Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patter...Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patterns continued to innovate in inheritance and add new themes.Among them,the emergence of landscape painting decorative patterns reflected the unique artistic charm of ceramics in the Qing Dynasty,which not only found a new space for Chinese landscape painting,but also added new vitality to Chinese ceramic art.This paper makes a preliminary introduction to the development of ceramic landscape decoration in the Qing Dynasty.展开更多
Chinese traditional decorative patterns are a unique humanistic art paradigm with oriental poetic charm that has emerged in the development process of Chinese decorative art.They express the aesthetic trends and aesth...Chinese traditional decorative patterns are a unique humanistic art paradigm with oriental poetic charm that has emerged in the development process of Chinese decorative art.They express the aesthetic trends and aesthetic practices of Chinese decorative art.Based on the understanding of the three characteristics of the poetic connotations of Chinese traditional decorative patterns,namely"poetic semantics","harmonious aesthetic feeling",and"inclusive nature",this paper attempts to present the root aesthetic logic in the tradition of decorative art from an oriental context.It also hopes to create an internal cultural identity with poetic connotations in modern design through this exploration。展开更多
Islamic architecture is rich in decorative patterns. Mosques were constructed in the past as simple buildings for offering prayers five times a day. However, in subsequent periods, various features of ornamentation in...Islamic architecture is rich in decorative patterns. Mosques were constructed in the past as simple buildings for offering prayers five times a day. However, in subsequent periods, various features of ornamentation in the form of geometry and arabesque were applied to the surfaces of mosques to portray paradise symbolically. This research applied descriptive approaches to examine the surviving patterns of the Aga-Khan-awarded Bhong Mosque and categorized these patterns as geometric and arabesque. This categorization was achieved by photography, use of software for patterns, and conducting interviews with local elderly persons in the region. The geometric patterns were simple 6- and 8-point star patterns. Several of the eartiest examples of rosette petals exhibited 8- and 10-point star patterns and were categorized by incorporating the geometric style and location of mosques. This research investigated different arabesque categories and inscription types and determined the aesthetic and cultural reasons for their placement on various surfaces. Frescoes had different types of flowers, fruits, and leaves, and a few of them belonged to the local region.展开更多
Temple of the Three Sus,which was first established during the Yuan Dynasty,features a natural,unrestrained,and classically elegant garden architectural style.This paper discusses the multiple characteristics and mean...Temple of the Three Sus,which was first established during the Yuan Dynasty,features a natural,unrestrained,and classically elegant garden architectural style.This paper discusses the multiple characteristics and meanings of traditional architectural decorative patterns at Temple of the Three Sus from a semiotic perspective.First,it analyzes the denotative aspects of these patterns,including their stylistic forms,structural frameworks,and craftsmanship techniques.Second,the paper classifies the traditional architectural decorative patterns of the Temple of the Three Sus based on the types of sources of these patterns and interprets the implied meanings of each.Finally,the paper explores the application of these traditional decorative patterns in modern urban design,specifically in Meishan City,discussing the inheritance and innovation of these patterns in contemporary urban design and emphasizing the importance of integrating tradition with modernity.展开更多
CHINESE Cloisonneis the centuries-old handicraft of creating designs on copper bodies with colored-enamel placed within divisions made of copper wires,which are bent to follow the outline of decorative patterns.This f...CHINESE Cloisonneis the centuries-old handicraft of creating designs on copper bodies with colored-enamel placed within divisions made of copper wires,which are bent to follow the outline of decorative patterns.This form of art originated in the Arab world and was introduced to China during the late Yuan Dynasty(1271-1368),and since then it has become a favorite of the country’s emperors.展开更多
This paper compares Ceramic Decal design and traditional printing design through computer; show the innovation advantages of computer Ceramic Decal design prominent, such as computer color advantage, computer design s...This paper compares Ceramic Decal design and traditional printing design through computer; show the innovation advantages of computer Ceramic Decal design prominent, such as computer color advantage, computer design software brings innovation advantage. The computer brings to the thinking innovation advantage and computer Ceramic Decal design than the traditional ceramic decal in the design process. Through the design advantage that computer has very important influence and significance of ceramic decal.展开更多
"Chinese painted pottery" is the content of "appreciation review" learning field, whose main task is to guide students to initially learn to appreciate Chinese painted pottery works from the aspect..."Chinese painted pottery" is the content of "appreciation review" learning field, whose main task is to guide students to initially learn to appreciate Chinese painted pottery works from the aspects of modeling, patterns, glaze color, etc. Painted pottery is the "quintessence of our country" with a long history, and it is also a rare cultural treasure in our country. However, it is not very familiar to students, which requires teachers to create certain cultural situations to arouse students' interest in appreciation. This class must introduce the students' thinking into the ancient society, closely relate to the living conditions and totem worship at that time, interpret the pattern code of painted pottery, cut a ribbon-cutting pottery pattern, and draw a painted pottery pattern, so as to realize the wisdom of the ancient Chinese people and their pursuit of a better life.展开更多
This paper focuses on the representation of textile decorations that embellish the garments of Buddha and bodhisattvas in Mogao cave 420.The decorations on the robe of Buddha deserve special attention since they inclu...This paper focuses on the representation of textile decorations that embellish the garments of Buddha and bodhisattvas in Mogao cave 420.The decorations on the robe of Buddha deserve special attention since they include also isolated wild boar heads within pearl roundel frames.The wild boar head was particularly popular among Buddhists and there is no reason to make any association between this motif and Zoroastrian deities.It could have been just a symbol of kingship that was particularly appreciated by high classes in Central Asia such as in western China and Persia.展开更多
文摘Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patterns continued to innovate in inheritance and add new themes.Among them,the emergence of landscape painting decorative patterns reflected the unique artistic charm of ceramics in the Qing Dynasty,which not only found a new space for Chinese landscape painting,but also added new vitality to Chinese ceramic art.This paper makes a preliminary introduction to the development of ceramic landscape decoration in the Qing Dynasty.
