity within the ethical environment of his time.It further points out the process and the consequence of his ethical choices in the conflict between family interests and social responsibilities,so as to reveal the ethical teaching function of the play.Joe’s ethical predicament arises from the contradiction between his family roles and his desire for interests as a businessman.In this conflict,the interaction of the human factor and the animal factor within the“Sphinx factor”causes Joe to make two different ethical choices.Through Joe’s tragic fate,Miller reveals the ethical enlightenment in All My Sons:Individuals,families,and society are inextricably linked,so today’s citizens need to recognize their inherent social nature and fulfill ethical duties in both personal and social aspects.Miller uses the play to criticize the ethical ethos of 20th-century American society and calls on readers to reevaluate the instrumental rationality behind the American Dream.
文摘Angela Carter’s“The Company of Wolves”is a provocative retelling of the classic fairy tale“Little Red Riding Hood,”delving into complex themes of sexuality,violence,and human nature.This paper examines the story’s ethical implications through a literary ethics lens,focusing on the wolf as a symbol of both danger and desire.It explores the wolf’s dual nature,the power dynamics between rulers and the ruled,and the ethical choice between conflict and coexistence.
基金Acknowledgements： This paper was sponsored by China National Social Science Foundation ＂Research on the Fundamental Problems of the Contemporary Aesthetics and Criticism Patterns＂ （15ZDB023）.
文摘The heated conversations about Fang Fang＇s ＂Tu Ziqiang＇s Personal Sorrow＂ among the author, readers and critics are a typical example of the bottom literature which emerged in the 1990s. Starting with the controversies aroused by the novella, this paper discusses the relationships among literary creation, criticism and theory in the bottom writing. The problem of the social bottom is not only an economic or political problem, but also such a complicated cultural problem that has attracted increasing attention in the field of human science. As it were, around the problem of the bottom class, a new public field integrating different kinds of writing forms and various theoretical materials is formed. The Benign interaction among literary creation, criticism and theory will both benefit to the overall development of literature and provide resources for the theoretical construction.
基金This article is part of the 2020 scientific research project of Anhui Engineering University:Research on the relationship between basic symbols of design,graphics,and text,Xjky2020112。
文摘The study found that the classics born during the turbulent Six Dynasties period,starting from Cao Pi’s“The Classics”to“Wen Fu”,“Wen Xin Diao Long”,“Shipin”and other classics,can all be analyzed to have a common origin.Attributes,that is,the philosophical strategy of dualistic isomorphism of explicit and implicit,is also a pattern;it can be proven that this is the philosophical key to interpreting and studying the classics of the Six Dynasties.It not only governs many aesthetic principles and aesthetic methods,but also emphasizes the need to transcend the appearance of current existence,transcend the current utilitarianism,and pay attention to the hidden and non-existent,just like paying attention to dark matter and antimatter in the universe.Pay attention to the origin of Shipin and expand aesthetic horizons;this philosophical secret not only exists in the classics of the Six Dynasties,it has its unity,graphics and vitality,as well as its historical inheritance and continuous operation.Its trajectory marks the context of literary theory and aesthetics;the modern construction of contemporary literary theory must be based on its operating trends.Only by transcending all utilitarianism can we better demonstrate the natural characteristics of Chinese tradition such as nationality.Otherwise,literary theory,aesthetics,and philosophy will not be self-consistent.
文摘Brown ＆ Levinson＇s face theory is an important theory in Pragmatics and it is an influential theory in expounding the phenomenon of politeness. Through an analysis of the functions of ＂face＂ in English literary works, this article intends to shed new lights on literary pragmatics.
文摘In literary translation,creative treason or translation deviations will surely be a shadow in company with each translated work.A translator is both the reader of the source text and the producer of the target text.Applying much on Reception Theory,the present paper explores the issue of translator's creative treason in literary translation in two aspects:one is the translator's creative treason as reader and the other is the translator's creative treason as producer.
文摘Culture-loaded words refer to expressions and idioms that carry typically culture messages. The peculiarity of one culture cannot be understood or accepted by readers from another culture. The uniqueness very likely makes misunderstanding and may lead to cultural vacancy in other cultures. Due to the culture differences between Chinese and English, it is hard for a translator to achieve complete equivalence at the level of word. This paper discusses the translation approaches of Chinese cultureloaded words in literary works.
文摘Manipulation always means a kind of extraordinary alteration for some purposes. All translation implies a degree of manipulation of the source text for a certain purpose. Liang Shih-chiu＇s literary translation serves for his literary creation which aims to promote colloquialism and to construct New Literature in the May Fourth Movement. Literary translation is the foundation of literary creation, or rather, its important strategy. The paper, from the perspective of Manipulation Theory, analyzes the purpose and strategy of Liang Shih-chiu＇s literary translation and explores the influence of his literary translation upon his literary creation in terms of ideology, poetics and patronage.
文摘Functional linguistics has become the most influential linguistic theory in the field of translation study since the last de cade of 20th century.However,for the complexity of the context,it is uncommon and insufficient to explore literary texts.Draw ing a general picture of literary text translation from functional perspectives aims to probe into the functional modes of translation.
文摘Literary translation is the re-creation of the language art.To translate an English novel into Chinese one,translators need the skill of literature re-creation.Taking Zhang Guruo's translated version Tess of the D'urbervilles as an example,we perceive that translators have subjectivity and they should break the boundary between writing and translating.When a translator translates a piece of works,he must get rid of the constraint of the surface structures of the original works,and reproduces the flavor of the original novel.But the translators should try to show the original scenes in the original English novel to target readers.
文摘Due to the prevalence of fuzziness in literary works and in poetry in particular,the author puts forward the view that some skills such as rhetoric devices,abstraction,meaning manifestation,creation of imagination context are to be adopted in the translation of literary fuzziness from the perspective of aesthetic recognition to achieve an integration between the textual implication and the readers' expectation horizon.And the author takes the translation of Chinese classic poems for example,through detailed analysis and comparison,proves the feasibility of the viewpoint.
文摘Through summarizing the basic problems in Marxist literary theory,reflects on the phenomena of contemporary literary creation from the perspectives in Marxist literary theory,such as "Human Nature","the Nature of Beauty","Anti-alienation and Aesthetics" as well as "Overall Emancipation of Human Beings" to demonstrate that with its contemporary values.
文摘The quality of language use is mainly evaluated at the levels of correctness,appropriateness and creativeness.Stylisticfeatures are manifested at the levels of appropriateness and creativeness.In traditional English grammar teaching,much effort isput on the correctness.Appropriateness is treated in part and creativeness is largely ignored.Isolated from concrete contexts,lin-guistic materials used for grammar teaching tend to be inefficient to ensure effective communication.The teaching of dry grammati-cal rules may lead to monotony and boredom in grammar learning.If the linguistic materials used in grammar teaching address cor-rectness,appropriateness and creativeness in language use simultaneously and are closer to life,grammar learning may be morefruitful.As literary texts are characterized by both the social discourses under multiple contexts and personal tastes,their styles arerich and lively.Therefore,to embed literary texts in English grammar teaching will not only create a more concrete,meaningful andinteresting context for the learning of grammatical rules but also be beneficial for the cultivation of stylistic awareness.
文摘Su Manshu was a writer and translator in modern China. In addition to his fruitful literary creation, in the aspect of translation, he translated a lot of poetry in English literature, Hugo‘s Les Miserable's and also some Indian literary works. He is good at making use of old verses to translate poetry. As to translation principles, he advocates "translation without increasing", "translation without increasing ornaments," and practices the method of "translation according to the source text context".
