The traditional Feng Shui pattern embodies rich ecological wisdom and philosophical thoughts,which are of great significance to the modern sustainable space design.The core concepts of Feng Shui patterns from traditio...The traditional Feng Shui pattern embodies rich ecological wisdom and philosophical thoughts,which are of great significance to the modern sustainable space design.The core concepts of Feng Shui patterns from traditional civilization can provide a theoretical foundation and research framework for this study.By integrating these principles,such as“hiding the wind and gathering the Qi”and“backing the mountain and facing the water”,a functional relationship between urban structures can be established.This approach can help optimize the spatial layout of urban elements,minimize energy consumption,and enhance environmental comfort.It also examines the influence of the ShanShui City pattern in traditional Feng Shui on guiding the development of modern urban ecological networks,as well as its role in protecting and restoring biodiversity through ecological corridors and ecological nodes.The modern urban design of traditional Feng Shui culture focuses on the inheritance and innovation of riotous things and the combination of traditional Feng Shui concepts and modern design concepts to form ecological spaces with cultural connotation.This paper hopes to give some inspiration or methods for contemporary urban design and to reconcile the relationship between human and nature through these thoughts.展开更多
This paper takes Chinese“Feng Shui”as a starting point to study German missionary Ernest Eitel’s writings on Feng Shui and to explore the Chinese images constructed by him in his writings.This study begins by analy...This paper takes Chinese“Feng Shui”as a starting point to study German missionary Ernest Eitel’s writings on Feng Shui and to explore the Chinese images constructed by him in his writings.This study begins by analyzing the structure of Eitel’s work Feng Shui,or,the Rudiments of Natural Science in China,and the Chinese images that he constructed in his work.The study argues that,due to his multiple identities as a missionary,a believer in colonialism,an educator,and a researcher of culture,as well as the influence of what he saw and heard in China,Eitel,despite his exhaustive examination of Chinese Feng Shui culture,ultimately,due to his own biases brought about by his own experiences and cultural differences,produced a paradoxical discourse on Feng Shui:he understood it as a Chinese natural science system,but an unsystematic one.As a result,Eitel also built a contradictory image of the Chinese:they hold a belief in the“animism”and respect for ancestral observations of nature,which ultimately translates into a superstitious belief in nature and an ignorance of true science.展开更多
This paper documents the long history of feng shui belief and practice in Chinese culture, and its spread worldwide in the past half century. It shows that commitment to the peculiar qi or chi entity is central to fen...This paper documents the long history of feng shui belief and practice in Chinese culture, and its spread worldwide in the past half century. It shows that commitment to the peculiar qi or chi entity is central to feng shui and more generally to traditional Chinese writings on medicine, astrology, philosophy, politics,literature, natural philosophy and science. Despite their centrality and omnipresence, chi claims have rarely been scientifically appraised. This is, in part, because they are stated so vaguely and mysteriously that no definite test is possible. This paper examines, and refutes, the claims of one rare but well-credentialled,multi-university-based research programme affirming the reality of chi. The paper shows that the cost of seriously endorsing a chi-based explanation of any putative effect is a rejection of the entire ontological,epistemological and methodological edifice of modern science. Chi explanations are incompatible with both a methodological and an ontological naturalist understanding of science.展开更多
文摘The traditional Feng Shui pattern embodies rich ecological wisdom and philosophical thoughts,which are of great significance to the modern sustainable space design.The core concepts of Feng Shui patterns from traditional civilization can provide a theoretical foundation and research framework for this study.By integrating these principles,such as“hiding the wind and gathering the Qi”and“backing the mountain and facing the water”,a functional relationship between urban structures can be established.This approach can help optimize the spatial layout of urban elements,minimize energy consumption,and enhance environmental comfort.It also examines the influence of the ShanShui City pattern in traditional Feng Shui on guiding the development of modern urban ecological networks,as well as its role in protecting and restoring biodiversity through ecological corridors and ecological nodes.The modern urban design of traditional Feng Shui culture focuses on the inheritance and innovation of riotous things and the combination of traditional Feng Shui concepts and modern design concepts to form ecological spaces with cultural connotation.This paper hopes to give some inspiration or methods for contemporary urban design and to reconcile the relationship between human and nature through these thoughts.
文摘This paper takes Chinese“Feng Shui”as a starting point to study German missionary Ernest Eitel’s writings on Feng Shui and to explore the Chinese images constructed by him in his writings.This study begins by analyzing the structure of Eitel’s work Feng Shui,or,the Rudiments of Natural Science in China,and the Chinese images that he constructed in his work.The study argues that,due to his multiple identities as a missionary,a believer in colonialism,an educator,and a researcher of culture,as well as the influence of what he saw and heard in China,Eitel,despite his exhaustive examination of Chinese Feng Shui culture,ultimately,due to his own biases brought about by his own experiences and cultural differences,produced a paradoxical discourse on Feng Shui:he understood it as a Chinese natural science system,but an unsystematic one.As a result,Eitel also built a contradictory image of the Chinese:they hold a belief in the“animism”and respect for ancestral observations of nature,which ultimately translates into a superstitious belief in nature and an ignorance of true science.
文摘This paper documents the long history of feng shui belief and practice in Chinese culture, and its spread worldwide in the past half century. It shows that commitment to the peculiar qi or chi entity is central to feng shui and more generally to traditional Chinese writings on medicine, astrology, philosophy, politics,literature, natural philosophy and science. Despite their centrality and omnipresence, chi claims have rarely been scientifically appraised. This is, in part, because they are stated so vaguely and mysteriously that no definite test is possible. This paper examines, and refutes, the claims of one rare but well-credentialled,multi-university-based research programme affirming the reality of chi. The paper shows that the cost of seriously endorsing a chi-based explanation of any putative effect is a rejection of the entire ontological,epistemological and methodological edifice of modern science. Chi explanations are incompatible with both a methodological and an ontological naturalist understanding of science.
