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An Analysis of Differences between Victor Frankenstein and Frankenstein;or,The Modern Prometheus
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作者 王英俊 《海外英语》 2020年第16期241-242,共2页
Frankenstein;or,The Modern Prometheus is Mary Shelley’s masterpiece published in 1818.Since the novel’s publica⁃tion,it has been adapted to produce a number of films which enjoyed great popularity.This article mainl... Frankenstein;or,The Modern Prometheus is Mary Shelley’s masterpiece published in 1818.Since the novel’s publica⁃tion,it has been adapted to produce a number of films which enjoyed great popularity.This article mainly focuses on the differenc⁃es between the book Frankenstein and the movie Victor Frankenstein in order to study the meaning and value of these changes in the movie. 展开更多
关键词 frankenstein Victor frankenstein Mary Shelley Paul McGuigan ADAPTATION
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Contemplation of the Fear in Frankenstein and Its Impact on Gothic Fiction
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作者 林少云 《海外英语》 2012年第5X期201-202,204,共3页
In the late 18th century and the beginning of 19th century,there appeared an important literary trend named Gothic as a part of Romanism.Mary Wollstonecraft Godwin Shelley(1797-1851) is a famous novelist of the Romant... In the late 18th century and the beginning of 19th century,there appeared an important literary trend named Gothic as a part of Romanism.Mary Wollstonecraft Godwin Shelley(1797-1851) is a famous novelist of the Romantic period.Her masterpiece,Franken stein,is considered one of the best Gothic novels as well as the first science fiction in the modern sense.My thesis is engaged in the study of this work from psychological perspectives:that is the fear of desolation and irrational human ambition.Frankenstein not only adopted the traditional Gothic elements but also modified and added new ones.Thus it yields a great influence on the successive literature. 展开更多
关键词 GOTHIC FEAR MARY SHELLEY frankenstein science fict
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The Great Power under Oppression——A Feminism Analysis of the Main Female Characters in Frankenstein
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作者 冯利 《海外英语》 2012年第14期202-204,共3页
This paper analyses the three main female characters in Frankenstein from feminism.Their miserable fortunes and experiences demonstrate their oppression under patriarchy ideology.However,as suppressed object and vulne... This paper analyses the three main female characters in Frankenstein from feminism.Their miserable fortunes and experiences demonstrate their oppression under patriarchy ideology.However,as suppressed object and vulnerable group,they exert great influence on males and their family,even determine their destinies.Female's power in patriarchal society is stressed. 展开更多
关键词 frankenstein FEMINISM OPPRESSION POWER
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The Struggle for Human Betterment as A theme in Mary(Shelly's) Frankenstein
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作者 金丽华 《宁夏大学学报(人文社会科学版)》 CSSCI 2006年第5期93-95,共3页
