Published in the last year of Augusto Pinochet Ugarte’s military dictatorship saw its end,My Father(Elpadre mid)constitutes an interprofessional,collaborative work between Chile National Literature Prize winner Diame...Published in the last year of Augusto Pinochet Ugarte’s military dictatorship saw its end,My Father(Elpadre mid)constitutes an interprofessional,collaborative work between Chile National Literature Prize winner Diamela Eltit and visual artist Lotty Rosenfeld,composed of unaltered transcriptions of three monologues(dis)articulated by a schizophrenic vagrant who referred to himself as My Father.By re-enacting the vagrant’s irrational utterances in a truthfill but parodic manner,Eltit and Rosenfeld“orphaned”these spoken words into a work of written literature that mocked the authoritarian voice of the dictator who had imposed himself as the Grand Orator of the Nation and the Father of Chile.The main objective of the present work,which is principally based on the conceptualization of Mute Speech by Jacques Ranciere,is to examine the political dimension of Eltit and Rosenfeld’s aesthetic endeavor:through an exploration of the possibilities of political emancipation that the vagrant’s fatherless monologues fostered in My Father,our study demonstrates that what neoliberal civil society presupposes as objectionable animalistic noises may be capable of intervening in what Ranciere refers to as the“distribution of sensible”and its consolidated aesthetics of hierarchy,thus subverting the fable of paterfamilias and pater patriae concocted by Pinochet’s right-wing military regime.展开更多
基金The research in present work is supported by the Social Science Foundation of Beijing under grant no.21WXB006.
文摘Published in the last year of Augusto Pinochet Ugarte’s military dictatorship saw its end,My Father(Elpadre mid)constitutes an interprofessional,collaborative work between Chile National Literature Prize winner Diamela Eltit and visual artist Lotty Rosenfeld,composed of unaltered transcriptions of three monologues(dis)articulated by a schizophrenic vagrant who referred to himself as My Father.By re-enacting the vagrant’s irrational utterances in a truthfill but parodic manner,Eltit and Rosenfeld“orphaned”these spoken words into a work of written literature that mocked the authoritarian voice of the dictator who had imposed himself as the Grand Orator of the Nation and the Father of Chile.The main objective of the present work,which is principally based on the conceptualization of Mute Speech by Jacques Ranciere,is to examine the political dimension of Eltit and Rosenfeld’s aesthetic endeavor:through an exploration of the possibilities of political emancipation that the vagrant’s fatherless monologues fostered in My Father,our study demonstrates that what neoliberal civil society presupposes as objectionable animalistic noises may be capable of intervening in what Ranciere refers to as the“distribution of sensible”and its consolidated aesthetics of hierarchy,thus subverting the fable of paterfamilias and pater patriae concocted by Pinochet’s right-wing military regime.
