The film industry is currently witnessing a severe shortage of good stories and a decline in storytelling art.Meanwhile,creative computing has been employed successfully in the humanities,especially in the fields of a...The film industry is currently witnessing a severe shortage of good stories and a decline in storytelling art.Meanwhile,creative computing has been employed successfully in the humanities,especially in the fields of art.Seeing the similarities between the process of film-story creation and that of creative computing,we propose a theoretical framework across the two domains,where the exploratory,the combinational and the transformational rules are jointly utilized to generate new ideas and provide potential options in film-story creation.The framework consists of a film knowledge library,a creative computing system,an evaluation model and an output module.The combination of creative computing and film story creation not only helps to produce novel storylines,shorten the creation cycle,and speed up film industry,but also contributes to the novelty and specificity of interdisciplinary studies.展开更多
This paper explores the intersection of artificial intelligence(AI)art and the classical Chinese aesthetic category“Qiyun Shengdong,”proposed by Xie He as the highest standard of painting.It brings this concept of c...This paper explores the intersection of artificial intelligence(AI)art and the classical Chinese aesthetic category“Qiyun Shengdong,”proposed by Xie He as the highest standard of painting.It brings this concept of cosmic vitality into dialogue with computational creativity theory and humanAI co-creation.Using a triangulated method—classical philosophy,contemporary theory,and art psychology—the study first situates AI’s strength in Boden’s“exploratory creativity”and its structural limits in“transformational creativity.”Audience reception studies further reveal a“perception gap”:experts detect the absence of embodied,processual traces that constitute“qiyun,”while general viewers are more accepting.Building on posthumanist thought,the paper repositions AI not as an autonomous creator but as a synergistic partner.It proposes the construct of“Synergistic Qiyun,”where vitality emerges from networks of human intention,algorithmic generation,data heritage,and audience perception,and outlines an MVP framework linking philosophical argument with empirical evidence.展开更多
基金The work is sponsored in part by National Natural Science Foundation of China(No.61877044).
文摘The film industry is currently witnessing a severe shortage of good stories and a decline in storytelling art.Meanwhile,creative computing has been employed successfully in the humanities,especially in the fields of art.Seeing the similarities between the process of film-story creation and that of creative computing,we propose a theoretical framework across the two domains,where the exploratory,the combinational and the transformational rules are jointly utilized to generate new ideas and provide potential options in film-story creation.The framework consists of a film knowledge library,a creative computing system,an evaluation model and an output module.The combination of creative computing and film story creation not only helps to produce novel storylines,shorten the creation cycle,and speed up film industry,but also contributes to the novelty and specificity of interdisciplinary studies.
文摘This paper explores the intersection of artificial intelligence(AI)art and the classical Chinese aesthetic category“Qiyun Shengdong,”proposed by Xie He as the highest standard of painting.It brings this concept of cosmic vitality into dialogue with computational creativity theory and humanAI co-creation.Using a triangulated method—classical philosophy,contemporary theory,and art psychology—the study first situates AI’s strength in Boden’s“exploratory creativity”and its structural limits in“transformational creativity.”Audience reception studies further reveal a“perception gap”:experts detect the absence of embodied,processual traces that constitute“qiyun,”while general viewers are more accepting.Building on posthumanist thought,the paper repositions AI not as an autonomous creator but as a synergistic partner.It proposes the construct of“Synergistic Qiyun,”where vitality emerges from networks of human intention,algorithmic generation,data heritage,and audience perception,and outlines an MVP framework linking philosophical argument with empirical evidence.