Men struggle for human betterment for over thousands of years.In Mary Shelley’s Frankenstein,there are many heroes who struggle for human betterment,such as Frankenstein,the Modern Prometheus,Walton,and even the mons... Men struggle for human betterment for over thousands of years.In Mary Shelley’s Frankenstein,there are many heroes who struggle for human betterment,such as Frankenstein,the Modern Prometheus,Walton,and even the monster,etc.The better we live today the higher aims we want to reach in the future.In this Gothic novel,Mary Shelley shows her idea of the creation of life and the consequence of it.Some of her descriptions reflect her opinion. 展开更多
关键词 人类良知 歌特式小说 文学评论 现实主义
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Metaphor of Madwoman in Frankenstein in Baghdad: Truth Escaping War Zones
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作者 PENG Lan-xin 《Journal of Literature and Art Studies》 2020年第10期880-885,共6页
Ahmed Al-Sadawi is the first Iraqi writer to win the seventh International Prize for Arabic Fiction for his novel Frankenstein in Baghdad.Previously,novels about the Iraq war were written mainly by Americans,the works... Ahmed Al-Sadawi is the first Iraqi writer to win the seventh International Prize for Arabic Fiction for his novel Frankenstein in Baghdad.Previously,novels about the Iraq war were written mainly by Americans,the works categorized as“post 9·11 literature.”Ahmed transforms Western image Frankenstein into Baghdad Frankenstein to denounce hegemonism,terrorism and sectarianism.The Baghdad monster and its maker related to the book title have been widely discussed.However,the“mad”woman Elishva has been overlooked while her story line is equally ingenious and important.Focused on Elishva,an old woman who waits for her son to return for over twenty years but suddenly leaves within a day,this paper explains her choices and the reasons why Ahmed arranges such a character and destiny.In this way,this paper explores the truth about religion through the recurring religious picture in the novel and the truth about body by means of Merleau-Ponty’s phenomenology of perception,with the purpose to display the novel’s artistical condemnation of the destructiveness of war.In the end of this paper Elishva-centering community of shared destiny will be discussed to stress her true nature and others’false attitude toward violence-invaded life. 展开更多
关键词 frankenstein in Baghdad METAPHOR phenomenology of perception community of shared destiny
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Frankenstein and the Gothic Sublime
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作者 CHEN Yue-ting 《Journal of Literature and Art Studies》 2018年第2期249-256,共8页
Mary Shelley, a British famous female writer in the 19th century, wrote Frankenstein in 1818, which was regarded as a noted classic gothic fiction. The gothic style enriches the connotation of the novel and endows her... Mary Shelley, a British famous female writer in the 19th century, wrote Frankenstein in 1818, which was regarded as a noted classic gothic fiction. The gothic style enriches the connotation of the novel and endows her works with a mysterious sublimity in such a way as to carry gothic novels into a new stage of development. This article attempts to analyze the gothic sublime of Frankenstein commencing from sublime theories of Longinus, Burke and Kant and the definition of he father of gothic novels Horace Walpole's "gothic". The study finds that the gothic sublime of Frankenstein is mainly embodied in three aspects as ugliness, the production of the monster and the torture by an endless terror 展开更多
关键词 frankenstein the gothic sublime Mary Shelley
