For over three centuries,the poetic verses of Tsangyang Gyatso have echoed across the land of China,carrying not only his deep affection towards his homeland but also embodying the cultural gene of the Chinese nation....For over three centuries,the poetic verses of Tsangyang Gyatso have echoed across the land of China,carrying not only his deep affection towards his homeland but also embodying the cultural gene of the Chinese nation.However,the life story and poetry of this legendary figure,the Sixth Dalai Lama and renown poet,have long been distorted by sensationalized dramatization and misinterpretation,even exploited by those with ulterior motives to interfere in China's internal affairs.展开更多
Editor's Note:As a unique system of succession in Tibetan Buddhism,the reincarnation of Living Buddhas is governed by standardized religious rituals,historical conventions,and established principles.Since the Karm...Editor's Note:As a unique system of succession in Tibetan Buddhism,the reincarnation of Living Buddhas is governed by standardized religious rituals,historical conventions,and established principles.Since the Karma Kagyu sect pioneered the reincarnation system of Living Buddhas in the 13th century,this tradition has continued for more than 700 years.Since the Gelug sect adopted the reincarnation practice in the 16th century,resulting in major lineages such as the Dalai Lama and Panchen Erdeni reincarnations,the system has now held a history of over 400 years.Since the Yuan Dynasty(1271-1368),successive central governments of China have,without exception,strengthened administration over reincarnation matters.In the 57th year of the reign of Emperor Qianlong(1792)of the Qing Dynasty,the Golden Urn Lot-Drawing System was formally established.This system has remained in place up to the present day.Demonstrating national sovereignty,governmental authority,as well as the sacredness and impartiality of Buddhism,it has effectively prevented corruption and malpractice during the reincarnation process.展开更多
Panchen Rinpoche Concludes Xizang Tour Panchen Erdeni Chos-kyi rGyal-po,a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference and vice president of ...Panchen Rinpoche Concludes Xizang Tour Panchen Erdeni Chos-kyi rGyal-po,a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference and vice president of the Buddhist Association of China,flew back to Beijing on Dec.23 of 2025 after completing a six-month tour of southwest China's Xizang Autonomous Region,during which he performed regular duties,Buddhist rituals and social activities.展开更多
This paper explores the socio-cultural dimensions of the Tiji Festival by delving into its historical origins,symbolic meanings,and cultural relevance to establish social harmony among the people.The Tiji Festival,an ...This paper explores the socio-cultural dimensions of the Tiji Festival by delving into its historical origins,symbolic meanings,and cultural relevance to establish social harmony among the people.The Tiji Festival,an annual three-day ritual celebrated in Lo(Mustang),Nepal,holds deep cultural-historical significance as it embodies the socio-cultural and religious ethos of the region.Rooted in Tibetan Buddhist traditions,it embodies the triumph of good over evil forces through the re-enactment of the legendary battle between Dorje Jono and the demonic forces.Situated in the trans-Himalayan region,Mustang has been a cultural crossroad for centuries,blending Tibetan Buddhist customs with indigenous practices.Beyond its religious significance,the festival functions as a platform for communal gathering,and the preservation of intangible cultural heritage.Despite modern influences,the resilience of Tiji highlights the dynamic interplay between tradition and adaptation.By unlocking the socio-cultural perspective of this vibrant festival,this study underscores its role in maintaining Mustang’s historical legacy while evolving within contemporary socio-cultural contexts.It reflects this unique synthesis,serving as a means of social cohesion,identity reinforcement,and spiritual renewal for the local community.The elaborate masked dances,sacred chants,and ritualistic performances not only preserve the ancient oral traditions but also convey ethical teachings vital to Mustang’s collective consciousness.The acceptance of creative potential factor of Tiji festival is analyzed through the lenses of cultural theorists that justify call for historical practices of it.展开更多
Panchen Rinpoche Sends Greetings for Tibetan New Year 2025 On the Tibetan New Year,Feb.28,Panchen Erdeni Chos-kyi rGyal-po,one of the most influential figures in Tibetan Buddhism,extended greetings to Tibetans at home...Panchen Rinpoche Sends Greetings for Tibetan New Year 2025 On the Tibetan New Year,Feb.28,Panchen Erdeni Chos-kyi rGyal-po,one of the most influential figures in Tibetan Buddhism,extended greetings to Tibetans at home and abroad.In the speech,he prayed for the young to be wise and for the elderly to enjoy peace and wellbeing,wished for the country's prosperity and world peace,and wished that everything would go well in the Year of the Wood Snake and the virtuous be blessed.展开更多
Set against the cultural and historical backdrop of 18th-century Venice,Giulia Elisabetta Lama’s(1681-1747)remarkable paintings reveal intriguing connections to mythology and science.Lama’s notable depiction of Satu...Set against the cultural and historical backdrop of 18th-century Venice,Giulia Elisabetta Lama’s(1681-1747)remarkable paintings reveal intriguing connections to mythology and science.Lama’s notable depiction of Saturn Devouring His Child,painted in oils in 1729 and now in a private collection,draws significant attention.展开更多
文摘For over three centuries,the poetic verses of Tsangyang Gyatso have echoed across the land of China,carrying not only his deep affection towards his homeland but also embodying the cultural gene of the Chinese nation.However,the life story and poetry of this legendary figure,the Sixth Dalai Lama and renown poet,have long been distorted by sensationalized dramatization and misinterpretation,even exploited by those with ulterior motives to interfere in China's internal affairs.
