Cliff stone carvings are drawn from the calligraphic art of literati in various periods. Other types include statues and rock paintings. When art and nature are mixed together, they will present a more detached aesthe...Cliff stone carvings are drawn from the calligraphic art of literati in various periods. Other types include statues and rock paintings. When art and nature are mixed together, they will present a more detached aesthetic interest. The imposing manner of these stone monuments is very grand. In addition, the running script, official script, cursive script and seal script have their own artistic flavor, which adds to the value of historical research. Based on this, this paper analyzes the distribution of the cliff-carved stone ancient ruins in Liaoning area, and further discusses and studies the historical research value of this site for the reference of relevant practitioners.展开更多
Research on Lu Xun is never simply the analysis of an individual writer, but constitutes an understanding of the cultural attributes represented by Lu Xun himself and his writings. Likewise, the evaluation of research...Research on Lu Xun is never simply the analysis of an individual writer, but constitutes an understanding of the cultural attributes represented by Lu Xun himself and his writings. Likewise, the evaluation of research on Lu Xun is never a simple evaluation of academic history, but rather a social evaluation associated with the value orientations of those times. At present, with the return of academic logic and the growing tendency toward private research, a noteworthy divergence of standpoints and evaluations of Lu Xun research has emerged. At the same time, as a prominent discipline that has been over-interpreted, research on Lu Xun is demonstrating a tendency toward redundancy and triviality. Three fundamental paradigms are commonly employed in research on Lu Xun： historical research that attempts to explore historical materials; academic research that focuses on knowledge interpretation and aesthetic evaluation; and contemporary research that pursues the contemporary meaning and values of Lu Xun＇s ideas. Each paradigm offers an insight into and understanding of Lu Xun＇s rich and complex spiritual world; each presents a paradox of one kind or the other; and each performs different value functions.展开更多
This book is a work of biographical Literature that narrates Zhang Daqian's artistic creations and life anecdotes in the Chengdu area.From 1938 to 1949,Zhang Daqian Lived for four to five years at the Shangqing Pa...This book is a work of biographical Literature that narrates Zhang Daqian's artistic creations and life anecdotes in the Chengdu area.From 1938 to 1949,Zhang Daqian Lived for four to five years at the Shangqing Palace on Mount Qingcheng in Duan County,Sichuan(now Dujiangyan City),creating thousands of calligraphy and painting works themed on Mount Qingcheng,during which his artistic skills reached a new peak.The book is divided into four parts and,from the aspects of art,Life,friends and family,and anecdotes,showcases Zhang Daqian drawing inspiration from Mount Oingcheng.Enriching readers'understanding of both Zhang Daqian and Chengdu,it holds certain historical and cultural reference value.展开更多
文摘Cliff stone carvings are drawn from the calligraphic art of literati in various periods. Other types include statues and rock paintings. When art and nature are mixed together, they will present a more detached aesthetic interest. The imposing manner of these stone monuments is very grand. In addition, the running script, official script, cursive script and seal script have their own artistic flavor, which adds to the value of historical research. Based on this, this paper analyzes the distribution of the cliff-carved stone ancient ruins in Liaoning area, and further discusses and studies the historical research value of this site for the reference of relevant practitioners.
文摘Research on Lu Xun is never simply the analysis of an individual writer, but constitutes an understanding of the cultural attributes represented by Lu Xun himself and his writings. Likewise, the evaluation of research on Lu Xun is never a simple evaluation of academic history, but rather a social evaluation associated with the value orientations of those times. At present, with the return of academic logic and the growing tendency toward private research, a noteworthy divergence of standpoints and evaluations of Lu Xun research has emerged. At the same time, as a prominent discipline that has been over-interpreted, research on Lu Xun is demonstrating a tendency toward redundancy and triviality. Three fundamental paradigms are commonly employed in research on Lu Xun： historical research that attempts to explore historical materials; academic research that focuses on knowledge interpretation and aesthetic evaluation; and contemporary research that pursues the contemporary meaning and values of Lu Xun＇s ideas. Each paradigm offers an insight into and understanding of Lu Xun＇s rich and complex spiritual world; each presents a paradox of one kind or the other; and each performs different value functions.
文摘This book is a work of biographical Literature that narrates Zhang Daqian's artistic creations and life anecdotes in the Chengdu area.From 1938 to 1949,Zhang Daqian Lived for four to five years at the Shangqing Palace on Mount Qingcheng in Duan County,Sichuan(now Dujiangyan City),creating thousands of calligraphy and painting works themed on Mount Qingcheng,during which his artistic skills reached a new peak.The book is divided into four parts and,from the aspects of art,Life,friends and family,and anecdotes,showcases Zhang Daqian drawing inspiration from Mount Oingcheng.Enriching readers'understanding of both Zhang Daqian and Chengdu,it holds certain historical and cultural reference value.
