Ned Kahn是一位景观设计师，他的设计灵感源自各种自然现象，如风、水、火、雾、沙等，他运用大胆而细致的设计手法，将这些元素，通过雕塑和大型的装置艺术，带到公众面前。他的景观设计作品非常直观，有时亦很平实，相信读者看过之后...Ned Kahn是一位景观设计师，他的设计灵感源自各种自然现象，如风、水、火、雾、沙等，他运用大胆而细致的设计手法，将这些元素，通过雕塑和大型的装置艺术，带到公众面前。他的景观设计作品非常直观，有时亦很平实，相信读者看过之后，都能从中感受到自然的力量。正如Ned Kahn本人所说，“我希望我的艺术品，能让人们记起大自然的美丽与神秘，希望人们在看到这些自然现象发生时，能产生一种对自然的敬畏之感，同时也点燃他们对大自然的热爱之情。”展开更多
Louis Kahn is often credited with having in his introduced modern architecture to Bangladesh. In construction as any he employed was already in National Assembly in Dhaka （1962-1983） fact at least as technologically...Louis Kahn is often credited with having in his introduced modern architecture to Bangladesh. In construction as any he employed was already in National Assembly in Dhaka （1962-1983） fact at least as technologically advanced use there. Nor was he the first to use a sophisticated abstract esthetic in what was from 1947 to 1971 East Pakistan. The importance and originality of the National Assembly instead resides in the care with which he built in reinforced concrete and the forms into which he required that it be cast. These were esthetic decisions rooted in a particular theoretical position; they were located outside established modernist practice of the time in both South Asia and the United States. Indeed operating at such a great remove from home may have heightened Kahn＇s authority to implement these forms even as it substantially complicated their execution.展开更多
To incline and unfold the constituent elements of Louis I.Kahn’s architecture and philosophy,a precise attention must lie on the fundamental objectives that he vigorously pursued and mastered,especially in his latest...To incline and unfold the constituent elements of Louis I.Kahn’s architecture and philosophy,a precise attention must lie on the fundamental objectives that he vigorously pursued and mastered,especially in his latest works.This work focuses attention on Louis Kahn’s idiosyncratic approach to light manipulation which he used to shape his architecture.That’s due to the constant coherence of his approach even today.As we are merged in the plurality of fonts that haul our discipline,we constantly question the real sense of architecture and what makes it intelligible.Kahn’s method drew conclusions and seeked for this sense through precise fonts:lessons from the past,current modernist flow,and the context.He combined and transformed these inspirations distinctively through his own sensitivity to achieve that spiritual value and its own true sense that architecture should retain in its form.Thus,it is considered of utmost interest to rethink his approach and particularly to reflect today on the pertinence of his main architectural parameter:Light.展开更多
文摘Louis Kahn is often credited with having in his introduced modern architecture to Bangladesh. In construction as any he employed was already in National Assembly in Dhaka （1962-1983） fact at least as technologically advanced use there. Nor was he the first to use a sophisticated abstract esthetic in what was from 1947 to 1971 East Pakistan. The importance and originality of the National Assembly instead resides in the care with which he built in reinforced concrete and the forms into which he required that it be cast. These were esthetic decisions rooted in a particular theoretical position; they were located outside established modernist practice of the time in both South Asia and the United States. Indeed operating at such a great remove from home may have heightened Kahn＇s authority to implement these forms even as it substantially complicated their execution.
文摘To incline and unfold the constituent elements of Louis I.Kahn’s architecture and philosophy,a precise attention must lie on the fundamental objectives that he vigorously pursued and mastered,especially in his latest works.This work focuses attention on Louis Kahn’s idiosyncratic approach to light manipulation which he used to shape his architecture.That’s due to the constant coherence of his approach even today.As we are merged in the plurality of fonts that haul our discipline,we constantly question the real sense of architecture and what makes it intelligible.Kahn’s method drew conclusions and seeked for this sense through precise fonts:lessons from the past,current modernist flow,and the context.He combined and transformed these inspirations distinctively through his own sensitivity to achieve that spiritual value and its own true sense that architecture should retain in its form.Thus,it is considered of utmost interest to rethink his approach and particularly to reflect today on the pertinence of his main architectural parameter:Light.