文摘Editor's Note:As a unique system of succession in Tibetan Buddhism,the reincarnation of Living Buddhas is governed by standardized religious rituals,historical conventions,and established principles.Since the Karma Kagyu sect pioneered the reincarnation system of Living Buddhas in the 13th century,this tradition has continued for more than 700 years.Since the Gelug sect adopted the reincarnation practice in the 16th century,resulting in major lineages such as the Dalai Lama and Panchen Erdeni reincarnations,the system has now held a history of over 400 years.Since the Yuan Dynasty(1271-1368),successive central governments of China have,without exception,strengthened administration over reincarnation matters.In the 57th year of the reign of Emperor Qianlong(1792)of the Qing Dynasty,the Golden Urn Lot-Drawing System was formally established.This system has remained in place up to the present day.Demonstrating national sovereignty,governmental authority,as well as the sacredness and impartiality of Buddhism,it has effectively prevented corruption and malpractice during the reincarnation process.
文摘Panchen Rinpoche Concludes Xizang Tour Panchen Erdeni Chos-kyi rGyal-po,a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference and vice president of the Buddhist Association of China,flew back to Beijing on Dec.23 of 2025 after completing a six-month tour of southwest China's Xizang Autonomous Region,during which he performed regular duties,Buddhist rituals and social activities.
文摘This paper explores the socio-cultural dimensions of the Tiji Festival by delving into its historical origins,symbolic meanings,and cultural relevance to establish social harmony among the people.The Tiji Festival,an annual three-day ritual celebrated in Lo(Mustang),Nepal,holds deep cultural-historical significance as it embodies the socio-cultural and religious ethos of the region.Rooted in Tibetan Buddhist traditions,it embodies the triumph of good over evil forces through the re-enactment of the legendary battle between Dorje Jono and the demonic forces.Situated in the trans-Himalayan region,Mustang has been a cultural crossroad for centuries,blending Tibetan Buddhist customs with indigenous practices.Beyond its religious significance,the festival functions as a platform for communal gathering,and the preservation of intangible cultural heritage.Despite modern influences,the resilience of Tiji highlights the dynamic interplay between tradition and adaptation.By unlocking the socio-cultural perspective of this vibrant festival,this study underscores its role in maintaining Mustang’s historical legacy while evolving within contemporary socio-cultural contexts.It reflects this unique synthesis,serving as a means of social cohesion,identity reinforcement,and spiritual renewal for the local community.The elaborate masked dances,sacred chants,and ritualistic performances not only preserve the ancient oral traditions but also convey ethical teachings vital to Mustang’s collective consciousness.The acceptance of creative potential factor of Tiji festival is analyzed through the lenses of cultural theorists that justify call for historical practices of it.
文摘Panchen Rinpoche Sends Greetings for Tibetan New Year 2025 On the Tibetan New Year,Feb.28,Panchen Erdeni Chos-kyi rGyal-po,one of the most influential figures in Tibetan Buddhism,extended greetings to Tibetans at home and abroad.In the speech,he prayed for the young to be wise and for the elderly to enjoy peace and wellbeing,wished for the country's prosperity and world peace,and wished that everything would go well in the Year of the Wood Snake and the virtuous be blessed.
文摘Set against the cultural and historical backdrop of 18th-century Venice,Giulia Elisabetta Lama’s(1681-1747)remarkable paintings reveal intriguing connections to mythology and science.Lama’s notable depiction of Saturn Devouring His Child,painted in oils in 1729 and now in a private collection,draws significant attention.
