This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and ...This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture.展开更多
Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating K...Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating Kunqu,Gaoqiang,Chuiqiang,and minor tunes,with Zhongzhou rhyme as its stage language.The roles are divided into seven categories:Sheng,Dan,Chou,Gong,Po,and Jing(including Hongjing and Wujing).Its accompaniment instruments,particularly the Touxian,Dasuluo,and Haotou,are distinctive,making it an excellent Pi and Huang opera genre in southern China.In 2008,Guangdong Han Opera was listed in the national intangible cultural heritage,recognizing its artistic value and entrusting it with the mission of inheriting and developing this opera genre.This paper focuses on the Guangdong Han Opera“Wang Zhaojun”and employs methods such as literature review and case analysis to explore its achievements in secondary creation and artistic innovation.The opera has achieved innovations in script,character,music,and stagecraft,and made breakthroughs in performance form,narrative technique,and cultural connotation,promoting the inheritance and development of Guangdong Han Opera and providing insights into contemporary drama innovation.展开更多
基金supported by the sub-topic“Research on Language Folklore Art”of the 2022 China National Social Science Fund Art Major Project“Theoretical and Practical Research on Chinese Art Folklore”(Moderator:Professor Bo Dong)’s phased research results(Grant No.22ZD06).
文摘This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture.
基金This work was supported by the sub-topic“Research on Language Folklore Art”of the 2022 China National Social Science Fund Art Major Project“Theoretical and Practical Research on Chinese Art Folklore”(Moderator:Professor Bo Dong)’s phased research results(Grant No.22ZD06).
文摘Guangdong Han Opera,known as the“Peony of the South,”is a treasured art form with a history of over 300 years.As one of the three major opera genres in Guangdong,it primarily uses Pi and Huang tuning,incorporating Kunqu,Gaoqiang,Chuiqiang,and minor tunes,with Zhongzhou rhyme as its stage language.The roles are divided into seven categories:Sheng,Dan,Chou,Gong,Po,and Jing(including Hongjing and Wujing).Its accompaniment instruments,particularly the Touxian,Dasuluo,and Haotou,are distinctive,making it an excellent Pi and Huang opera genre in southern China.In 2008,Guangdong Han Opera was listed in the national intangible cultural heritage,recognizing its artistic value and entrusting it with the mission of inheriting and developing this opera genre.This paper focuses on the Guangdong Han Opera“Wang Zhaojun”and employs methods such as literature review and case analysis to explore its achievements in secondary creation and artistic innovation.The opera has achieved innovations in script,character,music,and stagecraft,and made breakthroughs in performance form,narrative technique,and cultural connotation,promoting the inheritance and development of Guangdong Han Opera and providing insights into contemporary drama innovation.
