Following Kenneth King＇s pioneering transmedial synthetic writings on post-modern dance practices and Kimerer L. LaMothe＇s call for dance to be treated seriously in religious and philosophical discourses, I examine ...Following Kenneth King＇s pioneering transmedial synthetic writings on post-modern dance practices and Kimerer L. LaMothe＇s call for dance to be treated seriously in religious and philosophical discourses, I examine Yan Geling＇s novella Baishe （White Snake, 1998）, in relation to Lilian Lee＇s novel qingshe （Green Snake, 1986-93）, with a focus on how dancing and writing function literally, metaphorically, dialectically, and reciprocally, in these narratives. In my textual and contextual analyses of Yan＇s White Snake text, I borrow Daria Halprin＇s therapeutic model for accessing life experiences through the body in motion. I argue that, through a creative use of writing and dancing as key metaphors for identity formation and transformation, Yan＇s text, in the context of contemporary China, offers innovative counter-narratives of gender, writing, and the body. Yan＇s White Snake is considered in the following three contexts in this paper： firstly, the expressiveness of the female body in the White Snake story; secondly, the tradition and significance of writing women in Chinese literary history; and thirdly, the development of dance as a profession in the PRC, with a real-life snake dancer at the center. These three different frameworks weave an intricate tapestry that reveals the dialectics of writing and dancing, and language and the body, throughout the latter half of twentieth-century China. Furthermore, Yan＇s text foregrounds the Cultural Revolution as an important chronotope for experimentation with a range of complex gender identities in relation to the expressive and symbolic powers of dancing and writing.展开更多
As a revolutionary leader, Mao Zedong had a new vision of China as a reformed revolutionary society. Challenging this radical social vision in The Ninth Widow （Di jiu ge guafu, 2006） and One Woman＇s Epic （Yige nur...As a revolutionary leader, Mao Zedong had a new vision of China as a reformed revolutionary society. Challenging this radical social vision in The Ninth Widow （Di jiu ge guafu, 2006） and One Woman＇s Epic （Yige nuren de shishi, 2007）, the contemporary Chinese writer Yan Geling describes how the characters retain their personal mentalities and habits in everyday life as they ignore, outmaneuver or even defy the political demands of revolutionary China. Focused on Yan＇s depiction of everyday life, the present paper offers a close reading and analysis of the two novels in relation to the theories of Pierre Bourdieu, Alf Ludtke and Michel de Certeau. It pays special attention to Yan＇s depiction of everyday life as a site where the characters in the novels bring their human agency into play as they satisfy their human needs and maintain their individual characteristics. Ultimately, it shows how Yan＇s depiction of everyday life questions the reach and efficacy of dominant ideology in revolutionary China.展开更多
目的:比较再治疗根管内粪肠球菌(enterococcus faecalis)毒力因子gelE表达情况,分析gelE表达与临床表现的关系。方法:采集临床需要根管再治疗病例的根管内细菌样本53例,利用Real Time Quantitative PCR技术来检测gelE的表达情况。统计...目的:比较再治疗根管内粪肠球菌(enterococcus faecalis)毒力因子gelE表达情况,分析gelE表达与临床表现的关系。方法:采集临床需要根管再治疗病例的根管内细菌样本53例,利用Real Time Quantitative PCR技术来检测gelE的表达情况。统计学分析gelE表达与患者临床表现之间的关系。结果:再治疗根管内粪肠球菌毒力因子gelE在有临床症状或体征和有根尖暗影的病例中表达增强(P<0.05)。结论:再治疗根管内粪肠球菌毒力因子gelE的表达增强与临床症状或体征的出现有关系。展开更多
Yan Geling’s novel The Lost Daughter of Happiness rebelled to the tendency of Orientalism in the current Western con⁃text.Analyzing this fiction from the perspective of the new subject cross-cultural imagology confor...Yan Geling’s novel The Lost Daughter of Happiness rebelled to the tendency of Orientalism in the current Western con⁃text.Analyzing this fiction from the perspective of the new subject cross-cultural imagology conforms to the context of cross-cul⁃ture,the need of Chinese cultural consciousness and the interpretation to complex characters.Starting from the image of The Lost Daughter of Happiness,Chinese workers and Chris,taking the method of textual analysis and literature reading,this thesis aims to interpret“the other”-orientalization tendency about male and female from Western culture and the self-orientalization tendency in narrative ways and writing skills in the fiction.However,as a matter of fact,this way can be seemed as a method of Yan Geling’s endeavor to deconstruct the Orientalism from the narrative means and writing skills in a mask of orientalization,which points out a way for the new immigrant literature,that is,diasporic literature writers can make full use of regional barriers,cultural connections and life experiences to open up an enclave of literature.That is,“the third space”came up with by Homi K.Bhabha,so writers can regard it as an experimental plot to break the Western discourse authentically and establish cultural self-confidence gradually.展开更多
