Sherlock Holmes, the literary image that Arthur Conan Doyle created in The Adventure of Sherlock Holmes, has undoubtedly become an iconic figure of detective. For over a century, a number of films and TV series which ...Sherlock Holmes, the literary image that Arthur Conan Doyle created in The Adventure of Sherlock Holmes, has undoubtedly become an iconic figure of detective. For over a century, a number of films and TV series which based on this book are countless, Sherlock Holmes has been brought to silver screen and stage for a million times. It will be mentioned Arthur Conan and Sherlock Holmes in his book at first, and then review a list of Sherlock Holmes' adaptations in the history. Secondly, showing different personalities of this figure, taking film and TV dramas adaptation as examples to compare with the original novel,from which we can discover different perspectives of this image of Sherlock Holmes. At last, it emphasizes through the ages, literary works have always been materials for films and TV programs creation. From the everlasting image of Sherlock Holmes, we can see that literary spirits in classic masterpieces can be spread and flourished through adaptation of films and TV programs.展开更多
In Conan Doyle’s detective stories mainly including“The Resident Patient,”“The Gloria Scott,”“The Adventure of Blanched Soldier,”and“The Crooked Man,”featuring the master sleuth character Sherlock Holmes,he d...In Conan Doyle’s detective stories mainly including“The Resident Patient,”“The Gloria Scott,”“The Adventure of Blanched Soldier,”and“The Crooked Man,”featuring the master sleuth character Sherlock Holmes,he depicts the return of the colonials from British colonies,mostly India,with physically deformed or ravaged body and traumatic past that haunt and trouble his characters’present life.Doyle allegorically uses returned colonials or poor whites who turn into figures of retributive ghosts that function as pathetic memories and inner fears from British colonies.The seeing of ghostly figures and haunting past events delineated in these stories cause characters’sense of uncanny horror and remind them of their past trauma.These monstrous returned colonials or poor whites often create a fear and a social menace that must be appropriately dealt with when the master sleuth is commissioned to pin down the truth of client’s cases.Why are these bodies of ghostly figures so“irregular”and ravaged?What do these deformities signify?How can returned colonial’s or poor white’s traumatic past be related to retributive ghost?This paper attempts to probe into these issues in order to find out possible answers.展开更多
Sir Arthur Conan Doyle wrote many mystery and detective stories from 1890s to 1910s, years saw the advancement of powerful modem science and technology, especially inventions of transportation means or machines that a...Sir Arthur Conan Doyle wrote many mystery and detective stories from 1890s to 1910s, years saw the advancement of powerful modem science and technology, especially inventions of transportation means or machines that accelerate mobility power in late-Victorian and Edwardian society. In some of these mystery or detective stories especially featuring the well-known sleuth Sherlock Holmes, Doyle tended to integrate an early subject＇s experience of shrunken space and reduced time into an unknown fear by delineating his characters who perceive horror and nervousness while facing or riding on a railway transportation, including mainly the steam railway in mysterious tales like ＂The Lost Special＂ and ＂The Man with the Watches＂ as well as in detective stories like ＂The Adventure of the Engineer＇s Thumb＂, ＂The Adventure of Bruce-Partington Plan＂, ＂Valley of Fear＂ and several others. How can this spatiotemporal mobility be connected to mysterious affairs which lead Doyle＇s quasi-detective characters and police power to spring into investigative action？ Railway, mobility, and horror are woven together into a driving force that facilitates our geographical and forensic exploration of Doyle＇s stories.展开更多
Melanie C.Green and Timothy C.Brock have proposed their transportation-imagery model of narrative persuasion.They argue that a narrative can evoke imagery in readers'mind and then transport readers into the narrat...Melanie C.Green and Timothy C.Brock have proposed their transportation-imagery model of narrative persuasion.They argue that a narrative can evoke imagery in readers'mind and then transport readers into the narrative world the author has created,in the course of which the author can persuade readers of the beliefs he's put into the narrative.This paper employs this model to rethink how Arthur Conan Doyle persuades his readers of British imperialism in his"The Speckled Band".First,this model considers the vividness of the narrative and readers'participatory response as key factors in readers'transportation.The narratives of"The Speckled Band"are picturesque,and Sherlock Holmes'inferential process has reinforced readers'participatory response.On the other hand,detective fiction usually has the theme of how the detective/law and order beats the criminal/chaos.That is,Doyle persuades his readers that the British Empire will prevail in"The Speckled Band"when Holmes,representing the British imperialism,solves the case and kills Dr.Roylott,who represents the evil and savagery in the British colony.According to Green and Brock's model,it simply means that there are two narratives(i.e.,one is about how the law of the British Empire is challenged,and the other is about how the British Empire's stability is restored),and two complementary transportations before Doyle can successfully persuades his readers.However,if we closely read"'The Speckled Band",we can learn that Holmes,who should have represented British law,is guilty of trespassing or taking the law into his own hands.In other words,the complementarity of the two transportations is compromised.Thus,we can conclude that it is highly questionable whether or not Doyle can transport his readers into the bosom of the British Empire.展开更多
In the history of detective stories, Sherlock Holmes and Miss Jane Marple remain as two of the most prominent figures. Focusing on the two detectives' images, personality traits, detective strategies as well as se...In the history of detective stories, Sherlock Holmes and Miss Jane Marple remain as two of the most prominent figures. Focusing on the two detectives' images, personality traits, detective strategies as well as settings of the stories, this study examines the grounds that magnetize readers.The purpose of this research is to inquire into readers' orientations to Sherlock Holmes and Miss Jane Marple, and to investigate the causes for their views. To fulfill that purpose, a questionnaire was designed and distributed. Sherlock Holmes and Miss Jane Marple prove themselves to be successful detectives. Both of them have distinct images and personality traits as well as plausible detective strategies. The settings, combining reality with imagination, also play a dispensable role. Besides, reasons given by students who disbelieve that they are real persons fail to convince.展开更多
文摘Sherlock Holmes, the literary image that Arthur Conan Doyle created in The Adventure of Sherlock Holmes, has undoubtedly become an iconic figure of detective. For over a century, a number of films and TV series which based on this book are countless, Sherlock Holmes has been brought to silver screen and stage for a million times. It will be mentioned Arthur Conan and Sherlock Holmes in his book at first, and then review a list of Sherlock Holmes' adaptations in the history. Secondly, showing different personalities of this figure, taking film and TV dramas adaptation as examples to compare with the original novel,from which we can discover different perspectives of this image of Sherlock Holmes. At last, it emphasizes through the ages, literary works have always been materials for films and TV programs creation. From the everlasting image of Sherlock Holmes, we can see that literary spirits in classic masterpieces can be spread and flourished through adaptation of films and TV programs.