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The Identity-Chasing Journey of the Monster in Frankenstein
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作者 LIU xiao-wen 《Journal of Literature and Art Studies》 2021年第3期153-157,共5页
In the novel Frankenstein, the creature “monster” has no name. He is called “monster” and “devil” since he wascreated. This paper explores the lack of monster’s identity, tracing monster’s identity chasing jou... In the novel Frankenstein, the creature “monster” has no name. He is called “monster” and “devil” since he wascreated. This paper explores the lack of monster’s identity, tracing monster’s identity chasing journey, to figure outlacking proper identity’s impact on the monster. From the analysis of monster’s identity, people are reminded toreconsider their responsibility and stereotypes when communicating with others. 展开更多
关键词 frankenstein(The Modern Prometheus) identity seeking SELF-COGNITION
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“Frankenstein”一词的来源及其含义解析
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作者 刘书慧 《文化创新比较研究》 2024年第26期22-25,共4页
《弗兰肯斯坦——现代普罗米修斯的故事》是英国女作家玛丽·雪莱在1818年创作的长篇科幻小说。这部作品不仅开创了科幻小说的先河,也是哥特式小说的经典之作。作品自出版以来,引起了广泛的关注和讨论,成为很多戏剧、电影等艺术形... 《弗兰肯斯坦——现代普罗米修斯的故事》是英国女作家玛丽·雪莱在1818年创作的长篇科幻小说。这部作品不仅开创了科幻小说的先河,也是哥特式小说的经典之作。作品自出版以来,引起了广泛的关注和讨论,成为很多戏剧、电影等艺术形式的底本,对后世文学和艺术产生了深远的影响。对这部小说的研究,多从其背景与创作动机、主题与思想、叙事技巧与结构、影响与地位及跨学科研究等方面进行探讨,鲜有对“Frankenstein”一词的研究。该文对“Frankenstein”一词的起源、演变过程及其丰富的文化内涵进行分析,通过对该词的深入解析,旨在为理解玛丽·雪莱的作品及其时代背景提供新的视角和启示。 展开更多
关键词 frankenstein 来源 含义 演变过程 文化 意义
原文传递
Humanity in Monstrosity: Monsters in Frankenstein and The Island of Doctor Moreau
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作者 Xinyue Su 《Open Journal of Applied Sciences》 2023年第8期1319-1325,共7页
Monsters are commonly stereotyped as horrible and grotesque creatures. But in Frankenstein and The Island of Doctor Moreau, Shelly and Wells both delineate some complicated but meaningful monster characters. These mon... Monsters are commonly stereotyped as horrible and grotesque creatures. But in Frankenstein and The Island of Doctor Moreau, Shelly and Wells both delineate some complicated but meaningful monster characters. These monsters’ features and natures represent their creator’s intention and purpose. In both texts, monsters are ugly but benevolent, while their creators are eccentric and monstrous. The relationship between men and monsters allows us to view the definition of humanity from a more critical and objective perspective. 展开更多
关键词 MONSTERS Monstrosity HUMANITY frankenstein The Island of Doctor Moreau
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Love and Hate in Frankenstein
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作者 WANG Yan-wei FENG Shu-ting 《海外英语》 2014年第5X期16-17,共2页
Frankenstein,as the first science fiction in the world,mainly talks about the life of a young scientist,Victor Frankenstein,how he created the monster and how the monster destroyed his life.In the novel,love existed i... Frankenstein,as the first science fiction in the world,mainly talks about the life of a young scientist,Victor Frankenstein,how he created the monster and how the monster destroyed his life.In the novel,love existed in everyone’s heart including the monster.On the other side,hate also existed in the characters in the novel.Love and hate were described in the novel,and at last love was more powerful than hate and overcome hate. 展开更多