文摘Following Kenneth King＇s pioneering transmedial synthetic writings on post-modern dance practices and Kimerer L. LaMothe＇s call for dance to be treated seriously in religious and philosophical discourses, I examine Yan Geling＇s novella Baishe （White Snake, 1998）, in relation to Lilian Lee＇s novel qingshe （Green Snake, 1986-93）, with a focus on how dancing and writing function literally, metaphorically, dialectically, and reciprocally, in these narratives. In my textual and contextual analyses of Yan＇s White Snake text, I borrow Daria Halprin＇s therapeutic model for accessing life experiences through the body in motion. I argue that, through a creative use of writing and dancing as key metaphors for identity formation and transformation, Yan＇s text, in the context of contemporary China, offers innovative counter-narratives of gender, writing, and the body. Yan＇s White Snake is considered in the following three contexts in this paper： firstly, the expressiveness of the female body in the White Snake story; secondly, the tradition and significance of writing women in Chinese literary history; and thirdly, the development of dance as a profession in the PRC, with a real-life snake dancer at the center. These three different frameworks weave an intricate tapestry that reveals the dialectics of writing and dancing, and language and the body, throughout the latter half of twentieth-century China. Furthermore, Yan＇s text foregrounds the Cultural Revolution as an important chronotope for experimentation with a range of complex gender identities in relation to the expressive and symbolic powers of dancing and writing.
文摘As a revolutionary leader, Mao Zedong had a new vision of China as a reformed revolutionary society. Challenging this radical social vision in The Ninth Widow （Di jiu ge guafu, 2006） and One Woman＇s Epic （Yige nuren de shishi, 2007）, the contemporary Chinese writer Yan Geling describes how the characters retain their personal mentalities and habits in everyday life as they ignore, outmaneuver or even defy the political demands of revolutionary China. Focused on Yan＇s depiction of everyday life, the present paper offers a close reading and analysis of the two novels in relation to the theories of Pierre Bourdieu, Alf Ludtke and Michel de Certeau. It pays special attention to Yan＇s depiction of everyday life as a site where the characters in the novels bring their human agency into play as they satisfy their human needs and maintain their individual characteristics. Ultimately, it shows how Yan＇s depiction of everyday life questions the reach and efficacy of dominant ideology in revolutionary China.
文摘目的:比较再治疗根管内粪肠球菌(enterococcus faecalis)毒力因子gelE表达情况,分析gelE表达与临床表现的关系。方法:采集临床需要根管再治疗病例的根管内细菌样本53例,利用Real Time Quantitative PCR技术来检测gelE的表达情况。统计学分析gelE表达与患者临床表现之间的关系。结果:再治疗根管内粪肠球菌毒力因子gelE在有临床症状或体征和有根尖暗影的病例中表达增强(P<0.05)。结论:再治疗根管内粪肠球菌毒力因子gelE的表达增强与临床症状或体征的出现有关系。
文摘Yan Geling’s novel The Lost Daughter of Happiness rebelled to the tendency of Orientalism in the current Western con⁃text.Analyzing this fiction from the perspective of the new subject cross-cultural imagology conforms to the context of cross-cul⁃ture,the need of Chinese cultural consciousness and the interpretation to complex characters.Starting from the image of The Lost Daughter of Happiness,Chinese workers and Chris,taking the method of textual analysis and literature reading,this thesis aims to interpret“the other”-orientalization tendency about male and female from Western culture and the self-orientalization tendency in narrative ways and writing skills in the fiction.However,as a matter of fact,this way can be seemed as a method of Yan Geling’s endeavor to deconstruct the Orientalism from the narrative means and writing skills in a mask of orientalization,which points out a way for the new immigrant literature,that is,diasporic literature writers can make full use of regional barriers,cultural connections and life experiences to open up an enclave of literature.That is,“the third space”came up with by Homi K.Bhabha,so writers can regard it as an experimental plot to break the Western discourse authentically and establish cultural self-confidence gradually.