文摘In Conan Doyle’s detective stories mainly including“The Resident Patient,”“The Gloria Scott,”“The Adventure of Blanched Soldier,”and“The Crooked Man,”featuring the master sleuth character Sherlock Holmes,he depicts the return of the colonials from British colonies,mostly India,with physically deformed or ravaged body and traumatic past that haunt and trouble his characters’present life.Doyle allegorically uses returned colonials or poor whites who turn into figures of retributive ghosts that function as pathetic memories and inner fears from British colonies.The seeing of ghostly figures and haunting past events delineated in these stories cause characters’sense of uncanny horror and remind them of their past trauma.These monstrous returned colonials or poor whites often create a fear and a social menace that must be appropriately dealt with when the master sleuth is commissioned to pin down the truth of client’s cases.Why are these bodies of ghostly figures so“irregular”and ravaged?What do these deformities signify?How can returned colonial’s or poor white’s traumatic past be related to retributive ghost?This paper attempts to probe into these issues in order to find out possible answers.
文摘Sir Arthur Conan Doyle wrote many mystery and detective stories from 1890s to 1910s, years saw the advancement of powerful modem science and technology, especially inventions of transportation means or machines that accelerate mobility power in late-Victorian and Edwardian society. In some of these mystery or detective stories especially featuring the well-known sleuth Sherlock Holmes, Doyle tended to integrate an early subject＇s experience of shrunken space and reduced time into an unknown fear by delineating his characters who perceive horror and nervousness while facing or riding on a railway transportation, including mainly the steam railway in mysterious tales like ＂The Lost Special＂ and ＂The Man with the Watches＂ as well as in detective stories like ＂The Adventure of the Engineer＇s Thumb＂, ＂The Adventure of Bruce-Partington Plan＂, ＂Valley of Fear＂ and several others. How can this spatiotemporal mobility be connected to mysterious affairs which lead Doyle＇s quasi-detective characters and police power to spring into investigative action？ Railway, mobility, and horror are woven together into a driving force that facilitates our geographical and forensic exploration of Doyle＇s stories.
文摘Melanie C.Green and Timothy C.Brock have proposed their transportation-imagery model of narrative persuasion.They argue that a narrative can evoke imagery in readers'mind and then transport readers into the narrative world the author has created,in the course of which the author can persuade readers of the beliefs he's put into the narrative.This paper employs this model to rethink how Arthur Conan Doyle persuades his readers of British imperialism in his"The Speckled Band".First,this model considers the vividness of the narrative and readers'participatory response as key factors in readers'transportation.The narratives of"The Speckled Band"are picturesque,and Sherlock Holmes'inferential process has reinforced readers'participatory response.On the other hand,detective fiction usually has the theme of how the detective/law and order beats the criminal/chaos.That is,Doyle persuades his readers that the British Empire will prevail in"The Speckled Band"when Holmes,representing the British imperialism,solves the case and kills Dr.Roylott,who represents the evil and savagery in the British colony.According to Green and Brock's model,it simply means that there are two narratives(i.e.,one is about how the law of the British Empire is challenged,and the other is about how the British Empire's stability is restored),and two complementary transportations before Doyle can successfully persuades his readers.However,if we closely read"'The Speckled Band",we can learn that Holmes,who should have represented British law,is guilty of trespassing or taking the law into his own hands.In other words,the complementarity of the two transportations is compromised.Thus,we can conclude that it is highly questionable whether or not Doyle can transport his readers into the bosom of the British Empire.
文摘In the history of detective stories, Sherlock Holmes and Miss Jane Marple remain as two of the most prominent figures. Focusing on the two detectives' images, personality traits, detective strategies as well as settings of the stories, this study examines the grounds that magnetize readers.The purpose of this research is to inquire into readers' orientations to Sherlock Holmes and Miss Jane Marple, and to investigate the causes for their views. To fulfill that purpose, a questionnaire was designed and distributed. Sherlock Holmes and Miss Jane Marple prove themselves to be successful detectives. Both of them have distinct images and personality traits as well as plausible detective strategies. The settings, combining reality with imagination, also play a dispensable role. Besides, reasons given by students who disbelieve that they are real persons fail to convince.