关键词 LOVE HATE frankenstein
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Exploring the Variety of Meaning in the Main Characters of Frankenstein
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作者 刘佩晴 《海外英语》 2016年第20期151-152,共2页
Frankenstein is the representative work of Mary Shelley. In this work, there are three main characters: Victor Frankenstein, the Creature and Walton. This essay will explore the variety of meaning of the three main ch... Frankenstein is the representative work of Mary Shelley. In this work, there are three main characters: Victor Frankenstein, the Creature and Walton. This essay will explore the variety of meaning of the three main characters in this novel. 展开更多
关键词 frankenstein Mary Shelley
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Comparison Between God and Frankenstein
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作者 田燕 《科技信息》 2013年第26期184-184,共1页
In the novel Frankenstein,Mary Shelly created a scientist Frankenstein who can create creatures like God.This thesis makes a comparison between God and Frankenstein,especially it analyzes their differences so that the... In the novel Frankenstein,Mary Shelly created a scientist Frankenstein who can create creatures like God.This thesis makes a comparison between God and Frankenstein,especially it analyzes their differences so that the readers could understand the novel much better. 展开更多
关键词 英语学习 学习方法 阅读知识 阅读材料
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Environmental Crisis and Literary Imagination: Frankenstein, a Moral Stain on Earth
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作者 龙星辰 《海外英语》 2013年第19期284-286,共3页
The lure of Alpine landscapes in Shelley’s Frankenstein has attracted an increasing number of ecocritics,such as wellknown Bill Phillips and Helena Feder into this growing field of study.Both Phillips and Feder highl... The lure of Alpine landscapes in Shelley’s Frankenstein has attracted an increasing number of ecocritics,such as wellknown Bill Phillips and Helena Feder into this growing field of study.Both Phillips and Feder highlight the significance of the natural environment in terms of understanding literary and cultural texts.They actively argue for an interconnected relationship between Shelley’s creation and the natural environment at that time.The project of this essay chiefly focuses on the similarities in the articles of these two academics from the perspective of ecocriticism and how they relate to each other.Following this,I will discuss the differences between the two articles concerning the consideration of environmental conditions of the novel’s produc tion.Finally,the viewpoints of the two articles and its attempt to reshape perceptions and attitudes towards the present environ mental crisis will be further explored and discussed in this essay. 展开更多
关键词 ECOCRITICISM Environmental CRISIS LITERARY imagina
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《弗兰肯斯坦》中的英雄情感叙事研究
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作者 蒋花 秦书陪 《外国语文》 北大核心 2025年第4期85-94,共10页
科幻小说《弗兰肯斯坦》中强烈的情感构成了该小说的独特魅力,但为何小说中的情感如此吸引读者?它在文中起什么作用?为何怪物引发的情感要强于华尔顿和维克多?答案在于三个第一人称叙事者的身份。作为具有反讽意义的英雄,他们自身的缺... 科幻小说《弗兰肯斯坦》中强烈的情感构成了该小说的独特魅力,但为何小说中的情感如此吸引读者?它在文中起什么作用?为何怪物引发的情感要强于华尔顿和维克多?答案在于三个第一人称叙事者的身份。作为具有反讽意义的英雄,他们自身的缺陷让他们的叙事充满强烈的情感张力、纠结多变的情感维度,反映了作者对19世纪浪漫主义、冒险活动、科技、人道主义等思潮的反思,表达了作者对诸如理性、亲情和同情等的特别关注。其传递的道德寓意为,丰富的情感对英雄更多的是束缚和囚禁,但却是人类最精美的诗篇,同时也揭示了理性、亲情和同情等对于人类生活的重要意义。 展开更多