基金Research Project of the Korea Institute for Humanities and Social Sciences(No.2023KIHSSB009)。
文摘Chinese traditional decorative patterns are a unique humanistic art paradigm with oriental poetic charm that has emerged in the development process of Chinese decorative art.They express the aesthetic trends and aesthetic practices of Chinese decorative art.Based on the understanding of the three characteristics of the poetic connotations of Chinese traditional decorative patterns,namely"poetic semantics","harmonious aesthetic feeling",and"inclusive nature",this paper attempts to present the root aesthetic logic in the tradition of decorative art from an oriental context.It also hopes to create an internal cultural identity with poetic connotations in modern design through this exploration。
文摘Islamic architecture is rich in decorative patterns. Mosques were constructed in the past as simple buildings for offering prayers five times a day. However, in subsequent periods, various features of ornamentation in the form of geometry and arabesque were applied to the surfaces of mosques to portray paradise symbolically. This research applied descriptive approaches to examine the surviving patterns of the Aga-Khan-awarded Bhong Mosque and categorized these patterns as geometric and arabesque. This categorization was achieved by photography, use of software for patterns, and conducting interviews with local elderly persons in the region. The geometric patterns were simple 6- and 8-point star patterns. Several of the eartiest examples of rosette petals exhibited 8- and 10-point star patterns and were categorized by incorporating the geometric style and location of mosques. This research investigated different arabesque categories and inscription types and determined the aesthetic and cultural reasons for their placement on various surfaces. Frescoes had different types of flowers, fruits, and leaves, and a few of them belonged to the local region.
文摘Temple of the Three Sus,which was first established during the Yuan Dynasty,features a natural,unrestrained,and classically elegant garden architectural style.This paper discusses the multiple characteristics and meanings of traditional architectural decorative patterns at Temple of the Three Sus from a semiotic perspective.First,it analyzes the denotative aspects of these patterns,including their stylistic forms,structural frameworks,and craftsmanship techniques.Second,the paper classifies the traditional architectural decorative patterns of the Temple of the Three Sus based on the types of sources of these patterns and interprets the implied meanings of each.Finally,the paper explores the application of these traditional decorative patterns in modern urban design,specifically in Meishan City,discussing the inheritance and innovation of these patterns in contemporary urban design and emphasizing the importance of integrating tradition with modernity.
文摘CHINESE Cloisonneis the centuries-old handicraft of creating designs on copper bodies with colored-enamel placed within divisions made of copper wires,which are bent to follow the outline of decorative patterns.This form of art originated in the Arab world and was introduced to China during the late Yuan Dynasty(1271-1368),and since then it has become a favorite of the country’s emperors.
文摘This paper compares Ceramic Decal design and traditional printing design through computer; show the innovation advantages of computer Ceramic Decal design prominent, such as computer color advantage, computer design software brings innovation advantage. The computer brings to the thinking innovation advantage and computer Ceramic Decal design than the traditional ceramic decal in the design process. Through the design advantage that computer has very important influence and significance of ceramic decal.
文摘"Chinese painted pottery" is the content of "appreciation review" learning field, whose main task is to guide students to initially learn to appreciate Chinese painted pottery works from the aspects of modeling, patterns, glaze color, etc. Painted pottery is the "quintessence of our country" with a long history, and it is also a rare cultural treasure in our country. However, it is not very familiar to students, which requires teachers to create certain cultural situations to arouse students' interest in appreciation. This class must introduce the students' thinking into the ancient society, closely relate to the living conditions and totem worship at that time, interpret the pattern code of painted pottery, cut a ribbon-cutting pottery pattern, and draw a painted pottery pattern, so as to realize the wisdom of the ancient Chinese people and their pursuit of a better life.
基金高等学校学科创新引智基地计划资助(Supported by the project 111)“长安与丝路文化传播学科创新引智基地”(B1803)阶段性成果
文摘This paper focuses on the representation of textile decorations that embellish the garments of Buddha and bodhisattvas in Mogao cave 420.The decorations on the robe of Buddha deserve special attention since they include also isolated wild boar heads within pearl roundel frames.The wild boar head was particularly popular among Buddhists and there is no reason to make any association between this motif and Zoroastrian deities.It could have been just a symbol of kingship that was particularly appreciated by high classes in Central Asia such as in western China and Persia.