关键词 玛丽·雪莱 《弗兰肯斯坦》 浪漫冒险英雄 科技英雄 现代他者英雄
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关于“怪物性”的多重含混——《弗兰肯斯坦》的帝国话语批判
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作者 刘倜宾 《巢湖学院学报》 2025年第1期110-116,122,共8页
《弗兰肯斯坦》的怪物不仅是殖民主体的隐喻,还可被视为奴隶这一最底层殖民主体的象征。文本中,维克托与怪物处于相互吸引与毁灭的困境,体现了两者的含混关系,并隐喻着殖民者与殖民主体的含混关系。“怪物性”与人性同时在怪物“他者”... 《弗兰肯斯坦》的怪物不仅是殖民主体的隐喻,还可被视为奴隶这一最底层殖民主体的象征。文本中,维克托与怪物处于相互吸引与毁灭的困境,体现了两者的含混关系,并隐喻着殖民者与殖民主体的含混关系。“怪物性”与人性同时在怪物“他者”身上共存,这也暗示了“怪物性”本身的意义含混。类似的含混还存在于玛丽·雪莱本人对于奴隶的态度上,并含蓄地投射至她对于怪物的角色塑造中。帝国话语中的叙述裂痕暗示了“怪物性”因帝国的想象而形成,并折射于一些英帝国公民对于“文明”与“野蛮”、自由民与奴隶之对立的态度中。帝国话语塑造的“怪物性”被欧洲“文明人”投射至殖民主体身上后,会反噬殖民者,由此帝国话语也被祛魅。 展开更多
关键词 《弗兰肯斯坦》 多重含混 怪物性 殖民主体 帝国话语
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玛丽·雪莱小说中的残障书写与共同体建构——以《弗兰肯斯坦》和《末世一人》为例
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作者 杨健林 张可 《南华大学学报(社会科学版)》 2025年第4期113-118,共6页
文章从社会学残障研究的理论视角出发,结合18世纪欧洲启蒙主义语境,聚焦玛丽·雪莱《弗兰肯斯坦》和《末世一人》中的残障书写,剖析其反驳西方社会排斥“身体他者”的文化建构意义。《弗兰肯斯坦》中人类对怪物的排斥与施暴折射出... 文章从社会学残障研究的理论视角出发,结合18世纪欧洲启蒙主义语境,聚焦玛丽·雪莱《弗兰肯斯坦》和《末世一人》中的残障书写,剖析其反驳西方社会排斥“身体他者”的文化建构意义。《弗兰肯斯坦》中人类对怪物的排斥与施暴折射出西方文化中面部畸形与“公正世界信念”对残障身份的负面塑造;《末世一人》中护国公阿德里恩建立的残障社区则揭示了英国社会瘟疫爆发时建构残障社会的需求。小说中的残障书写寄托了玛丽·雪莱同情西方残障者之生存困境,倡导人性本善、社会改良、人类进步的美好愿景。 展开更多
关键词 《弗兰肯斯坦》 《末世一人》 残障书写 共同体建构
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算法表演与人类余影:数字复活中的权力与伦理问题
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作者 王英杰 张菀芸 《新疆艺术学院学报》 2025年第2期91-98,共8页
生成式人工智能的深度嵌入,正在重塑电影表演的存在结构。数字人所构建的拟态机制,不再依赖演员的身体与声音,而是通过建模与算法完成身份重组与情感模拟。表演的“在场”由此转化为可被调用的程序性资源,文化人格逐步退位于技术主导的... 生成式人工智能的深度嵌入,正在重塑电影表演的存在结构。数字人所构建的拟态机制,不再依赖演员的身体与声音,而是通过建模与算法完成身份重组与情感模拟。表演的“在场”由此转化为可被调用的程序性资源,文化人格逐步退位于技术主导的系统结构,其伦理属性亦趋于模糊。当拼贴逻辑主导生成过程,主体性被压缩至模型参数维度,异质影像在“真实感”修辞下浮现,表演责任亦让渡于系统之中。至此,“弗兰肯斯坦效应”不再是技术寓言,而成为数字人映射出的主权危机与身份裂解隐喻。随着表演系统向去人化方向演进,影像背后的权力逻辑亦逐步渗透至伦理评价与文化规范的内部结构。 展开更多
关键词 生成式人工智能 数字人 表演身份 弗兰肯斯坦效应 后人类影像伦理
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分裂的文本 虚构的权威——从《弗兰肯斯坦》看西方女性早期书写的双重叙事策略 被引量:18
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作者 郭方云 《外国文学研究》 CSSCI 北大核心 2004年第4期5-11,共7页
男性霸权导致了西方女性早期书写的双重叙事 ,也使文本分裂为表层和深层两极。本文以《弗兰肯斯坦》为例 ,分析其中蕴含的双重意义 :一方面 ,她们受到社会习俗和文本常规的推动 ,被迫以维系男权的表层叙事作文本伪装 ;另一方面 ,她们以... 男性霸权导致了西方女性早期书写的双重叙事 ,也使文本分裂为表层和深层两极。本文以《弗兰肯斯坦》为例 ,分析其中蕴含的双重意义 :一方面 ,她们受到社会习俗和文本常规的推动 ,被迫以维系男权的表层叙事作文本伪装 ;另一方面 ,她们以深层的叙事话语对男性一统天下的局面进行隐义的批判。但双重书写却“不断复制出本欲加以改造的结构 ,展示权威的虚构过程最终导致权威的再次确立”(兰瑟语 ) ,建构自身权威的努力最终印证了自身权威的虚构。 展开更多
关键词 《弗兰肯斯坦》 虚构 文本 叙事话语 男权 叙事策略 印证 自身 批判 权威
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维克多·弗兰肯斯坦——一个不可信的叙述者 被引量:4
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作者 李增 龙瑞翠 《外语教学》 CSSCI 北大核心 2007年第3期67-70,共4页
普罗米修斯作为人类的保护者、朋友,一直是人类光明的使者,然而在玛丽.雪莱的笔下他却成了充满谎言的反英雄。本文将运用文本细读与对小说宏观结构进行描述相结合的方式对《弗兰肯斯坦》进行重新诠释,以揭示作者是如何展现这个不可信的... 普罗米修斯作为人类的保护者、朋友,一直是人类光明的使者,然而在玛丽.雪莱的笔下他却成了充满谎言的反英雄。本文将运用文本细读与对小说宏观结构进行描述相结合的方式对《弗兰肯斯坦》进行重新诠释,以揭示作者是如何展现这个不可信的叙述者———弗兰肯斯坦的。 展开更多
关键词 弗兰肯斯坦 不可信的叙述者 创造物 浪漫主义
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《弗兰肯斯坦》叙事艺术论 被引量:17
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作者 李伟昉 《外国文学研究》 CSSCI 北大核心 2005年第3期70-74,共5页
19世纪英国女作家玛丽·雪莱的著名小说《弗兰肯斯坦》,在叙事艺术上所表现出来的特色是非常突出的。它那“我”中有“我”的层叠式的第一人称叙事视角所构成的独具一格的叙事结构、叙事时间的巧妙设置以及重复叙事的魅力等,都给我... 19世纪英国女作家玛丽·雪莱的著名小说《弗兰肯斯坦》,在叙事艺术上所表现出来的特色是非常突出的。它那“我”中有“我”的层叠式的第一人称叙事视角所构成的独具一格的叙事结构、叙事时间的巧妙设置以及重复叙事的魅力等,都给我们留下了深刻印象,并吸引我们去探究,去回味。 展开更多
关键词 《弗兰肯斯坦》 艺术论 第一人称叙事视角 19世纪 叙事艺术 叙事结构 重复叙事 叙事时间 “我” 女作家 小说 雪莱
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